Susan George Movies
The daughter of a musician father and showgirl mother, Susan George was a British showbiz veteran before she was 10 years old. A Corona Stage Academy graduate, George was 12 when she was cast in the London production of The Sound of Music. The sweetness-and-light roles would fall by the wayside as George matured into a very sexy young woman. In films from 1967, George was usually cast as a blonde "tease," sometimes innocent (the gang-rape victim in Sam Peckinpah's Straw Dogs [1971]), sometimes not (the 1974 crime-caper flick Dirty Mary Crazy Larry). In addition to such recent acting assignments as the BBC TV series Stay Lucky (1993), George has been executive producer of two features, Stealing Heaven (1988) and That Summer of White Roses (1989). Susan George's partner in these production ventures was her husband, actor Simon MacCorkindale. ~ Hal Erickson, All Movie Guide
- 2007
- Add Speaking Freely, Vol. 2: Susan George on Neo-Liberalism to QueueAdd Speaking Freely, Vol. 2: Susan George on Neo-Liberalism to top of Queue
Following three decades spent as a self-described "economic hit man," best-selling author and popular lecturer John Perkins takes on the topic of globalization in this informative and enlightening speech. A man who has once bestowed with the responsibility of developing economic forecasts for major U.S. engineering firms so that they could receive funding from the International Monetary Fund and the World, Bank, Perkins' work often guided the destinies of developing countries, and frequently caused massive social upheaval and political strife. Given Perkins' high profile work in such disparate locales as the Middle East, Africa, Asia, Latin America, and North America, few speakers are more qualified to address the topic of globalization. ~ Jason Buchanan, All Movie Guide
- Starring:
- Susan George
TheTV movie Jack the Ripper endeavors to shed new light on one of the most notorious unsolved cases in history. The Ripper, of course, was the London serial killer who, in 1888, killed and disemboweled five prostitutes. Michael Caine stars not as the Ripper but as a Scotland-Yard inspector who is assigned to the case. The trail of evidence leads Caine to some astonishing suspects--including at least one member of the Royal Family. As the public clamors for an arrest in the case of the unsolved evisceration murders of five East End prostitutes, Abberline narrows down his list of suspects: the four most likely to have committed the murders, according to the inspector, are American-actor Richard Mansfield (Armand Assante), Queen Victoria's personal psychic (Ken Bones), a certain Dr. Acland (Richard Morant) and socialist-gadfly Lusk (Michael Gothard). The British government is also pressuring Abberline to produce the killer. Unfortunately, if Abberline were to publicly release all the clues at his disposal, the revelation would probably rock the Empire to its foundations. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Caine
Czech Mate isn't nearly as clumsy as its title. This British made-for-TVer stars the lovely Susan George as a political naif. In spite of herself, the woman is sucked into a sinister conspiracy (there's another kind?) Patrick Mower co-stars as one of those "whose side is he really on?" types. Czech Mate premiered on American television over the USA network on March 2, 1985; it was double-billed with another British TV feature, The Late Nancy Irving. ~ Hal Erickson, All Movie Guide
In this first episode of a two-part story, Mel (Vic Tayback) agrees to finance a musical revue starring Alice (Linda Lavin). Dropping into the diner at this moment, guest star Joel Grey decides to help Alice out by starring in the revue--but first he must audition with a plaintive rendition of "Swanee". Trouble is, Mel has no idea who Joel Grey is, and thus hands the leading role to his own bookie Jimmy (Tom Williams)...and this will not be the last bonehead decision made by the stagestruck restauranteur. ~ Hal Erickson, All Movie Guide
In the conclusion of a two-part story, guest star Joel Grey has agreed to headline the musical play starring Alice (Linda Lavin) and bankrolled by Mel (Vic Tayback). But Grey ankles the project when Mel transforms the show from a sophisiticated Manhattan revue to a desert "folk opera", repleted with a line of cowboy-clad chorines and such deathless tunes as "Ramona from Arizona" (this is Alice's big solo, much to her dismay). As indicated by the episode's title, Joel Grey WILL save the day...but not until the very, very last minute! ~ Hal Erickson, All Movie Guide
The Final Eye began life as the pilot for a futuristic TV series. Joe Cortese stars as Mike Stringer, who in the year 1996 is the last private eye left on earth. Stringer is hired by Lisa Korter (Susan George), the daughter of a mysterious financier (Liam Sullivan). Twenty years earlier, the financier had created Eden Isle, a posh resort. Something very odd has been going on at Eden Isle of late, as indicated by the fact that the financier doesn't look a day younger than he did when he opened the place in 1975. Digging a bit too deep, Stringer discovers an insidious conspiracy linked to a master computer. Filmed in 1977, The Final Eye was shelved until August 1, 1982, when it was finally telecast under the new title Computercide. ~ Hal Erickson, All Movie Guide
Mission: Monte Carlo is a "movie" comprised of two episodes from the 1971 British/US TV series The Persuaders - which accounts for the presence of Basil Dearden, who died that year. The only element that the two hour-long episodes truly have in common is their setting: Southern France's Cote D'Azur. The discovery of an exotic dancer's corpse leads playboy secret agents Danny Wilde (Tony Curtis) and Lord Brett Sinclair (Roger Moore) on a merry chase after a gang of stock swindlers. This storyline is expanded with scenes from a second Riviera-based Persuaders installment, written by Val Guest, wherein Wilde and Sinclair pursue a contingent of gold smugglers. The guest stars appearing in this jerry-built feature film include Annette Andre, Susan George, and Alfred Marks. ~ Hal Erickson, All Movie Guide
In this tense story of an unusual romantic triangle, middle-aged Ann (Vanessa Redgrave) and her teenage daughter Joanna (Susan George) manage a failing hotel on an island off the British coast. One day, the hotel receives an unexpected guest, a man named Joe (Cliff Robertson). Joe and Ann had an affair years ago, and it's suggested (though never stated) that Joanna could be their child. Joe and Ann soon renew their relationship, but Ann discovers that she has a rival for Joe's affections when Joanna makes her interest in the handsome older man clear. Also shown under the title Winter Rates (the title of the stage drama upon which it was based), Out of Season was at one time to have been directed by the noted playwright Harold Pinter, but he was eventually replaced by stage and screen veteran Alan Bridges. ~ Mark Deming, All Movie Guide
- Starring:
- Vanessa Redgrave, Cliff Robertson, (more)
This made-for-TV musical adaptation of the oft-filmed Robert Louis Stevenson tale is a curious novelty -- not only because it predated the Tony award-nominated Jekyll & Hyde: The Musical by nearly 25 years, but also because the musical numbers (by Lionel Bart and Irwin Kostal) are tackled by some of the least likely musical performers in movie history. Viewers will scarcely have the opportunity to recover from Kirk Douglas' opening number before having their senses assaulted by a capering, cackling Donald Pleasence belting out strains of "Smudge's Song," and the equally questionable vocal talents of Susan George. These aberrations aside, this is a noticeably threadbare, stage-bound production filmed entirely on a soundstage (whose walls are evident in several shots), giving the proceedings a dark, two-dimensional feel. The rugged-looking Douglas, though miscast as the tender, love-struck Jekyll, manages a clever turn as the doctor's leering alter ego, and there are some interesting twists added to Stevenson's story, particularly at the climax. ~ Cavett Binion, All Movie Guide
In this violent, grim thriller, a baby-sitter's routine job turns out to be anything but when she and her young charge are terrorized by an escaped mental patient who bursts in and holds them hostage. He claims to be the three-year-old boy's father and has come to murder his ex-wife. Meanwhile to stall for time until the cops can save them, the baby-sitter seduces the fugitive father. A deadly stand-off ensues when the cops finally surround the place and he begins threatening to slice the throats of the girl and his son. ~ Sandra Brennan, All Movie Guide
Sam Peckinpah examines the instinctual capacity for violence in his controversial 1971 film, loosely based on the novel The Siege of Trencher's Farm. To avoid the Vietnam-era social chaos in the U.S., American mathematician David Sumner (Dustin Hoffman) moves with his British wife, Amy (Susan George), to the isolated Cornish town where she grew up, but their presence provokes antagonism among the village's men. As the hostilities escalate from routine bullying to the gang rape of his wife, David finds his pacifistic self backed into a corner. When the hooligans attack his house, David finally resorts to the gruesome violence that he abhors. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Susan George, (more)
A Lancashire lass refuses to eat the meal her mother has prepared for her. Her thick-eared father (James Mason) insists that she ingest every bite. This seemingly minor incident snowballs into big trouble for everyone concerned. Hard to believe, but this was based on a very popular stage play by Bill Naughton. The comic edge is blunted by the film's use of real Bolton locations, which tend to make the exaggerated passions and gesticulations of Mason and his family seem more pathetic than humorous. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Susan George, (more)
The first horror film from notorious British director Pete Walker, this is a brutal but rather pedestrian pulp thriller about a fetching young go-go dancer (Susan George, in her first starring role) who is stalked in and around an isolated house by ruthless assassins determined to prevent her from reaching her 21st birthday. It seems Marianne is in line for a sizable inheritance from the man she claims is her father -- a crooked magistrate whose career is threatened by her very existence. As if that weren't enough, knowledge of the girl's newfound wealth inspires a team of would-be kidnappers who show up at the villa to beef up the body count. Fans of Walker's blood-drenched thrillers might detect a glimmer of burgeoning talent here, but the suspense is hampered by a clunky script and silly dialogue, and the lovely George is probably just warming up for the following year's Straw Dogs. Also known as Die Beautiful, Marianne! ~ Cavett Binion, All Movie Guide
In the hip and swingin' London of the '60s, a young window washer, Ginger (Victor Henry) divides his time between picking up the cleaning rag and picking up women in the hip London pubs. One girl he meets is the pretty and demure Jill (Susan George), who his best friend Dwyer (Jack Shephard) takes a shine to. When Ginger agrees to becomes a caretaker at an old man's mansion and a wild party results, he asks Dwyer to look after Jill. Dwyer takes that invitation as a chance to seduce Jill. Later, when Ginger is informed by Jill that she is pregnant, he takes it upon himself to marry her. No sooner are they married than Jill's intimidating mother arrives to announce that she will be taking up quarters with the newlyweds. Now Ginger has to decide whether he should trade in his swingin' ways for a staid domestic life. ~ Paul Brenner, All Movie Guide
- Starring:
- Victor Henry, Susan George, (more)
The Strange Affair is a fragmentary "'60s" interpretation of a straightforward Bernard Toms novel. Michael York plays a rookie London policeman, appalled at the corruption surrounding him. He does not find comfort in the fact that his own superior (Jeremy Kemp) is just as crooked as the crooks. Susan George is the obligatory "mod" girl with whom York conducts a brief affair. Like many British films of its period, it seems more concerned with inducing pop-art headaches than simply telling its story. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael York, Jeremy Kemp, (more)
Based on a popular British novel by Nell Dunn, Up the Junction was a made-for-TV movie in 1965 before being remade for theatrical release in 1968. It features Suzy Kendall as Polly, an upper-class Chelsea girl who decides to relieve her boredom by slumming in a working-class section of London called Battersea. She gets a job in a candy factory and becomes friends with co-workers Rube (Adrienne Posta) and Sylvie (Maureen Lipman), two sisters. Polly takes up with Peter (Dennis Waterman), who dreams of leaving Battersea and becoming rich. ~ Michael Betzold, All Movie Guide
- Starring:
- Suzy Kendall, Dennis Waterman, (more)
Made by the then 23-year-old director Michael Reeves, who died after making only one more movie, the notable Witchfinder General (1968), this is an unusual horror film concerning an elderly couple who conduct experiments with mind control, hoping to experience the lost excitements of youth through their subject, a young man whom they have persuaded to become a guinea-pig in the name of science. Once the process has begun however, a conflict ensues between the couple, the woman urging their subject to commit crimes in the pursuit of even greater thrills against the wishes of her husband, which in turn results in a horrific comeuppance for both, the price exacted for meddling in things beyond the province of humanity. With the casting of veteran actor, Boris Karloff in this swinging sixties setting, this is a rare example of the merging of two styles of horror movie-making, the old school which Karloff represented almost gone by the late sixties, a new, grittier contemporary genre waiting to succeed it. ~ Mark Hockley, All Movie Guide
- Starring:
- Boris Karloff, Catherine Lacey, (more)
Harry Palmer (Michael Caine), the reluctant secret agent from The Ipcress File (1965) and Funeral in Berlin (1966) -- both (like the source for this movie) based on novels by Len Deighton -- is back again in Ken Russell's Billion Dollar Brain. Having left Britain's espionage service, Palmer is scraping out a living as a private investigator, but he's still willing to give his old boss Colonel Ross (Guy Doleman) the bum's rush out of his office when he comes calling, offering a raise and promotion if he'll return. But Palmer ends up working for Her Majesty's government anyway -- a letter arrives, with a key and money, and telephoned instructions by a mechanical voice connect him up with a carefully sealed parcel (filled with what an x-ray reveals as eggs) that he must transport to Helsinki. No sooner does he get there than he discovers that an old friend, Leo Newbigin (Karl Malden), and his young lover Anya (Françoise Dorléac) are behind the trip, and that the man who was supposed to receive the parcel is dead. The eggs contain dangerous viruses stolen from a secret British laboratory, and England wants them back and wants to know why they were stolen. That assignment immerses Palmer in a deadly game of deception, double-dealing, and triple-crosses on all sides, as he finds that Leo is working for a privately operated intelligence network, set up by a rabidly right-wing Texas oil man, General Midwinter (Ed Begley Sr.).
The billion-dollar super-computer of the title, built by Midwinter, runs a network of spies and assassins aimed at the destruction of the Soviet Union. That interests Palmer's old friend, Soviet security chief Colonel Stok (Oskar Homolka, in an almost movie-stealing performance), very much, and he, too, wants to know what Palmer knows. And then there's Leo, who has taken millions from Midwinter, supposedly to establish a secret underground in Latvia, waiting for the signal to rise up against the Soviets occupying their country that will spread across the Baltics and beyond and bring down the Soviet government. He's taken the money, but all Harry find when he goes into Latvia is motley bunch of broken-down black marketeers whose orders are to kill him and make it look like the work of the Soviets. And there's Anya, who is sleeping with Leo, trying to seduce Harry, and seems to have an agenda all her own, but in whose interest? If it's all a little confusing, so was the book on which it was based, but there's enough striking visual material, courtesy of cinematographer Billy Williams, and engrossing performances (and a wry sensibility), courtesy of director Ken Russell and screenwriter John McGrath, that the leaps in plot, logic, and setting don't matter that much, and it is great fun. ~ Bruce Eder, All Movie Guide
The billion-dollar super-computer of the title, built by Midwinter, runs a network of spies and assassins aimed at the destruction of the Soviet Union. That interests Palmer's old friend, Soviet security chief Colonel Stok (Oskar Homolka, in an almost movie-stealing performance), very much, and he, too, wants to know what Palmer knows. And then there's Leo, who has taken millions from Midwinter, supposedly to establish a secret underground in Latvia, waiting for the signal to rise up against the Soviets occupying their country that will spread across the Baltics and beyond and bring down the Soviet government. He's taken the money, but all Harry find when he goes into Latvia is motley bunch of broken-down black marketeers whose orders are to kill him and make it look like the work of the Soviets. And there's Anya, who is sleeping with Leo, trying to seduce Harry, and seems to have an agenda all her own, but in whose interest? If it's all a little confusing, so was the book on which it was based, but there's enough striking visual material, courtesy of cinematographer Billy Williams, and engrossing performances (and a wry sensibility), courtesy of director Ken Russell and screenwriter John McGrath, that the leaps in plot, logic, and setting don't matter that much, and it is great fun. ~ Bruce Eder, All Movie Guide
- Starring:
- Michael Caine, Karl Malden, (more)
That Summer of White Roses is a World War II drama about a lifeguard at a Yugoslavian summer resort who falls in love with a woman who fights against the country's Nazi occupation. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Tom Conti, Susan George, (more)
Based on the novel by Marion Meade, this costume drama retelling of the doomed 12th century romance of Abelard and Heloise was directed by Clive Donner. Abelard (Derek de Lint) is a philosophy professor at the cathedral school of Notre Dame. Considered the greatest teacher in Paris at a time when professors of philosophy are required to be chaste, Abelard is a champion of reason and a man of the people. Despite what it could mean to his career and standing, however, Abelard falls in love with a student, Heloise (Kim Thomson), an upper class teenage girl raised in a convent and possessing an insatiably curious intellect, along with a rebellious attitude toward the second-class status of women in her society. When word of the relationship begins to filter out, Heloise's ambitious uncle Fulbert (Denholm Elliott), who had hoped to marry her off to a wealthy gentlemen, schemes to end the romance, as does the bishop of Paris (Bernard Hepton). ~ Karl Williams, All Movie Guide
- Starring:
- Derek de Lint, Kim Thomson, (more)
No relation to the 1987 film of the same name, 1983's Summer Heat is an R-rated "con on the run" affair. Bruce Davidson plays a starry-eyed young shepherd who manages to get himself a stiff jail sentence. With the help of girl friend Susan George, Davidson makes his escape. Hot in pursuit of the fugitive is surly lawkeeper Anthony Franciosa. While the sex scenes in Summer Heat don't show much, they are suggestive enough to earn the film its restrictive rating. ~ Hal Erickson, All Movie Guide
Based on a novel by James Hardiman, this routine haunted-house scenario is enhanced a bit by its lush Eastern setting. The story opens in an elaborate Kyoto abode, wherein a cuckolded samurai brutally murders his wife and her lover before committing ritual seppuku. Their restless spirits remain trapped in the house until the present, where the story continues with an American couple (Edward Albert and Susan George), the house's newest owners, whose minds soon begin to fall under the ghosts' powerful psychic influence. After the arrival of a family friend, visiting diplomat Doug McClure, a curious re-enactment of the original tragedy unfolds, and even the intervention of a Buddhist monk (Henry Mitowa) fails to dispel the evil. The filmmakers seem more concerned with the sex than horror, as indicated by frequent nudity (particularly from George) and numerous sweaty clinches, paying short shrift to the great potential offered by the Asian setting -- an aspect only hinted at in the Buddhist exorcism scenes. ~ Cavett Binion, All Movie Guide
- Starring:
- Edward Albert, Susan George, (more)



















