Douglas Gerrard Movies

A semi-fantasy with sociological overtones, The Luck of the Irish stars Tyrone Power as an American journalist named Stephen Fitzgerald visiting the home of his ancestors in Ireland. Power encounters a jolly old man (Cecil Kellaway) who claims to be a leprechaun -- and proves it to the journalist's satisfaction. The leprechaun trails Stephen to New York, smooths the path of romance between Stephen and lovely Nora (Anne Baxter), and watches in dismay as Stephen becomes the tool of a quasi-fascistic publisher. The journalist comes to his senses thanks to the leprechaun's intervention and goes to work for a more liberal publication. He heads back to Ireland with new wife, Nora, and the beneficent leprechaun. The Luck of the Irish was based on a novel by Guy and Constance Jones, who probably would have been blacklisted when the political winds of Hollywood shifted a few years later. ~ Hal Erickson, All Movie Guide

Preston Sturges' Unfaithfully Yours is a typically witty and wild screwball comedy starring Rex Harrison as a symphony conductor named Alfred de Carter who is convinced his wife (Linda Darnell) is having an affair. During one of his concerts, Alfred begins planning three different ways of solving the problem -- including murder -- setting each to a different classical piece. Sturges' script and direction are lively and the actors are perfectly cast, capable of wringing all the humor, both physical and verbal, out of the story. Despite the artistic success of the film, Unfaithfully Yours was unsuccessful at the time of its release, yet it was well-regarded by critics and film buffs. It was remade in 1984, featuring Dudley Moore in the lead role. ~ Stephen Thomas Erlewine, All Movie Guide

A hunter finds himself in a world of danger when he decides to stalk Adolf Hitler in this taut WWII thriller. Capt. Thorndike (Walter Pidgeon) is an expert big-game hunter from England. While hunting in Bavaria, he happens upon Hitler's Berchtesgaden estate and spots the Fuhrer; he has his rifle in tow, and he toys with the idea of firing at the dictator, even raising the unloaded weapon, putting Hitler in the crosshairs, and pulling the trigger to make the gun click. Unfortunately, this draws the attention of Maj. Quive-Smith (George Sanders), a Gestapo leader assigned to guard the Führer, who promptly apprehends Thorndike, drags him off and attempts to force him to sign a confession. When he refuses, he's brutally beaten and dumped into a hole in the woods, and must climb out and make his way to safety, by hiding as a stowaway on a Danish steamer. The poor fellow then runs afoul of the menacing Mr. Jones (John Carradine), who steals his passport and identity. By the time Thorndike returns to London, the hunter has become the hunted, with Gestapo agents combing the streets looking for the would-be assassin. Thorndike finds an unlikely ally in Jerry (Joan Bennett), a seamstress and sometimes streetwalker who takes him in and helps him hide from the German forces closing in around him. And meanwhile, he must still contend with teh nefarious doings of Mr. Jones Man Hunt was directed by Fritz Lang, the great German director who fled to Paris in 1933 rather than accept a commission from Joseph Goebbels to make Nazi propaganda films. He came to America the following year. ~ Mark Deming, All Movie Guide

Two silent film versions preceded this 1936 Hollywood adaptation of the 19th century novel by the writer Ouida Bergere. It is set in Saharan Africa but was filmed in the Arizona desert. Ronald Colman is Corporal Victor, a man who has taken the rap for a crime committed by his younger brother. Victor has joined the French Foreign Legion to escape his past, taking with him his valet Rake (Herbert Mundin). His commander is the ruthless Major Doyle (Victor McLaglen), who becomes jealous when Cigarette (Claudette Colbert), a nightclub singer with a yen for men in uniforms, sets her sights on Victor. Victor, however, lusts after a more refined Englishwoman named Lady Venetia (Rosalind Russell), and he eventually dumps Cigarette for Venetia. McLaglen sends Victor off on a difficult mission from which he hopes that he won't return. ~ Michael Betzold, All Movie Guide

This second and final "Bulldog Drummond" film to star Ronald Colman, finds the famed sleuth in the midst of a sinister plan orchestrated by Warner Oland. Damsel in distress Loretta Young reports that her wealthy and influential uncle is missing, but all those concerned insist that the uncle never existed, and that Young is out of her mind. Drummond suspects that she's telling the truth, and that the uncle's disappearance is tied into political intrigue of some sort or other. Before the rousing climax, Drummond, the heroine, and Drummond's pal Algy (Charles Butterworth) are repeatedly kidnapped, imprisoned, and threatened with certain death. Counterpointing the film's plot twists (a bit too convoluted to relate in full here) is a comic subplot involving the continually interrupted honeymoon of Algy and his frustrated bride (Una Merkel). Unfortunately, Bulldog Drummond Strikes Back is currently unavailable on television or on videocassette. ~ Hal Erickson, All Movie Guide

One of George Arliss' "smaller" vehicles, The King's Vacation casts the eminent British stage star (always billed as "Mr. George Arliss") as an abdicating monarch. Seeking the simple life, he comes to America in search of the wife (Marjorie Gateson) he'd been forced to divorce years earlier in order keep his crown. Upon locating her, Arliss discovers that his ex-wife has remarried into wealth, and is now better off than he's ever been. His disillusionment complete, Arliss returns to his queen (Florence Arliss), who has likewise renounced her throne for an austere existence. Only George Arliss could get away with telling us that "poor is better" in a picture made in the middle of the Depression! ~ Hal Erickson, All Movie Guide

William Powell plays a condemned murderer who is being transported from Hong Kong to San Quentin by way of a luxury liner. Also on board is the lovely Kay Francis, who is suffering from a fatal heart condition. The sympathetic detective (Warren Hymer) escorting Powell allows the prisoner to roam the decks without handcuffs, an opportunity Powell exploits by arranging an escape with two of his old cronies (Frank McHugh and Aline MacMahon). But when he meets Francis, Powell falls in love. Francis is equally smitten, and the two conduct an exquisite shipboard affair, neither telling the other of their impending doom. Powell makes his escape, but is halted in mid-flight when Francis has a heart attack. He rushes Francis back on board ship to her doctor, knowing full well that this will mean his recapture. As they bid goodbye, Powell and Francis promise to meet again one year later in Agua Caliente--a rendezvous that neither will survive to keep. A year passes. At a bar in Agua Caliente, two cocktail glasses suddenly shatter, as if having been joined in a toast by unseen hands. One Way Passage was remade in 1940 as 'Til We Meet Again. ~ Hal Erickson, All Movie Guide

William Wellman's landmark gangster movie traces the rise and fall of prohibition-era mobster Tom Powers. We are first shown various episodes of Tom's childhood with the corrupting influences of the beer hall, pool parlor, and false friends like minor-league fence Putty Nose. As young adults, Tom (James Cagney) and his pal, Matt Doyle (Edward Woods), are hired by ruthless but innately decent bootlegger Paddy Ryan (Robert Emmett O'Connor). The boys quickly rise to the top of the heap, with all the accoutrements of success: custom-tailored tuxedoes, fancy cars, and gorgeous girls. All the while, Tom's loving (and somewhat addlepated) mother (Beryl Mercer) is kept in the dark, believing Tommy to be a good boy, a façade easily seen through by his older brother Mike (Donald Cook). Tommy's degeneration from brash kid to vicious lowlife is brought home in a famous scene in which he smashes a grapefruit in the face of his latest mistress (Mae Clarke). Some dated elements aside, The Public Enemy is as powerful as when it was first released, and it is far superior to the like-vintage Little Caesar. James Cagney is so dynamic in his first starring role that he practically bursts off the screen; he makes the audience pull for a character with no redeeming qualities. The film is blessed with a superior supporting cast: Joan Blondell is somewhat wasted as Matt's girl, Mamie; Jean Harlow is better served as Tom's main squeeze, Gwen (though some of her line readings are a bit awkward); and Murray Kinnell is slime personified as the deceitful Putty Nose, who "gets his" in unforgettable fashion. Despite a tacked-on opening disclaimer, most of the characters in The Public Enemy are based on actual people, a fact not lost on audiences of the period. Current prints are struck from the 1949 reissue, which was shortened from 92 to 83 minutes (among the deletions was the character of real-life hoodlum Bugs Moran). ~ Hal Erickson, All Movie Guide

Silent screen sweetheart Corinne Griffith, who originally wanted to retire when talkies came in, proved the wisdom of her earlier decision when she starred in the clunky musical drama Lilies of the Field. Griffith is cast as Mildred Harker, who loses custody of her child in a messy divorce settlement. Leaving her hometown in disgrace, Mildred heads to New York, where after a crash course in the school of hard knocks she joins the chorus of a Ziegfeld-like musical revue. Now a full-fledged gold-digger, she enjoys the favors of backstage johnnies and elderly sugar daddies, but finally finds true love in the form of Park Avenue socialite Ted Willing (Ralph Forbes). Alas, Mildred is damaged goods, and soon she's back in the gutter whence she came. A remake of a 1924 silent film which also starred Corinne Griffith, Lilies of the Field is distinguished by a bizarre musical number in which the star is dressed (just barely) as an art-deco automobile hood ornament! ~ Hal Erickson, All Movie Guide

Despite what you might think by glancing at the title, The Argyle Case has nothing to do with socks. The film's plot is set in motion when the head of the house of Argyle is murdered. In one of his few talking-picture appearances, silent star Thomas Meighan is the detective on the case. Meighan discovers that the culprit is a member of an espionage ring, intent upon stealing valuable state secrets. Based on a play by Harriet Ford, Harvey J. O'Higgins, and William J. Burns, The Argyle Case was previously filmed in 1917. ~ Hal Erickson, All Movie Guide

This drama opens with a most disturbing scene as a jilted lover places a gun to his head and pulls the trigger. Fortunately, he is but an actor in a play and the gun is but a prop. His co-star is a beautiful young woman. A young man is utterly in love with the actress and after the show visits her and presents her with an arm-load of fragrant blossoms. He then invites her to meet his wealthy family in Philadelphia. The family, who lives in an ancient mansion, prove to be a very strange lot. The father is a stern and dour fellow. Grandpa is a lascivious old coot. She also meets an assortment of snobs and perverts. Upon meeting her, they immediately assume that she is a gold digger. Soon the family lawyer offers her a large amount of money for the love letters the young man had written her. She accepts the money and then gives it to the boy to keep him on the straight and narrow. Her good deeds are finally made apparent to the dour patriarch who begins courting her and eventually marries her. ~ Sandra Brennan, All Movie Guide

Although there was little love lost between star Dolores Costello and director Michael Curtiz, the two Warner Bros. contractees collaborated on several films, including the early-talkie Madonna of Avenue A. Costello plays Maria Marton, an expensively educated young miss who has been led to believe that her mother Georgia (Louise Dresser) is a high-society doyenne. Our heroine is in for quite a shock when she learns that her sainted mom is actually the blowzy proprietress of a seedy dime-a-dance joint. Among the scriptwriters of Madonna of Avenue A was one Mark Canfield, a pseudonym for Warner's scriptwriter/producer Darryl F. Zanuck. The film's plot would be reworked several times, most memorably as the 1953 Doris Day vehicle Lullaby of Broadway. ~ Hal Erickson, All Movie Guide

A poor street cleaner inherits a fortune in this farce, which came complete with a music score and sound effects. According to a provision in his uncle's will, Elmer, the street cleaner (Clyde Cook), must marry or forfeit the inheritance to Briggs (William Demarest), the deceased man's faithful retainer. The latter kidnaps poor Elmer on his way to the altar, but the intended bride, plucky salesgirl Annie (Louise Fazenda), eventually comes to the rescue with assistance from the Coast Guard. ~ Hans J. Wollstein, All Movie Guide