Ben A. Astar Movies

Luther Adler guest stars as Leo Vorka, an aging European dictator who intends to purge his country of all young artists and intellectuals. The IMF hopes to topple Vorka from power and install his friendlier deputy Bartzin (Ben Astar) in his place. The mission: To drive Vorka insane and convince his deputies that the old man must be deposed immediately. The success of the scheme hinges upon a cleverly arranged series of "ghostly" visions, courtesy of a rigged closed-circuit TV. Antoinette Bower, who'd played the damsel in distress in the second-season Mission: Impossible story "The Slave", is here cast as IMF agent--and erstwhile phantom--Nora Bennett. Originally broadcast on February 8, 1970, "Phantoms" was written by Laurence Heath. ~ Hal Erickson, All Movie Guide

Cary Grant made his last film appearance before retiring from the screen in this agreeable piece of fluff based on the 1943 comedy The More the Merrier, which dealt with the romantic complications inherent in the housing shortage in Washington D.C. during World War II. In Walk, Don't Run, the story is updated to a housing shortage in Tokyo during the Olympic Games of 1964. British industrialist Sir William Rutland (Cary Grant) arrives in Tokyo two days before the start of the games and cannot find any suitable accommodations. As a result, he answers an ad for an "apartment to share" and convinces the occupant, Christine Easton (Samantha Eggar), to rent a room to him. The next day he meets the handsome Steve Davis (Jim Hutton), a member of the United States Olympic walking team. Steve also needs a room and convinces Christine to take him on as a second tenant. After meeting Christine's pompous fiancé, Julius D. Haversack (John Standing), Rutland begins to ply his matchmaking skills in an effort to get Christine and Steve to fall in love with each other. ~ Paul Brenner, All Movie Guide

This drama tells the true story of one of Broadway's most successful madams in the 1920s. It is loosely based on the autobiography of Polly Adler. The story begins when young Polly is seduced and raped at her job by the sweatshop foreman. When her uncle, with whom she lived, learns of the act, he blames her and tosses her out. She then moves into an apartment owned by a racketeer. It is he who encourages her into her "helping" profession when he gives her money for bringing her pals to a gangster party. Soon she is beginning to build up her own clientele. As her business prospers, she begins to choose nicer locations. Her tiny cathouse becomes a haven for sleazy politicos, mobsters, and businessmen. The madame herself has a passionate romance with a young songwriter and she helps his career. He does not know of her vocation and she eventually breaks up with him to keep his reputation intact. ~ Sandra Brennan, All Movie Guide

With Five Weeks in a Balloon, 20th Century-Fox hoped to cash on the success of the studio's earlier Jules Verne adaptation Journey to the Centre of the Earth (1959). The plot is set in motion when 19th-century explorer Fergusson (Sir Cedric Hardwicke) volunteers to head a balloon expedition to claim an otherwise unreachable chunk of African territory for the British Empire. Along for the ride are reporter Donald O'Shay (Red Buttons), absent-minded professor Sir Henry Vining (Richard Haydn), Vining's assistant Jacques (Fabian) and schoolmarm Susan Gale (Barbara Eden). Along the way, the little party acquires another passenger when they rescue native girl Makia (Barbara Luna) from a slave trader. Their many near-death experiences include a run-in with evil potentate Sheik Ageiba (Henry Daniell). Other reliable characters on hand include Peter Lorre, Herbert Marshall, Reginald Owen, Mike Mazurki, and, in a dual role, sneezemaster Billy Gilbert. Since no one could be expected to take this sort of fare seriously, Five Weeks in a Balloon is played tongue-in-cheek, peppered with such overripe dialogue as "You, sir, are a cad!" and "Kismet! We are doomed!" ~ Hal Erickson, All Movie Guide

Danny Kaye headlines this lively WW II-era comedy. He plays a foot soldier who with his fellow troop is preparing for D-day. Trouble begins when he is caught pretending to be the most important generals in England, a man he closely resembles. The two look so much alike that military intelligence assign him to keep on impersonating the general so as to keep the Nazis on their toes. He is good at his job and fools many of the general's staff. He does not, however, fool the general's estranged wife. Still in order to protect her country, she goes along with the ruse. Things get really sticky when the real general is killed and Army intelligence asks Kaye to continue with the deception. ~ Sandra Brennan, All Movie Guide

This Biblical epic stars Elana Eden as Ruth, who serves in the temple where the High Priestess (Viveca Lindfors) leads the worship of the Pagan idols of the people of Moab. When Ruth falls in love with Mahlon (Tom Tryon), a Hebrew, she must come to terms with his spiritual beliefs, but in time she embraces his faith and converts to Judaism when they marry. Ruth travels with Mahlon and his mother Naomi (Peggy Wood) to their homeland of Bethlehem. Ruth suffers hardship and religious persecution, and when Mahlon dies, Ruth's faith is severely tested. But her belief in God survives this trial by fire, and in time Ruth finds a new love with Boaz (Stuart Whitman). ~ Mark Deming, All Movie Guide

After making Man Who Understood Women and seeing that the result was an ill-realized, uneven combination of Hollywood satire and tear-jerking melodrama, star Henry Fonda did not make another film until almost three years later. The story centers on a Hollywood producer who becomes so obsessed with turning his wife Leslie Caron into the sexiest star in Hollywood that he neglects her real needs. Feeling lonely and tired of Tinseltown, Caron returns to her native France and finds herself attracted to the handsome and very attentive pilot Cesare Danova. When Fonda hears about the budding affair, he flies into a rage and hires assassins to kill his rival. Unfortunately for him, the killers are romantics and decide that Caron and Danova are so in love that both must die so they can be together always. When Fonda finds out, he rushes over to France to try and save his wife. ~ Sandra Brennan, All Movie Guide

Based on the novel The Cup and the Sword by Alice Tisdale Hobart, this drama examines the trials and tribulations of three generations of French-American California vineyard owners. It's set during the Prohibition era, when wine makers were financially challenged and had to decide whether or not they wanted to cooperate with bootleggers to survive. Claude Rains plays Philippe Rambeau, an older grower in the Napa Valley who approaches his work like a craftsman. His grandson John (Rock Hudson) wants to make money by getting the family a cut of the bootleg market for wine. John's cousin Elizabeth (Jean Simmons) arrives from England summoned by Philippe, who hopes that she will bring stability to the business. ~ Michael Betzold, All Movie Guide

Historically important as the first CinemaScope feature film, 20th Century-Fox's The Robe is fine dramatic entertainment in its own right. Based on the best-selling novel by Lloyd C. Douglas, the film stars Richard Burton as the wastrelly Roman tribune who is assigned by a weary Pontius Pilate (Richard Boone, who spends the whole of his single scene washing his hands) to supervise the crucifixion of Christ. After the Seven Last Words, the jaded Burton wins Christ's robe in a dice game. Gradually, the mystical influence of the holy garment transforms Burton from a roistering cynic into a True Believer--at the cost of his own life, which he willingly gives up in the service of his Lord. Also starring in The Robe are Jean Simmons as Burton's pious childhood sweetheart, Victor Mature as his Christian-convert slave Demetrius (an excellent performance--in fact, Mature is more believable than Burton!), Michael Rennie as the disciple Peter, and Jay Robinson as the raving Emperor Caligula. Mature, Rennie and Robinson would appear in the 1954 sequel to The Robe, the hurriedly assembled Demetrius and the Gladiators. Watch and listen for the unbilled contributions of Michael Ansara as Judas and Cameron Mitchell as the voice of Jesus. The film won three Academy Awards, and a special Oscar bestowed upon Fox for the development of CinemaScope. For many years, the TV prints of the Robe were struck from the "flat," standard-ratio version shot simultaneously with the widescreen version. Only recently has the CinemaScope The Robe been made available to cable TV (shown in "letterbox" format to allow home viewers the full picture). ~ Hal Erickson, All Movie Guide

Charge of the Lancers is an all too typical Columbia "B" adventure film of the 1950s, with inexpensive sets, fading stars, and miles of stock footage. Paulette Goddard, pushing 50, plays a lively gypsy girl who romance an British military officer (the robustly non-British Jean-Pierre Aumont) during the Crimean War of the 1850s. Goddard and Aumont are captured by the Russians, but escape to do some spying for the Allied cause. All of this leads up to the British victory at Sebastopol, staged with both eyes on the budget sheet by resourceful director William Castle. Charge of the Lancers was filmed in Technicolor, evidently the only real expenditure made by "quickie" producer Sam Katzman. ~ Hal Erickson, All Movie Guide

Carrie is based on Sister Carrie, a novel by Theodore Dreiser. Dreiser's clumsy, unwieldy prose is streamlined into a neat and precise screenplay by Ruth and Augustus Goetz. Jennifer Jones stars as Carrie, who leaves her go-nowhere small town for the wicked metropolis of Chicago. Here she becomes the mistress of brash traveling salesman Charles Drouet (Eddie Albert), then throws him over in favor of erudite restaurant manager George Hurstwood (Laurence Olivier). Obsessed by Carrie, George steals money from his boss to support her in the manner to which he thinks she is accustomed. Left broke and disgraced by the ensuing scandal, Carrie deserts George to become an actress. Years later, the conscience-stricken Carrie tries to regenerate George, who has fallen into bum-hood. If Laurence Olivier seems a surprising casting choice in Carrie, try to imagine what the film would have been like had Cary Grant, Paramount's first choice, accepted the role. ~ Hal Erickson, All Movie Guide

Kirk Douglas plays the corrupt and amoral head of a major film studio in this Hollywood drama, often regarded as one of the film's industry's most interesting glimpses at itself. Actress Gloria Lorrison (Lana Turner), director Fred Amiel (Barry Sullivan), and screenwriter James Lee Bartlow (Dick Powell) are invited to a meeting at a Hollywood sound stage at the request of producer Harry Pebbel (Walter Pidgeon). Pebbel is working with studio chief Jonathan Shields (Kirk Douglas), whose studio is in financial trouble and needs a blockbuster hit. If these three names will sign to a new project, he's convinced that there's no way he can lose. But there's a rub -- all three of these Hollywood heavyweights hate Shields's guts. He dumped Gloria for another woman, he double-crossed Fred out of a plum directing assignment, and he was responsible for the death of James Lee's wife. All three are ready to tell Pebbel to forget it, until they hear the voice of Shields, calling from Europe to discuss the project by phone. The Bad and the Beautiful won five Academy Awards, including Best Screenplay and Best Supporting Actress for Gloria Grahame. ~ Mark Deming, All Movie Guide