Mimi Gibson Movies

James Lake (Raymond St. Jacques) is an escaped black convict imprisoned for a murder he didn't commit. Leslie Whitlock (Kevin McCarthy) offers James money to kill his wife, Ellen (Dana Wynter). He declines and tries to look up his old flame Lily (Barbara McNair), but discovers his own brother is now married to the sultry nightclub singer. James returns to Leslie, and the trio travel towards a mountain retreat. James and Ellen escape and try to find the murderer who had framed James years before. He experiences prejudices from police and civilian alike before the trail leads to the dead girl's stepfather. Due to the constant sexual and racial overtones this film is considered an exploitation feature. ~ Dan Pavlides, All Movie Guide

Based on the 1934 play by Lillian Hellman, The Children's Hour is set at an exclusive girl's school managed by best friends Audrey Hepburn and Shirley MacLaine. When student Karen Balkin is punished for one of her many misdeeds, the mean-spirited youngster rushes to her wealthy aunt Fay Bainter, and, randomly choosing a phrase she has undoubtedly read in some magazine, accuses Hepburn and MacLaine of having an "unnatural relationship." As Balkin's lies grow in viciousness, the student's parents withdraw their children from the school. Hepburn and MacLaine sue Bainter for libel, only to lose their case when MacLaine's aunt Miriam Hopkins refuses to testify as a character witness. The trial takes its toll on the relationship between Hepburn and her boyfriend James Garner. When Bainter discovers that her niece has been lying, she tries to make amends, but it is too late. Director William Wyler had also helmed the first film version of Children's Hour, 1936's These Three, which due to censorship restrictions of the time did without the lesbian angle (the little girl's accusations involved a supposed romantic triangle between the two ladies and a male friend). Miriam Hopkins, who plays a supporting role in The Children's Hour, originally essayed the Shirley MacLaine role in These Three. ~ Hal Erickson, All Movie Guide

Based on a successful stage play, The Remarkable Mr. Pennypacker loses in this adaptation to film by becoming more serious than an all-out farce. The setting is the end of the 1800s and the intrepid Pennypacker (Clifton Webb) runs a sausage company with two thriving plants in Philadelphia and Harrisburg. He shuttles back and forth between the cities and with equal aplomb, between two households. He maintains one wife (Dorothy McGuire) and eight children in one city, and another wife (Jill St. John) and nine children in the other. When one of the Mrs. Pennypackers finds out about his deception, the unruffled businessman sees no reason for her emotional reaction. Victorian inhibitions and rigidities are set against ultra-modern thinking, embodied in the people the bigamist admires -- like Darwin, the feminists (!), and free-thinkers. ~ Eleanor Mannikka, All Movie Guide

Cary Grant scored still another box-office smash with his 1958 vehicle Houseboat. Grant plays a widowed father who packs himself and his spoiled kiddies off to a ramshackle houseboat. Enter Sophia Loren, who is attempting to break loose from her tyrannical father's (Eduardo Cianelli) iron grip. She hires on as Grant's housekeeper and his children's governess. Though Grant struggles valiantly to maintain a "hands off" policy, he and Loren are billing and cooing by fadeout time--but not before plenty of reversals, recriminations and sitcom-style mishaps. As a bonus, the kids end up behaving like little angels (not surprising, since Loren has threatened from time to time to turn them into genuine angels if they don't toe the line). According to most sources, the on-screen romance between Cary Grant and Sophia Loren in Houseboat spilled over into their private lives as well, though Sophia put an end to this dalliance when she married Italian movie mogul Carlo Ponti. ~ Hal Erickson, All Movie Guide

A handful of suburban couples discover that emotional turmoil lurks behind the placid exterior of the planned community of Sunrise Hills in this drama based on the novel by John McPartland. David and Jean Martin (Jeffrey Hunter and Patricia Owens) find their relationship starting to crumble after Jean is raped by Troy Boone (Cameron Mitchell), an alcoholic war veteran who has been unable to readjust to civilian life. Meanwhile, Troy's wife, Leola (Joanne Woodward), wants to start a family, but Troy isn't interested in having children. Jerry Flagg (Tony Randall) is a used car salesman who turns to drink to deal with the disappointments of his career and his life, which is more than his wife, Isabelle (Sheree North), bargained for in their relationship. And Herman Kreitzer (Pat Hingle) is the good-hearted proprietor of a hardware store who wants to help his Japanese-American assistant Iko (Aki Aleong) find a new home. Though Herman's wife, Betty (Barbara Rush), discourages him because of the reaction that she foresees from the rest of the community, she eventually sides with him and joins him in the effort to help Iko assimilate. ~ Mark Deming, All Movie Guide

The Wings of Eagles is filmmaker John Ford's paean to his frequent collaborator--and, it is rumored, drinking buddy--Cmdr. Frank "Spig" Wead. John Wayne stars as Wead, a reckless WW1 Naval aviator who (it says here) was instrumental in advancing the cause of American "air power". In private life, Wead becomes estranged from his wife Minnie (Maureen O'Hara) after the death of their baby. Drinking heavily, Wead tumbles down the stairs of his home, and as a result he is apparently paralyzed for life. With the help of happy-go-lucky Navy mechanic Carson (Dan Dailey), Wead is able to regain minimal use of his legs, but it seems clear that his Naval career is over. Fortunately, he manages to find work as a prolific Hollywood screenwriter, and after the attack of Pearl Harbor he is called back to active duty to oversee the construction of "jeep carriers". Not one of John Ford's more coherent films--in fact, it's downright sloppy at times--The Wings of Eagles nonetheless contains several highlights, not least of which are the "I'm gonna move that toe" scene with John Wayne and Dan Dailey, and Ward Bond's inside-joke performance as irreverent film director "John Dodge". ~ Hal Erickson, All Movie Guide

Shortly before signing on for TV's The Rifleman, Johnny Crawford played the juvenile lead in Courage of Black Beauty. Feeling alienated from his rancher father John Bryant,Crawford invests all his affections in his pet foal. Through his love for the horse--who of course grows up to become Black Beauty--Crawford learns to better appreciate his own lot in life. For a while, it looks as though the horse will be destroyed, but when this doesn't happen, Crawford draws even closer to his dad. No screen credit is afforded Anna Sewell, author of the original Black Beauty. ~ Hal Erickson, All Movie Guide

Union army major Drango (Jeff Chandler) is assigned to rebuild a ruined Georgian town in the aftermath of the Civil War. Despite his best intentions, Drango has trouble combatting the hatred and resentment of the townsfolk. In particular, Clay Allen (Ronald Howard), the hotheaded son of Judge Allen (Donald Crisp), does his utmost to sabotage Drango's efforts and foment a Confederate insurrection. It takes the conscience-stricken intervention of the Judge himself to prevent wholesale bloodshed. The film's low-key romantic interest is handled by Joanne Dru and Julie London, cast respectively as the daughter of a despised Union sympathizer and an "unreconstructed" female plantation owner. ~ Hal Erickson, All Movie Guide

In one of his last appearances in a Hollywood production, Edmund Purdom plays Korean war veteran Paul Quentin. Keeping his promise to his dead war buddy Adrian (Donald Murphy), Quentin arrives at the doorstep of his Adrian's widow Alice (Ida Lupino). Alice and her children welcome Quentin with open arms, little suspecting that his mission includes killing the children as retribution for Alice's alleged infidelities. Ultimately, Quentin grows too fond of the kids to carry out his bloody task, but there's still slimy blackmailer Howard (Jacques Bergerac) to contend with. Strange Intruder is based on a novel by Helen Fowler. ~ Hal Erickson, All Movie Guide

Barry Fitzgerald, who made his film debut in Alfred Hitchcock's 1930 theatrical film Juno and the Paycock, guests in this episode as Stretch Sears, a recently paroled thief. With Christmas approaching, Stretch has no trouble landing a job as a Santa at a big department store. But it isn't the Yuletide spirit that is motivating Stretch; he intends to rob the store, and is using his job to case the joint. But the scheme goes off on a entirely different direction when "Santa" Sears makes the acquaintance of a juvenile delinquent known only as the Tenth Avenue Kid (played by Bobby Clark -- not the Broadway comedian of the same name). ~ Hal Erickson, All Movie Guide

The Christmas, 1955 presentation of the CBS anthology Climax! was based on a true story in the lives of the ancestors of co-scenarists Dale and Katherine Eunson. Set in rural Wisconsin in the 1860s, the story begins on a somber note, as both parents of 12-year-old Robbie Eunson (Brandon De Wilde die within a few months of each other. Now the man of the family, Robbie sets about to honor his mother's dying wish, that proper homes be provided for Robbie and his five younger siblings. Thus it is that on Christmas eve, Robbie visits several of his neighbors, offering to give away his brothers and sisters. Joan Evans, actress daugher of the Eunsons, serves as narrator. Adapted from the authors' Cosmopolitan magazine article, "The Day They Gave Babies Away" was later transformed into a theatrical feature film, All Mine to Give (1957); of the TV play's cast, only Stephan Woolton repeated his role (as Jimmie Eunson) in the movie, though Allen Reisner directed both versions. ~ Hal Erickson, All Movie Guide

Based on the novel by Mika Waltari and helmed by Casablanca director Michael Curtiz, The Egyptian, a lavish period soaper, is set several centuries before the birth of Jesus Christ. Young Egyptian healer Sinuhe Edmund Purdom (ere accompanied by his servant, Kaptah, played by Peter Ustinov) draws the affection of barmaid Merit (Jean Simmons) who seeks his hand in marriage. Sinuhe provides medical assistance to the epileptic Pharoah, Akhnaton (Michael Wilding), who, meanwhile, becomes convinced that only one god exists, and thus infuriates all of his polytheistic priests, who secretly plot to assassinate him. Sinuhe has an affair with a Babylonian whore, Nefer (Bella Darvi), but grows listless with her and eventually ends the relationship, harkening back to Merit. However, she is soon extinguished, with an arrow through the heart, for also being monotheistic. Angered by this, and believing Akhnaton's ideas directly responsible for Merit's death,
Sinuhe and his muscular friend, the affable Horemheb (screen heartthrob Victor Mature) poison the Pharoah. Akhnaton then dies while Horemheb prepares to ascend to the throne.

Ingmar Bergman had a point when he admonished the idea of falling for one's lead actress, and it is a lesson one wishes producer Daryl Zanuck had learned; he purportedly had an extramarital affair with Darvi, taking her as a "plaything," but grew sick of her after casting her in seven films. Her career then torpedoed. (Little wonder - her horrendous performance in this film must be seen to be believed; Variety called it "less than believable or skilled.") This $4.2 million film (a massive amount for 1954) suffered from additional production problems as well, with Marlon Brando originally slated to star, but replaced, at the very last minute, by Purdom, a contract player for 20th Century-Fox.
~ Hal Erickson, All Movie Guide

"Slight" is right: this harmless comedy programmer is as inconsequential as it is enjoyable. It's the tale of two Army buddies: go-getter Geechy Cheevers (Mickey Rooney) and sedate family man Freddie Clopp (Eddie Bracken). Inveigling his way into Freddie's household, Geechy drives everyone bonkers with his get-rich-quick schemes. After convincing Freddie to quit his job and mortgage his home in order to set up a gas station, Geechy cooks up an underhanded scheme to tap the gas pipe of a rival station. Standing on the sidelines is Geechy's long-suffering girlfriend Beverly (Elaine Stewart) and Freddy's far-from-understanding wife Emily (Marilyn Erskine). An obligatory slapstick chase finale caps this exercise in lunacy. ~ Hal Erickson, All Movie Guide