Bernard Giraudeau Movies

A waiter discovers that good taste can be dangerous in this offbeat psychological drama from France. Nicolas (Jean-Pierre Lorit) is a young man living in bohemian poverty in Lyon, sharing a flat with his girlfriend Beatrice (Florence Thomassin) and three of their friends. Nicolas works part-time as a server, and one night a customer asks him to taste his hors d'oeuvres and see if he can identity the ingredients. Nicolas' palate meets the challenge, and the customer introduces himself as Frederic Delamont (Bernard Giraudeau), a wealthy business tycoon. Frederic hires Nicolas as his official food taster at a handsome salary. Frederic also discovers that Nicolas wears the same size shoes and suits, and he begins costuming Nicolas in his cast-offs. While Beatrice isn't comfortable with their newly luxurious lifestyle, Nicolas takes to it readily, until he becomes seriously ill after eating chemically-tainted seafood. It seems that Frederic loathes seafood, and wanted to condition Nicolas to hate it too -- this was to be the first step toward turning Nicolas into someone who could duplicate Frederic's likes and dislikes on all levels. Une Affaire De Gout was based on a novel by Philippe Balland. ~ Mark Deming, All Movie Guide

Master filmmaker Raúl Ruiz adds a black comedy to his far-reaching body of work with That Day, a playful meditation on money, death, and false spirituality. Livia (Elsa Zylberstein) and Pointpoirot (Bernard Girardeau) are, respectively, a spoiled society woman who suffers from delusional visions of heavenly apparitions and a crazed serial killer on the loose after a successful prison break. It isn't long before fate brings the two together, and after thwarting Pointpoirot's initial attempts to murder her, Livia soon warms to the charming sociopath. The duo makes short work of Livia's greedy family -- who were planning on killing her and collecting her fortune, anyway -- and as the death count rises, a romance develops between the two. ~ Michael Hastings, All Movie Guide

Therese, Catherine, and Alain (Carole Laure, Brigitte Fossey, and Bernard Giraudeau) are three friends who undergo several personal trials and tribulations over an eight-year period in which all three try to hang on to their original visions of who they are and what they want out of life. ~ Eleanor Mannikka, All Movie Guide

The interwoven love stories in Et La Tendresse?... Bordel! No 2 contrast three different ways of being together in modern French life. Carole is the mistress of Francois, a man who not only has a wife and children, but who makes a habit of having sexual liaisons with women besides his mistress and wife. The immaturity and vagueness of Regis and Julie undermines their initially very loving relationship once they get married. Finally, the straightforward friendship between Luc and Eva evolves into a love based on respect and understanding. ~ Clarke Fountain, All Movie Guide

Clothilde de Watteville (Lauren Hutton) is compared to "Hecate," a three-headed Greek fertility goddess and a protector of witches who came to be associated with Persphone and Hades. Clothilde/Hecate runs into Julien Rochelle (Bernard Giraudeau), a very young French diplomat in north Africa just before the outbreak of World War II and the two have a casual sexual encounter that leads to another such meeting, and another. His interest in her and his curiosity are heightened when she refuses to reveal any information about herself, and when she disappears for stretches at a time without any explanation. As his sexual passions increase at a par with his frustration at her behavior, he gives up trying to relate at all and walks out of the relationship. A few years later they meet at a diplomatic reception in Berne, the diplomat is older and perhaps wiser, but Clothilde's behavior is an inexplicable as ever. ~ Eleanor Mannikka, All Movie Guide

This standard erotic thriller set in St. Tropez involves an unusual ménage à trois first there is Claude, a mother approaching 40 who is also approaching a liaison with the second and pivotal figure in the trio; Romain (Bernard Giraudeau), a Don Juan who is not above pimping on occasion and who is also attracted to Claude; and thirdly, the neurotic Chris (Valèrie Kaprisky), Claude's sexually fixated young daughter. As flashbacks show Chris seducing a former lover and symbolism likens her to a jellyfish whose sting can be fatal, the scenario is set for real trouble -- especially since Chris is angered that Romain obviously avoids her and just as obviously will end up as her mother's lover. Sex, hatred, and fear combine to bring the unbalanced relationships to their final resolution. ~ Eleanor Mannikka, All Movie Guide

La Boum stars Sophie Marceau as a 13-year-old French girl, coping with domestic problems. Her parents, played by Claude Brasseur and Brigitte Fossey, are on the verge of a marital breakup. This is coupled by a traumatic move to Paris, and Marceau's problems in adjusting to her new surroundings and schoolmates. Though nothing new, La Boum is disarmingly diverting, a real audience pleaser (as proven by its huge international box-office take). Even as the film was making the American rounds, a sequel, La Boum 2, was in the editing stages. ~ Hal Erickson, All Movie Guide

In this French drama, an irresponsible man is forced by circumstances beyond his control to communicate with the family he's kept at a distance. Jean-Paul (Gerard Lanvin) is the manager of a hotel in Nice whose shady business practices have put him seriously into debt; he needs to raise 300,000 francs in three days, or the loan sharks who've been keeping him afloat will come after him. Desperate for help, he approaches his younger brother Philippe (Jean-Marc Barr), whom he hasn't spoken with in ten years; Philippe stole Jean-Paul's girl from him, and subsequently married her. Jean-Paul also contacts his older brother Francis (Bernard Giraudeau), a schoolteacher who was disowned by their father when he admitted to the family that he was homosexual. Neither Philippe nor Francis can help him, so Jean-Paul tries to visit his father Raphael (Roberto Herlitzka) in Italy, hoping to put a large insurance policy on his father's life, naming himself as beneficiary. When it turns out that Raphael has gone missing, the three brothers must come together to find their father and keep him out of danger. ~ Mark Deming, All Movie Guide

A Jewish Mafia-like family is running a prostitution ring, selling "protection," and operating gambling casinos -- more or less with impunity, and at peace with their Arab counterparts -- until a young gangster (Bernard Giraudeau) decides to pit the two ethnic factions against each other. Jewish cultural and religious events are celebrated by the Jewish gangsters, who promote family traditions -- in contrast to the police inspector who has no family and is out to do them all in. Focusing on the Jewish mob boss, the story has him undergoing some personal rehabilitation in the end. Actually, comparing the merits of ethnically and religiously different mobs of gangsters might be a little like comparing the respective beauty of a pair of week-old corpses. ~ Eleanor Mannikka, All Movie Guide