Stefan Gierasch Movies

Beggarman, Thief is the 4-hour sequel to the ratings-busting miniseries Rich Man, Poor Man; both productions were based on the works of novelist Irwin Shaw. For the purposes of the sequel, a new member of the Jordache clan is introduced: filmmaker Gretchen Jordache Burke, played by Jean Simmons. It is Gretchen's task to keep the family together after the murder of her brother Tom (played by Nick Nolte in Rich Man, Poor Man) and the recent disappearance of her other brother Rudy (Peter Strauss, re-creating his RMPM role). Originally presented in two parts, Beggarman, Thief was first telecast November 26 and 27, 1979. ~ Hal Erickson, All Movie Guide

Several former college students find their former drug experiences catching up with them in an unexpected and terrifying manner in this clever horror outing. Jerry Zipkin (Zalman King) is a bright but troubled man in his late twenties who graduated from Stanford University in 1968 but hasn't had much luck getting his life in order since then. One night Jerry attends a party with a few old college buddies, and is shocked when one of them, Frannie (Richard Crystal), suddenly loses all his hair in a single lump and goes on a bloody rampage. When circumstantial evidence makes Jerry a key suspect in the murders of three women at the party, he sets out to find out what happened, and with the help of another school friend, surgeon David Blume (Robert Walden), he discovers a link between Frannie's bizarre behavior and several similar incidents which recently occurred. In each case, the killers attended Stanford in the late '60s, and all had used Blue Sunshine, a potent but tainted variety of LSD sold by Ed Flemming (Mark Goddard), a bootleg acid chemist who is now a respected mainstream political candidate. Jerry struggles to stay one step ahead of the law as he tries to piece the story together, knowing that another victim of the drug could go insane at any moment. Blue Sunshine was directed by Jeff Lieberman, who has two other cult favorites to his credit, Squirm and Just Before Dawn. ~ Mark Deming, All Movie Guide

One of four dramatic miniseries carried by NBC under the blanket title Best Sellers, Captains and the Kings was adapted from a novel by Taylor Caldwell. Covering a time span from 1857 to 1912, this was the saga of the Irish-immigrant Armagh clan, with emphasis on the rags-to-riches career of Joseph Armagh (Richard Jordan). Achieving fame and prominence (if not full-fledged social acceptance) through a Byzantine series of investments in the oil industry, the elder Armagh was obsessed with the notion of having one of his sons become the first Irish-Catholic President of the United States (does this story sound vaguely familiar?). Along the way, Joseph and his offspring indulged in innumerable romantic liaisons, extramarital and otherwise. Featured in the all-star cast is Patty Duke Astin, who won an Emmy award for her portrayal of Bernadette Hennessey Armagh. Captains and the Kings was broadcast from September 30 to November 18, 1976 in seven installments, two of which ran 120 minutes, and the other six lasting 60 minutes -- a total of nine hours' air time in all. ~ Hal Erickson, All Movie Guide

While taking a train trip from L.A. to Chicago, mild-mannered George Caldwell (Gene Wilder) makes the acquaintance of Hilly Burns (Jill Clayburgh). As they indulge in a brief bit of spooning, Hilly tells George that her boss is on the verge of exposing a group of vicious art forgers. Later that evening, George sees the body of Hilly's boss being thrown off of the train. Detective Sweet (Ned Beatty) agrees to investigate, but he too is bumped off. The instigator of these outrages is master forger Roger Devereau (Patrick McGoohan), who, with his crony Mr. Whiney (Ray Walston) is planning a particularly diabolical crime. Worse still, they take Hilly prisoner so she can't tip off the cops. When George is also targeted for elimination, he manages in slapstick fashion to elude the killers. Falling off the train, he ends up being arrested on some trumped-up charge or other by a local sheriff. He makes his escape in the company of petty thief Grover Muldoon (Richard Pryor) -- and that's only the beginning. A box-office smash, Silver Streak paved the way for the equally successful 1980 Wilder-Pryor vehicle Stir Crazy. ~ Hal Erickson, All Movie Guide

This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. ~ Robert Firsching, All Movie Guide

Claudine (Diahann Carroll) is an impoverished African-American Harlem resident. Unmarried, Claudine supports herself and her six children by working as a maid--albeit secretly, so she can still qualify for welfare. Garbageman James Earl Jones falls in love with Claudine, and after strenuous effort manages to win the affections of her suspicious kids. Just when it seems as though there's a marriage in the offing, Jones runs off. Claudine's kids hunt him down and shame him into returning to their mother. ~ Hal Erickson, All Movie Guide

Joseph Wambaugh's best-seller about patrol-car cops in urban Los Angeles is given a competent yet antiseptic treatment by director Richard Fleischer. The film has a bad-tasting us-versus-them mentality in its depiction of patrolmen-civilian interaction, and its hopeless atmosphere carries over into the bleak suicide of one of the principle characters. But behind its rancid veneer, the story is the old "B"-movie police story concerning a rookie cop being shown the ropes by a kindly and wizened old veteran. Roy (Stacy Keach) is the young patrolman introduced into the ways of Los Angeles street life by Kilvinsky (George C. Scott), the philosophical old pro. Kilvinsky is just short of retirement and wants to educate Roy to succeed him when he leaves. Roy, however, is on the edge because of a recent divorce, and it takes many speeches by Kilvinsky and the love and affection from his new black girlfriend Lorrie (Rosalind Cash) to keep from going over the deep end. ~ Paul Brenner, All Movie Guide

Years before Kevin Costner danced with wolves, Robert Redford headed to the mountains to escape civilization in Sydney Pollack's wilderness western. Around 1850, ex-soldier Johnson (Redford) decides that he would rather live alone as a mountain man in Colorado than deal with society's constraints. After a series of setbacks, he meets grizzled mountain veteran Bear Claws (Will Geer), who teaches him how to survive. Jeremiah strives to live as peaceably as possible in the rugged environment, trading with the native Crow tribe, adopting a boy (Josh Albee) after his family is massacred, and even marrying the daughter (Delle Bolton) of a Flathead chief in order to avoid confrontation. He settles into a mountain home with his family, but the U.S. cavalry, complete with a puritanical Reverend, interrupt the idyll to compel Jeremiah to lead them over the mountains and through a Crow burial ground to rescue white settlers. After the Crow kill his family in retaliation, Jeremiah's frenzied moment of payback precipitates a long-running vendetta, turning him into a legendary Indian killer at the expense of his original ideals, on the way to a final moment of grace. Spectacularly shot on location in Utah, the film captures both the appeal and the challenge of the landscape that Jeremiah chooses over civilization. With an unglamorous performance by Redford and a story that questioned white colonialism while mythologizing the man of nature, Jeremiah Johnson appealed to its 1972 audience and became one of the biggest hits of the year. Wavering between heroicizing Jeremiah for surviving and damning him for killing, Jeremiah Johnson took its place among the Vietnam-era cycle of critical westerns, like Arthur Penn's Little Big Man (1970) and Robert Altman's McCabe and Mrs. Miller (1971), that condemned civilization for corrupting the wilderness and preventing individuals from going pacifistically native. ~ Lucia Bozzola, All Movie Guide

In her fourth Bonanza appearance, Mariette Hartley is cast as Lola, a temperamental touring actress. When Lola is forced to kill her abusive boyfriend, Hoss Cartwright gallantly shoulders the blame. This brings down the wrath of Senator Carson (Peter Whitney), the ruthlessly powerful father of the dead man, upon the Cartwright clan. Featured in the cast are Stefan Gierarsch as Grady, Allen Garfield as Charlie, and Mills Watson as Fontaine. First broadcast on November 28, 1971, "The Iron Butterfly" was written by Harold Swanton. ~ Hal Erickson, All Movie Guide

Melissa Murphy is cast as Jenny Winters, who claims she can identify the outlaw Logan gang as the men who robbed a stagecoach and murdered the driver. Hoping to protect Jenny from the Logans, Joe Cartwright and Candy offer the girl shelter at the Ponderosa. What neither the good guys nor the bad guys know is that Jenny is a chronic liar, whose "eyewitness" yarn is a total fabrication. Others in the cast include Stefan Gierasch as Orvil Winters, Connie Hines as Hilda, Alan Baxter as Jim, and Bo Hopkins as Stretch. First shown on September 21, 1969, "The Witness" was written by Joel Murcott. ~ Hal Erickson, All Movie Guide

In one of the few "procedural" dramas presented on The Alfred Hitchcock Hour, the health officials and police department of Los Angeles race against time to prevent an anthrax epidemic. They must also keep secret the fact that they've found a disease-ridden corpse, lest they throw the city into a panic. Dedicated young health official Dr. Dana (Michael Parks) joins forces with older colleagues Dr. Oliver (Charles McGraw) and Deputy Sheriff Judd (Berkeley Harris) to pinpoint and isolate the source of the anthrax -- strenuously battling bureaucracy and red tape every inch of the way. "Diagnosis: Danger" was intended as the pilot for a weekly series starring Michael Parks, but the project failed to find a sponsor. ~ Hal Erickson, All Movie Guide

As The Hustler's "Fast" Eddie Felson, Paul Newman created a classic antihero, charismatic but fundamentally flawed, and nobody's role model. A pool player from Oakland, CA, as good as anyone who ever picked up a cue, Eddie has an Achilles' heel: arrogance. It's not enough for him to win: he must force his opponent to acknowledge his superiority. The movie follows Eddie from his match against billiards champ Minnesota Fats (Jackie Gleason) as he falls in love with Sarah (Piper Laurie), an alcoholic would-be writer and sometime prostitute, and falls under the spell of Bert Gordon (George C. Scott), a successful gambler who offers to take Eddie under his wing and teach him how to play in the big time. However, when Sarah joins Eddie and Bert on a trip to Louisville for a high-stakes match with a dandy named Findlay (Murray Hamilton), the consequences prove tragic. Along with a classic performance by Newman, The Hustler also features turns by Scott, Laurie, and Gleason, in a rare dramatic role. Cameos from pool champ Willie Mosconi and boxer Jake LaMotta add to the atmosphere of Harry Horner's grubby production design and Eugen Schüfftan's camerawork. Director Robert Rossen, who had been working in films since 1937, was to direct only one more film, Lilith (1964), before his death in 1966. In 1986, Newman returned to the role of "Fast" Eddie in Martin Scorsese's The Color of Money, for which he finally earned an Academy Award as Best Actor. ~ Mark Deming, All Movie Guide