Patty Duke Movies

James Congdon plays Tony Nelson, a brilliant but foolhardy young scientist who is experimenting with matter and its relationship to time and space. Using a specially designed amplifier, he thinks he has found a way of releasing matter from the time and space that it occupies, thus allowing its atoms to freely intermingle with any surrounding matter without losing its integrity. After accidentally destroying the lab where he is working, he goes to his older brother Scott (Robert Lansing) for help. Scott is even more brilliant than Tony, but is his opposite in every other way: very orthodox, highly respected in his field, and also horribly overworked in his job and responsibilities. The two also have a fiercely competitive relationship that becomes more strained when Tony develops an attraction to Linda Davis (Lee Meriwether), Scott's fiancée. In testing Tony's equipment, Scott gets the experiment to work, passing one object through another, and achieves much more; his own hand accidentally passes through one of the test objects, gets caught, and then released. When he tries to repeat the experiment for Tony, he again passes his hand through the test object, and then discovers that the amplifier isn't functioning properly; the power to move into 4D is now being channeled through his own brain. He can pass through any solid object at will, and the previously staid, stolid scientist is uncharacteristically exultant at this success, though it seems to nullify the project he has spent years working on, the development of a supposedly impenetrable substance. Possessing this power causes Scott's basest desires to emerge for the first time; he starts out by going on a robbery spree, passing through locked bank vaults and stealing the financial reward that has been denied him in his job. The truly dire consequences of his new-found powers emerge the next morning, however, when Scott awakens to discover that he looks and feels at least 15 years older; apparently, using his new ability to move into 4D drains his life force. Worse yet, he discovers that he can replenish his life energy, but only by passing himself through people; this contact restores him, but accelerates their aging so that they shrivel up and die in seconds. Scott is riven by the struggle between his basic decency and his desire to survive, coupled with his now unbridled lust and greed, and the body count keeps rising as he rampages through the city. The police are unable to stop him, and Tony, feeling more responsibility than he's ever displayed before, prepares to turn the 4D amplifier on himself so that he can battle his brother. It is Linda, however, who takes the ultimate risk, luring Scott back to normal one last time. The story is exciting (albeit a bit grim) and played in a lively fashion, and the careful use of Ralph Carmichael's jazz-based score to accent the action also helps set 4D Man apart from other science fiction films of the era. ~ Bruce Eder, All Movie Guide

A Family Upside Down stars Fred Astaire and Helen Hayes as a retired married couple. Always proud of his independence and resilience, Astaire suffers a sudden heart attack. Though he recovers, Hayes is unable to care for Astaire herself, so she and her husband are compelled to move in with son Efrem Zimbalist Jr. and daughter-in-law Pat Crowley. Astaire's heart problems persist, and the family must face the unpleasant alternative of placing him in a nursing home. Though A Family Upside Down threatens to become an uninterrupted wallow in misery, the film takes several unexpected twists and arrives at a reasonably upbeat conclusion. Coproduced by Ross Hunter, A Family Upside Down co-stars Patty Duke Astin as Astaire and Hayes' emotionally overwrought daughter. The made-for-TV film, which won Fred Astaire the last of his many Emmy awards, originally aired April 9, 1978. ~ Hal Erickson, All Movie Guide

In this made-for-TV drama, Patty Duke plays a mother who vows to do everything possible to keep custody of her grandchild following the murder of her son. Though no one believes her, Duke is convinced that her boy was murdered by his suspiciously worldly ex-wife-to-be. ~ Sandra Brennan, All Movie Guide

The Yuletide Season is anything but merry for Emily (Carla Gugino), who is forced to take charge of her nephew J.T. (Evan Sabara) and niece Alanna (Mae Whitman) when their drug-addicted mother (Laura Dern) O.D.'s and the kids are dispossessed. When it looks as though the kids will be sucked into the merciless maelstrom of the foster-care system, Emily packs them up and heads out of her home state, ending up in a little town that happens to be named Bethlehem Even though the authorities have been temporarily left behind, Emily will need a miracle to keep her family together. Enter a versatile guardian angel (Patty Duke), who assumes a variety of earthly guises to save the day for Emily, J.T. and Alanna--and also orchestrates a romance between Emily and a sympathetic local cop (David Conrad). Based on a novel by Marilyn Pappano, A Season for Miracles first aired as a CBS Hallmark Hall of Fame presentation on December 12, 1999. ~ Hal Erickson, All Movie Guide

In 1988, Nancy Klein, the pregnant wife of Long Island accountant Marty Klein, was involved in a car accident that left her comatose. Convinced that Nancy would never recover if she went to full term with the baby, Marty asked the doctors to perform an abortion. Almost immediately, Nancy Klein became a cause celebre for pro-life and pro-choice activists alike. Made for television, Absolute Strangers recreates this traumatic event and the drawn-out courtroom litigation that followed. Henry Winkler, who produced the film, returned to acting after a long absence to play Klein; others in the cast include Jennifer Hetrick as Nancy, Richard Kiley as Dr. R. J. Cannon, Karl Malden and Audra Lindley as Nancy's parents, and Patty Duke as a lower-court judge. Though it is clear that the filmmaker's sympathies are clearly on Marty Klein's side, the script remains even-handed throughout, observing that the pro-choicers can be just as narrow-minded and contentious as the "absolute strangers" who wish to usurp Marty Klein's rights concerning his wife's wellbeing. Written by playwright Robert Anderson (Tea and Sympathy, I Never Sang For My Father), Absolute Strangers premiered April 14, 1991. ~ Hal Erickson, All Movie Guide

The fourth in a seemingly endless parade of Amityville sequels, this passable TV knock-off features an item of possessed furniture from the notorious haunted house -- a concept inspired by a series of novels by John G. Jones and exploited in no less than three films of the series. This time it's a lava lamp from the accursed site that houses the evil, traveling cross-country from an Amityville garage sale (now there's a title for a sequel) to an oceanfront California estate, whereupon it releases the demonic forces within to exert their vile influence on a young girl by assuming the form of her late father. To this end, the demon animates various household appliances to whittle down the cast in death scenes which are neither shocking nor original -- much like the rest of this film. ~ Cavett Binion, All Movie Guide

The "before" version of Patty Duke is obese and slovenly. Emerging from a "fat farm," the "after" version of Patty Duke discovers that her husband (Bradford Dillman) has been playing the field while she's been trying to shed her excess poundage. Duke then takes up with a handsome artist (Art Hindle), who gives her new incentive to lose weight, even though he's made it clear that her physical appearance isn't all that important to him. His jealousy aroused, Duke's hubby tries to win her back, but she soon learns that he hasn't really changed a bit. The made-for-TV Before and After was initially broadcast October 5, 1979. ~ Hal Erickson, All Movie Guide

A regular guy adds some much-needed drama to his life in this comedy. Peter Rooker (Marcus Thomas) is a man who has come to a crossroads in his life -- he's just been given his walking papers by his girlfriend, has lost interest in his job, and is looking for something new in his life. Filled with ennui, one evening Peter walks into a small theater where a community drama company is holding auditions for a production of Cyrano de Bergerac. While Peter has no acting experience and stumbles through his impromptu audition, director Edwina (Clare Higgins) thinks there's a great Cyrano lurking inside him, and gives him the title role. Before long, Peter has gained a new circle of friends, dominated by eccentric small-time actors Michael (John Corbett) and Grace (Amy Smart), who are playing Christian and Roxanne, and a new enthusiasm for life. But as it happens, both Peter and Michael have become infatuated with Grace, and as Peter tries to find a way to win her attention, Edwina begins to wonder if casting Peter was such a good idea after all. Bigger Than the Sky was the first dramatic feature from actor-turned-director Al Corley. ~ Mark Deming, All Movie Guide

Looking for the perfect biological father, a lesbian couple attempts to have a child after they are refused adoption privileges. ~ Kristie Hassen, All Movie Guide

One of four dramatic miniseries carried by NBC under the blanket title Best Sellers, Captains and the Kings was adapted from a novel by Taylor Caldwell. Covering a time span from 1857 to 1912, this was the saga of the Irish-immigrant Armagh clan, with emphasis on the rags-to-riches career of Joseph Armagh (Richard Jordan). Achieving fame and prominence (if not full-fledged social acceptance) through a Byzantine series of investments in the oil industry, the elder Armagh was obsessed with the notion of having one of his sons become the first Irish-Catholic President of the United States (does this story sound vaguely familiar?). Along the way, Joseph and his offspring indulged in innumerable romantic liaisons, extramarital and otherwise. Featured in the all-star cast is Patty Duke Astin, who won an Emmy award for her portrayal of Bernadette Hennessey Armagh. Captains and the Kings was broadcast from September 30 to November 18, 1976 in seven installments, two of which ran 120 minutes, and the other six lasting 60 minutes -- a total of nine hours' air time in all. ~ Hal Erickson, All Movie Guide

This wonderfully cheesy TV movie-of-the-week stars Tony Franciosa as a detective hot on the trail of a murderer whose mutilated and predominantly male victims are found encased in silken cocoons. He eventually tracks the killer's path to Los Angeles, where he discovers her true identity -- a woman who was bitten by black widow spiders as a child, who has developed the ability to transform herself into a gigantic spider-monster (as portrayed by a not-too-convincing rubber puppet). An odd diversion for director Dan Curtis, with a 1950's monster-movie mentality incongruous with his earlier TV features. The cast -- comprised of many familiar TV faces -- try to play their roles straight, despite the overall impression that the whole thing is a silly put-on. ~ Cavett Binion, All Movie Guide

Richard Boone stars as Anton Solca, an Iron Curtain defector living contentedly in California's Napa Valley. Now a successful wine grower, Solca finds himself targetted by a mysterious assailant. Someone from his East European past wants him dead, and by mid-film we find out why. Patty Duke, Michael Constantine, Jack Kruschen and Murray Hamilton costar in this TV-movie adaptation of Geoffrey Household's novel Watcher in the Shadows. Deadly Harvest debuted September 26, 1972. ~ Hal Erickson, All Movie Guide

Those who think that you can't make a suspense movie out of a true-life story wherein everybody knows the outcome are referred to the made-for-TV Everybody's Baby: The Rescue of Jessica McClure. Jessica, of course, was the 18-month-old Texas girl who fell down an abandoned well in October of 1987. As the world looks on in anguish, the local fire chief (Pat Hingle) and police chief (Beau Bridges) supervise the efforts to rescue Jessica from her 22-foot-deep prison. The film effectively squeezes the 58 hours of the original incident into two, allotting plenty of time for a surface-level subplot involving the efforts of a Victim's Assistance Program volunteer (Patty Duke) to reassure Jessica's parents. In keeping with Hollywood child-labor requirements, little Jessica McClure is played by twin girls, Laura and Jennifer Loesch. ~ Hal Erickson, All Movie Guide