Erica Gimpel Movies

Season Two of the quasi-paranormal crime drama Profiler begins with the resolution of the Season One cliffhanger, as psychic forensic specialist Sam Waters (Ally Walker) takes charge of the Violent Criminal Task Force while supervisor Bailey Malone (Robert Davi) hovers between life and death in a hospital bed. Having quit the VCTF at the end of the previous season, John Grant (Julian McMahon) comes back to provide Sam with moral support; at the same time, another team member, Brubaker (played during Season One by Michael Whaley) has departed without explanation. Also, Bailey's rebellious daughter Frances (Heather McComb), who is essentially responsible for her father's plight, is now a fugitive from justice. Later on, Frances will return, intending to hurt her father by driving a wedge between himself and Grant. New to the cast is Sheik Mahoumad-Bay as Detective Marcus Peyton, a skeptic who doubts Sam's ability to "see" through the eyes of serial killers and their victims, making his first appearance in the episode "Jack Be Nimble, Jack Be Quick." Marcus will remain on the series only until the end of the season. That title is one of many references to Sam's bete noire, the psychotically brilliant and frustratingly elusive multiple murder Jack of All Trades, who killed Sam's husband and apparently will not rest until he adds Sam and everyone else whom she holds dear to his list of victims. The "Jack" throughline permeates virtually every episode this season, especially those spotlighting the killer's protégé, paroled felon Sharon Lescher (Traci Lords), whom he has brainwashed, renamed "Jill of All Trades", and voyeuristically made over in the image of Sam Waters! "Jill" not only goes on her own murder spree copying Jack's modus operandi, but she also succeeds in wiping out Sam's first-season sweetheart, ATF explosives expert "Coop" Cooper (A Martinez). In an effort to help Sam get over this tragedy, her best friend Angel (Erica Gimpel) arranges a reunion of several of Sam's old friends--but even this is marred by a murder, which also launches a disturbing new story arc. Eventually, Sam is able to arrest Jill, wounding Jack in the process. While Jack remains out of sight, Sam has other problems relating to her daughter Cloe (Caitlin Wachs), custody of whom may be taken away from Sam and placed in the hands of her resentful in-laws. In the season's two part finale "Root of All Evil", Sam struggles to come to grips with her personal travails as she sets up trap for Jack using "Jill" as bait--but the results are far from successful! ~ Hal Erickson, All Movie Guide

The final five episodes of Babylon 5's third season were originally shown in England from August 19 to September 22, 1996, but the American syndication service PTEN did not wish to "throw away" these episodes during the low-rated late summer months. Thus, viewers in the US did not see the season's final story arc until September, beginning with the telecast of "Walkabout" during the week of September 30, 1996. Written by J. Michael Straczynski, "Walkabout" finds Captain Sheridan and telepath Lyta Alexander (Patricia Tallman) preparing to exploit the Shadows' newly-discovered "achilles' heel" to mount a counteroffensive against the enemy. Meanwhile, Dr. Franklin heads DownBelow to determine his true purpose in life. Erica Gimpel appears as Cailyn, a beautiful singer who will have a profound effect on the introspective Franklin. ~ Hal Erickson, All Movie Guide

A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, All Movie Guide

A private adoption racket is exposed when a woman claims that she fainted in a taxi and awoke to find baby missing. In the course of their investigation, detective Briscoe (Jerry Orbach) and Logan (Chris Noth) encounter all manner of human anguish and desperation. Particularly compelling are Debra Elkins (Angie Phillips), the woman who insists that her child was stolen, and Dorothy Baxter (Ann Dowd), who wants a baby at any price -- and never mind the consequences. ~ Hal Erickson, All Movie Guide

Hal Hartley's fourth feature is a significant break from the quirky romantic comedy territory of his previous work -- though all of the deadpan idiosyncracies which make him such a singular filmmaker remain intact, here he tries his hand at the thriller genre, a move yielding typically unconventional and innovative results. Amateur stars Hartley mainstay Martin Donovan as Thomas, an amnesiac who, in the first scenes, wakes up in an alley, badly injured; he stumbles to a nearby coffeeshop where he meets Isabelle (Isabelle Huppert), a former nun and would-be nymphomaniac who now makes her living writing pornographic fiction. She takes him back to her apartment, where in time his past slowly begins to emerge -- a sharp contrast to the sweet, even naive soul that Huppert has befriended, it appears that the old Thomas was in fact a vicious pornographer whose attempted murder was at the hands of his wife, adult film star wife Sofia (Elina Lowensohn). Thomas is also the target of a nefarious European arms merchant whose hired guns are hot on his trail. ~ Jason Ankeny, All Movie Guide

The gritty underbelly of New York's complex, ethnically divided criminal world is exposed in this dark drama from director Abel Ferrara. Christopher Walken stars as Frank White, a drug lord who's just been released from a long stint in prison. Aware that feeding off of society's depravity has made him a wealthy man, Frank has become determined to give something back to the city, and he hatches a scheme to build a multimillion-dollar public hospital in one of Brooklyn's worst ghetto neighborhoods. Needing the assistance of his fellow criminals to pull it off, Frank and his adjutant Jimmy Jump (Laurence Fishburne) encounter a wall of resistance from every faction, including drug-trade partner Lance Wong (Joey Chin) and temperamental cop Dennis Gilley (David Caruso). Frank's do-gooder efforts ultimately result in a Mob war and in a bloody showdown between the city's various ethnic criminal actions. Ferrara followed King of New York with a similarly themed film that many critics considered his masterpiece, Bad Lieutenant (1992). ~ Karl Williams, All Movie Guide

Dismissed as "annoyingly awful" by the critic at TV Guide, Case Closed has its moments of value now and again. Co-writer and co-producer Byron Allen stars as a hip black cop, assigned to solve a puzzling series of murders. Straight-laced white cop Charles Durning is dragged out of retirement to lend Allen a hand. The mismatched pair doesn't get along at first, but we'll bet the ranch that they're palsy-walsy before fade-out time. Filmed on location in Atlanta, this spotty "action comedy" was first telecast on April 19, 1988. ~ Hal Erickson, All Movie Guide

Cancelled by NBC after two seasons in the spring of 1983, the musical drama series Fame was nonetheless extremely popular amongst American teenagers and with fans all over the rest of the world. Accordingly, its producers decided to keep the property alive with a third season 24 new episodes, filmed for off-network syndication. Virtually the entire cast of the NBC Fame was retained for the syndicated version, except for Lori Singer as cello student Julie Miller; it was explained that Julie had decided to leave school to get married. And while the popular Erica Gimpel was seen in the first handful of syndicated episodes as ambitious singer-dancer Coco Hernandez, she too had exited the show by the middle of its third season, her character having dropped out to pursue her professional career (oddly enough, Gimpel continues to receive billing throughout the season). Also, this is Lee Curreri's last year as Bruno Martelli. New to the cast are Cynthia Gibb as energetic drama major Holly Laird, and Billy Hufsey as cocksure dance student Christopher Donlon; also, chubby tuba player Dwight (David Greenlee), previously a recurring character, is now one of the regulars. And, since it was decided that the series needed a strong adult menace, Ken Swofford was hired to play Quentin Morloch, new vice principal at New York's High School of the Performing Arts. A self-important, anal-retentive "rules are rules" type, Morloch will spend much of his screen time cooking up methods to instill his own brand of discipline on the kids, often denying them the opportunity to show off their talents (which is rather like not allowing students in an industrial arts class to make cabinets!). Episodes like "Hail to the Chief" and "Rules" are prime examples of Morloch's blinkered approach to education; indeed, he would not come to fully understand that his students were uniquely gifted and not just a bunch of noisy kids until he was on the brink of leaving the series two years later. The first of the "syndie" episodes is the two-part "I'm Gonna Learn How to Fly", in which arrogant keyboard student Bruno faces the possibility of leaving school when his dad dies. Later episodes this season include "Consequences" wherein the students are put in charge of the school to teach them a lesson about responsibility; "Break Dance", a contemporary West Side Story in which Christopher mediates a turf battle between two street gangs; "Lisa's Song", a semi-fantasy in which Holly makes contact with the ghost of a disgruntled former student; and "Sheer Will", which finds ebullient would-be comic Danny (Carlo Imperato) coming to grips with the fact that he has been diagnosed with leukemia. Of the series' many guest stars this season, Chorus Line principal Donna McKechnie is cast as Holly's mother in "Stages", impressionist George Kirby is featured as a former nightclub headliner turned wino in "Catch a Falling Star", blind actor-composer Tom Sullivan plays a substitute teacher who falls for dance instructor Lydia (Debbie Allen) in "A Friend in Need"; Melissa Manchester shows up as a once-famous torch singer who is afraid to return to performing in "Home Again", and veteran gangster-movie heavy Lawrence Tierney shows up in "The Deal", which turns out to be nothing more nor less than an old Mickey Rooney "Let's raise money by putting on show!" musical. And as in the previous season, highlights from the real-life musical tours undertaken by the cast members are featured in a brace of special episodes: "The Kids from 'Fame' in Israel" and "'Fame' Looks at Music 83" (with Irene Cara). In addition to accumulating even more local stations and a bigger audience than it had ever enjoyed as a network series, Fame earned yet another Emmy award, this one going to film editor Howard Brock. ~ Hal Erickson, All Movie Guide

Though Fame declared "I'm gonna live forever" in its theme song, the NBC musical drama series barely squeaked through its first season. Fortunately, the network decided to renew the show for a second year in response to the enthusiastic support of millions of teenaged fans. The popularity of "The Kids from 'Fame' amongst their peer group was firmly established when several of the series' regulars went on a worldwide tour--especially when the episode telecast March 3, 1983, "The Kids from 'Fame' Live" (excerpted from their appearance in the UK) posted the second season's best ratings. All of the cast members from Season One are back for Season Two, with the exceptions of P.R. Paul as student Montgomery MacNeil, and Michael Thoma, who had played Mr. Crandall, beloved drama teacher at New York's High School of Performing Arts. Actor Thoma died in September of 1982, a fact reflected in the episode "A Tough Act to Follow", in which the students and faculty members must come to grips with Mr. Crandall's sudden and unexpected demise. Morgan Stevens joins the cast this season as Crandall's replacement, David Reardon. The season opens with the episode "And the Winner Is. . .", in which music student Bruno (David Curreri) is placed in the position of auditioning fellow students for one of his own plays--then gets in trouble by casting himself in the lead. In subsequent episodes, neurotic "Renaissance girl" Doris (Valerie Landsburg) finds herself falling in love with Bruno; the kids champion the cause of school secretary Mrs. Berg (Ann Nolan) when she is replaced with a computer; self-involved school diva Coco (Erica Gimpel) comes out of herself when she befriends a student with a learning disability; and dancing student Leroy (Gene Anthony Ray) is tempted to quit school to accept a professional job. And while the series manages to maintain its fairly realistic veneer, the episode "Not in Kansas Anymore", in which Doris dreams that she and her fellow students have morphed into the characters from "The Wizard of Oz" (with teachers Lydia [Debbie Allen] and Miss Sherwood [Carol Mayo Jenkins] respectively cast as the "Good" and "Bad" witches, serves as a portent for the more exaggerated Fame episodes to come. Among the guest stars showing up this year are Bruno Kirby as Doris' draft-dodging brother, Arte Johnson as a TV commercial actor whom the students accuse of squandering his talent, Jimmy Osmond as a student who (chastely!) sleeps with his tutor Julie (Lori Singer), future Cosby Show regular Malcolm-Jamal Warner as a member of an inner-city boys' choir, and Nancy Cartwright now best known as the voice of Bart Simpson, as a student from an "more academically prestigious" school who falls in love with nerdish tuba-playing scholar Dwight (David Greenlee). Although Fame collected its fifth Emmy this season (for Debbie Allen's choreography), the series was toast as far as NBC was concerned, failing to make a dent in the ratings despite the fervent following of millions of teenaged fans. However, the series was a huge hit abroad, and this more than anything else was the motivating factor for MGM to continue production on the series, not for the NBC network but for off-network syndication beginning in the fall of 1983. ~ Hal Erickson, All Movie Guide