Hippolyte Girardot Movies

Vincent Regan stars in this French-language paranoia thriller as Peter Burton, a diabolically brilliant young man. In lieu of pursuing a formal education and a 9-to-5 office job, Peter ankled the standard route to success and now makes his living as a serial thief, lifting the valuables of patrons at an airport where he's nominally employed as a baggage handler. His life takes an astonishing turn when one of his colleagues, Gerard, pries open the suitcase of a Syrian diplomat and is promptly blown up by a terrorist bomb; the DST (Directorate of Territorial Surveillance) then approaches Peter, acknowledges that it knows all about his criminal activities, and offers him an ultimatum: it will arrange immunity for all of the pickpocketing if the thief helps the agency track down the parties responsible for the bomb plant. ~ Nathan Southern, All Movie Guide

With Quiet Chaos (Caos Calmo), acclaimed Italian helmer Nanni Moretti steps away from his standard directorial role to essay the lead and co-author the script in a gentle psychological drama directed by Antonello Grimaldi. Moretti stars as Pietro, a film executive whose life takes an irreversible and devastating turn one fateful morning. During a trip to the beach with his brother, Pietro's path intersects with that of a woman, Eleonora (Isabella Ferrari), who is drowning in the ocean; horrified, Pietro rushes in to save her. He subsequently returns home only to discover that his wife, Lara, just died in a nasty falling accident; devastated to the core, this nascent widower must make the necessary psychological accommodations to adjust to life as a single parent, with sole responsibility for raising his ten-year-old daughter, Claudia (Blu Yoshimi). Almost instinctively, as a reaction to Lara's death, Pietro opts to sit and wait for his daughter to finish school each day (in a park across from the school), in lieu of abandoning her to his own priorities and commitments. This means that the fellow's colleagues in the film industry must, by necessity, come to do business with him in the park. Through it all, Pietro remains silently dumbfounded that the tragedy itself hasn't shaken him more, that the grief (the "quiet chaos" of the title) is subtly agonizing instead of grossly traumatizing and debilitating. Nevertheless, he ultimately begins to approach a full realization and acceptance of his loss, and gains an enhanced awareness of himself and others from the potentially crippling events thrust into his path. Valeria Golino (Rain Man) co-stars; Roman Polanski appears in a cameo as one of Pietro's industry colleagues. ~ Nathan Southern, All Movie Guide

Le Voyage du Ballon Rouge (Flight of the Red Balloon), which constitutes celebrated Taiwanese director Hou Hsiao-Hsien's first French-language picture, represents both an homage to Albert Lamorisse's beloved 1956 short The Red Balloon and an expansion of that earlier picture. Hou begins with Lamorisse's central conceit -- that of a mysterious red balloon tracking a lonely young French boy around the city -- and broadens the story to weave an extended meditation on urban isolation and dysfunctional, slightly broken Parisian lives. The red balloon here acts as a kind of observer to a little boy named Simon (Simon Iteanu), who lives with his harried mother, Suzanne (Juliette Binoche) -- a voice actress in a puppet theater -- in a cramped flat in the City of Lights. Simon spends the majority of his time away from Suzanne, accompanied by a Chinese film student, Song (Song Fang), who baby-sits. From time to time, Suzanne recognizes her neglect of young Simon and then overcompensates with sporadic bursts of affection and devotion. She remains far more concerned with the pressures of her daily life -- specifically, the problems wrought by her downstairs tenant (Hippolyte Giardot) and by Simon's ere-estranged father -- than with the emotional state of her young son. Meanwhile, Song finds the parallels between the suddenly emergent red balloon and the plotline of the Lamorisse short rather mesmerizing, and films young Song with the balloon to underscore this point. For the most part, Hou foregoes major story developments and simply uses screen time to witness the interaction of Song, Suzanne, and Simon as they live out existences of quiet despair. ~ Nathan Southern, All Movie Guide

D.H. Lawrence's once-scandalous tale of a married woman who finds herself through an affair with another man is brought to the screen in this adaptation directed by Pascale Ferran. Constance Chatterley (Marina Hands) is a lovely woman in her mid twenties who is married to Sir Clifford Chatterley (Hippolyte Girardot), a wealthy British nobleman many years her senior who is paralyzed from the waist down due to an injury sustained during World War I. While Constance loves her husband, she has grown weary of her life as a bird in a gilded cage, as well as her husband's lack of affection. One day, Constance steps out to take a walk and pauses to tell Parkin (Jean-Louis Coulloc'h), the estate's groundskeeper, that the cook would like him to shoot a pheasant for the evening's meal. Constance discovers Parkin is only half-dressed, and the physical strength of his body makes a strong impression on her. Parkin senses Constance's attraction to him, and he's equally taken by her beauty; in time the two throw caution to the wind and give in to their mutual passion. Constance blooms through her lovemaking with Parkin, and she finds his simple, rustic individualism is more to her taste than the life her husband has given her. But as Constance embraces her love for Parkin, others become aware of their relationship. Lady Chatterley was adapted from Lady Chatterley et l'Homme des Bois, the second of three versions Lawrence would publish of his best-known novel (it was published in English as John Thomas and Lady Jane). ~ Mark Deming, All Movie Guide

Cesar award-winning actor Jean-Pierre Darroussin makes his feature directorial debut with this satirical tale about a well-to-do Parisian lawyer who takes flight from the middle class. Charles Benesteau (Darroussin) is a forty seven year old lawyer who has grown tired of bourgeois hypocrisy. The husband of a terminally pretentious art maven, Charles leaves behind his marriage and comfortable house for a modest apartment on a multi-ethnic, working class neighborhood. Though at first his new, low-rent lifestyle brings Charles a level of happiness never achieved in his posh old neighborhood, things quickly turn chaotic when his feuding neighbors stick him with their troubled teenage daughter as they wage World War 3 behind paper-thin walls. ~ Jason Buchanan, All Movie Guide

The stories of two desperate characters turn out to share an important link in this drama from French filmmaker Arnaud Desplechin. Nora (Emmanuelle Devos) is a woman in her mid-thirties who wants people to believe that her life is going just the way she wants. But a look below the surface shows this isn't quite the case; she's been divorced twice, her latest relationship is on the rocks, her ten-year-old son, Elias (Valentin Lelong), is becoming increasingly withdrawn, and her father (Maurice Garrel) is in poor health. When Nora learns that her father's digestive problems are actually cancer and he may only have a few days left to live, she desperately wants to turn to Ismael (Mathieu Amalric), her second husband. But Ismael is having a crisis of his own after a pattern of increasingly strange behavior has led him to an involuntary stay in a mental hospital. ~ Mark Deming, All Movie Guide

A lovelorn matchmaker tries to set up two people about to be married -- but not to each other -- in this independent romantic comedy. George (Tunde Adebimpe) is a Nigerian expatriate living in upstate New York, where he has pledged to marry a woman in a marriage arranged for him in childhood, though he's not especially enthusiastic about the idea. George goes to Buffalo to pick up his fiancée as she arrives in America, only to discover she's already moved on to Niagara Falls, where the wedding will be held in three days. On his way back home, an annoyed and downcast George meets Gerard (Hippolyte Girardot), a man from France who is wallowing in sorrow after being dumped by his girlfriend, and Alicia (Natalia Verbeke), a light-hearted Latin-American woman who is due to marry her fiancé Nathan (James Wilby) in less than a week. Alicia finds George amusing but thinks he needs to loosen up a bit, so she invites him to a party; George brings Gerard along, feeling he needs some cheering up, and Gerard notices an obvious attraction between Alicia and George. Gerard fancies himself an authority on matters of the heart, and is certain George and Alicia would rather be with each other than with the people they're engaged to marry, so joining George, Alicia, and Nathan for a trip to visit Alicia's parents en route to Niagara Falls, he hatches a plan to break Alicia and Nathan apart -- and bring Alicia and George together. Jump Tomorrow was shown in competition at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

A young French sailor falls in love with a Russian tourist during a passion-filled three-day furlough, but is whisked away for a months worth of submarine duty before he can learn her last name and Moscow address. When he is finally freed again, he embarks upon a search for his lost love. Unfortunately, while his aim is true, his timing is off. His first stop is the broadcast headquarters of a major television network. He arrives shortly before the place blasted apart by a bomb. Later, he goes to the apartment of a noted talk-show host in hopes of receiving air-time during which he will plead for information concerning his lost love. But things don't come out as planned for somehow, the sailor ends up considered the prime suspect in the bombing while the real-life terrorist and his cohort, who happen to be in the same apartment building in hopes of knocking off a crooked judge. A hostage situation quickly develops in which the sailor and the talk-show host are trapped in the apartment with a daffy lady neighbor and her child. Meanwhile the leader of a SWAT team tries to concentrate on his work and ignore the increasing pressure placed upon him by his mistress to leave his wife. Up until the story's bloody finale, the film contains plenty of humor mixed with the action. ~ Sandra Brennan, All Movie Guide

Espionage, personal integrity, and political commitment are the main themes running through this French thriller that chronicles a young man's journey from idealism to disillusionment and maturity. The story is set in the 1980's in Tel Aviv and follows the exploits and moral conflicts of Attal, a Jew who left his family in France on his eighteenth birthday to pursue a career as an agent in Israels' Institute for Intelligence, the Mossad. At first, his missions do not bother his conscience; he performs them for the good of Israel. But, as time passes, Attal must face more moral dilemmas as the work becomes more subversive and dishonest. He must ultimately decide whether to follow the his personal ideals, or be part of a system which promote immoral acts in the name of idealism. ~ Sandra Brennan, All Movie Guide

The potentially negative effects of using archaic and strict methods of dealing the children the main theme of this French film which is set in 1962. While it's story of two youngsters in love, it also explores romance and sexuality in children. It is told from their viewpoint. Gil and Jessica are two eccentric and imaginative children in love. Worried that their love is unhealthy, the surrounding adults subject the kids to two differing approaches to modify their "unnatural behavior." Dr. Nevele offers the traditional, stern methodology. Edouart offers a more permissive approach. ~ Sandra Brennan, All Movie Guide

Diane Kurys and Antoine Lacomblez wrote this drama of a woman novelist and her troubled, 20-year relationship with a man who has fathered two children with another woman. ~ Nicole Gagne, All Movie Guide

Who would have expected Brigitte to marry a prisoner with a long sentence in the first place? In this romantic action movie, that is only the first in a long line of surprising actions by the young woman. Somehow, she manages to get hooked to the young prisoner before realizing that he'll be locked up for another three or four decades. She decides that this is much too long to wait to spend time with her sweetheart and decides to learn how to fly a helicopter. Why? So she can fly in and take him out of his prison yard, which is exactly what she does, thrilling romantics all over France and seriously upsetting the authorities. This award-winning film (it's a 1991 Cannes jury-prize winner) is based on a true incident from 1986. ~ Clarke Fountain, All Movie Guide