Bernard Giraudeau

Based on the real life of star Dida Diafat, Chok Dee: The Kickboxer relates the tale of how Diafat learned his remarkable fighting skills. While imprisoned, Diafat came under the training of a Thai Boxing expert. At his mentor's urging, Diafat attempts to join a school that teaches an even more impressive form of the discipline, but there he must prove his worth. ~ Perry Seibert, All Movie Guide

Master filmmaker Raúl Ruiz adds a black comedy to his far-reaching body of work with That Day, a playful meditation on money, death, and false spirituality. Livia (Elsa Zylberstein) and Pointpoirot (Bernard Girardeau) are, respectively, a spoiled society woman who suffers from delusional visions of heavenly apparitions and a crazed serial killer on the loose after a successful prison break. It isn't long before fate brings the two together, and after thwarting Pointpoirot's initial attempts to murder her, Livia soon warms to the charming sociopath. The duo makes short work of Livia's greedy family -- who were planning on killing her and collecting her fortune, anyway -- and as the death count rises, a romance develops between the two. ~ Michael Hastings, All Movie Guide

French bad boy director Francois Ozon follows up on his controversial first two films Sitcom (1998) and Criminal Lovers (1999) with this adaptation of a play that legendary German director Rainer Werner Fassbinder wrote when he was 19 years old. Retaining the play's four-act structure, the first act opens with middle-aged Leopold (Bernard Giraudeau) escorting young Franz (Malick Zidi) back to his apartment. Franz, who was on his way to visit his fiancée Anna, allows himself to be picked up by the older man. After some small talk, Leopold orders Franz to undress and wait for him in the bedroom. The second act takes up six months later. Franz has moved into Leopold's apartment soon after their first encounter. Interested in the arts and poetry, he increasingly finds himself at odds with his older, moody, demanding lover. Still, the relationship manages to endure. In act three, ex-fiancée Anna (Ludivine Sagnier) shows up at the apartment while Leopold is away. Their previous passion is quickly rekindled, and Anna soon marvels at the sundry techniques her lover has learned since she last saw him. When Leopold unexpectedly returns with Vera (Anna Thompson), his transsexual ex-lover, in tow, the stage is set for a complex dance of shifting power dynamics. This film was screened at the 2000 Berlin Film Festival. ~ Jonathan Crow, All Movie Guide

A glorious dancer and a beautiful actress, Marquise (originally known as mademoiselle Du Parc) won the hearts of some of mid-17th-century France's brightest lights, including Moliere, the actor Racine and even the Sun King himself, Louis XIV. Beginning with considerable comedy and ending with almost Grecian tragedy, this lush costumer recounts the story of her life amidst the muck and splendor of medieval Paris and beyond. It was Moliere and his companion Gros-Rene who discovered Marquise dancing in the rain before an eager crowd of men. The girl's father collects the money they offer while she dutifully services each and every one. Moliere, Gros-Rene and their acting troupe pause briefly to watch her dance. The rotund comic Gros-Rene immediately falls head over heels, and even though she is with an old man he rushes up to propose and offers to steal her away to Paris. Marquise accepts and so launches her career. Though there will be many other men in her life, she keeps a special place in her heart reserved only for her unlikely spouse. Marquise later becomes involved with Racine. The two work together often, but as his career takes off towards the stars, hers goes in another direction, one that leads to tragedy. ~ Sandra Brennan, All Movie Guide

This Great War drama opens in the trenches during an artillery bombardment. Receiving bayonet wounds, young Simon (Guillaume Depardieu) drops out of the action, joining other injured soldiers at a Brittany hospital. One day he meets schoolteacher Marthe (Clotilde Courau), who lives in the household of the hospital's head doctor (Bernard Giraudeau). Soon a romance begins to develop. Cinematography by Kevin Jewison, son of director Norman Jewison. ~ Bhob Stewart, All Movie Guide

This is a French costume drama from director Patrice Leconte that recalls both Dangerous Liaisons (1988) and Restoration (1995). Gregoire Ponceludon de Malavoy (Charles Berling) is a baron of the 18th century French countryside, wealthy in property and high in social position but poor in cash. Local peasants -- dependent upon his largesse for their income -- are in poor health, the result of a festering marsh that, if drained, could solve the villagers' illnesses and create valuable farmland. Ponceludon travels to Versailles to plead his case before King Louis XVI. There, he is informed that he has no chance of success unless he can impress the court with his verbal prowess, for the king and his minions value banter, preferably of the ironic, cruel, and insulting variety, above all else. Under the tutelage of the Marquis de Bellegarde (Jean Rochefort), Ponceludon discovers that his sober, blunt honesty can be mistaken for a skewering wit. Though the baron falls for his mentor's science-minded daughter Mathilde (Judith Godreche), he's forced to woo the politically powerful Madame de Blayac (Fanny Ardant). Ridicule (1996) opened the 1996 Cannes Film Festival and was nominated for an Academy Award for Best Foreign Language Film. ~ Karl Williams, All Movie Guide

This fluffy French romantic comedy chronicles the love lives of several lovers and relatives. Margeau has just arrived in Paris from New York. Twenty years before, she left her husband, a painter and many years her senior and her daughter Jess, who now sells classic cars with her partner the clumsy Mario. Jess is recovering from an accidental overdose on sleeping pills. Her hospitalization brought Margeau home. Jess has a young boyfriend, a musician not terribly interested in sex, and a 17 year old son from her ex- husband Pierre. A restaurateur Pierre now lives with a very young African student. The hospital shrink helping Jess ends up having an affair with her son. Before the film ends and Margeau returns home, Jess comes close to death three more times. ~ Sandra Brennan, All Movie Guide

Tina (Sophie Aubry) is an unpleasant young woman with an unpleasantly supine mother and an unpleasantly futureless boyfriend. Even for someone whose range of facial expressions consists of mild-to-moderate sulking, this is too much, and she decides to look up the father she has never known. Along the way, she discovers that she has a half sister whom she has never met, a girl involved in an intense, abusive relationship with a married man: her father's lawyer. Tina eventually meets up with her father and discovers, naturally enough, that he is not a particularly nice man and furthermore wants nothing whatever to do with her. Somehow all these new people in Tina's life continue to be involved with each other, despite the resounding lack of joy they seem to feel in each other's company. ~ Clarke Fountain, All Movie Guide

Diane Kurys and Antoine Lacomblez wrote this drama of a woman novelist and her troubled, 20-year relationship with a man who has fathered two children with another woman. ~ Nicole Gagne, All Movie Guide

Claire (Laure Marsac) is a 16-year-old young woman who discovers her father Pierre (Bernard Giraudeau) is not a healing physician but a killer with a bloody war record in the Lebanese conflict. She runs away from home and into the arms of Kamal (Michal Albertini). While Pierre stalks two terrorists, Claire and Kamal are violently confronted by Kamal's abandoned wife and family. The ravages of the conflict extend to those who are never participants in the battle but are among the casualties of war. ~ Dan Pavlides, All Movie Guide