Lillian Gish Movies
"The First Lady of the Silent Screen," Lillian Gish was the movie industry's first true actress. A pioneer of fundamental film performing techniques, she was the first star to recognize the many crucial differences between acting for the stage and acting for the screen, and while her contemporaries painted their performances in broad, dramatic strokes, Gish delivered finely etched, nuanced turns carrying a stunning emotional impact. While by no means the biggest or most popular actress of the silent era, she was the most gifted, her seeming waiflike frailty masking unparalleled reserves of physical and spiritual strength. More than any other early star, she fought to earn film recognition as a true art form, and her achievements remain the standard against which those of all other actors are measured.Born Lillian de Guiche October 14, 1893, in Springfield, OH, Gish, her younger sister, Dorothy, and their mother, actress Mary Gish, soon relocated to New York. Beginning their acting careers not long after, the girls were in short time the family breadwinners. Among their colleagues was another child actress, Mary Pickford, who in 1909 traveled west to Hollywood to pursue a career in the movies. She found work with the famed director D.W. Griffith, and soon persuaded him to recruit the Gish sisters for his Biograph Studios' repertory company of actors. Lillian and Dorothy debuted together in 1912's An Unseen Enemy and over the next several years appeared both together and independently in dozens of the director's one- and two-reelers. While overshadowed by Pickford's fame, Lillian was the Griffith stable's most skilled actress, and she starred in many of his greatest works, including 1915's The Birth of a Nation, 1916's Intolerance, 1920's Way Down East, and 1922's Orphans of the Storm.
With her delicate, luminous beauty, Gish was perfect for Griffith's Victorian-styled melodramas; wide-eyed and restrained, her face a marvel of innocence and nuance, she was nothing less than ideal for Griffith's landmark use of close-up photography. Together, they worked from opposite sides of the camera to push the new medium from lowbrow entertainment into the realm of serious art. In 1920, under Griffith's tutelage, Gish even directed her own film, Remodeling Her Husband, a vehicle for her sister. She left Griffith in 1923, landing at MGM to star in such literary projects as 1926's La Boheme and The Scarlet Letter. In 1930, she made her first sound film, One Romantic Night. Longing to return to Broadway -- and considered a fading star around Hollywood -- she made only one film over the course of the next 13 years, 1933's His Double Life. Instead, she became a fixture of the stage in productions, including 1930's Uncle Vanya, 1936's The Old Maid, and 1937's The Star Wagon. She also played Ophelia opposite John Gielgud's titular Hamlet, and in 1932 published the book Life and Lillian Gish.
A supporting role in 1943's The Commandos Strike at Dawn signalled Gish's return to film. Four years later, she received her first Oscar nomination for her work in the acclaimed Duel in the Sun. However, after 1948's Portrait of Jennie, Gish again exited Hollywood for the stage, and did not return to movies prior to 1955's The Cobweb. Later that same year, she also co-starred in Charles Laughton's classic The Night of the Hunter and infrequently appeared on television. After 1967's The Comedians, Gish largely retired from acting, penning a second memoir, The Movies, Mr. Griffith and Me, two years later. In 1971, she won a special Academy Award for her "superlative artistry" and in 1977 co-starred in Robert Altman's A Wedding. After being honored in 1984 by the American Film Institute, in 1987, she accepted her final starring role, opposite Bette Davis, in The Whales of August. Lillian Gish died in New York City on February 27, 1993. ~ Jason Ankeny, All Movie Guide
- 1988
Produced for Britain's Thames television in 1979, Hollywood is a 13-part overview of the silent film era, lovingly assembled by historian Kevin Brownlow and David Gill. Each episode runs one hour, and each concentrates on a separate aspect of the art of the silent cinema. Chapter titles include "The Pioneers," "Single Beds and Double Standards," "Swanson and Valentino" and "Comedy: A Serious Business." In addition to interviews from such silent-movie veterans as Lillian Gish, Allan Dwan, Viola Dana, William Wellman, Karl Brown, Colleen Moore, King Vidor and Blanche Sweet, each episode of Hollywood is distinguished by rare, lengthy filmclips, many in pristine condition. The symphonic background music by Carl Davis superbly evokes the 1910s and 1920s without ever stooping to tinkly-piano cliches. The release of Hollywood was accompanied by the publication of a coffee-table book, also the handiwork of Brownlow and Gill. In 1988, a feature-length version of Hollywood was made available for syndication. ~ Hal Erickson, All Movie Guide
A once-in-a-lifetime cast of veterans performs David Berry's play about Libby Strong (Bette Davis) and Sarah Webber (Lillian Gish), widowed sisters vacationing on a Philadelphia island for their 60th consecutive summer. Libby is blind and embittered, while Sarah is healthy, supportive, and almost annoyingly chipper. Their neighbor Tisha (Ann Sothern) tries to convince Sarah to put Libby in the care of her daughter, but Sarah hasn't forgotten Libby's moral support when her own husband died, and she won't entertain such notions -- until she is swept off her feet by an aging roué (Vincent Price). When Libby spitefully sabotages this romance, an infuriated Sarah decides that gratitude has its limits. But when it actually comes down to selling their summer house and sending Libby packing, Sarah can't do it. In the film's flashback sequences, Libby is played by Margaret Ladd, Sarah by Mary Steenburgen, and Tisha by Ann Sothern's real-life daughter Tisha Sterling. Another film personality of long standing, Harry Carey Jr., is well cast as the sisters' handyman. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Lillian Gish, (more)
Alan Alda wrote, directed, and starred in this satirical film about the corruption of the film industry's approach to history. Alda plays Michael Burgess, a college professor who has written a historical novel about the American Revolution. The book has been turned into a script, and a Hollywood film crew descends on his North Carolina hometown to make the movie. Predictably, the director and actors make a mess of his concept, and Burgess becomes frustrated as the town is turned upside down. Desperately, he tries to salvage his concept with some last-minute script changes. To make things more complicated, Burgess falls in love with the glamorous female lead in the film, Faith Healy (Michelle Pfeiffer). Meanwhile, his long-time girlfriend, Gretchen (Lise Hilboldt) is pressuring him to get married. The film's male star, Elliott James (Michael Caine), finally shows up in town and becomes Burgess's rival for Faith's affections. Silent film star Lillian Gish appears as Burgess's smother. ~ Michael Betzold, All Movie Guide
- Starring:
- Alan Alda, Michael Caine, (more)
- 1985
1985's Adventures of Huckleberry Finn is the only filmed version of the Mark Twain classic to cover every episode in the original novel and not merely such familiar vignettes as the "King and the Duke" business. Presented in four parts, Finn opens in 1844, with young Huck (Patrick Day) being kidnapped from the home of the Widow Douglas (Sada Thompson) by his brutal, drink-sodden Pap (Frederic Forest). Huck escapes by faking his own death and rafting down the river in the company of escaped slave Jim (Samm-Art Williams). Part two offers the seldom-dramatized scene in the novel wherein an abolitionist is lynched; part three recounts the Shepardson/Grangerford feud; and part four culminates with the chicanery of the King (Barnard Hughes) and the Duke (Jim Dale) and the capture of Jim. Featured in the huge cast are Lillian Gish, Geraldine Page, Butterfly McQueen, Richard Kiley, and Eugene Oakes as Tom Sawyer. Originally clocking in at 240 minutes, Adventures of Huckleberry Finn was first telecast in February and March of 1986 on PBS' American Playhouse; it is currently available in a 105-minute videocassette version. ~ Hal Erickson, All Movie Guide
- Starring:
- Patrick Day, Frederic Forrest, (more)
- 1984
- PG
It is doubtful that while acting in D. W. Griffith's Birth of a Nation back in 1914, Lillian Gish ever dreamed that seven decades later she'd be co-starring with a cute dog in something called Hambone and Hillie. It all begins at a busy airport, where octogenarian Hillie (Gish) is accidentally separated from her beloved bow-wow Hambone. In a twinkling, Hambone and Hillie find themselves on opposite coasts of the USA. The rest of the film charts the efforts of both mistress and mutt to find each other again. ~ Hal Erickson, All Movie Guide
- Starring:
- Lillian Gish, Timothy Bottoms, (more)
- 1984
Interviewed in her charming New York apartment at the age of 88, the indomitable Lillian Gish (her last name an Anglicized version of Guiche), comes across as the knowledgeable, talented, and beguiling woman of her many publicity releases. Gish recounts how she and her sister Dorothy first started working for D.W. Griffith after Mary Pickford, their former collegue in New York, persuaded Griffith to add both Gish sisters to his repertory. Gish goes on to talk about her first, popular movies with Griffith - such as the racist, radical, and cinematically brilliant Birth of a Nation. A few personal bits of information are revealed in the interview, such as the fact that when Griffith took Dorothy and Lillian, as well as their mother Mary on location in England in 1918 to film Hearts of the World, Mary Gish's health declined and she never fully recovered (she died in 1948). If French actress and director Jeanne Moreau had focused on similarly untapped areas of the great thespian's life, the documentary would have been all the more interesting. As it stands, Gish still carries the show with ease and grace. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Lillian Gish, Jeanne Moreau, (more)
- 1983
This third film version of Harold Brighthouse's play Hobson's Choice moves the locale from turn-of-century London to 1914 New Orleans. Horatio Hobson (Jack Warden) is the boozy, tyrannical owner of a shoe store. Hobson's daughter Maggie (Sharon Gless) falls in love with humble shoe clerk Will Mossup (Richard Thomas). When Hobson refuses to give the relationship his blessing, Maggie huffily takes her new boy friend out of the store to set up her own shop--which soon threatens to put Hobson out of business. In her last TV appearance, Lillian Gish plays the elderly benefactor who enables Will and Maggie to declare their independence. Hobson's Choice first aired on December 21, 1983. PS: A musical version of the play, Walking Happy, ran on Broadway in the mid-1960s, with Norman Wisdom starring as Will Glossop. ~ Hal Erickson, All Movie Guide
- 1981
This drama examines the illicit love affair between a high-school teacher and one of her students. ~ Sandra Brennan, All Movie Guide
- Starring:
- Kate Jackson, Gerard Prendergast, (more)
Robert Altman's over-frenetic satire on American marriage rituals and hypocrisy concerns the upper-crust marriage between Dino Corelli (Desi Arnaz Jr.) and Muffin Brenner (Amy Stryker). As the film begins, a senile bishop forgets the lines to the wedding ceremony and Nettie Sloan (the groom's grandmother) drops dead in an upstairs bedroom. Nettie's death is not disclosed to the two families who converge at the wedding reception. As the two sets of in-laws slam into each other, the bride and groom disappear in the ensuing whirlwind of chaos as both extended families vie for sexual favors and try to keep hidden never-discussed family secrets. Regina Corelli (Nina Van Pallandt) is revealed to be a drug addict, while Luigi, is endeavoring unsuccessfully to keep his Mafia connections under wraps. Meanwhile, the bride's family, although more down to earth, are revealed to be no better. Tulip Brenner (Carol Burnett) begins to flirt with one of the wedding guests, Mackenzie Goddard (Pat McCormick), while Snooks Brenner (Paul Dooley) acts like a lout and drinks heavily. And flying around the edges of the action like Tinkerbell is Buffy Brenner, the Brenners' youngest daughter, who is pregnant by the groom. As other characters bang into each other -- sexual degenerates, hard-nosed radicals, raw-boned emotional wrecks -- the wedding reception heads for its inevitable nuclear explosion. ~ Paul Brenner, All Movie Guide
- Starring:
- Carol Burnett, Paul Dooley, (more)
- 1976
In this mystery, twin gumshoes team up to expose a band of bogus spiritualists involved in murder . ~ Sandra Brennan, All Movie Guide
- 1970
This documentary follows noted film archivist Henri Langlois as he returns to Paris. Over 60,000 prints exist in his Paris museum, with 15,000 in the United States and 6,000 in Russia. Ingrid Bergman, Lillian Gish, Jeanne Moreau, Simone Signoret, Catherine Denueve, Francois Truffaut, and Viva all give commentaries about Langlois and the importance of his work to the world film community. ~ Dan Pavlides, All Movie Guide
- Starring:
- Lillian Gish, Ingrid Bergman, (more)
LAPD detective Sgt. Tom Valens (David Janssen) is a ten-year veteran of the force who has had more than his share of hard luck lately -- his marriage is a wreck, and he hasn't fully recovered from a serious wound suffered in the line of duty a year ago. He and his partner, Sgt. Ed Musso (Keenan Wynn), are working a stakeout one night at the Seascape Apartments, in hope of catching a killer who has already claimed three victims in that part of the city, when he confronts a man seemingly trying to sneak off the premises. The man tries to run, stops when ordered but starts to pull a gun, and Valens shoots him dead. The deceased turns out to be Dr. James B. Ruston, a well-known humanitarian and pillar of the community -- worse yet, the police can't find any trace of the gun Valens says he saw Ruston pull. Valens' nightmare builds gradually, as he's first assigned to a desk, then hung out to dry by an indifferent coroner (Carroll O'Connor) at an inquest, suspended from the force, and then indicted for manslaughter by a crusading prosecutor (Sam Wanamaker) with a personal ax to grind. Villified in the press and by protesters in the street, Valens has few even slightly sympathetic ears around him -- his partner, his captain (Ed Begley Sr.), and his soon-to-be-ex-wife (Joan Collins) -- and even fewer allies. The one attorney (Walter Pidgeon) with enough juice to fight the case on an even footing with the DA says he would only plead him guilty and try for a deal, based on his understanding of the law and of juries; and the one public pundit (Steve Allen) who takes his part is doing so for the most cynical of reasons. Valens realizes that the only way to save himself is to first prove that the so-called victim wasn't quite the candidate for sainthood that he seemed -- why did he run? -- and to find the missing gun. To do all of that, he's got to confront the victim's aggrieved patients (Lillian Gish), his alcoholic widow (Eleanor Parker), and his employees (Stefanie Powers), all of whom have every reason to hate Valens. He starts to dig into the doctor's finances and finds some anomalies that no one can explain (or wants to look at -- they'd rather hang Valens), and as he puts together the pieces of the puzzle, helped by a sympathetic tenant at Seascape (George Grizzard), Valens finds himself pursued by the doctor's thug of son and his friends with mayhem on their minds -- and someone else with a deadlier agenda. ~ Bruce Eder, All Movie Guide
- Starring:
- David Janssen, Ed Begley, Sr., (more)
- 1967
The humorous title of this story taken from the novel by Graham Greene gives the viewer the wrong impression. The story concerns the residents of a once-posh hotel in Haiti and the fate of the country's people under the despotic dictator Papa Doc Duvalier. Martha (Elizabeth Taylor) is the philandering wife of a South American ambassador Peter Ustinov. She seeks solace in the arms of hotel-owner Brown (Richard Burton), whose main focus is to keep making improvements on his crumbling building. Alec Guinness plays Jones, the suave charlatan who claims to be a retired military officer to hide his vocation as a shadowy weapons dealer. Brown later gets a sudden twinge of morality and decides to go off to the mountains to help the rebels in their heroic cause. Watch for silent film great Lillian Gish as Mrs. Smith in this plodding drama. ~ Dan Pavlides, All Movie Guide
- Starring:
- Richard Burton, Elizabeth Taylor, (more)
Follow Me, Boys!, Disney's paean to the Boys Scouts of America, leaves no cliché unturned: we're even offered the old reliable "kid hanging over cliff by rope" bit. Corny, sentimental and obvious though it may be, the film is a delight to watch, especially whenever Fred MacMurray dominates the screen. MacMurray plays Lem Siddons, a 1930s musician who decides to settle down in a small Midwestern town. Here he meets pretty bank teller Vida Downey (Vera Miles), who bemoans the fact that the local boys have no organized activities with which to occupy their time. Volunteering to be a scoutmaster, Lem begins a local scout troop. There are some tense moments when banker Ralph Hastings (Elliot Reid) demands that Lem's scouts vacate their headquarters, but Reid's feisty millionaire Aunt Hetty (Lillian Gish) comes to the rescue. The film's throughline is the regeneration of local "tough kid" Whitey (Kurt Russell), who, after joining the Boy Scouts, straightens out and matures into a solid citizen. The film's lachrymose climax is kept "honest" by the sincere underplaying of Fred MacMurray. Though lambasted by reviewers, Follow Me, Boys! struck a responsive chord with filmgoers, to the tune of a $5.5 million box-office take. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Vera Miles, (more)
- 1964
There's no love lost between small-town busybody Bessie Carnby (Lillian Gish) and her neighbors Henry and Samantha Wilkins (Peter Lind Hayes, Patricia Cutts) -- nor does Bessie's daughter, Camilla (Maggie McNamara), make a secret of her dislike for the mousy Henry. Eventually, Bessie decides to bury the hatchet and pays a visit to the Wilkinses -- and in the process, comes to the conclusion that Samantha has murdered Henry and disposed of his body. Thanks to Bessie's persistence, Samantha is arrested, convicted, and executed. Only afterward does Bessie learn the whole truth -- and this time, it looks as though justice will not be done. Originally scheduled to air on November 22, 1963, "Body in the Barn" was rescheduled for July 3, 1964, as the final episode of Alfred Hitchcock's ninth season on the air. ~ Hal Erickson, All Movie Guide
- Starring:
- Lillian Gish, Maggie McNamara, (more)
- 1963
The art of the movie chase sequence hardly began with Bullitt or The French Connection -- no thriller of the silent era was complete without a hair-raising chase scene, and this compilation pulls together highlights from some of the great films of the early 20th century. Starting with The Great Train Robbery (1903), this documentary follows the history of the silent movie chase sequence, and it includes excerpts from The Mark of Zorro (1920), Way Down East (1920), The Perils of Pauline (1914), and Buster Keaton's masterpiece, The General (1927). The Great Chase also features an original score written and performed by the great harmonica player Larry Adler. ~ Mark Deming, All Movie Guide
One of Hollywood's most famous and acclaimed directors, John Huston guides this western with an unerring hand -- the cast of notable stars is no drawback either. Setting up the story with a series of suspenseful scenes, Huston has a mysterious stranger on horseback come into a small community in the Texas Panhandle and then proceed to cause a mini-war. The time is the mid-19th century and there is already antagonism between the white settlers in the community and the local Kiowa Indian nation. The Zachary family is at the crux of the trouble. Matilda (Lillian Gish) is the matriarch who holds a family secret -- her adopted daughter Rachel (Audrey Hepburn) is actually a Kiowa child. There are three brothers in the Zachary family, and one of them, Ben (Burt Lancaster) is obviously in love with Rachel. Another, Cash (Audie Murphy) hates Native Americans, while the youngest (Doug McClure) is there to defend the family when they need it. The stranger on horseback has done the unthinkable, he has made it widely known that Rachel is a Kiowa -- and then the battles begin. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Burt Lancaster, Audrey Hepburn, (more)
- 1958
The moral dilemma of a reluctant American spy is chronicled in this psychological drama. He becomes an agent after he, originally a pilot, is grounded during WW II. He is trained to assassinate a Paris lawyer suspected of colluding with the Nazis. During his rigorous training for the killing, the new spy begins to have doubts about his upcoming assignment; these doubts increase when he actually meets his prey as the spy is unsure that the lawyer is really guilty. Still he fulfills his grim duty. Later he learns that the lawyer was innocent. ~ Sandra Brennan, All Movie Guide
- Starring:
- Eddie Albert, Paul Massie, (more)
- 1955
William Gibson's novel The Cobweb was brought to the screen by MGM with an impressive, hand-picked cast. Richard Widmark plays the head of a posh psychiatric clinic. Widmark's wife Gloria Grahame jockeys for the honor of selecting new drapes for the hospital's library. One wouldn't think that such a trivial decision would spark so much melodrama; but thanks to those drapes, we are allowed to probe the disturbed psyches of martinet business affairs director Lillian Gish, philandering doctor Charles Boyer, lonely activities director Lauren Bacall, and suicidal patient John Kerr. Oscar Levant, who spent most of his life in and out of "little white rooms", is ideally cast as a neurotic musician, while Fay Wray has a superb cameo as Boyer's long-suffering wife. Cobweb served as the screen debuts for both John Kerr and Susan Strasberg. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Lauren Bacall, (more)
Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with "good" represented by a couple of farm kids and a pious old lady, and "evil" literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben's home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben's son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film's final third, a masterful blend of horror and lyricism. Laughton's tight, disciplined direction is superb -- and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Shelley Winters, (more)
In Portrait of Jennie, Joseph Cotten plays an artist, Eben Adams, who is unable to bring any true feeling to his work. While painting in Central Park one morning, Eben makes the acquaintance of a schoolgirl named Jennie (Jennifer Jones), who prattles on about things that happened years ago. Intrigued at her thorough knowledge of the past, Eben is about to converse with her further, but Jennie has vanished. Over the next few months, Eben meets Jennie again and again -- and each time she seems to have aged by several years. He paints her portrait, which turns out to be more full of expression and emotion than anything he's previously done. His curiosity peaked by Jennie's enigmatic nature, Eben uncovers evidence that he has been conversing -- and falling in love -- with the ghost of a girl who died years earlier in a hurricane. On the eve of the hurricane's anniversary, Eben rushes to meet Jennie at the site where she was supposedly killed. As a new storm rages, Jennie vanishes for good, but not before declaring that the love she and Eben have shared will live forever. Rescued from the storm, Eben convinces himself that Jennie was a mere figment of his imagination. Then he notices that he stills clutches her scarf in his hand. He looks at his portrait of Jennie (the only Technicolor shot in this otherwise black-and-white film) and understands what she meant when she said that their love would endure throughout eternity; it will do so through Cotten's art, both the portrait at hand and all future portraits. Based on the novel by Robert Nathan, Portrait of Jennie is one of the most beautifully assembled fantasies ever presented onscreen. Producer David O. Selznick's unerring eye for "rightness" enabled him to select the perfect stars, supporting cast (Lillian Gish, Ethel Barrymore, David Wayne, Cecil Kellaway, et al.), director, cinematographer (Joseph August), and composer (Dimitri Tiomkin, who based his themes on the works of Debussy), and blend everything into one ideally balanced package. ~ Hal Erickson, All Movie Guide
- Starring:
- Joseph Cotten, Jennifer Jones, (more)
In David O. Selznick's Duel in the Sun, Jennifer Jones stars as Pearl Chavez, whom everyone has tagged as a "bad girl" foredoomed to an unhappy end. She is taken into the home of wealthy, greedy rancher McCanles (Lionel Barrymore) and his kindly wife Laura Belle (Lillian Gish), who'd once been the sweetheart of Pearl's recently executed father (Herbert Marshall). Almost immediately, Pearl becomes the object of an emotional tug-of-war between McCanles' virtuous son Jesse (Joseph Cotten) and wicked ne'er-do-well offspring Lewt (Gregory Peck). After killing a man (Charles Bickford) who'd tried proposing to Pearl, Lewt becomes a fugitive, secretly working to undermine the railroad that threatens to cut across McCanles' land. The level-headed Jesse tries to negotiate with the railroad men, and as a result is ordered from the ranch by McCanles. While all this is going on, Pearl, sick to death of being told what a bad job she is, decides to become the Jezebel everyone assumes she is. Duel in the Sun was based on the novel by Niven Busch, who'd written the work hoping that his wife Teresa Wright would play Pearl--but that was before Selznick fell head over heels in love with Jennifer Jones. ~ Hal Erickson, All Movie Guide
- Starring:
- Griff Barnett, Jennifer Jones, (more)
- 1945
Based on the novel by Augusta Tucker, the provocatively titled Miss Susie Slagle's is actually a leisurely, sentimental story set in a turn-of-the-century boarding house. The title character, played by Lillian Gish, is the house's landlady, catering exclusively to young doctors and nurses in training. Miss Susie Slagle takes pride in the fact that not one of her boarders has ever failed medical school, but for a while it looks as though this perfect record will be spoiled by Elijah Howe Jr. (Bill Edwards), the seemingly irresponsible son of one of Susie's former tenants (Ray Collins). The bulk of the storyline is carried by med student Pug Prentiss (Sonny Tufts), who carries on a romance with Howe Jr.'s sister Margaretta (Joan Caulfield, in her film-starring debut). Flamboyant comic actor Billy DeWolfe is uncharacteristically restrained as pragmatic third-year student Ben Mead, though the script contrives to allow DeWolfe to do one of his celebrated female-impersonation routines! In true open-ended fashion, the film ends as it begins, with Miss Susie Slagle welcoming another crop of students to her lodgings. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Sonny Tufts, (more)
- 1943
In this WW II musical, a young man suddenly finds himself in charge of his family when his father is called to war. To help the flagging spirits of local factory workers, the plucky lad, his siblings and his schoolmates put on a lively little show. With a little work, he even convinces Count Basie to come with his band. Songs include: "Wrap Your Troubles in Dreams" (Ted Koehler, Harry Barris, Billy Moll), "Basie Boogie" (Count Basie), "Dream Lover" (Clifford Grey, Victor Schertzinger), "Dark Eyes," "Jurame," "The Road Song," and "Romany Life" (adapted by Inez James, Buddy Pepper). ~ Sandra Brennan, All Movie Guide
- Starring:
- Donald O'Connor, Lillian Gish, (more)
