Hugh Gillin Movies

This made-for-TV drama covers fifteen years, from WW2 to the mid-1950s, in the lives of farm couple Gordon and Jean Holly (Richard Thomas, Annabeth Gish). A daughter of privilege, Jean had married Gordon much against her parents' wishes, whereupon the couple took charge of a ranch in California, where they raised their children. Throughout their marriage, the Hollys not only faced the disdain of their loved ones, but also the prejudices and misunderstandings of their neighbor. And why? Because both Gordon and Jean Holly were totally blind, and thus regarded by the standards of their era to be "unworthy" of parenthood and self-reliance. Based on the novel by Susan Vreeland, What Loves Sees first aired September 22, 1996, on CBS. ~ Hal Erickson, Rovi

Ryan Richmond (Nicholas Strouse) is a lonely teen from Sunnydale, Arizona who believes he is a space alien in this offbeat comedy. Charles (Adam West) and his wife Edna (Candice Azzara) are the new neighbors who reinforce Ryan's vivid imagination. Hugh O'Brien plays a former U.S. vice-president who is embarrassed by Ryan at his daughter's wedding. Hugh Gillin plays Ryan's father who manages a local Holiday Inn that Ryan believes is a spacecraft. Maureen Stapleton and Roddy McDowell make cameo appearances in this uneven teen comedy. ~ Dan Pavlides, Rovi

This lightweight and slightly ribald comedy marks the feature film debut of Elvira (Cassandra Peterson), a buxom seductress best known for hosting a popular syndicated television show that features wonderfully bad old horror movies. After losing her latest job for refusing to sleep with her new boss, Elvira tries to launch a Vegas career. Just before that scheme falls flat, she finds salvation when an aunt dies and leaves her a huge old New England mansion. When the black-clad and sexy Elvira, with her flamboyant make-up and acres of cleavage hit the town, she creates an instant scandal amongst the old folks and inspires lusty dreams in the minds of the young. ~ Sandra Brennan, Rovi

Private Eye was the pilot for the 1987 TV series of the same name. The setting is the Los Angeles of 1956. Ex-cop Jack Cleary (Michael Woods), embittered over his brother's death, becomes a Spillanelike private detective, principally to solve his sibling's murder. A Rock 'n' roll idol (John Brolin) becomes Cleary's largely unwelcome partner when the trail of evidence leads to a scandal in the record industry. The film is partly inspired by the "Payola" imbroglio of 1959, which (so far as we know) resulted in very few murders. Bill Sadler and Lisa Persky costar, while Jay O. Sanders has a fall-on as Cleary's unfortunate brother; the background music was provided by Joe Jackson. Private Eye was first telecast September 13, 1987, while the series proper commenced five days later. ~ Hal Erickson, Rovi

Nick Randall (Rutger Hauer) is a modern-day bounty hunter who goes after notorious terrorist Malak Al Rahim (Gene Simmons) in this action feature. Nick is called on after Malak disrupts Los Angeles with a series of fatal bombings. William Russ plays Nick's friend and retired LAPD lieutenant Danny Quintz, with Robert Guillaume as CIA agent and former partner Philmore Walker. Nick tries to avoid being one of many caught in Malak's murderous bloodbath. ~ Dan Pavlides, Rovi

For his third outing as disturbed innkeeper Norman Bates, Anthony Perkins directed as well as starred in the thriller Psycho III. This time out, Norman is still manning the desk at the Bates Motel, where he now has an assistant, Duane (Jeff Fahey), and a new long-term tenant, Maureen Coyle (Diana Scarwid). Maureen has been seeing Duane and has some issues to resolve in her life; she gave up her vows as a nun not long ago, and she isn't sure just how she feels about either spiritual or earthly matters. Norman takes an interest in Maureen, which may not be good for her long-term health -- after all, the last woman with the initials "M.C." who stayed in that room (and used the shower) met with a rather nasty fate. Perkins played Norman Bates one more time, in the made-for-cable Psycho IV: The Beginning; a short-lived TV series followed, Bates Motel, in which Perkins did not participate. ~ Mark Deming, Rovi

In this socially conscious drama, an ex-con meets constant opposition from avaricious land owners who want the land on which he has set up a ranch-style juvenile correctional facility. ~ Sandra Brennan, Rovi

A sequel to one of the most popular horror films of all time, this psychological thriller received a pleasantly surprised, positive critical reception. Anthony Perkins returns as Norman Bates, who has just been released from an insane asylum after 22 years, having been judged clinically sane by the State of California over the objections of Lila Crane Loomis (Vera Miles), sister to one of Norman's murder victims. Norman returns home to the hotel and hilltop mansion he once inhabited with his mother. As a parole condition, Norman is hired at a local diner, where he struggles to join mainstream society, despite the stares of patrons aware of his past. At the diner, Norman befriends Mary (Meg Tilly), a waitress, and it seems that he may be putting some semblance of a life back together. But then Norman begins to experience hallucinatory encounters with his long-dead mother, including a handwritten note, a phone call, and a sighting of her standing at her favorite window. Is Norman's psychosis manifesting itself again, or are old enemies attempting to drive him back into an institution? As the pressure mounts, bodies pile up, and Norman's fragile hold on normality becomes more and more tenuous. ~ Karl Williams, Rovi

James Woods plays "Fast-Walking" Miniver, a strikingly amoral prison guard, in this dark, hard-hitting comedy/drama. When not smoking dope or scaring up customers for Evie (Susan Tyrrell), the proprietor of the local house of prostitution, Fast-Walking tries to keep order in an Oregon prison. Fast-Walking is looking for a big payday so he can quit his job and get into something less stressful, and he thinks he may have found it when William Galliot (Robert Hooks), a black political activist who has just landed behind bars, offers him $50,000 to help him escape. Fast-Walking thinks this sounds fine with him, until he finds out that his cousin Wasco (Tim McIntire) is part of a plot to kill Galliot and wants his help. Fast-Walking's dilemma is intensified by his affair with Wasco's girlfriend, Moke (Kay Lenz). Fast-Walking was written, produced, and directed by James B. Harris, who as a producer helped bring several early Stanley Kubrick films to the screen. ~ Mark Deming, Rovi

Also known as Mystique, Brainwash and The Naked Weekend, Circle of Power is not recommended viewing for any aspiring executive about to undergo leadership classes. Yvette Mimieux plays the head of an organization called Executive Development Training, or EDT for short. Her grueling technique requires that both the male trainees and their wives participate. Few of the participants seem psychologally suited for the EST-like excesses of EDT: one man is a closeted homosexual, another an alcoholic, a third a transvestite. Nor is Yvette about to cater to the more sensitive of her charges: at one point, an obese trainee is forced to eat garbage. It's hard to tell if we're supposed to take all this seriously or not. ~ Hal Erickson, Rovi

Lindsay Wagner stars as Callie, who battles her way up the ladder from waitress to fabulously wealthy Texas socialite. The price for her success is her son Randy, played by Jameson Parker. Though wielding great power, Callie is nearly powerless in her efforts to keep Randy away from beautiful young schemer Michelle Pfeiffer. The film's many intrigues result in a sensational murder trial. Made for TV, Callie and Son was originally seen October 13, 1981. ~ Hal Erickson, Rovi

The election of Sandra Day O'Connor to the Supreme Court rendered the premise of First Monday in October anachronistic before the picture was even released; ignoring this, however, the film is supremely entertaining (no pun intended). Jill Clayburgh stars as Ruth Loomis, the first lady justice ever appointed to the Court. She's a conservative, while her principal foe on the bench, Dan Snow (Walter Matthau), is an old-line liberal. The film glides along on a predictable Tracy-Hepburn course until Snow comes to Loomis' defense when her late industrialist husband is accused of improprieties which might compromise Loomis' effectiveness. First Monday in October was adapted by Jerome Lawrence and Robert E. Lee from their own Broadway play, which starred Henry Fonda. Actress Martha Scott co-produced the film, while several other Hollywood veterans, including Herb Vigran and Ann Doran, dot the supporting case. ~ Hal Erickson, Rovi

Diane Ladd makes her Alice debut in this episode as Belle Dupree, the waitress hired by Mel to replace the departed Flo (ironically, Ms. Ladd had created the role of Flo in the series' feature-film prototype Alice Doesn't Live Here Anymore). The Mississippi-born Belle had worked for Mel in the past, and he fondly recalls her as "one of the best waitresses I've ever had" (though he might have been swayed by her looks rather than her talent). Little does he know that Belle is merely biding her time until she can realize her dream of writing country-western songs. One of these, which is performed by Diane Ladd, is titled "Uncle Bud", and the actual composer is Preston P. Ladner. ~ Hal Erickson, Rovi