Gene Ruffini Movies

A lovelorn matchmaker tries to set up two people about to be married -- but not to each other -- in this independent romantic comedy. George (Tunde Adebimpe) is a Nigerian expatriate living in upstate New York, where he has pledged to marry a woman in a marriage arranged for him in childhood, though he's not especially enthusiastic about the idea. George goes to Buffalo to pick up his fiancée as she arrives in America, only to discover she's already moved on to Niagara Falls, where the wedding will be held in three days. On his way back home, an annoyed and downcast George meets Gerard (Hippolyte Girardot), a man from France who is wallowing in sorrow after being dumped by his girlfriend, and Alicia (Natalia Verbeke), a light-hearted Latin-American woman who is due to marry her fiancé Nathan (James Wilby) in less than a week. Alicia finds George amusing but thinks he needs to loosen up a bit, so she invites him to a party; George brings Gerard along, feeling he needs some cheering up, and Gerard notices an obvious attraction between Alicia and George. Gerard fancies himself an authority on matters of the heart, and is certain George and Alicia would rather be with each other than with the people they're engaged to marry, so joining George, Alicia, and Nathan for a trip to visit Alicia's parents en route to Niagara Falls, he hatches a plan to break Alicia and Nathan apart -- and bring Alicia and George together. Jump Tomorrow was shown in competition at the 2001 Sundance Film Festival. ~ Mark Deming, Rovi

John-Luke Montias makes a triple-threat debut as writer, director and star of the tense urban drama Bobby G. Can't Swim. Bobby Grace (John-Luke Montias) is a small-time drug dealer who is just trying to keep himself above water, selling cocaine to a collection of losers and ne'er-do-wells in New York's Hell's Kitchen. Despite the pathetic circumstances of his life, Bobby and his pals -- girlfriend Lucy (Susan Mitchell), who makes her living as a hooker; Popeet (Norman Middleton), a blind man who has a knack for finding salable objects, and Coco (Vincent Vega), Bobby's supplier -- are convinced that somehow their lives will get better. One day, Bobby's ship would seem to have finally come it; he meets an upscale customer who wants to buy an entire kilo of coke. The deal should earn Bobby a payday big enough to allow him to get out of dealing, but the customer demands product before payment, and when the payment doesn't arrive, Bobby's gravy train turns into an anchor threatening to take him to the bottom of the ocean. Bobby G. Can't Swim received an enthusiastic response in its screening at the 1999 Santa Barbara Film Festival. ~ Mark Deming, Rovi

A surreal crime drama told as only Jim Jarmusch could, Ghost Dog: The Way of the Samurai stars Forest Whitaker as Ghost Dog, a hit man living in an unidentified but run-down city in what license plates call "The Industrialized State." Known for his gift of being able to come and go without people noticing him, Ghost Dog is a self-taught samurai who is obsessed with order and his strict personal moral code, drawn from the philosophies of the Japanese warriors. As every samurai needs a leader to whom he swears loyalty, Ghost Dog has devoted himself the service of Louie (John Tormey), a low-level crime boss who once saved his life. When Louie's superiors decide he must be executed, Ghost Dog leaps into action, methodically wiping out his many enemies. Along with a dizzying series of stylized shoot-outs, Ghost Dog also features carrier pigeons, characters who read Rashomon, a French-speaking ice cream man, and a score by RZA from the top-selling hip-hop group Wu-Tang Clan, who have their own well-documented obsession with Asian culture. Ghost Dog was screened in competition at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi