Alexandre Aja Movies

Elijah Wood steps into the role made iconic by Joe Spinell in this reboot of the 1980 cult classic featuring an artistic style that takes you into the killer's POV. When a mannequin store owner (Wood) meets an attractive artist (Megan Duffy), his psychotic impulses are awakened and soon he starts a murderous rampage across L.A. Piranha 3D's screenwriting duo of Alexandre Aja and Gregory Levasseur provide the script, with P2's Franck Khalfoun handling directing duties. ~ Jeremy Wheeler, Rovi

Kiefer Sutherland stars as an NYPD detective-turned-security guard who discovers something sinister lurking in the mirrors of a fire-damaged department store in Haute Tension writer/director Alexandre Aja's menacing study in the origins of evil. It's been just about a year since mercurial police detective Ben Carson (Sutherland) was suspended from the NYPD for the fatal shooting of an undercover officer, and ever since that fateful day he's been locked in a self-destructive spiral of anger and alcoholism. Increasingly isolated from his wife and kids, Ben spends most nights crashed-out at his sister Angela's (Amy Smart) apartment in Queens. But Ben hasn't given up hope just yet, and in order to get his life back together and prove that he's still capable of supporting his family he takes a job as the night watchman at the Mayflower department store. The Mayflower used to be a lavish symbol of inner-city prosperity, that is, until a raging inferno gutted the building while claiming numerous lives in the process. These days, the Mayflower is a scorched reminder of human misery, the ornate mirrors therein reflecting a suffering so profound that it begins to wear on Ben's already-fragile psyche. Not only that, but whatever force dwells behind the shimmering glass seems to have gained the power to alter reality as well.

After Ben gazes into the mirrors and sees a vision of himself being relentlessly tortured, he is horrified to experience violent convulsions, spontaneous bleeding, and frightening asphyxiation. And while his sister is always willing to lend a sympathetic ear, she chalks the anomalies up to an unusually potent mix of stress and anxiety. Unfortunately for Ben, his estranged wife, Amy (Paula Patton), isn't nearly as forgiving. A prosaic NYPD medical examiner who has seen her fair share of tragedy, Amy fears that Ben's erratic behavior could be placing their children in danger. Later, as Ben begins to draw connections between his increasingly gruesome visions and a former Mayflower security guard who vanished without a trace, he begins to suspect that an unimaginable evil is using the mirrors as a gateway into the real world, and that his family is in mortal danger from forces beyond their realm of understanding. Perhaps if he Ben can manage to convince Amy that their children's lives are at risk, he can summon the courage to face the greatest evil he has ever known. ~ Jason Buchanan, Rovi

Alexandre Aja directs this remake of Wes Craven's film The Hills Have Eyes. In this update, a family is taking a cross-country road trip when their trailer breaks down, leaving them stranded in the desert of New Mexico. There, they find themselves under attack by the savage "hill people," who were deformed by radiation during nuclear testing. ~ Cammila Collar, Rovi

The bitter legacy of the French/Algerian War set the stage of this drama from director Alexandre Arcady, himself a Frenchman of Algerian birth. Pierre Nivel (Antoine DeCaunes) is a noted French television journalist and network anchorman. One day, he receives an unexpected visitor, an Algerian man with a message from someone named Leila. Pierre was born in Algeria, and he lived there until he was 17, when the French were forced to leave after Algeria won its independence in 1962. He's kept his Algerian past a secret from most of his friends and colleagues, but the note from Leila, his teenage sweetheart, leads him back to the land of his birth. It turns out that Leila now has a grown daughter, Amina (Nozha Khouadra), and Leila needs Pierre's help to smuggle her and her daughter out of the country. A defiant woman, Amina's refusal to go through with an arranged marriage to a fundamentalist and removal of her veil in public has put both herself and her family in great danger. La Bas ... Mon Pays/Return to Algiers was the first French production to be shot on location in Algeria since the nation won its independence. ~ Mark Deming, Rovi