John Gielgud Movies
One of the theatre's greatest legends, Sir John Gielgud spent almost 80 of the 96 years of his life appearing in countless plays that saw him portray every major Shakespearean role. The last surviving member of a generation of classical actors that included Laurence Olivier, Peggy Ashcroft, and Ralph Richardson, Gielgud worked up to a month before his death, performing in over 50 films and numerous television productions when he wasn't busy with his stage work.The grandnephew of famed stage actress Ellen Terry, Gielgud was born in London on August 14, 1904. He received his education at Westminster School and would have studied to be an architect had he not rebelled against his parents by announcing his plans to be an actor. Persuading his parents to let him train at the Royal Academy of Dramatic Arts, Gielgud promised them that if he had failed to make a stage career by the age of 25, he would become an architect.
As it turned out, Gielgud was playing Hamlet by the time he was 26, having made his stage debut eight years earlier at the Old Vic. His reputation was made in 1924, when he played Romeo to rave reviews; in addition to Hamlet, roles in plays by Chekov and Ibsen followed, and in 1928, Gielgud traveled to the U.S. for the first time to play the Grand Duke Alexander in The Patriot. The epitome of the kind of old-school Englishness associated with the Victorian theatre, he went on to break theatre box office records when he brought his Hamlet to Broadway in the 1930s.
Gielgud began appearing on the big screen in the 1920s, and over the course of the next seven decades, he lent his name to films of every imaginable genre and level of quality. In addition to starring in a number of film adaptations of Shakespeare, he could be seen in projects as disparate as Orson Welles' Chimes at Midnight (1967), the 1977 porn extravaganza Caligula, and Peter Greenaway's Prospero's Books (1991), in which he was able to fulfill a lifelong dream by playing the role of the Shakespearean patriarch Prospero.
In 1981, Gielgud was awarded his only Oscar for his portrayal of Dudley Moore's butler in Arthur; he reprised the role for the film's 1988 sequel, despite the fact that the character had died. Gielgud continued to appear onscreen until the year preceding his death, making enthusiastically-received turns in Shine (1996), in which he played pianist David Helfgott's mentor; Al Pacino's Looking for Richard (1996); and Shekhar Kapur's Elizabeth (1998), in which he made a brief appearance as the Pope.
Gielgud also did notable work on television, particularly in Brideshead Revisited (1981), which cast him as a stodgily eccentric patriarch, and Merlin (1998), a lavish and well-received take on Arthurian legend. He wrote several books as well, including an autobiography entitled Early Stages. Gielgud was knighted in 1953 and was honored on his 90th birthday with the decision to rename the West End's Globe Theatre as the Gielgud Theatre. He died on May 21, 2000, at the age of 96, having spent the last 25 years of his life with his partner, Martin Hensler. ~ Rebecca Flint Marx, Rovi
This British-made historical drama depicts the rise of young Elizabeth Tudor to Queen of England, a reign of intrigue and betrayals. In 1554, Queen Mary I (Kathy Burke) tries to restore Catholicism as England's single faith. With no heir to the crown, she maneuvers to keep her Protestant half-sister Elizabeth (Cate Blanchett) from succeeding her, but her efforts fail. With Mary dead, Elizabeth is proclaimed Queen of England in November 1558. Elizabeth relishes the return from exile of her childhood sweetheart, Lord Robert Dudley (Joseph Fiennes). Chief adviser Sir William Cecil (Richard Attenborough) urges the young Queen to forget personal matters and instead address the country's pressing problems. England is bankrupt, has no army, and is under serious threat from abroad. Elizabeth even has enemies within her own court, the most dangerous being the Duke of Norfolk (Christopher Eccleston). Hoping for an heir, Cecil suggests marriage candidates -- King Philip II of Spain or the French Duc d'Anjou (Vincent Cassel) -- to secure the realm. Elizabeth agrees to meet their ambassadors, but her true feelings are revealed when she meets Dudley for a secret tryst. French "warrior queen" Mary of Guise (Fanny Ardent) amasses troops at the Scottish border. Elizabeth bows to the pro-War lobby led by Norfolk, despite protests from her Master of Spies, the enigmatic Sir Francis Walsingham (Geoffrey Rush), but the decision to fight leads to a humiliating defeat. As dark clouds of court conspiracies gather, and the possibility of assassination looms, Elizabeth strikes out at her enemies and puts her trust in Walsingham. Shown at 1998 film fests (Venice, Toronto), this is the first English-language film of Indian director Shekhar Kapur, who shot on locations at Northumberland, Derbyshire, North Yorkshire, and at Shepperton Studios. ~ Bhob Stewart, Rovi
- Starring:
- Cate Blanchett, Geoffrey Rush, (more)
This four-hour fantasy miniseries, elaborating on the Arthurian legend and filmed in England and Wales, offers a portrait of the wizard Merlin (Sam Neill), following his life as a youth (Daniel Brocklebank) to his later conflicts with the evil Queen Mab (Miranda Richardson) and his love for Nimue (Isabella Rossellini), who is kidnapped by Lord Vortigern (Rutger Hauer). Amid battles and displays of magic and mysticism (courtesy of London's Framestore and the Jim Henson Creature Shop), Merlin strides the English countryside encountering Excalibur, the unbreakable sword, and a Camelot cast of colorful characters including the morphing manservant Frik (Martin Short), Morgan le Fey (Helena Bonham Carter), King Arthur (Paul Curran), Lancelot (Jeremy Sheffield), and Guinevere (Lena Heady). Premiered April 26, 1998 on NBC. ~ Bhob Stewart, Rovi
- Starring:
- Sam Neill, Isabella Rossellini, (more)
- 1998
David Yates directed this $4 million fact-based British period drama, set in Victorian England and reminiscent of The Return of Martin Guerre and Sommersby. An elderly African-American man, Andrew Bogle (John Kani), dying in a London workhouse in 1895, reflects on the circumstances that led to this end. As a Tichborne family servant, Bogle was sent to Australia during the mid-1870s to locate the family's missing heir Sir Roger. Bogle selects someone (Robert Pugh) from several claimants, trains him in the proper behavior, and tutors him on the family background. Together, they will split the profits on the Tichborne estate. The family is convinced, but the sudden death of Sir Roger's mother (Paola Dionisotti) raises suspicions, leading to a rejection of the Claimant. With the support of Bogle, young lawyer John Holmes (Perry Fenwick), and entrepreneur Onslow (Dudley Sutton), the Claimant takes his case to the High Court, forum of the witty and clever barrister Hawkins (Stephen Fry). Until recently, this was the longest trial in British legal history. Shown at the 1998 Edinburgh Film Festival. ~ Bhob Stewart, Rovi
- Starring:
- John Kani, Robert Pugh, (more)
For this feature-length foray into Arthurian animation, screenwriters Kirk DeMicco (A Day in November), William Schifrin (Townies), Jacqueline Feather (Dancing in the Dark), and David Seidler (Tucker, Dancing in the Dark) adapted The King's Damosel (1976) by British novelist Vera Chapman. The 85-minute tale follows independent, strong-willed Kayley (Jessalyn Gilsig voice, with the singing of Andrea Corr), who hopes to follow the path of her late father, Sir Lionel (Gabriel Byrne), a brave Knight of the Round Table who died defending his king against the evil Ruber (Gary Oldman). Some years later, when Ruber is joined by sidekick Griffin (Bronson Pinchot), the two manage to acquire and then lose Excalibur, the legendary magic sword of King Arthur (Pierce Brosnan with Steve Perry singing). Preparatory to his invasion of Camelot, Ruber first kidnaps Kayley and her widowed mother, Lady Juliana (Jane Seymour, Celine Dion singing). Making an escape, Kayley travels through the haunted Forbidden Forest, where she meets Garrett (Cary Elwes, Bryan White singing), a bitter blind man assisted by his silver-winged, seeing-eye falcon, Ayden. Once King Arthur's stable boy, Garrett dreamed of becoming a knight, but after he was blinded by a fire, he ran away to live in the Forbidden Forest. When Garrett learns Kayley is the daughter of the knight who trained him to fight, he agrees to help Kayley search for Excalibur. Falling in love with Kayley, Garrett soon finds the courage to start anew. With the blessing of Merlin (Sir John Gielgud), the couple sets out to save Camelot. Along the way, they meet the two-headed dragon, Devon (Eric Idle) and Cornwall (Don Rickles), a dragon duo delivering dotty dialogue replete with riotous riffs and cinematic references (to such films as Dirty Harry and Taxi Driver). Yet another supporting character is Bladebeak, a cutting-edge hybrid possibly fashioned to illustrate the axiom, "Don't count your chickens before they're a hatchet." Following the live-action/animation combo of Space Jam, this is the first fully animated feature from the L.A.-based Warner Brothers Feature Animation unit, and the film began production May 26, 1995 in L.A., expanding operations February 11, 1996 with a sister studio in London: a 20,000-square-foot facility in London's Covent Garden district. The new UK unit shared production duties on Quest for Camelot, receiving storyboards from L.A., animating with both computers and traditional techniques, and digitally transmitting completed art back to L.A. for ink and paint. At the London WBFA studio, John McKenna (previously head exec of the London City Ballet and Disney's London studio manager) initially supervised a staff of 73 (including 50 artists from the British animation talent pool) that expanded to 350. The film eventually employed over 600 staffers as it ran through a variety of working titles (The Quest for the Grail, The Quest, The Quest for Camelot). Songs by Grammy-winners David Foster and Carole Bayer Sager include On My Father's Wings, (Kayley), I Stand All Alone (Garrett), The Prayer (Juliana), and If I Didn't Have You (Devon, Cornwall). The director of Quest for Camelot is Frederik Du Chau, who attended film school in his native Belgium, entered the industry via commercials and TV series, worked for Disney France, made his own animated short (The Mystery of the Land), drew Disney projects at Baer Animation, co-directed for Sony Wonder, directed The Land Before Time 3, joined Chuck Jones Productions, and was developing his own animated project for Warner Bros. when he was asked to direct Quest for Camelot. ~ Bhob Stewart, Rovi
- Starring:
- Jessalyn Gilsig, Andrea Corr, (more)
Author Anthony Powell's wildly popular series tomes are translated for the small screen in this sweeping miniseries starring Sir John Gielgud and James Purefoy. ~ Jason Buchanan, Rovi
- 1996
- PG13
Jane Campion directed this expressive adaptation of the classic novel by Henry James. Isabel Archer (Nicole Kidman) is a young American woman who, after the death of her parents, has been sent to England to visit relatives. While her family's tragedy has left her penniless, Isabel's beauty has earned her the attentions of a number of eligible men. When Isabel turns down a proposal of marriage from the wealthy Lord Warburton (Richard E. Grant) because she does not love him, her cousin Ralph (Martin Donovan), who is also smitten with her, arranges for his father to leave her a fortune before succumbing to tuberculosis so that she may live as an independent woman. Isabel takes a tour of Europe, where she meets Madame Merle (Barbara Hershey), a jaded sophisticate and matchmaker who introduces her to Gilbert Osmond (John Malkovich), a widowed American artist living abroad. Isabel falls in love with Gilbert and they marry, but his sloth and opportunism soon begin to wear on her, and three years later she is desperate to get out of their relationship. The Portrait of a Lady also stars John Gielgud, Mary-Louise Parker, Christian Bale, and Shelley Winters. ~ Mark Deming, Rovi
- Starring:
- Nicole Kidman, John Malkovich, (more)
- 1996
- PG13
A workshop of William Shakespeare's Richard III inspires actor-director Al Pacino's breezy documentary, which aims to make the playwright accessible to contemporary American audiences. Though a noteworthy cast of stage actors and Hollywood stars (including Kevin Spacey, Winona Ryder, and Alec Baldwin) gathers to work on the play, Looking for Richard does not present a straightforward filmed version of the scheming, deformed king's rise and fall. Instead, Pacino turns the cameras on the rehearsal process and his own exploration of Shakespeare's history and meaning. Scenes in full costume alternate with readings in street clothes, while interviews gather the opinions on the Bard of everyone from renowned scholars and Shakespearean actors to random New Yorkers. A trip to England allows brief visits to Shakespeare's birthplace and the Globe Theater, but Pacino's focus remains on the United States and his desire to prove that American actors can act the plays without mimicking their British counterparts. Clearly a labor of love for Pacino, the film benefits from his passionate persona and direct, no-nonsense attitude; while the performances may vary in quality, the film manifests a refreshingly casual, unpretentious, and enthusiastic approach to Shakespeare. ~ Judd Blaise, Rovi
- Starring:
- Al Pacino, Harris Yulin, (more)
At least the 22nd time William Shakespeare's most famous tragedy has been brought to the screen, Kenneth Branagh's film adaptation of Hamlet was the first to preserve Shakespeare's entire text, uncut and unabridged. Moving the action into the 19th century, Branagh cast himself in the title role and, as in his adaptation of Much Ado About Nothing, assembled an eclectic group of actors that mixed veteran Shakespearean performers (including John Mills, Judi Dench, John Gielgud, and Derek Jacobi) with Hollywood stars not known for interpreting the Bard's work (among them Robin Williams, Charlton Heston, Billy Crystal, and Jack Lemmon). However, unlike most interpretations, it's the women who really carry the show, with the two best performances delivered by Kate Winslet as Ophelia and Julie Christie as Gertrude. As usual, Hamlet finds himself torn over what to do after the death of his father and his mother's hasty remarriage. Branagh's version of Hamlet was also notable on a technical level, as it was filmed in the 70-mm format for increased visual clarity and detail. ~ Mark Deming, Rovi
- Starring:
- Kenneth Branagh, Richard Attenborough, (more)
- 1996
- PG13
- Add Shine to Queue Add Shine to top of Queue
The true story of a gifted Australian piano prodigy, this biographical drama was nominated for seven Oscars, with actor Geoffrey Rush winning for Best Actor. Rush stars as David Helfgott, a pianist with a history of mental problems. As a fragile boy genius at math, chess, and piano, David is driven hard by his overbearing father (Armin Mueller-Stahl), a tyrant who forbids him to accept a scholarship offered by the great violinist Isaac Stern. Although he studies briefly in London under tutor Cecil Parks (John Gielgud), David has a nervous breakdown after performing Rachmaninoff's daunting "Piano Concerto No. 3" (known as the "Rach 3"). Years later, the adult David keeps up a steady patter of nervous stammering at all times and has been reduced to playing in a bar. Through a friend, he meets astrologer Gillian (Lynn Redgrave), and falls in love with her. With Gillian's help, David embarks down the road to regained fame and mastery of the "Rach 3." The international popularity of Shine caused a sensation leading to a musical tour for Helfgott, whose performances were less adroit than many audiences expected, sparking criticism that writer-director Scott Hicks had exaggerated his subject's talent for dramatic purposes. ~ Karl Williams, Rovi
- Starring:
- Armin Mueller-Stahl, Noah Taylor, (more)
- 1996
- G
Filmmaker Hugo Van Lawick, who previously collaborated with naturalist Jane Goodall on documentaries (and was also her husband at one time), spent two years on the plains of the African Serengeti patiently following the birth and development of a leopard cub for this nature film. In The Leopard Son, we follow one of the swift, elusive cats as he grows from a playful child watched over by his mother to an adult providing for a family of his own. John Gielgud serves as narrator, while composer Stewart Copeland (formerly the percussionist with the rock band The Police) contributes an original musical score. The Leopard Son was produced by the cable TV outlet The Discovery Channel and was their first project to receive a theatrical release. ~ Mark Deming, Rovi
A boy and his dragon unite to fight evil in this fantasy. Bowen (Dennis Quaid), a Knight of The Old Code in Medieval times, is summoned by Aislinn the Queen (Julie Christie) to the bedside of her son, Einon, who is also Bowen's student. Einon has been wounded and is near death; with his heart about to give out, Bowen calls upon Draco (voice of Sean Connery), the mightiest dragon in the land, asking for a sliver of his mighty heart so that the boy might survive. Draco makes Bowen pledge that when Enion grows to adulthood and becomes king, he will rule with fairness and compassion before the beast will donate a piece of his heart. Einon agrees to the pledge, but years later, the adult Einon (David Thewlis) has become a cruel despot, in no way good on his promises. Bowen, angry at Einon's betrayal, is convinced that the dragon is somehow responsible and goes on a spree, killing the mammoth reptiles at a fevered pace. However, when Bowen once again encounters Draco, the dragon convinces him that a dragon-slayer who has killed the last dragon also puts himself out of a job; Draco and Bowen work out a business arrangement, where the monster "attacks" villages and Bowen is paid to "kill" him. In time, however, Draco and Bowen realize that they must set aside their lucrative business in order to challenge the authority of the evil ruler. Draco the Dragon was the first fully-computer animated character to have a speaking part along side flesh and blood actors in a film; Sean Connery's recording sessions as the voice of Draco were recorded on video as well as audio tape, so that his facial expressions and mouth movements could be adapted to the character. ~ Mark Deming, Rovi
- Starring:
- Dennis Quaid, Sean Connery, (more)
The tale of King Arthur and the Knights of the Round Table is always ripe for retelling. In this rendition, the sexy Richard Gere is Sir Lancelot, threatening to supersede the aging King Arthur (Sean Connery) by winning the love of his young wife Guinivere (Julia Ormond). This update of the age-old legend succeeds on the strength of Gere's happy-go-lucky sex appeal, Ormond's gorgeous period costuming, and Connery's unbeatable wry nobility. The script focuses on the triangle of the three principals: the older man's reluctance to relinquish his love and power to the younger man destined to supplant him; the young woman torn between her loyalty to her aged husband and her love for his rival; the young man balancing the demands of loyalty to his sovereign with the rewards of true love. This beautiful production forgoes the legend's usual elements of magic and fantasy, leaving Merlin the Magician completely out of the picture. ~ Laura Abraham, Rovi
- Starring:
- Sean Connery, Richard Gere, (more)
Adapted from the novel by James Herbert, this subtle, melancholy British chiller owes a great deal to Henry James's The Turn of the Screw. The story opens with a chilling prologue in 1905 England, in which a young boy fails to prevent the accidental drowning of his sister. As a young man, David (Aidan Quinn) is still tormented by guilt and remorse. After several years in the United States, David returns to England to continue his work researching and debunking claims of the supernatural. His latest investigation into the alleged haunting of Edbrook Manor -- at the behest of the Marriell's family nanny, Tess (Anna Massey) -- introduces him to the eccentric company of the lovely Christina Mariell (Kate Beckinsale) and her brothers Robert and Simon (Anthony Andrews and Alex Lowe). Despite repeated warnings from Tess that mischievous spirits are at work, David refuses to concede that the house is haunted -- until the angelic vision of his drowned sister reveals the true nature of his strange hosts. The rich period setting lends a classy Merchant Ivory touch to the film, and the high production values indicate the guiding hand of executive producer Francis Ford Coppola, but the performances are a bit too cold and detached to provide any legitimate tension. Fans of the classic 1961 film The Innocents will not find the central mystery particularly challenging. ~ Cavett Binion, Rovi
- Starring:
- Aidan Quinn, Kate Beckinsale, (more)
- 1994
- PG13
This much-ballyhooed TV miniseries sequel to Gone with the Wind finds former Agent 007 Timothy Dalton reprising the tough-to-fill shoes of Clark Gable's Rhett Butler, and former Val Kilmer spouse Joanne Whalley-Kilmer beating out thousands of hopefuls to play what was once Vivien Leigh's Scarlett O'Hara role. Loosely based on Alexandra Ripley's sequel novel, the film finds our heroine traversing the country to win back Rhett but inadvertently becoming pregnant with Rhett's baby and absconding to Ireland to raise the tyke. There, she becomes indoctrinated into a royal clan. ~ Michael Hastings, Rovi
- Starring:
- Joanne Whalley, Timothy Dalton, (more)
- 1992
Fresh from the success of Henry V and Dead Again, British actor/director Kenneth Branagh recharged his creative batteries with a 23-minute short subject. Swan Song is a faithful adaptation of a one-act play by Anton Chekhov. John Gielgud stars as an aging actor who, while sitting alone in a darkened theatre, ruminates on his checkered past and his uncertain (and perhaps unlikely) future. Richard Briers costars as Gielgud's sounding board. Filmed on location at London's Criterion Theatre, Swan Song was nominated for a "best short subject" Academy Award. ~ Hal Erickson, Rovi
Kewpie-doll voiced Melanie Griffith does a sexed-up Nancy Drew turn in David Seltzer's adaptation of Susan Issacs' novel Shining Through. Set during World war II, Griffith plays Linda Voss, a spunky New York girl who applies for a job with international lawyer Ed Leland (Michael Douglas). Ed hires her immediately when he finds out that she speaks German fluently. The reason Ed is so interested in Linda's language skills is because Ed is an undercover OSS officer who needs a German translator. Their business relationship translates into love, but when America enters the war, Ed abandons his law practice to become a full-time spy. Utilizing Linda's charms, she travels to Berlin and infiltrates the Nazis as a domestic to try to discover information about "a bomb that can fly by itself." But Linda has personal as well as patriotic motives for agreeing to go undercover, since she has Jewish relatives in Berlin and wants to find out their whereabouts. ~ Paul Brenner, Rovi
- Starring:
- Michael Douglas, Melanie Griffith, (more)
John G. Avildsen, director of Rocky and The Karate Kid, adapts Bryce Courtenay's compassionate novel about the coming of age of a white anti-apartheid activist during the years of World War II in South Africa. Avildsen cumbersomely grafts Courtenay's tale of fighting apartheid onto a Hollywood-style fight-for-the-championship bout. Seven-year-old P.K. (Guy Witcher) is a white South African raised on his family's farm by his Zulu nanny. When his mother takes ill, he is sent away to an Afrikaner boarding school, where he is picked on and nearly killed by the school bully during a pep rally for Hitler. P.K. survives and is sent to live with his grandfather. He befriends Doc (Armin Mueller-Stahl), a jailed German musician, and a black inmate (Morgan Freeman), who teaches P.K. how to use his fists for some quick boxing moves. At 12, P.K. (now played by Simon Fenton), witnesses black inmates being cruelly humiliated by their racist white jailers. Taking note of P.K.'s fluidity for languages, his black mentor spreads the word that P.K. is the incarnation of the mythic Rain Maker, a messianic liberator who is destined to unite all the African tribes. By the time he's 18 years old, P.K. (now played by Stephen Dorff) is becoming the Great White Hope for the black Africans, boxing his way into their hearts and minds. He joins up with an old boxing foe (Alois Moyo), who is now a township activist, and takes up the apartheid struggle. But things get confusing when P.K. falls in love with the daughter (Fay Masterson) of an apartheid leader. ~ Paul Brenner, Rovi
- Starring:
- Stephen Dorff, Morgan Freeman, (more)
- 1991
- R
Puzzle-master Peter Greenaway exposes another aspect of his peculiar obsessions to the filmgoing public. Prospero's Books uses Shakespeare as a foundation and then skips along to define its own lush territory. The books of the title are briefly referenced in The Tempest -- Prospero is a magician who gets to keep only a small fragment of his enormous library when he is exiled with his daughter to an enchanted island. In the film, Prospero is played by Sir John Gielgud. Indeed, everybody is voiced by Gielgud as he describes the events that unfold. But mostly, he describes the books, and as he does, the screen fills with florid calligraphies, astonishing diagrams, extravagant paintings, and lots and lots of naked people. ~ John Voorhees, Rovi
- Starring:
- John Gielgud, Michael Clark, (more)
- 1991
From the story by Hans Christian Andersen, this tells of two sly tailors and a very vain King. ~ Rovi
- 1991
Ingrid Bergman was both one of Hollywood's most sought after stars and a controversial public figure. Her bright and acclaimed acting career came to a halt after a very public scandal caused her to leave the country and live in Europe for a time. Resilient and strong, Ingrid Bergman did not let her public humiliation end her career or prevent her life from moving on. She came back to America determined to put her past behind her and succeeded with her performance in Anastasia, for which she won a Best Actress Oscar. This documentary on her life, narrated by Sir John Gielgud, includes clips from 25 of her films and interviews with friends and people who worked with her, including Liv Ullmann, Angela Lansbury, Anthony Quinn, and Jose Ferrer. Also included are rare early screen tests, home movies from the 1940s, and footage from her press conference after she returned from Europe. ~ Cecilia Cygnar, Rovi
- 1990
- PG
Ian Bertram (Robert Lindsay) is a mathematical genius who works as an accountant for a multinational firm based in England. When he meets Cary Porter (Molly Ringwald), who recently started working for the same company, Ian immediately falls in love and quickly proposes marriage. Cary accepts, and they plan a modest wedding, but when Ian's accounting skills earn him the admiration of company head Herbert Dreuther (John Geilgud), Herbert offers to pay for a honeymoon in Monte Carlo and give them a ride back on his yacht. But while Mr. Dreuther means well, he has problems with his memory, and once Ian and Cary get to Monte Carlo, Herbert has forgotten all about them. Stuck at the hotel with a large bill that he can't afford, Ian works out a plan to win at roulette; his scheme works, and he earns enough to pay their bill, get them home, and have plenty left over. But his sudden success at the gambling tables makes Ian drunk with power, and Cary discovers that her new husband has turned into a power-hungry tyrant. Strike It Rich was adapted from the novel Loser Takes All by Graham Greene; it has been shown under the novel's title, as well as under the title Money Talks. ~ Mark Deming, Rovi
- Starring:
- Robert Lindsay, Molly Ringwald, (more)
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