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Shoji Kawamori Movies

2007  
 
Mamoru Oshii's Tachiguishi Retsuden attempts to convey the entire dietary history of Japan via CG animation. ("Tachiguishi" refers to the Japanese concept of "stand and eat," and includes not only traditional hamburger joints, but indigenous beef-and-rice stands found only on Japanese soil.) The underlying concept of the motion picture rests on Oshii's endless quest for the "perfect fast food," and revolves around his conviction that one can shed light on lifestyle and culture by evaluating what individuals consume during a particular period of time. The director thus uses dietary intake as a lens into the Japanese culture, mindset, and way of life -- and as a context for interpreting Japanese history, from the post-WWII era through the late '80s. The "Fast Food Grifters" of the title (who appeared, fleetingly, in the director's previous works, such as Urusei Yatsura and The Red Spectacles) are those who devise crafty means for getting away without paying for "tachiguishi." They embody the heroes of Oshii's film and reflect his satirical view of Japanese society. Aesthetically, because Oshii found both live action and traditional animation incapable of fully exploiting the film's subject, he chose an alternate, third route. The director employs a highly unusual combination of elements that the press release refers to as "3D-CG recreation of a documentary drama of a fictional post-war history staged in a small theater and performed as a simple paper puppet show." In other words, Oshii (notorious as a visual maverick) grounds the motion picture in mockumentary stylistics and approach, but even the seemingly "authentic" archival film clips that he includes are in fact artificial, staged, and created for the sake of the film. He also employs a technique called "superlivemation," whereby real people were photographed, the photographs were digitally processed, and the images were then animated -- a process that took over 20 steps, but yielded a thoroughly unprecedented visual style. Oshii adapted the work from his own novel. It stars Kenji Kawai, Katsuya Terada, Shinji Higuchi, Shoji Kawamori, Toshio Suzuki, and Kenji Kamiyama. ~ Nathan Southern, Rovi

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Starring:
Kaito KisshojiMako Hyodo, (more)
 
2007  
 
An eye popping visual feast from the creative masterminds at Studio4°C, Genius Party brings together seven of Japan's best-known animators to craft a series of shorts designed to stimulate both the eyes and the imagination. After basking in the beauty of Atsuko Fukushima's introductory segment, Cat Soup director Masaaki Yuasa steps in to explore a young child's earliest year in the simple yet dreamlike "Happy Machine." Things take a turn for the spooky as a child's imagination ventures into darker territories in Shinji Kimura's "Deathtic 4," and Hideki Futamura explores a strange virtual reality in "Limit Cycle." Yuji Fukuyama and Shinichiro Watanabe explore the surreal underpinnings of reality in "Doorbell" and "Baby Blue" respectively, and things wind to a close as Shoji Kawamori toys playfully with traditional anime conventions in "Shanghai Dragon." ~ Jason Buchanan, Rovi

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2000  
PG13  
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In this animé feature based on the popular Japanese television series, Hitomi is a high school student who is trying to come to terms with a severe case of depression. When her spirits are at their lowest, Hitomi makes a psychic connection with Van, the young king of the nation of Gaia, located on another planet visible in the night sky of Earth. Gaia has been brought to the brink of war by the evil Black Dragon Clan, and, while the nearby nation of Abaharaki wishes to form an alliance with Gaia for their mutual protection, Van is a leader who prefers to act on his own. Hitomi finds herself transported to Gaia, where she becomes a valuable if unlikely ally to Van; as the Black Dragon Clan advances, Van discovers that Hitomi may hold the key to the magical dragon armor of Escaflowne, the weapon that would make Gaia invincible. Escaflowne (also advertised as Escaflowne the Movie: A Girl in Gaia) features Kelly Sheridan as the voice of Hitomi; the voice cast for the American release version also includes Kirby Morrow, Brian Drummond, and Paul Dobson. ~ Mark Deming, Rovi

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Starring:
Kelly SheridanKirby Morrow, (more)
 
2000  
 
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Hitomi Kanzaki has always had subtle psychic abilities and a way with tarot cards, but the most that she has ever used them for has been to provide readings for the other girls in her high school about boys. This all changes for Hitomi one night when she is practicing for the track team, hoping for a first kiss from her not-so-secret crush and teammate, Amano. While she's sprinting, she sees a vision of a young man battling a dragon which materializes right before her on the field. In a moment of confusion, Hitomi is transported with the young man back to the world he came from, Gaea. Upon arriving, Hitomi learns that despite his youth and simple attire, the man is Van Fanel, king of the country of Fanelia. Van swears to return Hitomi safely to her home somehow, but before that can happen, Hitomi finds herself involved in the war brewing on Gaea, as her powers are somehow linked to the huge mecha of the Fanalia kingdom called the Escaflowne. The Escaflowne is the key to defeating the hostile Zaibach Empire, where a madman is trying to create a machine to control destiny itself, at any expense. Hitomi must come to terms with her role in the salvation or destruction of a land, her own feelings about Van and for Allen Schezar, the gentile king of a neighboring country, and she will also have a chance to learn the truth about what destiny and her own abilities really are. The Vision of Escaflowne is a Shoujo anime, but with a very broad audience. It explores not only the perspective of Hitomi but battle sequences, intrigue, possible long-lost worlds, and the meaning of fate. ~ Cammila Collar, Rovi

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2000  
 
The crew of Blue Submarine No. 6 battles against evil and struggles to survive in a waterlogged dystopia in this collection of episodes from the Japanese anime series. Lost in battle, Tetsu finds himself adrift in the middle of the ocean; hovering near death, he is rescued, only to discover his benefactors are actually enemy sailors. While Tetsu in time develops a grudging respect for his adversaries, Mayumi refuses to give up her search for her comrade. But when she finally does find him, will he be the same man he was before?
~ Mark Deming, Rovi

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1999  
PG13  
This, the second collection of episodes from the Blue Submarine No. 6 anime series, follows the crew of No. 6 in their battles against the evil Zorndyke in a future world where flooding has covered most of the earth. While back at the base for maintenance, Tetsu's conflicts with Mayumi threaten to reach the breaking point, until Zorndyke's appearance on a televised conference on warfare leads informed observers (including the crew of No. 6) to expect him to mount a full-scale attack on the landlocked humans. The American release of Blue Submarine: Volume 2 - Pilots is available with the original Japanese soundtrack (accompanied by English subtitles) and with a dubbed English audio track.
~ Mark Deming, Rovi

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1998  
 
This four-episode OVA revolves around a vision of the future in which the polar ice caps have melted, raising ocean levels and forcing humanity into a somewhat amphibious lifestyle. In Blue Submarine, a sea-dwelling people called the Zorndyke is discovered as a result of these changes. They are a hostile species, and soon humanity is at war, placing most of its hope for success in its new vessel, the Blue Submarine. Mayumi Kino, a young and enthusiastic new pilot, has her first task in trying to re-enlist Tetsu Hayami , another pilot whose help will be necessary in defeating the Zorndyke. He initially meets her request with refusal but in such uncertain times, he might just find that he has no choice in the matter. ~ Cammila Collar, Rovi

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1996  
 
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In the year 2029, the world has become interconnected by a vast electronic network that permeates every aspect of life. That same network also becomes a battlefield for Tokyo's Section Nine security force, which has been charged with apprehending the master hacker known only as the Puppet Master. Spearheading the investigation is Major Motoko Kusanagi, who -- like many in her department -- is a cyborg officer, far more powerful than her human appearance would suggest. And yet as the Puppet Master, who is even capable of hacking human minds, leaves a trail of victims robbed of their memories, Kusanagi ponders the very nature of her existence: is she purely an artificial construct, or is there more? What, exactly, is the "ghost" -- her essence -- in her cybernetic "shell"? When Section Six gets involved in the case, she is forced to confront the fact that there is more here than meets the eye, and that the Puppet Master may hold some of the answers she seeks. But little does she know that he has been seeking her as well. ~ Emru Townsend, Rovi

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