Toby Jones

Monster House director Gil Kenan takes the helm for this children's fantasy about two young heroes who attempt to solve an ancient mystery in time to prevent their underground city from being swallowed by darkness. The City of Ember was built over 200 year ago, deep below the Earth, where the destruction of a mass-scale disaster couldn't reach it. Equipped with a massive generator and vast supplies, the people of Ember have thrived happily for generations -- but the city wasn't meant to be lived in forever. The generator is breaking down and the supplies are running out, but two centuries in isolation have robbed the Emberites of their knowledge - nobody knows how the electric lights work anymore, and nobody understands that there's something beyond the city besides darkness. Nobody, that is, besides Lina (Saoirse Ronan) and Doon (Harry Treadaway), two teenagers who still have the hope that everyone else has lost to ignorance and apathy -- not to mention a sheet of instructions left by the Builders themselves explaining how to leave the city. But the 200 year old paper is falling apart, and pieces are missing. So with the lights threatening to flicker for the last time and leave Ember in darkness forever, Lina and Doon set out on an adventure through the streets, sewers, and dark caverns of Ember to put the pieces back together. To solve the mystery, they'll have to get inside the Builders' heads, and avoid the grasp of corrupt Mayor Cole (Bill Murray), who wants to keep Ember the way it is - no matter what the cost. ~ Jason Buchanan, All Movie Guide

Josh Brolin stars as George W. Bush in this Oliver Stone biopic that traces the head of state's rise to power from a privileged alcoholic to a born-again Christian whose belief in religious destiny helped move him to the top ranks of political power. Co-written by Stanley G. Weiser, Bush is produced by fellow Stone collaborators Moritz Borman and Jon Kilik, with Elizabeth Banks co-starring as the first lady, James Cromwell as the elder President Bush, Ellen Burstyn as Barbara Bush and Richard Dreyfuss as Vice President Dick Cheney. ~ Jeremy Wheeler, All Movie Guide

The uniformed but rebellious students of a distinguished all-girls school get an unexpected chance to raise a little hell as directors Oliver Parker and Barnaby Thompson set out to revive the characters created by comic artist Ronald Searle and made popular in the British film series that began with 1954's The Belles of St. Trinian's. When their beloved school is threatened with closure should the powers that be fail to raise the proper funds, the girls scheme to steal a priceless painting and use the profits to pull St. Trinian's out of the black. Rupert Everett, Colin Firth, and Mischa Barton star in a mischievous comedy penned by Piers Ashworth and Nick Moorcroft. ~ Jason Buchanan, All Movie Guide

One man's role in the long battle to outlaw slavery in the United Kingdom sets the stage for this historical drama from director Michael Apted. In 1784, 21-year-old William Wilberforce (Ioan Gruffudd) was elected to the British House of Commons, and soon established himself as a politician with a conscience. Several years later, his close friend William Pitt (Benedict Cumberbatch) became prime minister, and together they made a bold plan to introduce a bill banning slavery before the English legislature. Wilberforce was aided by anti-slavery activists Olaudah Equiano (Youssou N'Dour) and Thomas Clarkson (Rufus Sewell); however, pro-slavery hard-liners Lord Tarleton (Ciarán Hinds) and the Duke of Clarence (Toby Jones) spearheaded a hard-fought opposition to the legislation, and despite Wilberforce's best efforts, his bill went down in defeat. In 1797, Wilberforce left politics due to poor health and a battered spirit; staying at the country home of his friends Henry and Marianne Thornton (Nicholas Farrell and Sylvestra Le Touzel), he became acquainted with Barbara Spooner (Romola Garai), a beautiful woman with progressive views. Spooner became deeply infatuated with Wilberforce, and she encouraged him not to give up on his noble goals; with her help, Wilberforce launched a second campaign to persuade England's lawmakers to end the slave trade. Amazing Grace made its North American premiere as the closing-night gala attraction at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

A couple with a broken relationship learns some valuable lessons about love, life, and sacrifice in this romantic drama based on a novel by W. Somerset Maugham. It's 1925, and Dr. Walter Fane (Edward Norton) is a physician and bacteriologist who has become smitten with Kitty (Naomi Watts), the beautiful daughter of a wealthy and socially prominent family. Walter proposes marriage to Kitty and she accepts; however, while he clearly loves her, Kitty is more interested in her reputation than Walter's feelings, as she's recently turned 25, an age by which most of her peers have already wed. Kitty and Walter move to Shanghai, where he sets up a practice and she takes a lover, the British Vice Consul Charles Townsend (Liev Schreiber). When Walter learns of his wife's infidelity, he becomes furious, and impulsively volunteers to travel to China to work in a village stricken with a major cholera epidemic. While Walter's actions are meant to punish Kitty rather than reflect his own benevolence, the daily trials of living in a community in crisis have a striking impact on the couple, giving them a new and deeper perspective on their relationship. The Painted Veil is the third screen adaptation of Maugham's best-selling novel of the same name; a 1934 version starred Greta Garbo and Herbert Marshall, while Eleanor Parker and Bill Travers played the leads in a 1957 remake titled The Seventh Sin. ~ Mark Deming, All Movie Guide

A London artist in search of inspiration takes a pretty young prostitute as his muse, only to find himself torn between virtue and vice as he forms a dangerous obsession with his disreputable subject. William Hogarth (Roby Jones) was drifting through London's seedy districts when he wandered into a Covent Garden brothel and met the beguiling Mary Collins (Zoe Tapper). It isn't long before Mary becomes William's muse, and his quest for integrity leads him down a darkened path. Basking in Mary's besmirched beauty, William creates a series of paintings known as "A Harlot's Progress" that brings him precisely the kind of fame, wealth, and respectability that he has always craved. ~ Jason Buchanan, All Movie Guide

A recently widowed eccentric with money to burn and no intentions of settling down enlists the aide of a showbiz professional to transform a run-down theater in Soho into London's most innovative entertainment hot spot in director Stephen Frears' cinematic account of the groundbreaking Windmill Theater. The year is 1937 and, despite having recently lost her husband, 69-year-old Laura Henderson (Judy Dench) remains as ambitious and vital as ever. Aghast at her friend Lady Conway's (Thelma Barlow) suggestion that she take up a mundane hobby such as diamond collecting to pass the time, Mrs. Henderson instead shocks her well-to-do social circle by purchasing the ramshackle Windmill Theater in the heart of downtown Soho. Unafraid to take a risk in the venture, yet lacking the experience needed to run the theater, Mrs. Henderson brings in showbiz veteran Vivian Van Damm (Bob Hoskins) to line up an opening act that will set the stage ablaze. When the ever-curious Mrs. Henderson's intrusive spying begins to impede on Mr. Van Damm's creative progress, the frustrated theater manager has her banished from rehearsals. Though Van Damm's innovative idea to stage an unending stream of entertainment dubbed "Revudeville" proves a wild and profitable success, the Windmill begins to suffer when other local theaters quickly follow suit. Now faced with the prospect of seeing her once-lucrative endeavor fall by the wayside due to the unoriginality of the copycats who surround her, Mrs. Henderson decides to show audiences something they've never seen before by making the Windmill the first theater to feature nude female entertainers live on-stage. ~ Jason Buchanan, All Movie Guide

Youthful wizard Harry Potter returns to the screen in this, the second film adaptation of J.K. Rowling's wildly popular series of novels for young people. Harry Potter (Daniel Radcliffe) and his friends Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson) return for a second year at Hogwarts School of Witchcraft and Wizardry, where Headmaster Dumbledore (Richard Harris), Professor Snape (Alan Rickman), Professor McGonagall (Maggie Smith), and Hagrid the Giant (Robbie Coltrane) are joined by new faculty members Gilderoy Lockhart (Kenneth Branagh), a self-centered expert in Defense against the Dark Arts, and Sprout (Miriam Margolyes), who teaches Herbology. However, it isn't long before Harry and company discover something is amiss at Hogwarts: Students are petrified like statues, threats are written in blood on the walls, and a deadly monster is on the loose. It seems that someone has opened the mysterious Chamber of Secrets, letting loose the monster and all its calamitous powers. As Harry, Ron, and Hermione set out to find the secret chamber and slay the beast, speculation is rife that one of the heirs of Salazar Slytherin, the co-founder of the school, opened the chamber as a warning against the presence of "mudbloods" (magic-users of impure lineage) at the school -- and that the culprit may be fellow student Draco Malfoy (Tom Felton). Harry Potter and the Chamber of Secrets featured Richard Harris' second and final appearance as Headmaster Dumbledore; he died less than a month before the film was released in the United States. ~ Mark Deming, All Movie Guide

While 18-year-old Victoria (Victoria Hamilton) struggles to escape the rule of her domineering mother (Penelope Wilton), King William IV dies and the teenager assumes the throne as Queen of Great Britain and Ireland and empress of India. With the help of sympathetic advisers and her lady-in-waiting, Baroness Lehzen (Diana Rigg), Victoria asserts herself, relocating her mother's living quarters and dismissing her mother's overbearing supporter, Sir John Conroy (Patrick Malahide). She then reluctantly agrees to invite her first cousin, Albert (Jonathan Firth), prince-consort of Saxe-Coburg-Gotha, Germany, to the royal household as a possible match for her. Remembering him from childhood, she thinks him a bore. But when grown-up Albert arrives, Victoria falls madly in love with him. After they marry, Victoria must counter troublemaking political schemers on the one hand while attempting to assuage a disenchanted Albert on the other. The problem is that he has nothing to do. He is merely an ornament, albeit a cherished one. He cannot even command a servant to clean a fireplace. However, when the administration of the queen's friend and adviser Prime Minister Melbourne (Nigel Hawthorne) collapses, Albert becomes Victoria's partner in government as well as in marriage. In time, she realizes that her husband is really a co-ruler: "A king," she says, "in everything but name." Together, they reign over their empire -- and their brood of nine children. It is Albert's task to supervise the country's Great Exhibition of 1851 to promote British pride, commerce, and industry. But his untiring efforts to make the exhibit a success take their toll on him, and he falls ill. However, he tenaciously clings to life -- and Victoria -- and lives another decade before typhoid fever claims him in 1862, leaving behind a distraught Victoria and a monarchy he helped rescue. ~ Mike Cummings, All Movie Guide

In the 15th century, France is mired in the 100 Years War when a humble voice appears, claiming to have been instructed by the Lord to lead the French army into battle and defend their land against the British. The voice belongs to Jeanne d'Aragon, a teenage girl from a tiny village, and, to the surprise of many, her story does not fall on deaf ears. Wearing the armor of a soldier, the girl known as Joan of Arc leads the French troops in what she believes is a holy battle. Joan would soon be tried for heresy for her actions, but history would vindicate her with sainthood. The Messenger: The Story of Joan of Arc stars Milla Jovovich as Joan of Arc, Faye Dunaway as Yolande d'Aragon, and Dustin Hoffman as The Grand Inquisitor. Directed by Luc Besson, The Messenger was originally titled Joan of Arc but added the prefix to avoid confusion with the 1999 TV movie of the same name, which starred Leelee Sobieski. ~ Mark Deming, All Movie Guide

Director of award-winning short films Ben Hopkins embarked on this ambitious feature project with Robert Jones, the producer of The Usual Suspects. The screenplay is inspired by Central European folklore, spaghetti Westerns and industrial history. But the film, which runs like a fable, has its roots in folktales rather than history. It is the end of the 19th century and progress has arrived in Silesia. Travelers do not stop at the town anymore because the railway track is laid past the small settlement. Incomes have dropped, and so has the number of inhabitants. Noah Taylor plays Simon, a 'holy fool' of sorts, persecuted by fellow villagers who hold him responsible for everything from the failure of the crops to the milk going sour. Simon, who resembles a scarecrow, lives in a hut outside the village. He earns his living emptying the sewers, existing on dry bread and the occasional herring or pickle given by the wife of a rabbi. He knows how to entertain the village children with his magic tricks and devilish masks. At the same time, he feels he actually is pursued by the devil, which makes him do all kinds of evil things, only increasing his isolation. There is also the poor but good-looking Jew, Dovid, who keeps proposing to the beautiful widow Leah, who rejects him. Dovid devises a plan to build the village economy, and in the process gain her affection. He pays a visit to the eccentric poet esquire and agrees to a business deal which entails the esquire allowing a new railway station to be built on his property in return for Dovid reading his newly published anthology. Unfortunately, Hase Sean McGinley, a wealthy Christian merchant with more money and little respect for the Jewish villagers, is also interested in the railway project. Simon Magus is the story of a village caught between two worlds -- the new industrial order and the old, rural world of tradition and superstition. The camera work of Nic Knowland is outstanding, as is the confident performance by Noah Taylor, the teenage David Helfgott of Shine. The rest of the cast is quite international as well -- Irishman Stuart Townsend as Dovid, the merchant; South African-born Embeth Davidtz as Leah, the widow and Dutch star Rutger Hauer cast against type as the gentle poet squire. Various subplots, however, often carry the story in directions which distracts audience attention. Simon Magus competed at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide

Twelfth century warrior-turned-monk Brother Cadfael (Derek Jacobi) tackles another murder mystery in the 90-minute drama "The Sanctuary Sparrow." A prominent goldsmith is robbed and murdered during his son's wedding. Accused of the crime, traveling juggler Walter (Roy Barraclough) takes refuge in Shrewbury Abbey. Believing in the juggler's innocence, Cadfael uses his scientific know-how to scrutinize the clues at hand -- and comes to the unpleasant conclusion that the actual murderer is someone he knows all too well. Adapted by Russell Lewis from the novel by Ellis Peters, "The Sanctuary Sparrow" aired in England on June 5, 1994, then ran in the U.S. as part of the PBS anthology Mystery. ~ Hal Erickson, All Movie Guide