Brett Morgen Movies

This history of the Rolling Stones features archival footage of the British rock-and-roll giant's 1960s performances, interviews with the group's members, and clips of other documentaries about the band, including Gimme Shelter (1970) and Shine a Light (2008). ~ Joe Friedrich, Rovi

After twenty years spent literally waiting in the wings, perpetual off-Broadway understudy Ann (Andrea Powell) has reached the end of her emotional tether. If her professional existence is headed down the fast track to nowhere, her private life teeters on the verge of destruction, given her decision to nurture an ill-fated marital engagement to thesp Guy (Jonathan Marc Sherman). Ann's current stage work posits her as an understudy to diva-hopeful K.C. (Melissa Leo of Henry Jaglom's Always), and the former spends most of her days in the green room, killing time with understudies Shelly (Richard Vetere) and Russell (Zack Griffiths). The production takes an unusual and unanticipated twist, however, when Russell is thrown into the production to replace one of the actors, and must perform a scene that requires him to simulate the rape of K.C.'s character. The confused K.C. simultaneously believes she's falling in love with Russell, and believes that he is actually sexually abusing her during the sequence; the combined effect rips her apart emotionally and ultimately requires Ann to replace her in the production - which moves Ann's multilayered relationship with Russell center stage. Debra Eisenstadt (Daydream) directs, and co-authored the original screenplay with Jill Eisenstadt. ~ Nathan Southern, Rovi

Robert Evans' rise from second-string actor (who really was discovered while lounging by the pool at the Beverly Hills Hotel) to head of one of Hollywood's biggest movie studios is told from the viewpoint of Evans himself in this documentary, adapted from his autobiography (and featuring Evans' own narration). In 1957, Evans had already achieved success in the garment business when actress Norma Shearer spotting him at poolside and suggested he should play her late husband, legendary producer Irving Thalberg, in the movie Man of a Thousand Faces. While Evans knew he wasn't cut out to be an actor, he discovered he liked the movie business, and after becoming a film industry executive, Evans was named head of production at Paramount in the late '60s. Under Evans' leadership, Paramount produced such classics as Rosemary's Baby, Love Story, and The Godfather. He also married actress Ali McGraw; however, McGraw left Evans for Steve McQueen after they starred together in The Getaway. After leaving Paramount to become a producer (and racking up hits like Chinatown and Marathon Man), Evans' golden touch began to elude him; an arrest for drugs seemed to put an end to his career, until he made a comeback as a freelance producer in the 1990s on such films as Sliver and The Saint. Part of the narration for The Kid Stays in the Picture was drawn from the book-on-tape version of Robert Evans' autobiography of the same name, which featured Evans reading his own work; the audio book has developed a cult following of its own, and legend has it Dustin Hoffman based his performance in Wag The Dog on Evans' reading style on the tape. ~ Mark Deming, Rovi