Susan George Movies

Following three decades spent as a self-described "economic hit man," best-selling author and popular lecturer John Perkins takes on the topic of globalization in this informative and enlightening speech. A man who has once bestowed with the responsibility of developing economic forecasts for major U.S. engineering firms so that they could receive funding from the International Monetary Fund and the World, Bank, Perkins' work often guided the destinies of developing countries, and frequently caused massive social upheaval and political strife. Given Perkins' high profile work in such disparate locales as the Middle East, Africa, Asia, Latin America, and North America, few speakers are more qualified to address the topic of globalization. ~ Jason Buchanan, All Movie Guide

Based on the novel by Marion Meade, this costume drama retelling of the doomed 12th century romance of Abelard and Heloise was directed by Clive Donner. Abelard (Derek de Lint) is a philosophy professor at the cathedral school of Notre Dame. Considered the greatest teacher in Paris at a time when professors of philosophy are required to be chaste, Abelard is a champion of reason and a man of the people. Despite what it could mean to his career and standing, however, Abelard falls in love with a student, Heloise (Kim Thomson), an upper class teenage girl raised in a convent and possessing an insatiably curious intellect, along with a rebellious attitude toward the second-class status of women in her society. When word of the relationship begins to filter out, Heloise's ambitious uncle Fulbert (Denholm Elliott), who had hoped to marry her off to a wealthy gentlemen, schemes to end the romance, as does the bishop of Paris (Bernard Hepton). ~ Karl Williams, All Movie Guide

This spy film purports to be inspired by the true story of Kim Philby (1912-1988), a British intelligence officer and Soviet spy during the 1940s and '50s who gained international notoriety when he blew his cover and defected to the USSR in 1963. But this fictional, unsophisticated, if not naive docudrama portrays a world of espionage in a cross between Nancy Drew and Sam Spade, and Philby's real story is buried in the process. The film opens with British double agent Philip Kimberly (Michael Caine) undergoing complete plastic surgery by order of his Soviet bosses, while his death is announced in the world press. With a different name and face, Kimberly -- now Kuzminsky -- is sent back to England in the guise of a Soviet citizen to retrieve a secret list of names he supposedly hid several years ago. Kusminsky/Kimberly defects at the British passport control, and later escapes his British guards -- leading to a manhunt by both British and Soviet agents. His chief nemesis is Admiral Scaith (Laurence Olivier) and the man he assigns to the case, Jaime Fraser (Robert Powell) -- who just happens to be living with Kimberly's daughter. ~ Eleanor Mannikka, All Movie Guide

In the conclusion of a two-part story, guest star Joel Grey has agreed to headline the musical play starring Alice (Linda Lavin) and bankrolled by Mel (Vic Tayback). But Grey ankles the project when Mel transforms the show from a sophisiticated Manhattan revue to a desert "folk opera", repleted with a line of cowboy-clad chorines and such deathless tunes as "Ramona from Arizona" (this is Alice's big solo, much to her dismay). As indicated by the episode's title, Joel Grey WILL save the day...but not until the very, very last minute! ~ Hal Erickson, All Movie Guide

A big black mamba snake that has gotten loose in a townhouse slithers through a kidnapping plot in this film. Based on a novel by Alan Scholefield, Venom features a big name British cast that seems to be slumming in a B-movie project. Dr. Marion Stowe (Sarah Miles) is a toxicologist who has brought the snake to London to study the properties of its deadly venom. It escapes and terrorizes the inhabitants of the townhouse, where an attempted kidnapping is in progress. Dave (Oliver Reed), Jacmel (Klaus Kinski) and Louise (Susan George) are the villains trying to hold the son of a wealthy family for ransom. Original director Tobe Hooper was replaced by Piers Haggard. ~ Michael Betzold, All Movie Guide

The Final Eye began life as the pilot for a futuristic TV series. Joe Cortese stars as Mike Stringer, who in the year 1996 is the last private eye left on earth. Stringer is hired by Lisa Korter (Susan George), the daughter of a mysterious financier (Liam Sullivan). Twenty years earlier, the financier had created Eden Isle, a posh resort. Something very odd has been going on at Eden Isle of late, as indicated by the fact that the financier doesn't look a day younger than he did when he opened the place in 1975. Digging a bit too deep, Stringer discovers an insidious conspiracy linked to a master computer. Filmed in 1977, The Final Eye was shelved until August 1, 1982, when it was finally telecast under the new title Computercide. ~ Hal Erickson, All Movie Guide

This police melodrama is set in a coastal resort where a young man becomes insanely jealous after learning that his girl has been with another. He takes her hostage in the town hotel and threatens to kill her. Now a hot-tempered police chief and his peace-loving lieutenant must somehow team-up to resolve the situation. ~ Sandra Brennan, All Movie Guide

Mission: Monte Carlo is a "movie" comprised of two episodes from the 1971 British/US TV series The Persuaders - which accounts for the presence of Basil Dearden, who died that year. The only element that the two hour-long episodes truly have in common is their setting: Southern France's Cote D'Azur. The discovery of an exotic dancer's corpse leads playboy secret agents Danny Wilde (Tony Curtis) and Lord Brett Sinclair (Roger Moore) on a merry chase after a gang of stock swindlers. This storyline is expanded with scenes from a second Riviera-based Persuaders installment, written by Val Guest, wherein Wilde and Sinclair pursue a contingent of gold smugglers. The guest stars appearing in this jerry-built feature film include Annette Andre, Susan George, and Alfred Marks. ~ Hal Erickson, All Movie Guide

Richard Fleischer directed this lurid historical drama based on the novel by Kyle Onstott. The story begins on a run-down plantation lorded over by Warren Maxwell (James Mason) and his son Hammond (Perry King). Hammond travels to New Orleans where he buys a top-of-the-line slave, Mede (Ken Norton), at an auction. Hammond is proud of his purchase, hoping to bring in money by training Mede to fight his other slaves. Hammond returns with Mede to the plantation, where he has to contend with his sex-crazed wife Blanche (Susan George). Hammond looks upon Blanche as damaged goods since he discovered her to not be a virgin on their wedding night. Instead, Hammond prefers erotic pursuits with his slave Ellen (Brenda Sykes). Blanche licks her lips at the sight of Mede, and seduces him to get revenge on her husband. Blanche soon becomes pregnant and gives birth to a half-black baby. Enraged, Hammond comes after Blanche, poisons her, and then the child bleed to death before going after Mede. ~ Paul Brenner, All Movie Guide

This made-for-TV musical adaptation of the oft-filmed Robert Louis Stevenson tale is a curious novelty -- not only because it predated the Tony award-nominated Jekyll & Hyde: The Musical by nearly 25 years, but also because the musical numbers (by Lionel Bart and Irwin Kostal) are tackled by some of the least likely musical performers in movie history. Viewers will scarcely have the opportunity to recover from Kirk Douglas' opening number before having their senses assaulted by a capering, cackling Donald Pleasence belting out strains of "Smudge's Song," and the equally questionable vocal talents of Susan George. These aberrations aside, this is a noticeably threadbare, stage-bound production filmed entirely on a soundstage (whose walls are evident in several shots), giving the proceedings a dark, two-dimensional feel. The rugged-looking Douglas, though miscast as the tender, love-struck Jekyll, manages a clever turn as the doctor's leering alter ego, and there are some interesting twists added to Stevenson's story, particularly at the climax. ~ Cavett Binion, All Movie Guide