Balthazar Getty Movies

Based on a true incident from 1960, White Squall is the story of the tragic sinking of the Albatross, a prep school educational two-masted schooner, during a Caribbean storm. Screenwriter Todd Robinson wrote the script after meeting one of the tragedy's survivors, Chuck Gieg. In the film, Gieg (Scott Wolf) is the narrator. He and his fellow students, whose parents have paid handsomely for their schooling, which combines classroom work with real-life adventure, are introduced to their grizzled seafaring captain, Christopher Sheldon (Jeff Bridges). Gieg is initially skeptical of Sheldon's authority, but he gradually comes to see the captain as a model of manhood. The other boys aboard include Frank Beaumont (Jeremy Sisto), a self-absorbed snob; Dean Preston (Eric Michael Cole), a troublemaker and bully; Tod Johnston (Balthazar Getty), a returning student; and the naïve Tracy Lapchick (Ethan Embry). John Savage plays the pompous English teacher aboard the ship. Various incidents establish the boys' insecurities and relationships with the authorities -- and foreshadow their eventual fate. The killer squall comes up quietly but soon turns deadly, and the boys are forced to go beyond their privileged upbringings and deal with real danger. ~ Michael Betzold, All Movie Guide

Heather Graham stars as Olive, a woman whose husband discovers one day that she has taken a lover; the husband kills him, then himself. While still reeling from this trauma, Olive becomes the object of a crazed stalker, who invades her home, attacks her and then disappears. Olive's terror is only compounded when she discovers the police ignore her reports. ~ Mark Deming, All Movie Guide

This drama combines elements of humor and sarcasm to chronicle to story of a charming serial killer in Albuquerque circa 1965. It is loosely based on a true story, a story that is said to have inspired Charles Manson. Kit is the narcissistic pathological liar and killer with a love of women. His story is told by his former follower Rudy. Kit lived to deceive. He would spend hours with makeup, hair dye and elevator boots to make himself resemble Elvis. He would say anything to get a woman into bed. He becomes romantically involved with Kirsten, a kindred spirit from a wealthy family. She is as manipulative as he and soon demands he prove his love for her. Kit trustingly tells her of a recent murder he performed. He had already confided in Rudy, but she figured he was lying. Kirsten uses the information to keep Kit close to her. She also tries to get rid of Rudy by messing up his relationship with Donna. Kit and Kirsten continue their increasingly intense game. It culminates in murder. ~ Sandra Brennan, All Movie Guide

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, All Movie Guide

Marc Rocco's gritty drama Where the Day Takes You stars Dermot Mulroney as King, a street-smart hustler who acts as a father figure to a motley collection of young runaways. Among the people in his sphere are the young self-destructive drug addict Greg (Sean Astin), self-hating gay prostitute Little J (Balthazar Getty), and newcomer Heather (Lara Flynn Boyle). The film is structured as a series of flashbacks triggered by King's conversations with a prison psychologist (Laura San Giacomo). Included in the impressive cast are such soon-to-be-famous names as Will Smith and Ricki Lake, and the already established Kyle MacLachlan, Christian Slater, and Alyssa Milano. ~ Perry Seibert, All Movie Guide

Scott Glenn is H.D., a champion rodeo rider whose career is ruined after being gored by a bull. He returns home to discover things have drastically changed -- the family farm has been abandoned, his old girlfriend Julie (Kate Capshaw) is a now a widowed mother, and his sister Cheryl (Tess Harper) has put his father (Ben Johnson) in a nursing home. H.D. rescues his father from the home and returns him to the ranch. But when H.D. leaves the farm to visit Julie, his father seeks out Cheryl. Cheryl retaliates by threatening to return her father to the nursing home and sell the ranch. At this point, H.D. takes notice of rodeo contest which would give him $100,000 if he can ride four bulls for a total of 32 seconds. H.D. bonds with his father as he gruelingly prepares for a return to the rodeo to win the contest and buy the ranch. ~ Paul Brenner, All Movie Guide

Harry Hook directed this second screen adaptation of William Golding's cult novel about a group of British schoolchildren who revert to savagery when marooned on a deserted island. The new adaptation replaces British school children with a group of American military cadets and instead of a shipwreck, their plane crashes into the sea. The children swim ashore onto an island and try to fend for themselves, with the only surviving adult wracked with fever and crazed with pain. As the children get the feel of the island, the group separates into two different camps: Ralph (Balthazar Getty) and his followers prefer to act civilized and want to expand their efforts toward finding a way off the island; on the other hand, Jack (Chris Furrh) and his band revert to painting their faces, carrying spears and exploiting the island for survival. When the chances for rescue become less and less likely, the two factions go to war with each other, with tragic results. ~ Paul Brenner, All Movie Guide

In this version of the classic novel by Henry James, Amy Irving stars as an English governess who is confronted with evil spirits possessing her two assistants. This is another entry in Shelley Duvall's Nightmare Classics. ~ Kristie Hassen, All Movie Guide