Hugh Bonneville Movies

Based on a pair of memoirs by her husband John Bayley, this biographical portrait of writer Iris Murdoch stars both Judi Dench and Kate Winslet as the philosophical author at different stages of her life. When the young Iris (Winslet) meets fellow student Bayley (Hugh Bonneville) at Oxford, he's a naïve virgin easily flummoxed by her libertine spirit, arch personality, and obvious artistic talent. Decades later, little has changed as the couple (now played by Dench and Jim Broadbent) keeps house, with John doting on his more famous wife. When Iris begins experiencing forgetfulness and dementia, however, the ever-doltish but devoted John struggles with hopelessness and frustration to become her caretaker, as his wife's mind deteriorates from the ravages of Alzheimer's disease. Iris earned a slew of Supporting Actor awards for Broadbent, including recognition from the Hollywood Foreign Press Association, Los Angeles Film Critics Association, and National Board of Review. ~ Karl Williams, All Movie Guide

In the summer of 1937, wealthy timber importer William Cazalet (Frederick Treves) and his wife, Kitty (Ursula Howells), host their children -- Hugh, Edward, Rupert, and Rachel -- and grandchildren for an extended holiday at William's idyllic Sussex estate. At dinner, William invites Rupert (Paul Rhys), a struggling artist, to join his other two sons, Hugh and Edward, in his thriving firm. Idealistic Rupert declines the offer. While attempting to justify his decision to his self-centered wife, Zoe (Joanna Page), whom he married after his first wife died, Rupert also must cope with his adolescent daughter's resentment of her stepmother. Meanwhile, rumors of war with Germany unsettle the family, and they monitor radio broadcasts closely. Hugh (Hugh Bonneville) knows well the perils of soldiery. In the Great War, he lost the use of his left hand and suffered a head injury that causes recurring headaches. His wife, Sybil (Anastasia Hille), worries about him, and he in turn worries about her, especially when her health mysteriously declines. Edward (Stephen Dillane), on the other hand, worries only about getting caught cheating on his wife, Villy (Lesley Manville), who is pregnant. His lustful behavior becomes truly detestable when he gropes his own daughter. His sister, spinster Rachel (Catherine Russell), is his opposite: reserved, always thinking of others. But a secret longing distresses her, and she vies with it in silence. Meanwhile, Villy, Zoe, and Edward's mistress all become pregnant; Sybil develops cancer; Rupert enlists when the Nazis go on the march; and a nephew comes to the Cazalet estate to escape his autocratic father. The war, familial conflict, and Sybil's illness test the family as never before. The final two hours of the six-hour saga reveal whether the Cazalets have the mettle to choose selflessness over self. ~ Mike Cummings, All Movie Guide

Originally telecast over Britain's ITV1 in 2000, the two-part mystery miniseries Thursday the 12th began with the discovery of an unidentified body on the estate of Marius Bannister (Ciaran Hinds), a wealthy dentist and politician. As an investigative TV reporter Julian Glover sifted through the particulars of the case, the viewer was introduced to the dramatis personae: Bannister; his wife, Nina (Maria Doyle Kennedy); their troubled adopted teenaged son, Martin (Jim Sturgess); and Nina's predatory sister, Candice Hopper (Elizabeth McGovern). In Rashomon fashion, a series of flashbacks indicated that any one of these worthies had motive aplenty to be a murderer -- and in fact, one of them was the victim. The key to the mystery was in the hands of Marius' supposedly senile father, Edgar Bannister (Peter Vaughan). In the U.S., Thursday the 12th first aired over the Bravo cable network on June 4, 2003. ~ Hal Erickson, All Movie Guide

Previously filmed by such cinematic geniuses as Jean Renoir and Vincente Minnelli, Gustave Flaubert's once-scandalous 1857 novel Madame Bovary was transformed into a two-part British miniseries in 2000. Set in the rural Normandy of the 1830s and 1840s, this is the story of Emma Rouault (Frances O'Connor), the pampered, well-educated daughter of a wealthy gentleman. Much to her own surprise, Emma accepts the marriage proposal of Charles Bovary (Hugh Bonneville), the provincial doctor who ministers to M. Rouault during a moment of medical crisis. Once she has become Madame Bovary, Emma quickly grows bored with her bourgeois existence, retreating into erotic fantasies stoked by her addiction to romantic novels. Inevitably, Emma strays from her marital vows, first with a handsome young clerk named Leon (Hugh Dancy), then with dashing country squire Rodolphe (Greg Wise). In order to sustain the lavish lifestyle which she feels is her basic right, Emma squanders all of her husband's money -- which plays right into the hands of usurious draper Lheureux (Keith Barron), who has his own wicked plans for the foolishly extravagant Mme. Bovary. In the United States, Madame Bovary was telecast on February 6 and 13, 2000, as part of the PBS Masterpiece Theatre anthology. ~ Hal Erickson, All Movie Guide

Freely adapted from a novel by Jane Austen, this period drama is set in the early 1800s, as a girl named Fanny (Hannah Taylor Gordon) is being raised by loving but desperately poor parents. Wanting a better life for Fanny, they send her away to live with her aunts, high-minded Mrs. Norris (Sheila Gish) and drug-addicted Lady Bertram (Lindsay Duncan), who share an estate called Mansfield Park. Fanny joins the family at Mansfield Park, which includes Lady Bertram's husband Sir Thomas (Harold Pinter), who made his money in slaves and West Indian plantations; Sir Thomas's son Tom (James Purefoy), an alcoholic; Tom's intelligent younger brother Edmund (Jonny Lee Miller); and his two sisters, Julia (Justine Waddell) and Maria (Victoria Hamilton). Fanny soon makes friends with Edmund, though she's shown little respect by the rest of the family. In time, Fanny grows to adulthood (now played by Frances O'Connor) and gains skill and poise as a horsewoman while developing her skills as an author. When the stylish but secretive siblings Henry and Mary Crawford (Alassandro Nivola and Embeth Davidtz) arrive at Mansfield Park, romantic sparks begin to fly; the two sisters fight over Henry, while Mary is soon engaged to wed Edmund -- to the disappointment of Fanny, who has fallen in love with him. ~ Mark Deming, All Movie Guide

Based on a novel by Minnette Walters, the two-part British miniseries Scold's Bridle began with the death of an ill-tempered old woman named Mathilda Gillespie (Sian Phillips). Found with an antique device known as a scold's bridle (so named because it was designed to "muzzle" sharp-tongued housewives and gossips) locked around her jaws, Mathilda appeared to have committed suicide by asphyxiating herself. But police detective Cooper (Bob Peck) suspected foul play, especially since none of Mathilde's neighbors or relatives could abide the woman's company. The only person on good terms with the dead woman was local doctor Sarah Blakeney (Miranda Richardson) -- who, by a curious coincidence, was named as sole beneficiary in Mathilde's will. Having his doubts about Sarah's good intentions, Cooper decided to reopen his investigation of the old lady's death. In so doing, he discovered that Mathilde's entire family seethed with corruption, as did most of the neighboring clans. Additionally, despite his own better judgment, Cooper found himself attracted to the enigmatic Sarah -- and never mind that she already had a husband, a seemingly affable chap named Jack (Douglas Hodge). The Scold's Bridle was originally aired in 1998, presented in two 75-minute installments by BBC1; the property was rebroadcast in the U.S. in June 1999. ~ Hal Erickson, All Movie Guide

Roger Spottiswoode (Air America) directed this film, the 18th chapter in the 35-year-old James Bond series (excluding Casino Royale and Never Say Never Again). James Bond (Pierce Brosnan) learns billionaire media mogul Elliot Carver (Jonathan Pryce) is manipulating world events via an exclusive flow of information through his satellite system reaching all corners of the planet. With a stealth battleship sinking a British naval vessel, Carver sees that the Chinese are blamed. Crashing Carver's party in Hamburg, Bond meets "journalist" Wai Lin (Michelle Yeoh), later revealed as a Chinese agent. In a brief tryst, Bond renews his past relationship with Carver's wife Paris (Teri Hatcher). Carver dispatches Stamper (Gotz Otto) and other goons to cancel Bond, who eludes attackers with some of his new gadgets. In Southeast Asia, after Bond and Wai Lin scuba dive into the sunken British ship, they are captured by Stamper, handcuffed, and taken to Saigon where they make a motorcycle escape. To thwart Carver's plans for WWIII, the two agents head for Carver's stealth ship where a cruise missile is aimed at Beijing. Principal photography began April 1, 1997 in the new Eon Productions studio facility at Frogmore, northwest of London, and on the 007 stage at Pinewood Studios. Locations included the UK, Hamburg, Southeast Asia, Mexico, and off the Florida coast. The trademark Bond pre-title sequence was filmed in the French Pyrenees snowfields, centered around one of the few high-altitude operational airfields in Europe. ~ Bhob Stewart, All Movie Guide

Director Kenneth Branagh's interpretation of Mary Shelley's classic horror novel stars Robert DeNiro as a terrifying monster created in an obsessive attempt to defeat death and stretch the limits of medicine in the early 19th century. With the use of flashback, a dying Dr. Viktor Frankenstein (Kenneth Branagh) divulges a tale of gruesome terror to a sea captain (Aidan Quinn): As a medical student, the rebellious Frankenstein elaborates on the work of a brilliant scientist (John Cleese), successfully bringing to life a "man" assembled from the body parts of corpses. Upon realizing the destructive consequences of his experiment, Dr. Frankenstein abandons the creature and attempts to return to a normal life with his medical partner, Henry (Tom Hulce), and his fiancée (and adopted sister), Elizabeth (Helena Bonham Carter). In the meantime, the nameless creature struggles with loneliness and rejection from society until he sets out to track down his creator in search of one of two things: a bride to keep him company or revenge. Mary Shelley's Frankenstein (1994) was produced by Francis Ford Coppola, who previously directed and produced monster-drama Bram Stoker's Dracula (1992). ~ Lisa Kropiewnicki, All Movie Guide