Ed Asner Movies

Raised in the only Jewish family in his neighborhood, American actor Ed Asner grew up having to defend himself both vocally and physically. A born competitor, he played championship football in high school and organized a top-notch basketball team which toured most of liberated Europe. Asner's performing career got its start while he was announcing for his high school radio station; moving to Chicago in the '50s, the actor was briefly a member of the Playwrights Theatre Club until he went to New York to try his luck on Broadway.

Asner starred for several years in the off-Broadway production Threepenny Opera, and, toward the end of the '50s, picked up an occasional check as a film actor for industrial short subjects and TV appearances. Between 1960 and 1965, he established himself as one of television's most reliable villains; thanks to his resemblance to certain Soviet politicians, the actor was particularly busy during the spy-show boom of the mid-'60s. He also showed up briefly as a regular on the New York-filmed dramatic series Slattery's People. And though his film roles became larger, it was in a relatively minor part as a cop in Elvis Presley's Change of Habit (1969) that Asner first worked with Mary Tyler Moore. In 1970, over Moore's initial hesitation (she wasn't certain he was funny enough), Asner was cast as Lou Grant, the irascible head of the WJM newsroom on The Mary Tyler Moore Show. The popular series ran for seven seasons, during which time the actor received three Emmy awards. His new stardom allowed Asner a wider variety of select roles, including a continuing villainous appearance on the miniseries Roots -- which earned him another Emmy.

When Moore ceased production in 1977, Asner took his Lou Grant character into an hour-long dramatic weekly about a Los Angeles newspaper. The show's title, of course, was Lou Grant, and its marked liberal stance seemed, to some viewers, to be an extension of Asner's real-life viewpoint. While Lou Grant was in production, Asner was twice elected head of the Screen Actors Guild, a position that he frequently utilized as a forum for his political opinions -- notably his opposition to U.S. involvement in Central America. When Asner suggested that each guild member contribute toward opposing the country's foreign policy, he clashed head to head with Charlton Heston, who wrested Asner's office from him in a highly publicized power play. Although no tangible proof has ever been offered, it was Asner's belief that CBS canceled Lou Grant in 1982 because of his politics and not dwindling ratings. The actor continued to prosper professionally after Lou Grant, however, and, during the remainder of the '80s and into the '90s, starred in several TV movies, had guest and recurring roles in a wide variety of both TV dramas and comedies, and headlining two regular series, Off the Rack and The Bronx Zoo. Slowed but hardly halted by health problems in the '90s, Asner managed to find time to appear in the weekly sitcoms Hearts Afire and Thunder Alley -- atypically cast in the latter show as an ineffective grouch who was easily brow-beaten by his daughter and grandchildren. ~ Hal Erickson, All Movie Guide
1983  
 
A Case of Libel was adapted from the 1953 Broadway play by Henry Denker. The story was inspired by the real-life courtroom battle between journalists Quentin Reynolds and Westbrook Pegler. Gordon Pinsent plays a liberal news correspondent who has performed heroically in World War II. Nonetheless, he is characterized as a drunkard and a Communist sympathizer by ultraconservative columnist Daniel J. Travanti. With the help of brilliant attorney Edward Asner (based on the actual case's Louis Nizer), Pinsent brings a libel suit against Travanti. The climax, in which Travanti is tripped up by his own contradictory writings, was in reality based on a small portion of the Reynolds/Pegler litigation, but it provides a satisfactory "sauce for the goose" third act. A Case of Libel had previously been adapted for television in 1969, with Jose Ferrer and Arthur Hill in the cast. The later version premiered October 17, 1983 on the Showtime Cable service. ~ Hal Erickson, All Movie Guide

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1982  
 
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This ghostly made-for-television romance tells the story of a struggling widower who finds that life becomes easier once his beloved comes back from the grave to assist him. ~ Sandra Brennan, All Movie Guide

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Starring:
Ed AsnerMariette Hartley, (more)
1981  
R  
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Paul Newman stars as an essentially decent cop patrolling that decimated, drug-and-gang-ridden borough known on the city maps as the Bronx, but known to its denizens as "Fort Apache". While Newman tries to hold on to his basic humanity and to treat even the sorriest of the people on his beat with dignity, he can't do much to convince his superiors that blind brutality is not the answer to social blight. When he witnesses fellow-cop Danny Aiello cold-bloodedly murdering a crime suspect, Newman is advised to sweep the whole incident under the rug. He refuses to do so, and as a result becomes "persona non grata" to his former friends on the force. Ed Asner co-stars as the beleaguered captain who has given up trying to treat his job as anything but a necessary evil, while Rachel Ticotin is Newman's love interest. ~ Hal Erickson, All Movie Guide

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Starring:
Paul NewmanEd Asner, (more)
1981  
 
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When the story of the real-life Marva Collins was nationally telecast on 60 Minutes in 1979, residents of Chicago had been intimately familiar with the accomplishments of Ms. Collins for at least four years. After 14 years of teaching in Chicago's dead-end public school system, Marva used $5000 of her retirement money to open her own school. In 1975 she established Westside Preparatory School--in her own West Side home, with a student body of six. There was no nonsense and no frills in Collins' school; she utilized pragmatism and common sense in her efforts to teach the six "incorrigibles" she'd inherited from Chicago's antediluvian school system. The Marva Collins Story traces Westside Prep's first year, during which, despite opposition from the teaching establishment and from her students' own parents, Ms. Collins managed not only to teach her kids to read, write and reason, but also to gain an appreciation for such literary giants as Chaucer and Shakespeare. To bolster her students' self-confidence, Marva had them stand up and give oral presentations of what they'd learned. While her technique was considered controversial (especially among those bleeding hearts who felt that students should never be forced to think), Marva Collins's school survived its first year; by the time this 1981 TV-movie was made, she was teaching 200 ghetto students in a sophisticated building complex. Narrated by Edward Asner and starring Cicely Tyson in the title role, the all-but-flawless Marva Collins Story was originally telecast as a Hallmark Hall of Fame special. ~ Hal Erickson, All Movie Guide

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1981  
 
A policeman masquerades as a homeless alcoholic and teams up with a bag lady, who is really a college professor, to bring a drug lord's assassin to justice in this memorable made-for-television drama. Along the way, the two disparate partners find themselves falling in love. The story is based upon Richard Barth's novel The Rag Bag Clan. ~ Sandra Brennan, All Movie Guide

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1979  
 
A middle-aged husband must choose between his wife and family, and the younger woman he is having an affair with in the made-for-TV movie. ~ Sandra Brennan, All Movie Guide

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1978  
 
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Jack O'Brien directed this 1978 televised production of Neil Simon's The Good Doctor. Adapted by Simon from a collection of stories by Russian author and playwright Anton Chekhov, the play features several characters all portrayed by the same six actors. The performers are Edward Asner, Bob Dishy, Gary Dontzig, Lee Grant, Marsha Mason, and Richard Chamberlain, who portrays Chekhov himself. ~ Matthew Tobey, All Movie Guide

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Starring:
Richard ChamberlainMarsha Mason, (more)
1977  
 
The Gathering stars Ed Asner as an ill-tempered executive who long ago walked out on his family. Just before Christmas, Asner is told that he has only a few weeks to live. He confides this information to his estranged wife Maureen Stapleton, who suggests that he call his four adult children (Gail Strickland, Gregory Harrison, Rebecca Balding, Lawrence Pressman) together for one last reunion. He agrees on the proviso that they not be told of his imminent death. Of the four offspring, Asner is most trepidatious about seeing Harrison, who was virtually disowned when he moved to Canada during the Vietnam War. But The Gathering is a Christmas movie, and does its best to stay heartwarming. Made for TV and first shown December 4, 1977, The Gathering was the pilot for a potential series--(presumably one without Ed Asner, unless his character suddenly experienced a miracle cure). ~ Hal Erickson, All Movie Guide

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1977  
 
Set in Depression-era Louisiana, this is the story of Huey P. Long's rise to Governor and United States Senator. In a career rife with controversy and scandal, this movie focuses on the last three years of his life. ~ Tana Hobart, All Movie Guide

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1976  
 
More ambitious and expensive than ABC's first "novel for television" miniseries QB VII, the eight-episode, 12-hour Rich Man, Poor Man was the one that truly put the genre on the map, its phenomenal success in the ratings making possible the even more spectacular Roots. Adapted from the mammoth novel by Irwin Shaw, the miniseries covers the years from WWII to the 1960s, detailing the vacillating fortunes of the immigrant Jordache brothers. "Rich Man" Rudy Jordache (Peter Strauss) is determined to use his hard-earned education -- and his inherent ruthlessness -- to carve out a business and political empire not unlike that enjoyed by Joseph P. Kennedy and his progeny. "Poor Man" Tom Jordache (Nick Nolte), a quick-fisted hothead, goes an entirely different route, first as a professional boxer, then as a functionary of the evil gangster chieftain Falconetti (William Smith). Naturally, both brothers become entangled in romance along the way, with Julie Prescott (Susan Blakely) ending up as Rudy's benighted spouse. Originally telecast on February 1, 2, 9, 16, 23, and March 1, 8, and 15 in 1976, Rich Man, Poor Man earned 20 Emmy nominations and led to a weekly sequel, Rich Man, Poor Man -- Book 2, in the fall of 1976 (this version necessitated a title change for the original, which was rebroadcast as Rich Man, Poor Man -- Book 1 in the spring of 1977). ~ Hal Erickson, All Movie Guide

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Starring:
Peter StraussNick Nolte, (more)
1976  
 
The life and times of demagogic Louisiana governor Huey Long has been fictionalized by two Hollywood films, All The King's Men (1949) and A Lion is in the Streets (1953). Made for television, The Life and Assassination of the Kingfish endeavors to tell the true story, with few names changed. Played by Edward Asner, Long rises to the top of state politics on such placebo-like programs as "Every Man a King" and "Share the Wealth." He remains an enigma to friends and enemies both: He cheats and lies his way to power even while providing such important benefits to Louisiana as a strong school system and network of highways; he plays the buffoon in public while behaving like a fascist dictator on the floor of the legislature; and so on. In 1935, Long, on the verge of running for president, is shot down by an old enemy. Director Robert Collins begins his script at this point, with Long's career related in flashback as he hovers between life and death in a hospital bed. Life and Assassination of the Kingfish was first aired March 21, 1977; eighteen years later, another Huey Long biopic, Kingfish, was presented on the TNT cable service, with John Goodman as Long. ~ Hal Erickson, All Movie Guide

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1976  
G  
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In this Disney film, Hank Cooper (Ed Asner) the owner of a losing professional football team, recruits Gus, a Yugoslavian soccer player, to his team. Even though Gus is a mule, he figures the animal can be taught to make field-goal kicks. Despite the outrage of his team, and sabotage efforts by Crankcase, Spinner and Gwymm (Tim Conway, Tom Bosley and Harold Gould), Gus the Mule kicks his team all the way to a championship. ~ Clarke Fountain, All Movie Guide

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Starring:
Ed AsnerDon Knotts, (more)
1976  
 
While The Mary Tyler Moore Show no longer enjoyed Top 20 ratings as the series entered its seventh season, CBS hoped that the show would last forever as the linchpin of its Saturday-night lineup. However, series star Mary Tyler Moore (cast as Mary Richards, newscast producer at Minneapolis TV station WJM) had already decided to emulate the example set by her previous sitcom, The Dick Van Dyke Show: quit while the applause and laughter are still ringing in your ears, rather than hang around until nobody is left in the room. Thus, season seven of The Mary Tyler Moore Show was predestined to be season last. Even so, the series' final batch of episodes uphold the lofty standards of previous seasons, as indicated by the fact that Mary Tyler Moore earned its third Outstanding Comedy Series Emmy award in a row at the 1976-1977 ceremonies. Things get off to a grand start with "Mary Midwife," in which Georgette Baxter (Georgia Engel), the pregnant wife of WJM-TV's vainglorious anchorman, Ted Baxter (Ted Knight), goes into labor right in the middle of one of Mary Richards' infamous dinner parties. Subsequent episodes of note include "Sue Ann's Sister," in which WJM's "Happy Homemaker" Sue Ann Nivens (Betty White) suffers a bad case of sibling rivalry when her sister -- and professional competitor -- Lila (Pat Priest) comes to town; and "Sue Ann Gets the Ax," wherein Sue Ann accepts a humiliating supporting role on a TV kiddie show when her own series is canceled. Also worth noting are "Ted's Change of Heart," in which Ted undergoes an epiphany after suffering a heart attack while on the air; "Lou Proposes," featuring another lively appearance by Eileen Heckart as Mary's globetrotting journalist aunt Flo Meredith; "Mary's Insomnia," combining slapstick with melodrama as Mary inadvertently becomes addicted to sleeping pills; "The Critic," guest-starring Eric Braeden as a waspish arts critic who is given a gooey comeuppance by an unwitting Ted; "Hail the Conquering Gordy," marking a return appearance by John Amos in the role of former WJM weatherman Gordy Howard; "Mary's Big Party," in which Johnny Carson makes a guest appearance -- we think; and the series' only fantasy episode, "Mary's Three Husbands." The Mary Tyler Moore Show neatly wraps things up after seven seasons with the now-classic series finale, in which the new manager of WJM-TV fires everyone on the staff -- except, amazingly, Ted Baxter! (It's a long way to Tipperary....) ~ Hal Erickson, All Movie Guide

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Starring:
Mary Tyler MooreEd Asner, (more)
1975  
 
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The 1975 TV movie Death Scream is based on the shameful Kitty Genovese affair of 1964, in which a N.Y.C. woman was stabbed to death while 38 witnesses locked their windows and doors and pretended not to hear. Raul Julia stars as the detective who investigates the murder and stirs up the guilt feelings of those who refused to help. The film casts celebrity actors in the roles of the witnesses (Diahann Carroll, Cloris Leachman, Lucie Arnaz, Nancy Walker, Art Carney, et al.). ~ Hal Erickson, All Movie Guide

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1975  
 
Hey, I'm Alive is the true story of Ralph Flores and Helen Klaben. In 1963, pilot Flores and passenger Klaben survived a plane crash in the snowy hills of the Yukon. For 49 days, the two survivors endeavored to find food and warmth, to attract the attention of low-flying planes, and to preserve their sanity. When found, Flores and Klaben were frostbitten and dangerously close to starvation--but alert and alive. Ed Asner and Sally Struthers star in this made-for-TV film; they were directed by Lawrence Schiller, who as a Life magazine photographer covered the real-life rescue. Hey, I'm Alive first aired November 7, 1975. ~ Hal Erickson, All Movie Guide

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1975  
 
Add The Mary Tyler Moore Show: Season 06 to Queue
If for no other reason, the sixth season of The Mary Tyler Moore would be memorable for the Emmy-winning episode "Chuckles Bites the Dust," which has been listed in innumerable media publications as one of the funniest sitcom episodes of all time. Just in case you need remembering, this is the half hour in which Chuckles the Clown, resident kiddie host at Minneapolis station WJM-TV is killed in a freak accident during a circus parade -- seems he was dressed as a giant peanut, and a rogue elephant tried to "shell" him. As her co-workers Lou Grant (Edward Asner), Murray Slaughter (Gavin MacLeod), and Ted Baxter (Ted Knight) compensate for their loss by making hilarious bad-taste jokes about Chuckles' demise, the outraged Mary Richards (Mary Tyler Moore) insists that they behave themselves and treat the occasion with the dignity and sobriety it deserves -- only to dissolve in laughter herself during the minister's eulogy at Chuckles' funeral ("A little song, a little dance, a little seltzer down your pants"). Not that this was the only season-six highlight. The opening episode, "Edie Gets Married," finds Lou Grant trying to bear up as a guest at his ex-wife's wedding; "Mary Moves Out" introduces Mary's new high-rise apartment, a move dictated by the departure of her former landlady Phyllis Lindstrom (Cloris Leachman had, of course, left the series to star in her own spin-off, Phyllis); "Murray in Love" poses a crisis of conscience for the very married Murray when it dawns upon him that he's fallen in love with Mary; "Mary's Aunt" introduces Eileen Heckart in the role of wordly journalist Flo Meredith, who finds an apt sparring partner in the form of the envious Lou; "Ted's Wedding," in which Ted finally ties the knot with his long-suffering fiancée, Georgette (Georgia Engel), with a pre-Three's Company John Ritter as the minister who performs the ceremony (in tennis clothes!); "The Happy Homemaker Takes Lou Home," wherein we finally see the erotically furnished "bachelorette apartment" of TV household-hint hostess Sue Ann Nivens (Betty White); "The Seminar," featuring an unforgettable cameo appearance by then-first lady Betty Ford; and "Ted and the Kid," distinguished by the first appearance of Robbie Rist as Ted and Georgette's adopted son, David. Also, Ted Bessel appears in a handful of episodes as Joe Warner, whom the series' producers were obviously hoping to develop as Mary's permanent boyfriend. Although it had dipped to number 19 in the ratings, The Mary Tyler Moore Show remained an audience favorite during its sixth season, and also won its second Outstanding Comedy Series Emmy award in the bargain. ~ Hal Erickson, All Movie Guide

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Starring:
Mary Tyler MooreEd Asner, (more)
1975  
 
In this pilot film for a never-sold weekly series, Paul Hecht stars as Joe Tyler, a former Army intelligence officer turned private investigator. For a tidy fee of 5,000 dollars, Tyler agrees to impersonate a businessman who has been slated for assassination. Unearthing a vast conspiracy to defraud a land-development firm, the hero may well get blown to bits before he can make his findings public. Clearly, the planned series was to have Paul Hecht pose as a different person each week, with similar explosive results. The Impostor was broadcast by NBC on March 18, 1975. ~ Hal Erickson, All Movie Guide

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1975  
 
A pre-Starsky and Hutch Paul Michael Glaser plays a mysterious drifter in The Impersonation Murder Case. A wealthy man has been murdered, and Glaser is the prime suspect. Evidence suggests that Glaser is the dead man's long-lost son-an allegation he hotly denies, and understandably so, since this bit of information could well put a noose around his neck. Detective Ed Ames does his best to separate fact from fancy. Kim Hunter and Arlene Golonka also star in this videotaped 90-minute drama. The Impersonation Murder Case was first telecast April 15, 1975, on the latenight anthology The ABC Wide World of Mystery. ~ Hal Erickson, All Movie Guide

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1974  
 
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Season five of The Mary Tyler Moore Show gets under way with all but one of its familiar regular characters in attendance: Valerie Harper has departed the series in the role of Rhoda Morganstern to star in her own weekly spin-off, Rhoda. However, Harper and Mary Tyler Moore would be reunited in a "crossover" Rhoda episode telecast October 28, 1974, in which Rhoda is married to her boyfriend, Joe Gerard (David Groh). Otherwise, it is business as usual in Minneapolis, as Mary Richards (Mary Tyler Moore) divides her time between her associate-producer duties in the WJM-TV newsroom and her home life in the apartment house owned by flighty Phyllis Lindstrom (Cloris Leachman). Mary's grouchy boss, Lou Grant (Edward Asner), is still adjusting to his recent divorce; newswriter Murray Slaughter (Gavin MacLeod) continues to mask his neuroses with a smile and a wisecrack; the "humanization" of dimwitted, self-centered anchorman Ted Baxter (Ted Knight) carries on under the watchful and loving eye of his fiancée, Georgette Franklin (Georgia Engel); and "Happy Homemaker" Sue Ann Nivens proves tireless in her efforts to sleep with every eligible man within a 50-mile radius.

Season five kicks off with the Emmy-winning "Will Mary Richards Go to Jail," in which wide-eyed Mary finds herself in the slammer with a pair of cynical "working girls" after she refuses to reveal a news source. Subsequent first-rate episodes include "You Sometimes Hurt the One You Hate," with a contrite Lou Grant bending over backward to patch things up with Ted Baxter after tossing him through his office doors over an on-the-air gaffe; "Lou and That Woman," featuring Sheree North as Lou's sometimes girlfriend, lounge singer Charlene Maguire; "The Outsider," guest-starring Richard Masur as WJM's new business consultant, who manages to get on the wrong side of everyone in the newsroom; "A New Sue Ann" (or "All About Eve in Minneapolis"), in which Sue Ann is hoodwinked into hiring a perky young assistant (Linda Kelsey) who is plotting to take over as the Happy Homemaker; "Mary Richards: Producer," Mary's annual blow struck on behalf of feminism; "Marriage Minneapolis Style," in which Ted finally pops the question to Georgette -- then begs his friends to help him break the engagement; and the deathless "Ted Baxter's Famous Broadcasters' School," which surely needs no synopsis. Arguably, the season's most interesting episode is "Phyllis Whips Inflation," which serves a the pilot for Cloris Leachman's own spin-off series, Phyllis. Ranking at number 11 in the 1974-1975 ratings, the fifth season of The Mary Tyler Moore Show was also the first in which the program earned an Emmy award for Outstanding Comedy Series. Also earning Emmys were Betty White as Outstanding Supporting Actress and Cloris Leachman for Outstanding Single Performance. ~ Hal Erickson, All Movie Guide

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Starring:
Mary Tyler MooreEd Asner, (more)

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