Lowell Gilmore Movies

Kim Novak is clearly out of her depth as legendary Broadway actress Jeanne Eagels, but one can't fault her for trying very hard. As this filmed biography gets under way, wide-eyed Eagels finds herself stranded in a tank town by a smooth-talking traveling salesman. Carnival operator Sal Satori hires Eagels as a kootch dancer, but her ambition is to become a serious dramatic actress. When she and Sal reach New York, she signs up for acting lessons under the tutelage of a Mme. Neilson (Agnes Moorehead). Before long, Jeanne is understudying on Broadway, and in 1922 she takes audiences and critics by storm with her unforgettable portrayal of Sadie Thompson in Rain, a role she landed by ruthlessly double-crossing the actress originally slated for the part (Virginia Grey). When her rival commits suicide, the chastened Jeanne turns to booze and drugs to assuage her conscience. The real-life Jeanne Eagels died of narcotics addiction in 1929, a fact that the Hollywood version skims over. Eagels' family sued Columbia Pictures over the "distortions" offered in Jeanne Eagels. ~ Hal Erickson, All Movie Guide

A celebrated short story by Ray Bradbury is the source for this eerily entertaining episode. Detective Krovitch (Charles Bronson) shows up at a seedy vaudeville house to investigate the murder of one person and the disappearance of another. Among the suspects is an elderly ventriloquist named John Fabian (Claude Rains), who seems obsessed with his strangely alluring female dummy, named Riabouchinska. Ultimately, the detective solves both the murder and the disappearance -- but only with the help of Riabouchinska, whose voice is provided by radio actress Virginia Gregg (later the voice of another infamous character in the Hitchcock canon, namely Norman Bates' mother in Psycho). ~ Hal Erickson, All Movie Guide

John Wayne teaches those dirty Commies yet another lesson in Blood Alley. Wayne plays a veteran seaman who comes to the aid of Lauren Bacall, the daughter of a missionary doctor killed by the Red Chinese. It takes no little persuasion, but Bacall finally convinces Wayne to smuggle a group of villagers past the Communist forces and into the safe harbor of Hong Kong. Though there are many close calls, Wayne proves to be a shade smarter and more resourceful than the minions of Mao. Lauren Bacall plays her stock character with cool professionalism, though this sort of fare isn't really her cup of tea. Far better within the framework of the film are Paul Fix, Berry Kroeger, and Anita Ekberg, who aren't the most convincing "Chinese" in the world but who seem to fit right in with the blood-and-thunder proceedings. A. S. Fleischman adapted the screenplay of Blood Alley from his own novel. ~ Hal Erickson, All Movie Guide

Telecast live from Hollywood, this hour-long version of Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde stars Michael Rennie in the title role--or rather, roles. Obsessed with his theory that every man has two distinct personalities within him, the kindly Dr. Henry Jeckyll (Rennie) begins to experiment with a drug that will release the dark side of his soul. He succeeds all too well, created a hedonistic and ultimately murderous human monster named Edward Hyde. Breaking away from the traditional staging of this material, the production is offered in flashback form, with the reading of the late Dr. Jekyll's will--whereby a strange bequest, and a stranger story, is revealed bit by bit. Adapted for television by no less than Gore Vidal, Dr. Jekyll and Mr. Hyde is one of a handful of episodes from the CBS dramatic anthology Climax! that still exists in kinescope form. ~ Hal Erickson, All Movie Guide

Saskatchewan is a "northern" starring Alan Ladd as tight-lipped Canadian Mountie Sgt. Thomas O'Rourke. He rescues Grace Markey (Shelley Winters), sole survivor of a Sioux uprising, and the two of them set out across the treacherous Saskatchewan terrain to safety. To keep himself and his companion alive, O'Rourke must rely on his own knowledge of Sioux behavior...not as daunting a task as it seems, since the Mountie was raised by Cree Indians. Along the way, the stoic O'Rourke melts enough to fall in love with Grace, who isn't as helpless as she seems at first glance. Saskatchewan is directed by Raoul Walsh in his usual virile and vigorous fashion. ~ Hal Erickson, All Movie Guide

Originally produced for the religious TV series Family Theatre, I Beheld His Glory is told from the point of view of Roman centurion Cornelius (George Macready). Macready was on duty the day that Jesus Christ (Robert Wilson) made his fateful journey up Mount Calvary towards His crucifixion. A nonbeliever up until the moment of the Seven Last Words, the centurion was at last moved to remark "Truly this Man was the Son of God." Lowell Gilmore also appears as a brusque, short-tempered Pontius Pilate. I Beheld His Glory has remained in constant circulation since its first telecast during Easter Week, 1953. ~ Hal Erickson, All Movie Guide

With George Bernard Shaw safely in his grave, RKO chief Howard Hughes had no qualms about twisting and bending Shaw's Androcles & the Lion to accommodate his own notions of entertainment. Happier, wiser heads prevailed before the Hughes-commissioned "Vestal Virgins" sequence, complete with near-naked dancing girls, was foisted on the public. Originally, Harpo Marx was to have played Androcles, the simple-hearted Christian tailor whose friendship with a lion saves himself and his friends from martyrdom in the Roman Colosseum. A few days into shooting, however, Harpo was replaced by Alan Young, who was okay but not in Marx's league. RKO habitués Jean Simmons and Victor Mature co-star as, respectively, a courageous Christian girl and the bullheaded Roman captain who falls in love with her. Every Shaw play has one character who acts as the playwright's alter ego; in Androcles, it's none other than Caesar himself, here wittily essayed by Maurice Evans. Director Chester Erskine co-adapted the play for the screen with Ken Englund; serving as producer was Gabriel Pascal. ~ Hal Erickson, All Movie Guide

Darling, How Could You is an amiable adaptation of James M. Barrie's stage perennial Alice-Sit- By-the-Fire. Joan Fontaine and John Lund head the cast as Alice and Robert Grey, who return to London from a five-year sojourn at the Panama canal, where Robert, a doctor, has tended to the sick. Upon arriving home, Mr. and Mrs. Grey must become reacquainted with their ever-growing children, especially precocious teenager Amy (Mona Freeman). Having just seen a play about an errant wife, Amy misinterprets the attentions paid to her mother by young physician Steve Clark (Peter Hanson), leading to a bottomless reserve of whimsically comic complications. Long unavailable to TV due to legal hassles with the Barrie estate, Darling, How Could You has since lapsed into public domain, and is now more available than ever. ~ Hal Erickson, All Movie Guide

During the 1845 battle for Texas' independence, a cattle baron (Clark Gable) spars with an evil senator (Broderick Crawford) over the state's future and for the affections of newpaperwoman Ava Gardner. ~ Jason Ankeny, All Movie Guide

The Highwayman is based on the famous narrative poem by Alfred Noyes. The title character, played by Philip Friend, is a bold masked bandit of 18th-century England, who robs from the rich and gives (a little) to the poor. He is loved by Bess (Wanda Hendrix), the lovely daughter of an innkeeper. The film doesn't pick up the plotline of the Noyes poem until some ten minutes before the end. Everyone who read The Highwayman in high school will recall that King George's men camp themselves in the inn awaiting the Highwayman's appearance--and so that Bess won't tip off her lover, they tie her up with a musket aimed at her heart. Bess courageously manages to fire the musket just as the Highwayman approaches, saving his life at the cost of her own. Upon the subsequent death of the Highwayman, he and Bess are reunited in the Hereafter. Fairly pedestrian for the most part, The Highwayman comes to a poignant climax, but it still pales beside the Alfred Noyes original. ~ Hal Erickson, All Movie Guide

The fabled 19th-century clashes between U.S. Marines and the pirates of Tripoli have provided story material for dozens of films. Tripoli stars John Payne as two-fisted marine lieutenant O'Bannon, though top billing is bestowed upon Maureen O'Hara as Countess D'Arneau, who has come to Tripoli hoping to wed a local prince. Also appearing is Howard Da Silva as Captain Demetrios, leader of a band of mercenaries who sell their loyalties to the highest bidder. After a great deal of byplay between the three stars, the action comes thick and fast as the marines and the pirates "have at" each other. Tripoli's strongest selling card is the Technicolor cinematography of James Wong Howe. ~ Hal Erickson, All Movie Guide

MGM's expensive remake of the 1937 British adventure film King Solomon's Mines stars Stewart Granger as fearless-explorer Alan Quartermaine, and Deborah Kerr as the spunky Irish lass who hires him on to locate her husband. Kerr's spouse has disappeared somewhere in Africa while attempting to unearth the long-lost diamond mines of King Solomon. Quartermaine wants no part of so risky an undertaking until Kerr waves 5000 pounds of sterling under his nose. Coming upon a Watusi tribe, the explorers discover that their taciturn native bearer (Siriaque) is actually a deposed Watusi king, who intends to wrest the throne back from his usurpers. Quartermaine uses his wits to quell the natives and keep his party from being killed on the spot. The group finally reaches King Solomon's Mines, where rests the bones of Kerr's late husband. The ending of this version of King Solomon's Mines doesn't pack the same ironic punch as the climax of the 1937 version, but this MGMization is more concerned with the blossoming romance between the leading man and leading lady than with full fidelity to the H. Rider Haggard novel on which it is based. King Solomon's Mines was filmed on location in Africa, which proved an excellent decision in the long run: for several years afterward, MGM adventure films like Watusi (1959) and Trader Horn (1973) were able to economically lift huge chunks of Technicolor stock footage from King Solomon's Mines. The property would be remade once more in 1985, this time as an Indiana Jones rip-off starring Richard Chamberlain and Sharon Stone. ~ Hal Erickson, All Movie Guide