Gladys George Movies
The daughter of a British Shakespearean actor, Gladys George was born while her parents' touring stock company was playing an engagement in Patten, Maine. On stage from age three, Gladys toured with her parents in a vaudeville act called The Three Clares. She won her first Broadway role in the 1914 production The Betrothal. Six years later she tried to launch a film career in Red Hot Dollars (1920), but her incipient stardom was halted when she was severely burned in an accident. She went back into stock, returning to Broadway in the early 1930s through the influence of her wealthy second husband Edward H. Fowler. Screen-tested by Paramount in 1934, George was signed by MGM instead; ironically, it was while on loan-out to Paramount that she scored her biggest film hit, 1936's Valiant is the Word for Carrie. For the next several years, George alternated between "weepers" and truculent roles in films: the title role in Madame X (1937), Madame DuBarry in Marie Antoinette (1938), the Texas Guinan counterpart in The Roaring Twenties (1939), and the unfaithful Iva Archer in The Maltese Falcon (1941). She didn't really like Hollywood much, but the money was better than on Broadway. She essayed character parts in her last years in Hollywood, culminating with a good comedy role in It Happens Every Thursday (1953) and a smattering of television. Gladys George's relatively early death may have been the result of a barbiturate overdose, though she'd been suffering from throat cancer for quite some time. ~ Hal Erickson, All Movie Guide- 1920
When machinist Tod Burke (Charles Ray) heroically saves the company's owner, Peter Garton (William Conklin), from being crushed by a falling crane, the grateful old man adopts him. Garton's sister Cornelia (Mollie McConnell) tries to introduce the unrefined young man into society, with the kind of hilarious results expected in a Charles Ray picture. Tod is surprised when his sweetheart, Janet Muir (Gladys George) is not thrilled with his new situation. The reason becomes clear when her grandfather Angus (Charles Mailes) throws him out of their house. Grandpa Muir was once pals with Garton, but because of business conflicts they became enemies. Now Garton's company is destroying Muir's tiny machine shop. Tod and Janet try to save their romance, and Tod finds her a job at Garton's company as a stenographer. But Muir finds out about it, and he becomes even angrier when she is fired because Garton finds her dancing with Tod at work. Finally, the couple lock up the two old men and force them to make up and stay out of their love affair. The multi-faceted Burke is a pleasant standout amongst Charles Ray's usual "country bumpkin" characters. ~ Janiss Garza, All Movie Guide
- 1920
When Mary Moreland (Enid Bennett) discovers that her father (William Conklin) has become infatuated with a Broadway chorus girl, she decides to bring him to his senses. With the help of Billie Fiske (Rowland Lee), an escort she has hired, Mary begins to prowl the Great White Way in an attempt to meet and befriend the chorus girl, Dollie (Dorcas Matthews). She's successful and makes sure she's having a drunken good time at Dollie's apartment just when her father shows up. He thinks his daughter has become a fallen woman, and this straightens him out. Mary also wins the love of her escort for the usual fade-out clinch. This was one of the better collaborations between Bennett and her director husband, Fred Niblo. ~ Janiss Garza, All Movie Guide
- 1921
This so-so light comedy vehicle for Douglas MacLean was based on the Saturday Evening Post story, "Yancona Yillies," by Herschel Hall. Because of a provision in his uncle's will, wealthy Deems Stanwood (MacLean) is forced to go live in the country. He starts liking it there when he meets the fetching Julia Stoneman (Gladys George), and decides to open up a chicken farm next to hers. The trustee for the Stanwood estate makes a few serious mistakes and all of a sudden, Deems finds himself flat broke. His chickens refuse to lay and he has to mortgage his farm to Willie Figg (Raymond Cannon), who is his rival for Julia. Deems' financial situation worsens; he can't pay his bills, much less contribute to any of the local charities. The townsfolk, who still believe he is rich, start to view him with disfavor. Julia, however, discovers the truth and she takes over Deems' mortgage from Figg, who wants to foreclose. Deems finds out about Julia's good deed, and the couple is united. ~ Janiss Garza, All Movie Guide
- Starring:
- Douglas MacLean, Gladys George, (more)
- 1921
Cora and Frank Rodham (Wanda Hawley and Forrest Stanley) are happily married until Frank lands a lucrative position. He doesn't want to see his pretty wife slaving away at domestic chores so he hires servants to do the work for her. As a result, Cora becomes fat and lazy. Frank is very unhappy with his wife's change in attitude and appearance and starts to take an interest in her friend, Lila Drake (Gladys George), who is secretly just as lazy. The couple are on the verge of divorce when Cora turns things around, slims down and wins back her husband. This picture was based on the Saturday Evening Post story, "Sweetie Peach," by Sophie Kerr. ~ Janiss Garza, All Movie Guide
- 1921
Seafarer/novelist Leonard Fayne (Thomas Meighan) takes The Easy Road when he weds wealthy Isabel Grace (Gladys George). Once an ambitious workhorse, Fayne degenerates into a slothful lounge lizard and drunkard. Despairing over his fall from grace, Fayne gets a new lease on life by rescuing suicidal Ella Klotz (Lila Lee) and encouraging her to persevere. When wife Isabel returns from a desultory affair, she finds that her husband is a "new man"--one worthy of her unconditional love. Billed third in The Easy Road is Grace Goodall, who spent the rest of her career playing society dowagers in two-reel comedies. ~ Hal Erickson, All Movie Guide
- Starring:
- Thomas Meighan, Gladys George, (more)
- 1934
Based on John Golden's stage play Four Walls, MGM's Straight is the Way offers the monumentally miscast Franchot Tone as tough ex-convict Benny Horowitz, who announces his plans to go straight. This warms the heart of Benny's Jewish mama (May Robson), but his ex-moll Shirley (Gladys George) is unable to join in the happiness, since she is now the mistress of Italian gang boss Monk (Jack LaRue). Despite his efforts to stay out of trouble, Benny is required to bump off Monk before he can lead a clean life. Meanwhile, nominal heroine Bertha (Karen Morley), Benny's stepsister, pines away of unrequited love. The original Four Walls had starred Paul Muni, who was certainly better suited to the ethnicity of the piece than the markedly WASPish Franchot Tone. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, May Robson, (more)
- 1936
Gladys George, a superlative actress often wasted in secondary roles, carries her starring assignment in Valiant is the Word for Carrie with singular brilliance. George plays the town trollop, who for the love of two orphaned children sets up a successful dry-cleaning business. Her past comes back to haunt her, but she perseveres, giving up all thoughts of personal happiness to provide a decent upbringing for her adopted family. A real four-hanky film, Valiant is the Word for Carrie might never have been made if it hadn't been for Mae West. Paramount had signed Gladys George to star in a filmization of her stage hit Personal Appearance, but this property was deflected to Ms. West and retitled Go West, Young Man. As compensation, Gladys George was offered Carrie--and she certainly made the most of this rebound opportunity. ~ Hal Erickson, All Movie Guide
- Starring:
- Gladys George, Arline Judge, (more)
- 1937
Sam Wood directed this fourth version of the Alexandre Bisson weeper, buffed to a high gloss by shimmering M.G.M. production values. Gladys George plays Jacqueline Fleuriot this time around, the wife of a diplomat who has an affair and is compelled to leave her husband and son. After abandoning her family, she sinks into a sea of debauchery, becoming involved in prostitution, blackmail, and eventually murder. After the murder, her son Raymond (John Beal), now a grown man and a famous lawyer, is called upon to defend her. Unaware that the woman he is defending is his long lost mother, Jacqueline tries to hide her past from her successful son. ~ Paul Brenner, All Movie Guide
- Starring:
- Gladys George, John Beal, (more)
- 1937
In this WW II era drama, a timid, pacifistic clerk is befriended by a gutsy circus barker while they are in the military. Tensions arise between the friends after they fall for the same woman. The circus man is captured by the Germans and shortly thereafter, the clerk marries the girl. In time, the clerk finds courage he never knew he had and becomes a legendary hero. The war ends, but by the time, the clerk is returned to civilian life, he has come to like killing others. Unable to adjust, he becomes a gangster, something he conceals from his wife. Years pass and he runs into his old friend the circus barker, who has become the owner of his own circus. By this time the gangster's wife has learned of his profession and she teams up with the ringmaster to help straighten him out. When all else fails, she turns him into the cops. To earn money while he serves his time, the woman joins the other man's circus. It's all innocent, but the gangster, having just busted out of prison, doesn't realize this. ~ Sandra Brennan, All Movie Guide
- Starring:
- Spencer Tracy, Gladys George, (more)
M.G.M.'s opulent costume drama Marie Antoinette marked a return to the screen after a two-year absence for reigning Queen of M.G.M. Norma Shearer. Shearer plays the title role of an Austrian princess who is married off to Louis Auguste (Robert Morley), the Dauphin of France. Marie, by becoming the Dauphine, finds herself plopped smack in the middle of French palace intrigue between Louis's father King Louis XV (John Barrymore) and his scheming cousin, the Duke of Orleans (Joseph Schildkraut). With Louis unable to consummate his marriage to Marie, she takes to holding elaborate parties and gambling her fortune away. In a casino, she meets the handsome Count Axel de Fersen (Tyrone Power) and they have an affair. But when Louis XV dies and Louis becomes King Louis XVI, Fersen takes his leave, telling her that he could carry on an affair with a dauphine but not the Queen of France. Marie vows to be a great queen and remain loyal to her king. But the Duke of Orleans is plotting against Louis XVI, financing the revolutionary radicals. When the monarchy is overthrown, Louis and Marie are thrown into prison, awaiting execution. But when word gets back to Fersen, he travels back to France in an attempt to rescue Marie. ~ Paul Brenner, All Movie Guide
- Starring:
- Norma Shearer, Tyrone Power, (more)
- 1938
Love may be a headache, but without it, how would MGM programmers like this one ever have been made? Franchot Tone is cast as Winchellesque radio commentator Peter Lawrence, who becomes the unexpected savior of fading Broadway favorite Carlotta Lee (Gladys George). Suffering from a string of bad plays, Carlotta is vaunted back to public favor when she decides to adopt two orphans (Mickey Rooney and Virginia Weidler), a bit of "heart interest" exploited by the fast-talking Lawrence. Trouble is, Carlotta can't stand children and has only adopted the tykes for publicity purposes. This puts the kibosh on the blossoming romance between the actress and the commentator, and it takes a comic-opera kidnapping plot to set things right. Ted Healy, mentor of the Three Stooges, made one of his last screen appearances in Love is a Headache, which was released several months after Healy's death. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Mickey Rooney, (more)
- 1939
In this comedy, a Missouri mule breeder faces financial ruin after the market collapses. He takes his best mule to a Kansas livestock show where he impresses a representative from the British army. He, his wife, and his best mules then sail to England to sell them. Soon the Missouri couple are living high-on-the-hog amongst the cream of British society. ~ Sandra Brennan, All Movie Guide
- Starring:
- Gladys George, Gene Lockhart, (more)
Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, All Movie Guide
- Starring:
- James Cagney, Humphrey Bogart, (more)
- 1939
In this drama, a miserable wife takes her son and leaves her alcoholic spouse. She ends up traveling to England to begin her new life. There she meets a wealthy Englishman whom she weds. Time passes. The boy grows up and want to return to the States to go to his father's alma mater. Because his father was an athletic hero at the school, he is fondly remembered. The curious boy, hearing all the accolades for his dad, begins looking for him. He finds his estranged father, renews their relationship, and helps his father sober up and begin leading a more productive life. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Greene, Richard Dix, (more)
- 1940
Producer Walter Wanger's House Across the Bay serves as an excellent showcase for Wanger's then-wife Joan Bennett. She is cast as nightclub singer Brenda Bentley, the wife of high-rolling gambler Steve Lawrett (George Raft). When Steve is railroaded into Alcatraz by duplicitous attorney Slant Kolma (Lloyd Nolan), Brenda promises to remain faithful to her husband during his incarceration, even going so far as to purchase an apartment "across the bay" from the island prison so that she can be near him. But while Steve is serving his time, he discovers that Brenda has succumbed to the charms (and innate decency) of handsome Tim Nolan (Walter Pidgeon). Enraged, Steve vows to kill Nolan, staging a daring escape attempt to realize his goal. But will Steve be able to get off "the rock" in one piece, succeeding where so many others have failed? ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Joan Bennett, (more)
- 1940
This is the third film based on a story by Lajos Biro and Jules G. Furthman. The first two were silent films, Cecil B. DeMille's The Whispering Chorus in 1918, and The Way of All Flesh in 1927. In this melodrama, Paul Kriza (Akim Tamiroff), a respectable bank cashier, leaves his wife Anna (Gladys George) and their children to seek greater fortunes in the big city. But instead of making his mark, he makes a mess of his prospects, and he ends up destitute. Ashamed to face his family, he remains in the city, and is presumed to be dead. ~ Michael Betzold, All Movie Guide
- Starring:
- Akim Tamiroff, Gladys George, (more)
- 1940
A Child is Born is a remake of 1932's Life Begins, softened to conform to stricter movie censorship and lengthened to qualify as an "A" picture. The film is an episodic account of one particularly busy night in a maternity hospital. A generous portion of screen time is lavished on a gangster's moll (Geraldine Fitzgerald), about to give birth to her illegitimate baby. The young woman dies in childbirth, but other subplots end more happily. Even at 79 minutes, A Child is Born seems more padded and protracted than its 1932 predecessor--notably in a contrived sequence wherein the only surgeon qualified to perform a delicate operation is blinded in an accident. ~ Hal Erickson, All Movie Guide
- Starring:
- Geraldine Fitzgerald, Jeffrey Lynn, (more)
After two previous film versions of Dashiell Hammett's detective classic The Maltese Falcon, Warner Bros. finally got it right in 1941--or, rather, John Huston, a long-established screenwriter making his directorial debut, got it right, simply by adhering as closely as possible to the original. Taking over from a recalcitrant George Raft, Humphrey Bogart achieved true stardom as Sam Spade, a hard-boiled San Francisco private eye who can be as unscrupulous as the next guy but also adheres to his own personal code of honor. Into the offices of the Spade & Archer detective agency sweeps a Miss Wonderly (Mary Astor), who offers a large retainer to Sam and his partner Miles Archer (Jerome Cowan) if they'll protect her from someone named Floyd Thursby. The detectives believe neither Miss Wonderly nor her story, but they believe her money. Since Archer saw her first, he takes the case -- and later that evening he is shot to death, as is the mysterious Thursby. Miss Wonderly's real name turns out to be Brigid O'Shaughnessey, and, as the story continues, Sam is also introduced to the effeminate Joel Cairo (Peter Lorre) and the fat, erudite Kasper Gutman (Sydney Greenstreet, in his film debut). It turns out that Brigid, Cairo and Gutman are all international scoundrels, all involved in the search for a foot-high, jewel-encrusted statuette in the shape of a falcon. Though both Cairo and Gutman offer Spade small fortunes to find the "black bird," they are obviously willing to commit mayhem and murder towards that goal: Gutman, for example, drugs Spade and allows his "gunsel" Wilmer (Elisha Cook Jr.) to kick and beat the unconscious detective. This classic film noir detective yarn gets better with each viewing, which is more than can be said for the first two Maltese Falcons and the ill-advised 1975 "sequel" The Black Bird. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Mary Astor, (more)
- 1941
In this western, a schoolteacher battles for women's rights in mid 19th century Wyoming. ~ Sandra Brennan, All Movie Guide
- Starring:
- Loretta Young, Robert Preston, (more)
- 1941
German director Joe May was light-years removed from his glory days at UFA when he helmed the "Little Tough Guys" entry Hit the Road. This time, the youthful protagonists-Tom (Billy Halop), Pig (Huntz Hall), String (Gabe Dell) and Ape (Bernard Punsley)-are all the orphaned sons of gangsters who'd been murdered by mob boss Spike (Edward Pawley). "Graduating" from reform school, the boys show every sign of follwing in their parents' footseps, so they're paroled in the custody of kindhearted reformed gangster Jimmy Ryan (Barton MacLaine). Taking the kids to his cattle farm, Ryan gives them more than enough chores and responsiblities to keep them out of trouble, and before long the boys have cleaned up their act-but not without a bit of strong-arm persuasion from Ryan's tough-talking wife Molly (Gladys George). When Spike and his mob try to steal the $50,000 which the Ryans have saved to build a Boys' Town-like school for wayward youths, the Little Tough Guys rally to the defense of their benefactors, throwing punches and wisecracks with reckless abandon. The most pleasant aspect of Hit the Road is the presence of charming leading lady Evelyn Ankers (who later recalled having to fend off the amorous advances of teenaged Huntz Hall by deploying a well-aimed knee!); the least pleasant is the lachrymose performance of child actor Bobs Watson, who never spoke when crying would do. ~ Hal Erickson, All Movie Guide
- Starring:
- Gladys George, Barton MacLane, (more)
- 1942
In this dark drama an iron-willed older sister forcibly thrusts her only modestly talented younger sister into a Broadway career. She does this to desperately try to keep her little sis from falling into the same small-town trap of marriage to a dull working-stiff and endless hours of taking care of babies and household drudgery. The bigger sister gets her chance when two handsome vaudevillians come to town. Seeing that one of the fellows eyes her younger sibling, the elder connives to get the two together. The scheme works and the smitten performer dumps his long-time partner in exchange for a career with his new love. That might have been hunky dory, but the ambitious big sister wants more for her sister and convinces her to become a solo act. So upset is the jilted partner that he commits suicide. Still the big sister refuses to stop pushing until finally the younger girl gets fed up and rebels in a bitter confrontation that only results in more tragedy. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ida Lupino, Dennis Morgan, (more)
- 1943
Overloaded with unreleased films in 1942 and 1943, Paramount Pictures cleaned house by diverting several pictures to United Artists. One such effort was The Crystal Ball, wherein beauty contest loser Toni Gerard (Paulette Goddard) takes a job as a sideshow fortune teller. Subbing for the ailing head (Gladys George) of a fake medium racket, Toni whimsically advises attorney Brad Cavanaugh (Ray Milland) to purchase some property that is coveted by the government. Cavanaugh follows her advice, nearly ruining himself in the process. All turns out okay in the end, but there's a last-minute entanglement when several of Toni's disgruntled clients converge upon her all at once. Strictly second-rate, The Crystal Ball is salvaged by the work of such surehanded supporting players as William Bendix, Cecil Kellaway, Mary Field, Ernest Truex, Iris Adrian, Nestor Paiva and Mabel Paige (in her film debut). ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, Ray Milland, (more)
- 1943
In this musical, the teenage daughter of a popular movie star tires of being ignored by her separated parents and decides to make it as a star on her own. She does. Songs include: "It Had to Be You," "Blow, Gabriel, Blow," "I'm Always Chasing Rainbows," "On the Sunny Side of the Street," "Row, Row, Row Your Boat." ~ Sandra Brennan, All Movie Guide
- 1944
Don't be fooled by the title. Christmas Holiday is a far, far cry from It's a Wonderful Life. Told in flashback, the story begins as Jackie (Deanna Durbin), marries Southern aristocrat Robert Monette (Gene Kelly). Unfortunately, Robert has inherited his family's streak of violence and instability and soon drags Jackie into a life of misery. When her husband commits murder, Jackie is compelled by Robert's equally degenerate mother (Gale Sondergaard) to cover up the crime. When Robert is arrested, Jackie, tormented by the love she still holds for her husband, runs away from the family home, changing her name and securing work as a singer in a New Orleans dive. Robert escapes from prison and makes his way to Jackie's dressing room. Holding a reporter hostage, he threatens to kill both Jackie and the waylaid sailor who has been listening to her story. An astonishing change of pace from Deanna Durbin's usual lightweight musical fare, Christmas Holiday (based, believe it or not, on a story by W. Somerset Maugham) is one of the bleakest film noirs of the 1940s. Durbin is merely adequate in her role, but Gene Kelly gives a disturbingly convincing portrayal as a man virtually devoured by his inner demons. Robert Siodmak directs with his usual flair, using a taut, suspenseful screenplay by Herman J. Mankiewicz. ~ Hal Erickson, All Movie Guide
- Starring:
- Deanna Durbin, Gene Kelly, (more)
- 1944
Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights. ~ Hal Erickson, All Movie Guide
- Starring:
- Benny Fields, Gladys George, (more)
