Marcus Giamatti Movies

Sex. Life. This is the story of three couples trying to stay afloat - and one woman's efforts to show them how to do it. HBO's newest adult drama series explores issues of intimacy - through the point of view of a 20-something couple, prenumpital concerns and fidelity are examined, while the series' 30-something couple confront their failed attempts to start a family, coping with the effects it has on their sex life. And after two kids and 12 years of marriage, a couple in their early 40s question why their love and devotion hasn't translated into physical intimacy in nearly a year. Tell Me You Love Me explores the telling, everyday moments that can make or break a couple's commitment to one another, both emotionally and physically.

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, All Movie Guide

This episode of Homicide: Life on the Street is the conclusion of a two-part story introduced on its "sister" series Law & Order. Newly appointed to a district court bench, ADA Danvers (Zeljko Ivanek) brings the Baltimore homicide unit into the investigation of the death of governmental official Janine McBride, who, despite being found murdered in New York City, was actually killed in Baltimore. Al Giardello (Yaphet Kotto) is mad that his son Mike (Giancarlo Esposito) turned over confidential information about the McBride case to his FBI bosses, who, in turn, handed it over to Independent Counsel William Dell (George Hearn) -- resulting in immunity for the accused murderer. As it turns out, the ruthless Dell (who bears a startling resemblance to Kenneth Starr) is using both the Baltimore cops and Law & Order regulars Rey Curtis (Benjamin Bratt), Lennie Briscoe (Jerry Orbach), and Jack McCoy (Sam Waterston) as unwitting stepping stones for his own political ambitions. ~ Hal Erickson, All Movie Guide

Clad in a blonde wig, Joe Pesci stars as the title character, a luckless actor. Unable to make it in the real showbiz world, Jimmy starts fantasizing about fame and fortune. His delusions eventually turn into reality when, through a fluke, Jimmy becomes known to one and all as "Jericho," a Robin Hood-like vigilante. Victoria Abril appears in a supporting role and the film's climax features a number of cameo performances. ~ Hal Erickson, All Movie Guide

After a recruitment scandal, a struggling college football team is forced to turn to a rag-tag group of misfits in this sports comedy. It seems that Texas State University's football team has relied on some rather unorthodox -- and illegal -- methods to gain players, resulting in the disqualification of most of the team's stars. The desperate coach (Hector Elizondo) must rely on the school's actual students, a motley crew of unlikely characters that includes a female place kicker and a quarterback in his thirties. Unexpectedly, however, the coach discovers that the passer still has a heck of an arm, and suddenly the team again has a chance. The expected comic complications and obvious bits of slapstick follow as this band of eccentrics struggles to find a way to victory, resulting in a familiar reprise of a well-worn storyline. ~ Judd Blaise, All Movie Guide

Mr. and Mrs. Bridge (played by real-life "Mr. and Mrs." Paul Newman and Joanne Woodward) are well-to-do residents of Kansas City in the 1940s. So far as the Bridges are concerned, however, it's the 1920s, with Mr. Bridge treating his wife like property, regarding his grown children as if they're still adolescents, and habitually voting against that upstart Roosevelt. Though the underlying painfulness of such an archaic arrangement is never ignored, Mr. Bridges' obstinancy is for the most part amusing. The scene that seemed to please the audience most was the one in which Mr. Bridge orders Mrs. Bridge not to leave their table at their country club despite tornado warnings (they sit quietly in the deserted dining room while the building shakes and shudders). As for Mrs. Bridge, her "life" is totally defined by those around her--which in any other film would be a tragedy, but which here seems a logical extension of all that's gone before. Based on two separate novels by Evan S. Connell, Mr. & Mrs. Bridge is a rare excursion into Americana by the Ismail Merchant-James Ivory team. ~ Hal Erickson, All Movie Guide