Konstantin Ernst Movies

This gritty, by-the-throat Russian mob drama takes place in 1990s Ukraine, where two street gangs go head-to-head. Their very existence depends entirely on a woman named Angela, the sister of a gang member who is on the verge of selling out to the police. Concerned about this pending development, the rogue gang member's boss tries to exert influence over him by sending four hired killers off to Prague to kidnap Angela, bring her back to the Ukraine, and hold her hostage. Meanwhile, what started as a series of violent skirmishes between gangs evolves into something far more underhanded and seductive: Angela begins "playing" the members of the two gangs off each other with cunning glee, setting into motion a chain of events that spins wildly out of control. ~ Nathan Southern, Rovi

The apocalyptic sci-fi thriller Day Watch (aka Dvevnoy Dozor, 2006) constitutes the second installment in a planned supernatural trilogy by Russian director Timur Bekmambetov. As preceded by 2004's blockbuster Night Watch and followed by Twilight Watch, this sophomore film picks up on the byzantine tale of a world where, centuries ago, the powers of light (representing goodness) and the powers of darkness (representing evil) called a truce. Each side set up a law-enforcement team to guard and monitor the other's activities -- the powers of darkness established and controlled the Day Watch, while the powers of light established and controlled the Night Watch. Day Watch opens in the 14th century, when Tamerlane, a Mongol warrior, acquires an implement called "The Chalk of Destiny," that can be used to guide the course of history. Eons later (in the present day), the Day Watch and the Night Watch are ongoing. Two Warriors of Light, Anton Gorodetsky (Konstantin Khabensky) and his protégé/partner-in-training, Svetlana (Maria Poroshina), quietly develop feelings for one another as they patrol the Night Watch together. As the story progresses, the pair must respond to a distress call from an octogenarian victim of a vampiric attack -- an attack committed (as it turns out) by Anton's 12-year-old son, Yegor (Dima Martynov) -- now a Warrior of Darkness. Anton must suddenly wrestle with two conflicting desires -- the need to protect his offspring by destroying incriminating evidence, and his own desire to remain loyal to the Night Watch. Several additional subplots then unfold concurrently, including that of Yegor learning to practice evil from his mentor, Zavulon (Viktor Verzhbitsky), that of Anton "body swapping" with associate Olga (Galina Tyunina), and that of the relationship between a vampiric child, Kostya (Aleksei Chadov), and his dad (Valery Zolotukhin), who works as a butcher. ~ Nathan Southern, Rovi

Two bands of warriors, one good and one evil, battle to keep the peace in Moscow in this cat's cradle thriller from Russia. In 1342, the Warriors of Light (led by Gesser, Lord of Light) and the Warriors of Darkness (led by Zavulon, General of Darkness) declare a truce under which each side will form a law enforcement team to monitor the other side's activities. The Warriors of Light, who enforce the powers of good, patrol the Night Watch, while the Warriors of Darkness, who openly embrace evil, staff the Day Watch. Each watch group also contains "Others," mortals with supernatural powers from both sides that include vampires, shapeshifters, witches, and the like. Prophecy suggests that one day, a Great One will surface and permanently extinguish the threat of an apocalyptic war between the two sides by upsetting the balance, lending greater power to either good or evil (depending on his or her choice) and thus determining the future of mankind forever.

In 1992, Night Watch member and Warrior of Light Anton Gordesky (Konstantin Khabensky) discovers he's an "other" amid a sting on a witch. Cut to twelve years later. In 2004, Anton still works the Night Watch, but now he's a vampiric warrior who drinks blood. One night, while on patrol, he rescues a young boy named Egor (Dima Martinov) from a handful of Dark Warriors, but in the process, he encounters Svetlana (Maria Poroshina), a woman who acts as a "funnel" -- a conduit for the powers of evil. Anton reflects on the prophecy regarding "The Great One," and begins to suspect that Svetlana and Egor may be harbingers of this fateful event. As the first installment in a Russian trilogy, Night Watch (aka Nochnoj Dozor) was a massive box-office success in its native Russia, and is followed by the second installment, Day Watch; it was released in the U.S. with a heavy prologue and epilogue, and animated subtitles that alternately scuttle across the screen, dissolve, shudder, and explode.

20th Century Fox not only purchased United States distribution rights for the film, but also announced plans for a Westernized remake. ~ Mark Deming, Rovi

Blokpost is a film about the madness of war. Somewhere in the Caucasus, which looks like Chechnya, a dirty war is raging. There are no battlefields as such, but every peasant is either a suspect or a victim. During a raid on a village, young Russian soldiers are unable to prevent the death of a child, killed by a land mine. The child's mother shoots the village policeman in her grief and is shot herself by the panicking soldiers, who are posted to a remote check point for thirty days as a punishment. Although they don't actually see the enemy in the darkness of the forest, they hear the intermittent snipers and imagine its presence behind every tree. The film, which is shot in quasi-documentary style, aims at displaying the madness of war in which everyone suffers, including the soldiers. Blokpost was screened as part of the Panorama section of the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi