Cynthia Gibb Movies

A woman coming to terms with her husband's death discovers his killer has run afoul of a violent crime in this detective drama. Joanne Kilbourn (Wendy Crewson) is a former police detective who left the force to teach criminology after the unsolved murder of her husband, Ian (Edward Jaunz). The investigation into Ian's death gets taken off the back burner when a suspect is arrested, Kevin Tarpley (Christopher Bolton); while Kevin claims to be innocent, he knows enough about the case to have raised the suspicions of police. Just when Joanne thinks her husband's killer may finally be brought to justice, Kevin is killed by a gunman as he's brought to the police station. After a strange visit by Kevin's wife Maureen (Kari Matchett), Joanne begins looking into Kevin's life and death, and discovers not all of her late husband's friends are willing to help her with her private investigation. Criminal Instincts: A Colder Kind of Death also stars Victor Garber, Teri Garr, and Robin Dunne. ~ Mark Deming, All Movie Guide

A disturned nineteen year old girl sets out to take revenge on the uncle she deems responsible for her father's recent suicide in this thriller from prolific Perfect Marriage director Douglas Jackson. Christie Coleman (Dani Kind)'s father is gone, and now the directionless teen will be forced to find her own way in a cruel and uncaring world. But Christie won't have to wander aimlessly for long, because now she's crafter a plan to make her Uncle Ray pay for the transgressions that drove her dad to suicide. Innocently moving in with Ray, his wife Miranda (Cynthia Gibb), and their teenage daughter Haley, Christie gradually ingratiates herself with the family while setting into motion a diabolical plan. They say we only hurt the ones we love, and in Christie's case that sentiment couldn't ring any truer. ~ Jason Buchanan, All Movie Guide

Allison (Alexandra Paul) has spent years behind bars after being accused of a crime she didn't even commit, and now that she's been released the time has come to take revenge on the men who made her do the time for their horrific crime. Years ago, a young boy was murdered, and the men responsible for the reprehensible act got off scot free. Now, as Allison prepares to prove her innocence and hold the true killers accountable for their murderous transgression, she's about to discover that they aren't afraid to kill again in order to remain free men. ~ Jason Buchanan, All Movie Guide

In this road drama, a depressed ex-daredevil is hired to drive an experimental stunt car across the country to L. A. He is accompanied by a country-singer. ~ Sandra Brennan, All Movie Guide

Cancelled by NBC after two seasons in the spring of 1983, the musical drama series Fame was nonetheless extremely popular amongst American teenagers and with fans all over the rest of the world. Accordingly, its producers decided to keep the property alive with a third season 24 new episodes, filmed for off-network syndication. Virtually the entire cast of the NBC Fame was retained for the syndicated version, except for Lori Singer as cello student Julie Miller; it was explained that Julie had decided to leave school to get married. And while the popular Erica Gimpel was seen in the first handful of syndicated episodes as ambitious singer-dancer Coco Hernandez, she too had exited the show by the middle of its third season, her character having dropped out to pursue her professional career (oddly enough, Gimpel continues to receive billing throughout the season). Also, this is Lee Curreri's last year as Bruno Martelli. New to the cast are Cynthia Gibb as energetic drama major Holly Laird, and Billy Hufsey as cocksure dance student Christopher Donlon; also, chubby tuba player Dwight (David Greenlee), previously a recurring character, is now one of the regulars. And, since it was decided that the series needed a strong adult menace, Ken Swofford was hired to play Quentin Morloch, new vice principal at New York's High School of the Performing Arts. A self-important, anal-retentive "rules are rules" type, Morloch will spend much of his screen time cooking up methods to instill his own brand of discipline on the kids, often denying them the opportunity to show off their talents (which is rather like not allowing students in an industrial arts class to make cabinets!). Episodes like "Hail to the Chief" and "Rules" are prime examples of Morloch's blinkered approach to education; indeed, he would not come to fully understand that his students were uniquely gifted and not just a bunch of noisy kids until he was on the brink of leaving the series two years later. The first of the "syndie" episodes is the two-part "I'm Gonna Learn How to Fly", in which arrogant keyboard student Bruno faces the possibility of leaving school when his dad dies. Later episodes this season include "Consequences" wherein the students are put in charge of the school to teach them a lesson about responsibility; "Break Dance", a contemporary West Side Story in which Christopher mediates a turf battle between two street gangs; "Lisa's Song", a semi-fantasy in which Holly makes contact with the ghost of a disgruntled former student; and "Sheer Will", which finds ebullient would-be comic Danny (Carlo Imperato) coming to grips with the fact that he has been diagnosed with leukemia. Of the series' many guest stars this season, Chorus Line principal Donna McKechnie is cast as Holly's mother in "Stages", impressionist George Kirby is featured as a former nightclub headliner turned wino in "Catch a Falling Star", blind actor-composer Tom Sullivan plays a substitute teacher who falls for dance instructor Lydia (Debbie Allen) in "A Friend in Need"; Melissa Manchester shows up as a once-famous torch singer who is afraid to return to performing in "Home Again", and veteran gangster-movie heavy Lawrence Tierney shows up in "The Deal", which turns out to be nothing more nor less than an old Mickey Rooney "Let's raise money by putting on show!" musical. And as in the previous season, highlights from the real-life musical tours undertaken by the cast members are featured in a brace of special episodes: "The Kids from 'Fame' in Israel" and "'Fame' Looks at Music 83" (with Irene Cara). In addition to accumulating even more local stations and a bigger audience than it had ever enjoyed as a network series, Fame earned yet another Emmy award, this one going to film editor Howard Brock. ~ Hal Erickson, All Movie Guide

Alexandra's life becomes a living hell when she discovers the undercover policeman she loves is actually a dangerous serial killer. ~ Sandra Brennan, All Movie Guide

Based on a Broadway play and featuring the Jule Styne and Stephen Sondheim score, this is a remake of the 1962 movie which was based on the memoirs of Gypsy Rose Lee, a stripper, depicting her life growing up in "show biz." ~ Tana Hobart, All Movie Guide

Produced for the USA cable network, Holiday Affair is a remake of the classic 1949 theatrical film of the same name, which in turn was inspired by John D. Weaver's short story "Christmas Gift." Cynthia Gibb and David James Elliott step into the roles of widowed mother Jodie Ennis and department store salesman Steve Mason, the characters originally played by Janet Leigh and Robert Mitchum. "Meeting cute" while Jodie's son Timmy (Curtis Blanck) enthuses over a model train set, Jodie and the raffish but likeable Steve immediately hit it off, but she is already engaged to conservative lawyer Paul Davis (Tom Irwin, taking over from the original's Wendell Corey). The days between Christmas and New Year's Eve, Jodie finds herself in the unenviable position of choosing between two men whom she adores equally--a job not made easier by the well-meaning interference of son Timmy. The remake faithfully recreates most of the familiar setpieces from the 1949 version, including the Christmas-dinner sequence with Timmy's grandparents and a climactic confrontation in a courtroom over a case of mistaken identity. The presence of Al Waxman in the cast is a sure tipoff that, despite its New York City setting, the film was actually made in Canada. Holiday Affair first aired December 15, 1996. ~ Hal Erickson, All Movie Guide

Malone (Burt Reynolds) has been a "wet" operative for the CIA for many years, serving his country by performing assassinations. He is tired of his job and wants to get out of "the company" (as it is called) and live a normal life. He is looking along the Pacific Northwest for a place to settle down when his much-cherished classic Mustang breaks down outside the town of Comstock. He manages to get to a small gas station and is treated like family by a Vietnam veteran, who is the station's owner, and his daughter. They are suffering from the nefarious activities of a local bigwig (Cliff Robertson) to take over all the land in the city in a hare-brained development scheme. He soon runs afoul of the town sheriff, who is basically an employee of the developer, but eventually wins his respect. Meanwhile, the CIA is none too pleased to hear of Malone's intended retirement and send a succession of hit-men after him to ensure that he divulges none of their dirty secrets. Malone destroys the first two killers at some cost to his own well-being. The next assassin turns out to be a woman who is susceptible to his charms. Meanwhile, he has a thorough-going local scoundrel to put out of business. ~ Clarke Fountain, All Movie Guide

When Frederica Dumay (Cynthia Gibb) inherits her father's winery, she has no idea of the sort of intrigue that awaits her at her dad's fabulous estate. A murder occurs soon afterward, and Frederica's best friend is the victim. She suspects that the culprit is the beautiful but spiteful Arabella Young (Alexandra Kamp-Groenveld), but cannot determine if the crime was the result of passion or greed. This being a Mary Higgins Clark adaptation, not everything is as obvious as it seems -- except for the fact that Frederica herself is the number one candidate to be the murderer's next victim. One of several two-hour Clark adaptations broadcast by the PAX network A Crime of Passion was originally slated to air on April 11, 2003, but was bumped back to May 9 of that same year. ~ Hal Erickson, All Movie Guide

While Salvador wasn't Oliver Stone's first film (a pair of offbeat horror stories preceded it), it defined his style of fiercely dramatic, politically oriented filmmaking, staked out his territory as one of the major directors of the 1980s and 1990s, and remains one of his strongest works to date. Veteran photojournalist Richard Boyle (James Woods) has been taking his camera to the world's trouble spots for over 20 years; while he does good work, Boyle's fondness for booze and drugs, and his colossal arrogance, have given him a reputation that's left him practically unemployable. Broke and with no immediate prospects, Boyle and his buddy Doctor Rock (Jim Belushi), an out-of-work disc jockey, head to El Salvador, where Boyle is convinced that he can scare up some lucrative freelance work amidst the nation's political turmoil. However, when Boyle and Rock witness the execution of a student by government troops just as they enter the country, it becomes clear that this war is more serious than they were expecting. Increasingly convinced that El Salvador is a disaster starting to happen, Boyle eventually decides that it's time to get out; but he has fallen in love with a woman named Maria (Elpidia Carrillo), and he doesn't want to leave her behind. James Woods gives one of his best performances as Boyle; and the passion of Stone's message, aided by the power of its truth (the film is based on actual events), propels the film forward. ~ Mark Deming, All Movie Guide

A mother's happiness is shattered when she learns an awful truth about the man she married shortly after she had been brutally raped and left pregnant by a stranger. ~ Sandra Brennan, All Movie Guide

A physician--an amateur sleuth--decides to investigate the suicide of a former student of his and begins to suspect that it was murder. ~ Tana Hobart, All Movie Guide