Hermione Gingold Movies

A bravura performance from Wallace Shawn highlights the made-for-TV children's comedy How to Be a Perfect Person in Just Three Days. Ilan Mitchell-Smith plays a woebegone grade schooler who can't seem to do anything right. Under the tutelage of wigged-out Dr. Silverfish (Shawn), Ilan takes a course in "perfectology." The boy soon learns that he's better off just being himself. How to Be a Perfect Person first aired October 8, 1984, as the second presentation of PBS' Wonderworks series. ~ Hal Erickson, All Movie Guide

Beginning its several incarnations as an Ingmar Bergman film named Smiles of a Summer Night, the story was adapted by composer/lyricist Stephen Sondheim into a successful Broadway musical directed by Harold Prince. This film, also directed by Prince, is adapted from the stage musical. In the movie, in the early 1900s, a group of friends bound together by complicated romantic entanglements, have come together for an elegant dinner at a country estate. The men present are the current, previous, or prospective lovers of the beautiful actress, Desiree (Elizabeth Taylor), and the other women are all united by their jealousy of her. Sadly, Desiree herself wants to simplify things and settle down -- she envies the wives. The adapted score later won an Oscar. The musical's well-known songs include Every Day a Little Death, A Weekend in the Country, and You Must Meet My Wife. The most famous song from the musical, Send in the Clowns, is sung here by Elizabeth Taylor. ~ Clarke Fountain, All Movie Guide

Banyon is an A-number-one detective yarn set (very accurately) in the 1930s. Robert Forster, emulating John Garfield in virtually every scene, plays private eye Miles C. Banyon. Right now he's in dutch because a beautiful young woman has been found murdered--and Banyon's gun was the murder weapon. This state of affairs plunges the detective into a maelstrom of deceit and double-cross involving (among many elements) a Winchell-style radio commentator (Jose Ferrer), a paroled big-time gangster, a scar-faced assassin, and a Nazi Bund camp. Once he solves the main mystery, Banyon is faced with the unhappy Maltese Falcon task of exposing a close friend as a murderer. First telecast March 15, 1971, Banyon spawned a brief TV series one year later, with Robert Forster still in the lead. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Ironside (Raymond Burr) arrives in Montreal to attending a criminologists convention. Dampening the festivities is a group of violent Separatists who specialize in terrorist bombings. Making things worse, one of the Separatists, Robert Duvalier (Alain Patrick), is the son of Ironside's former sweetheart Jeanine Duvalier (Karin Dor). Also figuring into the intrigue is a valuable stolen chess set--and let's not forget the presence of flamboyant British crime novelist Ernestine Mugford (Hermione Gingold). ~ Hal Erickson, All Movie Guide

Herman Munster and his ghoulish clan leave the confines of their 1960s television series The Munsters to try their luck on the big screen in this feature length comedy that chronicles their adventures in merry England where Herman has inherited a large estate. Unfortunately, the Munsters do not realize that their new home is already inhabited by a ring of counterfeiters determined to frighten the family back to the United States. ~ Sandra Brennan, All Movie Guide

A woman has to choose between the rich man she wants and the bohemian type who loves her in this comedy. Michele O'Brien (Leslie Caron) is a young widow raising a baby in Greenwich Village. She's decided that her child needs a father, and she determines that her best bet as a prospective mate is Dr. Phillip Brock (Robert Cummings), a well-heeled child psychologist. The only trouble is, Phillip doesn't like children very much, so Michele tries to keep her baby a secret from him. Michele's upstairs neighbor, Harley Rummell (Warren Beatty), is in love with her and is more than happy to baby-sit; however, Harley makes his living shooting nudie films in his flat, and when the baby begins making cameo appearances in the films, Michele starts wondering if Harley might be a bad influence on the tyke. William Peter Blatty, later to write the best-selling novel The Exorcist, penned the screenplay. Keep an eye peeled for a young Donald Sutherland in a bit part. ~ Mark Deming, All Movie Guide

Meredith Wilson's hit 1957 Broadway musical was transferred to the screen in larger-than-life fashion in 1962. Robert Preston repeats his legendary stage performance as fast-talking con man Harold Hill, who goes from town to town selling citizens on starting a "boy's band," then extracts money from them by ordering instruments and uniforms, with the promise that he'll teach the kids how to be musicians. Once he's collected his bankroll, Hill skips town, leaving the kids in the lurch. Looking for new suckers in Iowa, Hill arrives in River City, where he declares that the only way to save the youth of River City from the lure of the poolroom is to organize a boy's band. He charms the mayor's wife Eulalie (Hermione Gingold) into forming a "ladies' dance committee" and sets his sights on winning over local music teacher Marian Paroo (Shirley Jones). Marian rightly considers Hill a fraud, especially when he espouses the "Think System" of learning music: if you think a tune, he claims, you can play it. But Marian becomes Hill's staunchest ally when her young brother Winthrop (Ronny Howard), sullen and withdrawn since the death of his father, exuberantly comes out of his shell at the prospect of joining Hill's band; and Marian's budding romance with the charming but unreliable Hill ultimately brings her out of her own shell as well. Marion Hargrove's script uses most of the original play, with a handful of amusing expansions, especially in the roles played by Gingold and by Buddy Hackett as Hill's comic sidekick. ~ Hal Erickson, All Movie Guide

This episode is based on a short story by H.H. Munro (aka Saki) who specialized in offbeat character studies with surprise endings. Straight-laced Victorian Mrs. Wellington (Elspeth March) wants to hire the "perfect" governess for her troublesome children. The woman hired is Charlotte Hope (Elspeth March), who subscribes to what she calls the "Schwartz-Metterklume Method" of child-rearing -- which consists of allowing her charges to run wild and free! Naturally, Mrs. Wellington strongly disapproves...but as things turn out, she might have been better off allowing the unorthodox Charlotte Hope to remain in her employ. Curiously, several of the episode's more prominent performers are uncredited, including veteran character actress Norma Varden and child star Angela Cartwright. ~ Hal Erickson, All Movie Guide

Sadie (Joan Collins) is marooned on a desert island. Stranded along with Sadie are three men; no, not Gilligan, the Skipper and the Professor, but instead Kenneth More, George Cole and Robertson Hare. The two least likely suitors (Cole and Hare) actively pursue Sadie, while the one she's truly interested in (More) ignores her. When the foursome is rescued, Sadie gets to marry the man of her dreams--only to be shipwrecked again. ~ Hal Erickson, All Movie Guide

John Hayter is Samuel Pickwick is this delightful filmization of Dickens' seriocomic novel. Mr. Pickwick is chairman of the Pickwick club, a scholarly league operating in mid-19th century London. The club's avowed purpose is to scrupulously study everyday life in England-not to improve or remonstrate, but simply examine, as a scientist would examine life under the microscope. The episodic storyline transports the Pickwicks all over town, from the fashionable digs of ever-in-debt roue Mr. Jingle (Nigel Patrick) to debtor's prison. The Candide-like Mr. Pickwick survives his many experiences (including a duel and breach of promise suit) with the invulnerability of innocence. The Pickwick Papers was produced, directed and adapted by Noel Langley, a brilliant, hard-drinking wit who once upon a time had labored on the screenplay of Hollywood's The Wizard of Oz. ~ Hal Erickson, All Movie Guide

In 1954 there was Godzilla, the lizard transformed by radiation, and in 1959, the British gave us Behemoth, the Sea Monster, Godzilla's Anglo, radiated cousin. Now there is the "man of steel" in this undistinguished, "B"-grade, sci-fi melodrama that was the last film directed by Allan Dwan. The unsuspecting Eddie Candell (Ron Randell) is on the lam from a crime he never committed when he is exposed to a dangerous, radioactive cobalt substance emanating from an atomic bomb test site in the desert. This exposure does not cause cancer or radiation sickness; it turns Eddie's epidermis into an iron-clad suit of armor that no bullet can penetrate. Thus protected, Eddie the human tank decides to wreak revenge on the villains who framed him for that crime. The only question is not whether he will rust, but whether this odd skin condition is as permanent as it seems. ~ Eleanor Mannikka, All Movie Guide

This bittersweet comedy is, among many other things, a tour de force for the marvelous Anne Bancroft. The star is cast as Estelle Rolfe, an unconventional divorcee who resides in New York, in close proximity to her grown son Gilbert (Ron Silver) and his wife Lisa (Carrie Fisher). Though his wife yearns to move back to her home state of California, Gilbert cannot quite cut the silver cord that binds him to his mother. Upon learning that Estelle is dying, her dutiful son offers to honor her last request to meet the reclusive actress Greta Garbo. The rest of the film plays wonderful variations on this theme, involving such peripheral characters as a gay Garbo fan (Harvey Fierstein), an elderly Shakespearean actress (Hermione Gingold), a "female Joe Papp" director (Denny Dillon), and an ageing papparazzi (Howard Da Silva). Without giving away the ending, it is worth noting that the divine Garbo shows up in the person of playwright/lyricist/ performer Betty Comden. ~ Hal Erickson, All Movie Guide