Stefan Gierasch Movies

Oscar-winning character actor Strother Martin makes a return visit to Baretta, this time in the role of an embittered doctor named Shaner. Having given up on humanity, Shaner has become a professional bounty hunter. Undercover cop Tony Baretta (Robert Blake) finds himself in the uncomfortable position of preventing Doc Shaner from killing a scuzzy drug pusher who caused the death of a wealthy banker's daughter. ~ Hal Erickson, All Movie Guide

Sun-worshiping Californians are disappearing by the droves at a popular beach hangout, and a pair of extremely gruff detectives (John Saxon and Burt Young) grumble their way through the case until the real culprit is discovered... it seems a giant burrowing sand-monster with a taste for well-tanned human flesh has set up house beneath the surface and has been partaking of beach bums and bunnies, sucking them down to a nasty (but mostly unseen) death. The creature is kept completely concealed until the final minutes, but its triumphant arrival reveals the real reason the filmmakers kept it hidden so long: the dreaded beast looks like a giant artichoke! The potential for campy fun in this premise is defeated by a completely straight, plodding detective story, but at least Saxon and Young turned in enjoyably cranky performances before picking up their checks. ~ Cavett Binion, All Movie Guide

In her fourth Bonanza appearance, Mariette Hartley is cast as Lola, a temperamental touring actress. When Lola is forced to kill her abusive boyfriend, Hoss Cartwright gallantly shoulders the blame. This brings down the wrath of Senator Carson (Peter Whitney), the ruthlessly powerful father of the dead man, upon the Cartwright clan. Featured in the cast are Stefan Gierarsch as Grady, Allen Garfield as Charlie, and Mills Watson as Fontaine. First broadcast on November 28, 1971, "The Iron Butterfly" was written by Harold Swanton. ~ Hal Erickson, All Movie Guide

One of four dramatic miniseries carried by NBC under the blanket title Best Sellers, Captains and the Kings was adapted from a novel by Taylor Caldwell. Covering a time span from 1857 to 1912, this was the saga of the Irish-immigrant Armagh clan, with emphasis on the rags-to-riches career of Joseph Armagh (Richard Jordan). Achieving fame and prominence (if not full-fledged social acceptance) through a Byzantine series of investments in the oil industry, the elder Armagh was obsessed with the notion of having one of his sons become the first Irish-Catholic President of the United States (does this story sound vaguely familiar?). Along the way, Joseph and his offspring indulged in innumerable romantic liaisons, extramarital and otherwise. Featured in the all-star cast is Patty Duke Astin, who won an Emmy award for her portrayal of Bernadette Hennessey Armagh. Captains and the Kings was broadcast from September 30 to November 18, 1976 in seven installments, two of which ran 120 minutes, and the other six lasting 60 minutes -- a total of nine hours' air time in all. ~ Hal Erickson, All Movie Guide

Ever anxious to impress her corporate bosses, Rebecca (Kirstie Alley) takes it upon herself to promote Norm's (George Wendt) modest painting business into a major moneymaking enterprise. Not surprisingly, Norm nearly suffocates from Rebecca's good intentions. Meanwhile, Sam (Ted Danson) has a hard time keeping up (literally) with his new, hyper-athletic girl friend Erin (Lisa Aliff). ~ Hal Erickson, All Movie Guide

Cornbread (Keith Wilkes) is an African-American youth who strives to escape his ghetto surroundings. He does so by becoming a high school basketball star--and the idol of the other youngsters in his community. On the verge of starting college on a scholarship, Cornbread is mistakenly killed by a police officer. Keith Wilkes, who plays the title role, was in real life an all-American at UCLA. Cornbread, Earl and Me, which was based upon Ronald Fair's novel Hog Butcher, marked the big screen debut of Laurence Fishburne. ~ Hal Erickson, All Movie Guide

A sprawling adaptation of the same-named novel by David Nevin, the three-part CBS miniseries Dream West starred Richard Chamberlain as colorful, controversial American explorer John Charles Fremont (1813-1890). The story detailed the visionary (and occasionally mercenary) Fremont's lifelong war against shortsided authority figures, beginning with his early skirmishes with the "brass" as an Army officer. In 1842, Fremont embarked upon his greatest adventure, heading an expedition to map the Oregon Trail -- the first step towards opening the entire North American continent to free and unimpeded exploration. His mission pitted Fremont against hostile Indians, the Mexican army, and the U.S. government itself. Along the way, he crossed paths with scores of historical figures, including Kit Carson, Jim Bridge, John Sutter, and President Abraham Lincoln. Alice Krige, Richard Chamberlain's vis-à-vis in the earlier Wallenberg: A Heroes' Story, co-starred as Jessie Benton, the headstrong senator's daughter who became Fremont's wife. Running seven hours in all (plus commercials), Dream West was originally telecast from April 13 to 15, 1986. ~ Hal Erickson, All Movie Guide

This made-for-television thriller tells the story of an unstable woman who goes to bizarre lengths to keep her drifting lover. Kate Jackson stars as Rita Donohue, a nurse who believes that she can re-ignite her disinterested lover's passion by having a child. Unable to have a child of her own, Rita plots to snatch an infant from her hospital's maternity ward to later pass off as her own. She feigns a pregnancy, switches records on a stillborn and healthy child, and then steals a baby from new mother Jane Morgan (Lori Loughlin) in order to support her charade. The plan goes sour though, when Jane refuses to accept the hospital's claim that her child died, and she investigates the unsettling clues on her own. ~ Bernadette McCallion, All Movie Guide

"Who are you?" the dwarf Mordecai (Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter. "You know," he replies, before vanishing into the desert heat waves near California's Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it "Hell," it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for 1973. ~ Lucia Bozzola, All Movie Guide

Ironside (Raymond Burr) and Ed (Don Galloway) head to London (courtesy of the Universal back lot), there to attend an international police convention. No sooner has he arrived than Ed witnesses the assassination of the British police official--and is subsequently targeted for death himself. To solve the murder and keep his assistant from harm, Ironside works side by side with his old friend and colleague, Superintendant Faber (Lloyd Bochner)...but gradually grows suspicious of Faber's mercurial and oftimes obstructive behavior. ~ Hal Erickson, All Movie Guide

Years before Kevin Costner danced with wolves, Robert Redford headed to the mountains to escape civilization in Sydney Pollack's wilderness western. Around 1850, ex-soldier Johnson (Redford) decides that he would rather live alone as a mountain man in Colorado than deal with society's constraints. After a series of setbacks, he meets grizzled mountain veteran Bear Claws (Will Geer), who teaches him how to survive. Jeremiah strives to live as peaceably as possible in the rugged environment, trading with the native Crow tribe, adopting a boy (Josh Albee) after his family is massacred, and even marrying the daughter (Delle Bolton) of a Flathead chief in order to avoid confrontation. He settles into a mountain home with his family, but the U.S. cavalry, complete with a puritanical Reverend, interrupt the idyll to compel Jeremiah to lead them over the mountains and through a Crow burial ground to rescue white settlers. After the Crow kill his family in retaliation, Jeremiah's frenzied moment of payback precipitates a long-running vendetta, turning him into a legendary Indian killer at the expense of his original ideals, on the way to a final moment of grace. Spectacularly shot on location in Utah, the film captures both the appeal and the challenge of the landscape that Jeremiah chooses over civilization. With an unglamorous performance by Redford and a story that questioned white colonialism while mythologizing the man of nature, Jeremiah Johnson appealed to its 1972 audience and became one of the biggest hits of the year. Wavering between heroicizing Jeremiah for surviving and damning him for killing, Jeremiah Johnson took its place among the Vietnam-era cycle of critical westerns, like Arthur Penn's Little Big Man (1970) and Robert Altman's McCabe and Mrs. Miller (1971), that condemned civilization for corrupting the wilderness and preventing individuals from going pacifistically native. ~ Lucia Bozzola, All Movie Guide

Going directly to the top, Hawkeye (Alan Alda) complains about the war in general and recent events at the 4077th in particular in a letter to President Harry Truman). Among Hawk's bones of contention is the capriciousness of Col. Ditka (Stefan Gierasch), who will provide the camp with a much-needed new water heater only on condition that the staffers participate to a "beautification" project. It is tough enough to clean up the grounds, but it is torture beyond belief to overhaul one's own personal hygiene. ~ Hal Erickson, All Movie Guide

Successful character actor Barry Primus spent seven years trying to get financing for his feature debut as a writer-director, Mistress. In the film, a once-promising writer-director, Marvin Landisman (Robert Wuhl), who now directs instructional videos, is sitting home one night, watching his own print of Jean Renoir's Grand Illusion, when he gets a strange phone call. A producer, Jack Roth (Martin Landau), formerly a bigwig at Universal, tells Marvin he was cleaning out his office when he came across Marvin's old script, "The Darkness and the Light." Jack claims he can get financing to make the film, and agrees to Marvin's stipulation that he be attached to direct. They "take a meeting" at a low-rent diner, and Jack brings along a gung-ho novice screenwriter, Stuart (Jace Alexander), to help Marvin polish the script. They meet with three potential backers, played by Eli Wallach, Danny Aiello, and Robert DeNiro, each one more meddlesome than the last, and each with a girlfriend (played by Tuesday Knight, Jean Smart, and Sheryl Lee Ralph, respectively) whom they demand be cast in the film. At first, Marvin adamantly resists changing his serious, downbeat, and very personal script, about an painter who commits suicide, rather than betray his ideals. But eventually, Marvin gets caught up in the momentum of actually getting his dream project made, and starts compromising. He agrees to cast the three women; he agrees to make the script funnier and sexier; he even agrees to change the painter to a photographer to please his backers. Laurie Metcalf plays Marvin's long-suffering wife, and Christopher Walken has a cameo as a tortured actor. Mistress was the first film produced by DeNiro's independent production company, Tribeca Films. ~ Josh Ralske, All Movie Guide