Billy Gilbert Movies

Like Prohibition, Franklin-Blank Productions' The Villain Still Pursued Her is best regarded as a "noble experiment". Using the hoary old stage melodrama The Drunkard: or, the Fallen Saved as its inspiration, the film is a contemptous send-up of all such Victorian mellers, its "serious" moments deliberately and broadly played for laughs. The tone is set at the beginning of the film, with master of ceremonies Billy Gilbert exhorting the audience to "applaud the noble characters and hiss the villain" (at some showings, it was the other way around). Richard Cromwell plays Edward, a stalwart young man who succumbs to the temptations of Demon Rum through the evil machinations of top-hatted villain Squire Cribbs (Alan Mowbray). It is Cribbs' desire to have heroine Mary (Anita Louise), Edward's long-suffering spouse, in his clutches, but the villain is (curses!) foiled by "philanthropist-reformer" Healy (Hugh Herbert). No opportunity to wring laughs from the audience is overlooked; there's even a pie-throwing sequence, which figured not at all into the original play. The result is more silly than funny, with everyone trying way too hard. Still, there are some prize moments, many of them provided by Buster Keaton in the sizeable role of the hero's best friend; whenever Keaton pauses to deliver an aside to the audience, he must first wait patiently while several disinterested passers-by parade before the camera. Best bit: the "love at first sight" meeting between hero Cromwell and heroine Louise, beginning with intercut long shots of the couple and ending with tight, bloodshot closeups of the actors' eyes! A flop when first released, The Villain Still Pursued Her has since found its audience on the public domain video circuit. ~ Hal Erickson, All Movie Guide

Also released as The Great Awakening, New Wine purports to recreate an incident in the life of Austrian composer Franz Schubert. Though the real-life Schubert was chubby and homely, he is played on screen by the slim-and-handsome Alan Curtis. Unable to convince the world of his talent, Schubert is on the verge of starvation when he is rescued by a gorgeous patron: Countess Anna, portrayed by Curtis' then-wife Ilona Massey. In the film's most memorable scene, Ludwig Van Beethoven (Albert Basserman) advises Schubert to finish that Unfinished Symphony. It's that kind of picture. At least New Wine is full of glorious music, written by Schubert and his contemporaries and only slightly Hollywoodized in the arrangements. ~ Hal Erickson, All Movie Guide

The real-life marriage between Dick Powell and Joan Blondell was already on the rocks when they costarred in Model Wife. The story is "Working Girl Plot No. 6": Blondell's employer frowns upon married women working. She's married to Powell. The marriage must remain secret. The boss has a "thing" for Blondell. So does every other man. Powell fumes. Complications. Movie ends happily. And that's Model Wife, the second and last of the Powell/Blondell vehicles of the 1940s (the other film was titled, significantly, I Want a Divorce). ~ Hal Erickson, All Movie Guide

Musical comedy favorite Elsie Janis, who gained renown in WW1 as "The Sweetheart of the AEF", returned to the screen after a long absence in Republic's Women in War. The story is the old chestnut about two volunteer Red Cross nurses, Pamela (Wendy Barrie) and Gail (Mae Clarke), both in love with dashing aviator Larry (Patric Knowles). The producers brought the storyline up-to-date by plunking it in the middle of the London Blitz, German air raids and all. As a result, Women in War was one of the first Hollywood productions to recreate the Nazi bombing of London, which it did with commendable credibility. Top-billed Elsie Janis plays O'Neill, "den mother" of the volunteer nurses; surprisingly, she is afforded no singing opportunities, but manages to light up the screen all the same. ~ Hal Erickson, All Movie Guide

In this musical, a con man makes a good living by promoting bogus charity shows. He gets the communities all revved up and then skips town with all their money. But then he meets three earnest people wanting to garner financial support for an orphanage. This time the con man's loyal assistant finally catches on to the wicked scam and turns him in to the police. Meanwhile, the newly reformed assistant and one of the charity workers fall in loves. Songs include: "Tequila" (sung by Downs, Terry), "I'm Just a Weakie" (sung by Allen, Gilbert), "What Fools These Mortals Be," and "When A Fella's Got a Girl" (Jule Styne, George R. Brown, Sol Meyer). ~ Sandra Brennan, All Movie Guide

Though the title character is loosely based on that of the notorious killer/robber Ma Barker, she has been sanitized and prettified to meet the perceived conservative values of Hollywood movie audiences. Unlike Barker, who was bad to the bone, Ma Webster is simply a matriarch who would do anything for her three crazy sons, even assisting them with thieving and kidnapping. Their exploits land the nefarious family on the FBI's "most wanted" list and cause the agency to send out their very best man to find them. ~ Sandra Brennan, All Movie Guide

The second screen version of the Ben Hecht/Charles MacArthur play The Front Page, His Girl Friday changed hard-driving newspaper reporter Hildy Johnson from a man to a woman, transforming the story into a scintillating battle of the sexes. Rosalind Russell plays Hildy, about to foresake journalism for marriage to cloddish Bruce Baldwin (Ralph Bellamy). Cary Grant plays Walter Burns, Hildy's editor and ex-husband, who feigns happiness about her impending marriage as a ploy to win her back. The ace up Walter's sleeve is a late-breaking news story concerning the impending execution of anarchist Earl Williams (John Qualen), a blatant example of political chicanery that Hildy can't pass up. The story gets hotter when Williams escapes and is hidden from the cops by Hildy and Walter--right in the prison pressroom. His Girl Friday may well be the fastest comedy of the 1930s, with kaleidoscope action, instantaneous plot twists, and overlapping dialogue. And if you listen closely, you'll hear a couple of "in" jokes, one concerning Cary Grant's real name (Archie Leach), and another poking fun at Ralph Bellamy's patented "poor sap" screen image. Subsequent versions of The Front Page included Billy Wilder's 1974 adaptation, which restored Hildy Johnson's manhood in the form of Jack Lemmon, and 1988's Switching Channels, which cast Burt Reynolds in the Walter Burns role and Kathleen Turner as the Hildy Johnson counterpart. ~ Hal Erickson, All Movie Guide

Lewis Milestone directs the lightweight romantic comedy Lucky Partners, based on a story by Sacha Guitry. David Grant (Ronald Colman) is an artist in New York's Greenwich Village. After he wishes good luck to passing ingenue Jean Newton (Ginger Rogers), she is immediately offered a beautiful dress. Thinking that David is lucky, she agrees to go in with him on a ticket for the Irish Sweepstakes. Their horse wins the race, and he asks her to accompany her to Niagara Falls to celebrate their winnings. Jean's fiancé, Freddie Harper (Jack Carson), is not pleased about the arrangement, so he follows them. Eventually Jean and David fall for each other and they end up in the courthouse, where the judge ($Harry Davenport) sorts everything out in favor of the new couple. Lucky Partners was released in 1940, the same year Rogers gave her Oscar-winning performance in Kitty Foyle: The Natural History of a Woman. ~ Andrea LeVasseur, All Movie Guide

"This is the story of the period between two world wars--an interim during which insanity cut loose, liberty took a nose dive, and humanity was kicked around somewhat." With this pithy opening title, Charles Chaplin begins his first all-talking feature film, The Great Dictator. During World War I, a Jewish barber (Chaplin) in the army of Tomania saves the life of high-ranking officer Schultz (Reginald Gardiner). While Schultz survives the conflict unscathed, the barber is stricken with amnesia and bundled off to a hospital. Twenty years pass: Tomania has been taken over by dictator Adenoid Hynkel (Chaplin again) and his stooges Garbitsch (Henry Daniell) and Herring (Billy Gilbert). Hynkel despises all Jews and regularly wreaks havoc on the Tomanian Jewish ghetto, where feisty Hannah (Paulette Goddard) lives. Meanwhile, the little barber escapes from the hospital and instinctively heads back to his cobweb-laden ghetto barber shop. Unaware of Hynkel's policy towards Jews (in fact, he's unaware of Hynkel), the barber gets into a slapstick confrontation with a gang of Aryan storm troopers. He is rescued by his old friend Schultz, now one of Hynkel's most loyal officers. Thanks to Schultz's protection, the ghetto receives a brief respite from Hynkel's persecution. The barber sets up shop again, developing a warm platonic relationship with the lovely Hannah. But things take a sorry turn when Hynkel, angered that a Jewish banker has refused to finance his impending war with Austerlitz, begins bearing down again on the Ghetto. Near the end of the film, when the dictator is expected to make another one of his hate-filled, war-mongering speeches, the barber steps up to the microphones...and Charles Chaplin drops character and becomes "himself," delivering an impassioned plea for peace, tolerance, and humanity. ~ Hal Erickson, All Movie Guide

The mystery surrounding the gender of infant film star Baby Sandy was finally solved in her penultimate vehicle, Sandy is a Lady. The plot involves the efforts of Sandy's parents Mary and Joe Phillips (Nan Grey and Tom Brown) to improve their financial status, which are alternately aided and endangered by the antics of two-year-old Sandy. The film's climax plays like something out of a "Sweepea" cartoon, with the toddling heroine perilously perambulating atop an unfinished skyscraper. Also on hand for a bit of adolescent deviltry are Butch and Buddy, better known for their appearances in W. C. Fields' Never Give a Sucker an Even Break and Abbott & Costello's In the Navy. And as was often the case in the Baby Sandy films, Sandy is a Lady is enhanced by the presence of such reliable character players as Mischa Auer (who was in all of Sandy's pictures), Edgar Kennedy, Billy Gilbert and Friz Feld. ~ Hal Erickson, All Movie Guide

No relation to the 1932 W.C. Fields comedy of the same name, Million Dollar Legs is a college picture starring most of Paramount's younger contract players. The college is in financial trouble, so the students pin their hopes on a race horse--the "million dollar legs" of the title. As it turns out, the college's salvation rests with its rowing team, captained by Jackie Coogan (who was once upon a time a leading-man type). At the time Million Dollar Legs was made, Coogan was married to his costar, Betty Grable. A few years later, Grable would parlay her own lovely legs into a career worth several millions. ~ Hal Erickson, All Movie Guide