Frank Gio Movies

Play an entertaining game of spot the celebrity while laughing along at the campiest superhero adventure since Adam West punched out The Joker. A completely original comic-book-style crime fighter who's not afraid to give his enemies a shocking surprise, Surge of Power is hot on the trail of a maniacal super-villain who will stop at nothing to achieve absolute power. Of course, with a little help from veterans like Lou Ferrigno and Nichelle Nichols, fledgling superhero Surge may have his work cut out for him. ~ Jason Buchanan, Rovi

Everyone's favorite neurotic mafia boss (with the possible exception of Tony Soprano) is out of prison and back on the couch in this sequel to the hit comedy Analyze This. Ever since he ended up behind bars, mob leader Paul Vitti (Robert De Niro) has been in sad shape, alternately weeping like a child and singing favorite tunes from West Side Story. Fearful of his emotional stability, prison officials release Vitti into the custody of his psychiatrist, Dr. Ben Sobel (Billy Crystal), but this is far more responsibility than Sobel wants -- he's having troubles with his family after the recent death of his father, also an analyst, and has been overworked since taking over his late father's practice. Sobel becomes even more exasperated when he learns Vitti will be moving into his home, which is especially upsetting for Sobel's wife, Laura (Lisa Kudrow). As Sobel tries to get to the root of Vitti's problems -- which are very much real, even if he was faking his symptoms behind bars -- he tries to help Vitti find a straight job, which is hardly easy for a man of his temperament. And adding to all this confusion, several members of Vitti's old crew are after him, determined to insure that he doesn't pass along any incriminating information. Analyze That also features Cathy Moriarty-Gentile, Joseph Viterelli, and baseball legend Yogi Berra. ~ Mark Deming, Rovi

Originally prepared for European release under the title Catchfire, Backtrack wasn't given a wide distribution until 1991, and then only to capitalize on the Oscar win of Silence of the Lambs star Jodie Foster. In Backtrack, Foster plays a youngish innocent who witnesses a mob hit. Professional assassin Dennis Hopper is contracted to silence Foster for keeps. Instead, he falls in love with her. Directed by star Hopper, Backtrack has some of the feel of his earlier, better Easy Rider: the cast is populated by such old Hopper chums as Dean Stockwell, Charlie Sheen, Joe Pesci, Bob Dylan, Vincent Price and Julie Adams; and, like Easy Rider, it looks as though the story was improvised during filming. ~ Hal Erickson, Rovi

Directed by Susan Seidelman and written by Alice Arlen and Nora Ephron, Cookie comes across as an inconsequential piece of fluff, bolstered by a quirky performance by Emily Lloyd. Lloyd is Cookie Capisco, the daughter of mobster Dino Capisco (Peter Falk), who has just finished thirteen years in prison. Dino wants to get out of jail, settle some old scores, and make up for lost time with his daughter. His illegitimate daughter, that is -- since Cookie's mother, Lenore (Dianne Wiest), has been Dino's longtime mistress. Dino's actual wife Bunny (Brenda Vaccaro) has, he thinks, been kept in the dark about Dino's mistress and his daughter. Dino decides that the best way to get to know Cookie is to hire her as his chauffeur. With her ears attuned to the conspiracies floating around Dino, she quickly discovers that her father's old crony, Carmine (Michael V. Gazzo), has been swindling him and that Dino's life is in jeopardy. ~ Paul Brenner, Rovi

Michelle Pfeiffer is Married to the Mob in this comedy. The wife of Mafia hitman Alec Baldwin, Pfeiffer regularly chastizes her husband for his underhanded line of work. Baldwin refuses to entertain any thoughts of quitting the mob-and besides, he's got a good thing going with Nancy Travis, the promiscuous girl friend of gang boss Dean Stockwell. When Stockwell catches on to Travis' peccadilloes, he murders both his mistress and the unlucky Baldwin. At Baldwin's funeral, Stockwell is overwhelmed by Pfeiffer's beauty, and immediately begins plying her with expensive gifts. But Pfeiffer is through with this sort of thing, and with her young son in tow, she leaves town, hoping to start life anew. Upon making the acquaintance of bumbling, seemingly sincere Matthew Modine, Pfeiffer is convinced that Modine is just another mob flunkey. But it's even worse: Modine is an FBI agent, ordered to get to Stockwell by using Pfeiffer as bait. Reluctantly (he's grown quite fond of her himself), Modine blackmails Pfeiffer into setting up a rendezvous with Stockwell. ~ Hal Erickson, Rovi

Though some viewers might be put off by its length, graphic violence, and absence of likable characters, Sergio Leone's final film is also a cinematic masterpiece. Spanning four decades, the film tells the story of David "Noodles" Aaronson (Robert De Niro) and his Jewish pals, chronicling their childhoods on New York's Lower East Side in the 1920s, through their gangster careers in the 1930s, and culminating in Noodles' 1968 return to New York from self-imposed exile, at which time he learns the truth about the fate of his friends and again confronts the nightmare of his past. The acting, the re-creation of the time period, the cinematography, and the music are all superb. However, even more important is Leone's ability to make the film work on so many different levels: it's both a criticism of gangster-film mythology and a continuation of the director's exploration of the issues of time and history. Strange as it may seem, the violence and gore in the first half of the film turn into a sad elegy about wasted lives and lost love. The film's strengths emerge only in its full 229-minute version -- the 139-minute and other edited versions don't make nearly the same impact. ~ Yuri German, Rovi

When there's a full moon over Brooklyn, anything can happen, and everything happens in the neighborhood where widowed bookkeeper Loretta Castorini (Cher) lives. First, Loretta agrees to marry a man she does not love, Johnny Cammareri (Danny Aiello), simply because he knows how to propose properly. Before the wedding can take place, Cammareri must visit his dying mother in Sicily. In his absence, Loretta is supposed to try to patch up the differences between Johnny and his brother, bakery operator Ronny Cammareri (Nicolas Cage). Having never forgiven Johnny for indirectly causing the accident that crippled him, Ronny flies into a rage whenever his brother's name is mentioned. He does, however, fall for Loretta like a ton of bricks. After a torrid affair, Loretta tries to avoid Ronny out of respect to Johnny, but he's just too fascinating to resist. Meanwhile, Loretta's father (Vincent Gardenia) is fooling around with his mistress Mona (Anita Gillette), while Loretta's mother (Olympia Dukakis) is wooed by a college professor (John Mahoney). These brief flings are forgiven and forgotten, but there's still the delicate situation of Loretta being in love with her future brother-in-law. A now-classic romantic comedy, Moonstruck won Oscars for Cher, Olympia Dukakis, and screenwriter John Patrick Shanley. ~ Hal Erickson, Rovi

Two lawmen decide to find out if a life of crime pays better in this gritty action comedy. Joe (Joseph Bologna) and Tom (Cliff Gorman) are two friends who work for the New York Police Department, Joe as a beat cop and Tom as a detective. Both of them put their lives on the line every day for low wages in a city that seems to get crazier and more dangerous by the minute. One evening, Joe is on patrol when he stops into a liquor store, draws his gun and demands that the clerk hand over all the cash in the register. Joe walks out with more money than he usually makes in a week, and when he tells Tom what he's done, they agree that as policemen they can go anywhere and do anything, making it a cinch for them to become thieves. After striking a deal with a tough but vain gangster (John P. Ryan), Joe and Tom plan a robbery of a Wall Street securities firm that will net them a million dollars each, enough to get out of the suburbs and live as they please with their families for the rest of their lives. But the big heist takes a turn for the worse when some other criminals happen to hit the same building at the same time the cops are pulling off their robbery. Cops and Robbers was written for the screen by noted crime novelist ~ Mark Deming, Rovi