Billy Gilbert Movies
Tall, rotund, popular comedic supporting actor Billy Gilbert is best remembered for his ability to sneeze on cue. The son of opera singers, he was 12 when he started performing. Later, in vaudeville and burlesque, he perfected a suspenseful sneezing routine; this became his trademark as a screen actor (he provided the voice of "Sneezy," one of the Seven Dwarfs, in Disney's feature cartoon Snow White and the Seven Dwarfs, [1938]). Gilbert appeared in some silent films, then began a busier screen career during the sound era, eventually appearing in some 200 feature films and shorts where he was usually cast in light character roles as comic relief to straight performers and as support for major comedians, notably Laurel and Hardy. He also frequently had accented roles, including Field Marshall Herring in Chaplin's The Great Dictator (1940). In the late '40s, Gilbert directed two Broadway shows; he also wrote a play, Buttrio Square, which was produced in New York in 1952. Billy Gilbert rarely appeared in films after the early '50s. ~ All Movie Guide- 1937
Starving artist Robert Montgomery could care less if his paintings sell, so long as he's happy. Montgomery falls in love with Rosalind Russell, an heiress who's gone "slumming" in Greenwich Village. Russell becomes Montgomery's patroness as well as his wife, urging him to make his paintings more commercial. He becomes a success following her advice, but popularity goes to his head and soon Russell realizes she's created a monster. She walks out, he gets his act together, she comes back, and they return to their blissful hand-to-mouth existence. Live, Love and Learn scores its biggest laughs unintentionally with MGM's prettified concept of what a "run down" Greenwich village apartment looks like. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Rosalind Russell, (more)
A boy learns life-changing lessons about the importance of friendship and the dignity of labor in this adventure saga based on a story by Rudyard Kipling. Young Harvey Cheyne (Freddie Bartholomew) is the working definition of a spoiled brat; the only child of a wealthy widowed businessman, Harvey has everything he needs, but never stops asking for more, convinced he can get anything if he yells, pouts, or throws the right tantrum. Even other boys his age are disgusted with his antics, and when he accompanies his father on an ocean cruise, he finds he has no friends to play with. After wolfing down six ice-cream sodas, Harvey gets sick to his stomach and while vomiting over the side of the ship, he falls into the drink. He is rescued by Manuel (Spencer Tracy), a Portuguese old salt who drags him on board a Gloucester fishing boat where he's a deck hand and doryman. Harvey shows no gratitude to Manuel for saving his life and demands to be taken home immediately; Manuel and the crew, not the least bit sympathetic, inform him that once they've filled the ship's hold with fresh catch, they'll return to shore, and not a moment sooner. Over the next few weeks, Harvey grows from a self-centered pantywaist into a young man who appreciates the value of a hard day's work, and in Manuel he finds the strength, guidance, and good sense that he never got from his father. Spencer Tracy earned an Academy Award for his performance in Captains Courageous and even sings a bit; the story was parodied years later (with a few rather drastic changes) in the Chris Elliott vehicle Cabin Boy. ~ Mark Deming, All Movie Guide
- Starring:
- Spencer Tracy, Freddie Bartholomew, (more)
- 1937
The third of MGM's profitable Jeanette MacDonald/Nelson Eddy songfests, Maytime opens in the early 20th century, with a young girl arguing with her boyfriend over her wishes to become an opera singer. The girl's neighbor, a lonely old woman whom we gradually recognize as a convincingly "aged" Jeanette MacDonald, tells the girl of her own career in opera. The old lady was once the radiant young diva Marcia Mornay. In 1868 she was the toast of Europe, thanks to the tutelage of her voice instructor Nikolai Nazarov (John Barrymore). He proposes marriage, and Marcia accepts, more out of gratitude than love. In a euphoric pre-nuptial state, Marcia finds herself on Paris' Left Bank, where she meets handsome café crooner Paul Allison (Nelson Eddy). They meet again at a lavish Maytime festival, falling in love (to the accompaniment of Sigmund Romberg's most dazzling duets) in the process. Sadly, Marcia returns to Nazarov, while Paul goes off to America to lick his wounds. Seven years later, Marcia, making her New York debut in a fictional opera based on the works of Tchaikovsky, finds that the leading baritone is none other than Paul. Unable to envision life without her new love, Marcia begs Nazarov for a divorce. He smiles slyly and promises to give her her freedom-whereupon he heads to Paul's apartment and kills the poor fellow. The flashback done, Marcia advises her pretty young neighbor that one can never have both love and a career. Out of tragedy grows the happy ending, in which the spirit of the now-deceased Marcia is reunited with Paul in a blossom-filled Hereafter. On paper, Maytime may seem to be the ultimate in Hoke, but even in recent revival showings the film never fails to cast its spell over an audience. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanette MacDonald, Nelson Eddy, (more)
- 1937
The "suspense" in the RKO Radio musical comedy Music for Madame lies in whether or not golden-voiced Operatic tenor Nino Martini will be permitted to sing. En route to Hollywood, Tonio (Martini) is hoodwinked into serenading a wedding party while a gang of jewel thieves clean out the place. The crooks head for the hills, but not before threatening to murder Tonio if he ever sings again (his voice, you see, is the only clue the police have to go by). While pondering the future of his career, our hero falls in love with beautiful Jean (Joan Fontaine) and is sorely tempted to express his ardor in song. Music for Madame was Jesse L. Lasky's first RKO production -- and very nearly his last when the picture lost $375,000 for the studio. ~ Hal Erickson, All Movie Guide
- Starring:
- Nino Martini, Joan Fontaine, (more)
- 1937
In this adaptation of the operetta by Rudolf Friml, secret agent Nina Maria Azara (Jeannette MacDonald) is working undercover for the King of Spain as a singer known as the "Mosca del Fuego" or "Firefly." Her mission is to uncover Napoleon's plot to invade Spain before it is too late. This film features a variety of songs including "Donkey Serenade," "Love Is Like a Firefly," " and "When a Maid Comes Knocking At Your Heart." ~ Iotis Erlewine, All Movie Guide
- Starring:
- Jeanette MacDonald, Allan Jones, (more)
- 1937
This third entry in MGM's "Broadway Melody" series may not have been the biggest or best, but thanks to a masterpiece of casting it is one of the most memorable of the batch. Signed by MGM in 1935, 15-year-old Judy Garland made her first feature-film appearance under the aegis of Leo the Lion, immediately capturing the hearts of moviegoers everywhere by singing "You Made Me Love You" to a photograph of Clark Gable (a sequence that has since been excerpted countless times in TV and movie documentaries). She later shares a song-and-dance number with gangly Buddy Ebsen, making an impressive entrance in a white midget car (Ebsen would later be cast as the Tin Man in Judy's The Wizard of Oz, only to be replaced by Jack Haley when he fell ill during shooting). The presence of Garland, coupled with several superlative dance solos by Eleanor Powell and a spectacular musical finale, tends to make one forget about the plot, which has something to do with a racehorse owned by heroine Sally Lee (Powell). The horse wins the Grand Steeplechase, the prize money is poured into the stage production previously bankrolled by Steve Raleigh (Robert Taylor), and the Show Goes On. Movies fans of the 1930s with long memories were gratified to see such old vaudeville favorites as Sophie Tucker and Willie Howard in the cast, even if their material wasn't quite up to standard. Interestingly, one of the best comic turns is performed by "professional sneezer" Robert Wildhack -- leaving another famed movie sneezer, Billy Gilbert, with virtually nothing to do! On the other hand, Robert Benchley is his usual droll self, managing to score a comic bullseye despite all the lavish and noisy competition around him. Broadway Melody of 1938 was followed by a 1940 sequel, distinguished by the "challenge dance" between returnee Eleanor Powell and Fred Astaire. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Eleanor Powell, (more)
- 1937
In this musical comedy, an irresponsible young heir is betrothed to the singing daughter of a wealthy matron. Unfortunately, the willful young is not even slightly interested in her "fiance," preferring the attentions of another instead. Unfortunately, the other man has a big problem. Though he really loves the girl, he will lose his $3 million inheritance if he marries her before the age of 30. Complicating matters is the private detective assigned to keep him from getting to involved with women such as the heroine. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joe Penner, Gene Raymond, (more)
- 1937
The notorious Orient Express provides the setting for this romance involving two rival reporters in pursuit of a munitions baron. The two rivals eventually fall in love, but not before they are implicated and subsequently cleared of a plot to kill the arms maker. The munitions man also falls in love and decides to use his skills for making more peaceful products. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edmund Lowe, Madge Evans, (more)
Director Roy Del Ruth and singing star Dick Powell were raided from the Warner Bros. stables for this frothy musical comedy that features a wonderful collection of Irving Berlin songs, including "I've Got My Love to Keep Me Warm" and "Slumming on Park Avenue." Powell stars as Broadway impresario Gary Blake, who is busy putting together his latest Broadway musical starring the Ritz Brothers (as themselves) and musical comedy star Mona Merrick (Alice Faye). Mona's role as "The Richest Girl in the World" is a blunt burlesque of Park Avenue socialite Mimi Caraway (Madeleine Carroll), who catches a performance and becomes enraged at the not-so-subtle ribbing. Mimi goes backstage to protest Mona's performance to Gary, who is immediately attracted to Mimi and agrees to tone down the role. Unfortunately, Mona, who was once Gary's girlfriend, has other ideas. When Mimi and her family come to the next performance, they are shocked to discover Mona's character is even more nasty and self-centered than before. In retaliation, Mimi and her family buy out the production and Mimi makes changes that even the moony Gary objects to. ~ Paul Brenner, All Movie Guide
- Starring:
- Dick Powell, Madeleine Carroll, (more)
- 1937
A doctor (John Beal) who loses faith in his skills renounces his profession and hides himself in a variety of jobs. He takes a minor job at an airfield, where he meets nurse Joan Fontaine, who works on a "flying hospital". On board the aircraft, Beal finds he is the only person who can perform a delicate operation; worse luck, the plane is about to crash! Beal finds himself, per the title, but nearly loses his life in the process. Watch for Dwight Frye, the immortal "Renfield" in Bela Lugosi's Dracula, as an hysterical patient--and seven-year-old Dwight Frye Jr. as a child rescued from a train wreck. ~ Hal Erickson, All Movie Guide
- Starring:
- John Beal, Joan Fontaine, (more)
- 1936
Future best-selling novelist Irwin Shaw made his screenwriting bow with the modest RKO Radio sports drama The Big Game. The story revolves around the efforts by a group of crooked gamblers to fix the outcomes of college football games. When star quarterback Clark (Philip Huston) refuses to be bribed, the villains kidnap him on the eve of the titular Big Game. Clark is rescued by his burly teammates just in the nick of time, but the film's not over yet: there's a riot on the football field during the final scenes, reportedly inspired by a real-life incident during a 1935 NYU-Fordham game. Adding to the enjoyment of The Big Game is the presence of several genuine members of the 1936 All-American football squad: The University of Chicago's Jay Berwanger, Notre Dame's William Shakespeare, Southern Methodist's Bobby Wilson, NYU's Irwin "King Kong" Klein, Ohio State's Gomer Jones, and Stanford's Robert "Bones" Hamilton, Monk Moscrip and Frank Alustiza. ~ Hal Erickson, All Movie Guide
- Starring:
- Philip Huston, James Gleason, (more)
- 1936
Three of a Kind was also released as Mistaken Identity, which pretty much says it all. Chick Chandler, Berton Churchill and Richard Carle star respectively as confidence tricksters Jerry Bassett, Con Cornelius and F. Thorndyke Penfield. Each of the crooks thinks that the other two are wealthy, thus they spend most of the picture trying to swindle one another. Eventually, Jerry pulls out of the game when he falls in love with Penfield's pretty daughter Barbara (Evalyn Knapp). Faster-moving than most Invincible Pictures releases, Three of a Kind should please fans of such latter-day conning-the-conners epics as The Sting. ~ Hal Erickson, All Movie Guide
- Starring:
- Chick Chandler, Evelyn Knapp, (more)
- 1936
In one of the best Charlie Ruggles-Mary Boland vehicles of the 1930s, Ruggles plays a mild mannered husband prone to sleepwalking. His nocturnal prowlings cause no end of embarrassment for his wife (Mary Boland), especially since Ruggles is a more aggressive personality when asleep. Eventually, Ruggles' midnight wandering gets him mixed up with gangsters. It looks bad for our stars, but Ruggles and Boland manage to wriggle out of the dilemma and into a happy ending. Early to Bed was scripted by versatile character actor Lucien Littlefield, who plays a small part in this film and had previously appeared with Ruggles and Boland in the memorable Ruggles of Red Gap (36). ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Boland, Charlie Ruggles, (more)
- 1936
Newlywed Carolyn Martin (Barbara Stanwyck) has been raised to expect the finer things in life, but these are things that can't be provided by her working-stiff husband Michael (Gene Raymond). Hoping to supplement the family coffers, Carolyn offers to take a job, but the chauvinistic Michael won't hear of it, insisting that the couple live on his measly 35 dollars per week, causing no end of trouble when wifey overextends her bank account. When millionaire Hugh McKenzie (Robert Young) enters her life, Carolyn is sorely tempted to walk out on her husband -- and, as indicated by the film's title, she does. Ultimately, however, money flies out the door when love flies back in the window. Counterpointing the marital travails of our hero and heroine is the contentious union between Mattie and Paul Dodson (Helen Broderick and Ned Sparks), who've learned to be happy while miserable. Black comic actor Willie Best is prominently billed in The Bride Walks Out, but his role was cut down to a mere walk-on. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Gene Raymond, (more)
- 1936
A lesser but still effective entry in the mid-1930s "prison" cycle, Parole catalogues the many problems facing prisoners who've served their debt to society. The story concentrates on Russ Whalen (Henry Hunter), one of several parolees trying to find work on the outside. The "ex-con" onus forces some of these men to return to crime, but Russ keeps his nose clean and finally finds success. Also given attention are the many abuses in the parole system, which in 1936 frequently favored those with the right connections. Of historical significance, Parole represents the film debut of Anthony Quinn, in a 45-second bit as a prisoner named Zingo Browning. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Hunter, Alan Dinehart, (more)
- 1936
Having turned down the opportunity to produce Frank Capra's It Happened One Night (1934), MGM's Louis B. Mayer had second thoughts when the Capra film swept the 1935 Oscars ceremony. Mayer hastily commissioned an It Happened One Night wannabe titled Love on the Run, tailored for the talents of Joan Crawford and Clark Gable (who, of course, had starred in the Capra picture, and had copped one of those Oscars). Gable and Franchot Tone play rival journalists Michael Anthony and Barnabas Pells, who travel the length and breadth of Europe to outscoop one another. Crawford portrays madcap heiress Sally Parker, who is engaged to marry fortune-hunting Prince Igor (Ivan Lebedeff). Whereas in It Happened One Night the heroine (Claudette Colbert) linked up with Gable in order to expedite her elopement with the wrong man, in Love on the Run Crawford seeks out Gable's help to escape her impending marriage with Prince Igor. The two stars combine their flight across Europe with business, dogging the trail of international aviator Baron Spandermann (Reginald Owen), whom Anthony suspects of being a spy. Pells goes along with Anthony and Parker, and soon all three of them are tied up (literally, in Pells' case) with an espionage ring. While it is Clark Gable who ends up with Joan Crawford at fadeout time, it was Franchot Tone who claimed her as his bride in real life. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Clark Gable, (more)
- 1936
Universal plunged into the clutches of its creditors with its expensive fiasco Sutter's Gold. Edward Arnold plays Swiss immigrant Johann Sutter, who seeks his fortune in the California of the 1830s. Against all odds, Sutter builds up a huge land empire, only to watch its explode when gold is discovered at Sutter's mill in 1848. Prospectors, speculators and claim-jumpers strip Sutter of his hard-earned riches, and he is forced to retire on a minimal government pension. While the film ignores the dicier facts about the real Johann Sutter, who was as much confidence trickster and philanderer as he was visionary, and while history is distorted to the point that Sutter's Fort is subject to an Alamo-style Mexican raid, there is nothing really wrong with this on an entertainment level. But it went way over budget and was too downbeat a tale to score with a depression audience looking for optimistic answers to its own financial problems. The failure was softened somewhat by the success of Universal's subsequent Show Boat, but it was too late for the studio's Carl Laemmle regime, which would be ousted by the end of 1936. That same year, incidentally, a German film about Johann Sutter, The Kaiser of California, was made, with Hans Albers in the lead. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward Arnold, Lee Tracy, (more)
- 1936
A woman framed for a bond theft gets out of prison and takes a job at a waterfront cafe, where she witnesses a murder. She is in love with the man the victim was going to meet and is reluctant to talk. He tells her that he was going to haul a load of gold bullion for the victim, and soon they are caught between cops and crooks after the gold. ~ Steve Huey, All Movie Guide
- Starring:
- Margot Grahame, Gordon Jones, (more)
- 1936
- NR
Falsely convicted Lionel Barrymore escapes from Devil's Island with fellow prisoner H.B. Walthall. A brilliant scientist, Walthall reveals to Barrymore that he has developed a process to shrink human beings. Upon Walthall's death, Barrymore makes his way back to the old scientist's lab, intending to use Walthall's formula to exact vengeance on those who have wronged him. He does so, clearing his name and securing the future happiness of his daughter Maureen O'Sullivan (who believes that Barrymore is dead) in the process. But Barrymore's crazed assistant Rafaela Ottiano isn't satisfied. "We'll make the whole world small!" she hisses, forcing Barrymore to kill her and destroy the formula. To save his daughter from scandal, Barrymore disappears into the night, the implication being that he plans to commit suicide at the first opportunity. The excellent miniature work in The Devil Doll (much of it accomplished with outsized sets, a la the Laurel and Hardy comedy Brats) successfully takes the viewers' minds off the rather silly plot. Director Tod Browning was always stronger with atmosphere than with plot and dialogue, and this film is no exception. Far less logical than the miniaturization process is Barrymore's decision to disguise himself as an old woman, since this transparent guise wouldn't convince a 2-year-old in real life. Based on the novel Burn, Witch, Burn by Abraham Merritt, The Devil Doll was scripted by several hands, including Erich Von Stroheim. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Maureen O'Sullivan, (more)
- 1936
The Commodore (Fred Stone), an average man in an average small town, is incensed that killers and thieves are able to use legal loopholes to escape punishment. He mounts a civic crusade to bring a local gang of racketeers to justice and is aided in this endeavor by idealistic young reporter Steve (Owen Davis Jr.) -- who, fortuitously, is the sweetheart of the Commodore's granddaughter Edith (Louise Latimer). Steve and the Commodore do their job too well, and as a result end up in the gang's clutches. This 11th-hour injection of melodrama seems out of place in this otherwise leisurely programmer, but in the long run it works to the picture's benefit. Four screenwriters contributed to Grand Jury, including future Casablanca collaborator Philip G. Epstein. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Stone, Louise Latimer, (more)
- 1936
In this melodrama the captain of a decrepit boat must get it to port but finds that racketeers are trying to prevent him from making it by sneaking their thugs on board. The henchman are told to sink the barge and the collect upon a substantial insurance policy. They blow a large hole in the hold. The brave captain goes down amidst the rushing water and tries to block it. Meanwhile his philandering wife makes a pass at the second mate, the captain's best friend. The captain successfully saves the ship and comes back on deck. He soon discovers his best friend and his wife ensconced in a passionate clinch. She says that the mate had attacked her and the captain decks him. It is not long before he learns the truth. He and the second mate resume their friendship and the boat is safely sailed to London. There he receives $10,000 from Lloyd's of London for his good work. He also is given a new boat to helm. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Holt, Robert Armstrong, (more)
- 1936
Love on a Bet is a lightweight programmer from the "Get Rich Quick Wallingford" school of comedy. Gene Raymond stars as Michael, a fresh young sprout who needs $15,000 to produce a Broadway play. His rich uncle Carlton (William Collier Jr.) agrees to pony up the money, but only on the condition that Michael leave New York City in nothing but his underwear and show up in Los Angeles 10 days later in a new suit, with a hundred dollars, and a sweetheart -- which happens to be the plotline of the play that Michael wants to produce! As he embarks upon his hitchhiking "tour" of the U.S., Michael is given a lift by wisecracking Charlotte (Helen Broderick) and her pretty niece Paula (Wendy Barrie). At this point, everyone in the audience will know how Love on a Bet ends up, but getting there is all the fun. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Raymond, Wendy Barrie, (more)
- 1936
A remake of the French comedy Monsieur Sans-Gene, One Rainy Afternoon gets under way when film-actor Phillippe Martin (Francis Lederer) heads to a darkened Parisian movie theater for a romantic rendezvous with his married sweetheart Yvonne (Countess Live de Margaret). But our hero sits in the wrong seat and kisses the wrong young lady: Monique Pelerin (Ida Lupino), the daughter of a powerful publisher Joseph Cawthorn. This innocent mistake snowballs into a national scandal, fomented by the hatchet-faced president (Eily Malyon) of the Purity League, with Phillippe earning the onus of "The Kissing Monster." It all culminates in one of those zany courtroom trails which proliferated in screwball comedies of the 1930s, wherein Phillippe defends himself by insisting that it is in a Frenchman's nature to be romantic, even with perfect strangers -- and as a result he becomes an international hero! One Rainy Afternoon was the first of a handful of United Artists talkies personally produced by studio vice-president Mary Pickford. ~ Hal Erickson, All Movie Guide
- Starring:
- Francis Lederer, Ida Lupino, (more)
- 1936
Produced by Hal Roach, Kelly the Second is one of the few feature films to capture the comic spirit of Roach's wonderful two-reelers. Patsy Kelly stars as Molly Kelly, who as the result of an unexpected street brawl becomes the trainer of truck-driver-turned-prizefighter Cecil Callahan (Guinn "Big Boy" Williams). It seems that Cecil is a gentle soul who turns into a fighting fool whenever he hears the strains of "The Irish Washerwoman." Molly talks her boss, druggist Doc Klum (Charley Chase), into financing Cecil's ring career, which gets Doc in dutch with gangsters Ike (Ed Brophy) and Spike (Harold Huber). When Cecil's head is briefly turned by Ike's moll Gloria (Pert Kelton), Molly walks out on him but returns in time to cheer him to victory in the inevitable Big Fight. Despite some formidable comic competition, the film is stolen by the great Charley Chase, in one of his few feature-film appearances. Kelly the Second also features unbilled cameos by such Hal Roach favorites as Max Davidson and Carl "Alfalfa" Switzer (Billy Gilbert, alas, was cut from the final release print); best of all, the musical score includes several familiar "background" themes by the inimitable LeRoy Shield. ~ Hal Erickson, All Movie Guide
- Starring:
- Patsy Kelly, Pert Kelton, (more)
- 1936
Three confidence men set up in a luxury hotel, but wind up as their own victims when several swindles backfire. ~ John Bush, All Movie Guide
