Vince Gil Movies

Long known for his stylish and terrifying werewolf films, Spanish actor/director Paul Naschy takes terror to a whole new level in this dark tale of an out-of-work actor's harrowing decent into madness and murder. His glory days long behind him, forgotten film star Pablo Thevenet (Naschy) bitterly resents the lavish attention heaped upon the film industry's latest generation of youthful and photogenic up-and-comers. When audition callbacks yield deafening silence, the destitute Thevenet is forced to accept a humiliating job as a doorman and entertainer at the mysterious Pandora Club. His performances as some of history's most notorious murderers -- including Jack the Ripper and Giles de Ray, among others -- prove increasingly disturbing as fantasy slowly bleeds into reality, and it isn't long before the disillusioned has-been is extracting bloody revenge on those he feels have hindered his late-career comeback. ~ Jason Buchanan, Rovi

Ghosts...of the Civil Dead is an Australian prison picture, ironically coproduced by a company calling itself "Correctional Services". The prison in question is a cruelly repressive institution, with a set of rules bordering on the Draconian. The inmates finally rebel in violent fashion against the regimented sadism of their captors. With its limited setting and its small cast, Ghosts...of the Civil Dead should have been easier to follow. The unnecessarily cluttered screenplay was written by the film's director, John Hillcoat. ~ Hal Erickson, Rovi

The owner of a posh Australian health clinic uses the residents of a small suburban community named Pebble Court as a test market for some revolutionary new vitamin supplements. Unbeknownst to the locals, the pills have some particularly unpleasant side effects, as illustrated by the messy death of her boyfriend after he discovers the truth and is given a lethal dose. Before long, the locals are beginning to mutate, melt, explode, or turn into deformed psychopathic monsters. As Pebble Court becomes a miniature apocalypse, a pair of detectives plod their way through one bloody massacre after another before finally stumbling onto the diabolical Dr. Carrera (Ian Smith), inventor of the lethal vitamins and numerous other medical disasters. The odd, disjointed and episodic feel of this film is due to the script being assembled out of four separate stories by director/co-writer Philip Brophy. Without a solid framing story or sympathetic lead to give them cohesion (aside from the obvious premise that Carrera's drugs are not particularly healthy), the disparate vignettes fall apart faster than the doctor's victims. That said, there is enough wry humor, frantic pacing and boisterous gore effects to sustain horror audiences' interest for the abbreviated running time. ~ Cavett Binion, Rovi

Horror and hard-rock meet head on in Encounter at Raven's Gate. On the eve of hosting a music concert, a tiny Australian town is plagued by a series of unexplained occurrences. Most of these involve electric appliances and the failure of same. Far more disturbing is the suddenly violent behavior of many of the citizens. When the explanation comes, it's every man (and woman) for him(or her)self! The "Vincent Gill" in the supporting cast is not the famed country western star. ~ Hal Erickson, Rovi

Poltergeist-purger Zelda Rubinstein toplines this interesting, twisty psycho-thriller from Spain, which makes clever (though repetitive) use of its movie-within-a-movie premise. As the star of the horror film "The Mommy," Rubinstein plays a mother who hypnotizes her son (Michael Lerner) into seeking more victims to supply her growing collection of human eyeballs. "The Mommy" seems also to exert a weird hypnotic effect on the audience watching it, particularly one impressionable fellow who mirrors Lerner's actions by stalking fellow movie patrons... just as the onscreen murderer is entering a movie theater to do the same thing. If this sounds confusing, that's probably because it is. The interesting premise wears thin about halfway through, with the relentless attempts at viewer disorientation becoming more tiresome than frightening. ~ Cavett Binion, Rovi

This stunning, post-apocalyptic action thriller from director George Miller stars Mel Gibson as Max Rockatansky, a policeman in the near future who is tired of his job. Since the apocalypse, the lengthy, desolate stretches of highway in the Australian outback have become bloodstained battlegrounds. Max has seen too many innocents and fellow officers murdered by the bomb's savage offspring, bestial marauding bikers for whom killing, rape, and looting is a way of life. He just wants to retire and spend time with his wife and son but lets his boss talk him into taking a peaceful vacation and he starts to reconsider. Then his world is shattered as a gang led by the evil Toecutter (Hugh Keays-Byrne) murders his family in retaliation for the death of one of its members. Dead inside, Max straps on his helmet and climbs into a souped-up V8 racing machine to seek his bloody revenge. Despite an obviously low budget and a plot reminiscent of many spaghetti Westerns, Mad Max is tremendously exciting, thanks to some of the most spectacular road stunts ever put on film. Cinematographer David Eggby and stunt coordinator Grant Page did some of their best work under Miller's direction and crafted a gritty, gripping thrill ride which spawned two sequels, numerous imitations, and made Mel Gibson an international star. One sequence, in which a man is chained to a car and must cut off a limb before the machine explodes is one of the most tense scenes of the decade. The American version dubbed all the voices -- including Gibson's -- in a particularly cartoonish manner. Trivia buffs should note that Max's car is a 1973 Ford Falcon GT Coupe with a 300 bhp 351C V8 engine, customized with the front end of a Ford Fairmont and other modifications. ~ Robert Firsching, Rovi

In this alternately funny and moving drama set in New Zealand, the quiet, lonely lives of a fire patrol pilot and his son are forever changed when they pick-up a young woman hitchhiking through their remote area. The cinematography is especially noteworthy. ~ Sandra Brennan, Rovi