Daniel Gélin Movies

Returning to films after a six-year absence, French director Raymond Bernard called the shots on Un Ami Viendra Ce Soir (A Friend Will Come Tonight). Michel Simon heads the cast of this pulse-pounding WWII resistance film, set surprisingly in an insane asylum. In truth, the establishment is but a front for anti-Nazi underground activities; after all, who would suspect a group of lunatics? Some of the scenes in which the French patriots feign insanity to throw the Nazis off the track may seem a bit ludicrous to American viewers, but director Bernard makes up for these off-kilter moments with a thrilling finale. Un Ami Viendra ce Soir works on a pure-entertainment level, but it isn't nearly as good as La Bataille du Rails, Rene Clement's definitive French Underground drama. ~ Hal Erickson, All Movie Guide

An exercise in style, La Ronde was one of the few films of the 1950s to contain overtly sexual themes. The story is a series of character vignettes, set in Vienna in the early 1900s and held together by a narrator (Anton Walbrook). As the title implies, both the story and the film's visual motifs are circular. Director Max Ophuls uses an old-fashioned merry-go-round to foreshadow the film's events, in which each segment introduces a new character, who has an affair with a character from the previous scene. The film demands that the audience pay attention to the structure, to the interplay among the characters, and to the opulent visual elements; and the effect is synergistic delight, in which the viewer is engaged both visually and intellectually. Because it was filmed in black-and-white, La Ronde does not have the garish look of some of Ophuls' other films, notably Lola Montès. La Ronde is among the few foreign language films to receive multiple Oscar nominations, for Black & White Art Direction and Best Adapted Screenplay. ~ Richard Gilliam, All Movie Guide

French filmmaker Jacques Becker's Edouard et Caroline has been described as a film without a story. This isn't quite true, though the most memorable aspect of the film is the byplay between the two title characters. Edouard (Daniel Gelin) is a young, headstrong musician. Caroline (Anne Vernon) is his flibbertigibbet spouse. The two quarrel over an evening dress, they separate and then reunite. These farcical proceedings are counterpointed by Becker's naturalistic choice of settings, including Eduoard and Caroline's less-than-fashionable apartment and the prison-like confines of Caroline's uncle's mansion. ~ Hal Erickson, All Movie Guide

Les Main Sales is based on the Jean-Paul Sartre play of the same name. The hero, Hugo Barine (Daniel Gelin), is a dedicated communist. Hugo suffers a crisis of conscience when he is ordered to assassinate his Marxist mentor Hoederer (Pierre Brasseur) at the behest of a more radical Red faction. It turns out that Hoederer is even more idealistic than Hugo, thoroughly understanding the "necessity" of his elimination in the scheme of things. At least, that's what seems to be happening; with Jean-Paul Sartre involved, one can never be entirely certain who's doing what to whom and why. Whatever the case, poor Hugo eventually learns to his dismay that most so-called revolutionaries are more concerned with power than proselytizing. ~ Hal Erickson, All Movie Guide

Newly married Daniel Gelin spends most of Adorable Creatures reflecting longingly on his previous amours. One of his past conquests was unhappy housewife Danielle Darrieux. Another was insatiable widow Edwige Feuillere. And yet another was avaricious Martine Carol (then married to director Christian-Jacque). Originally released in France in 1952, Adorable Creatures didn't get theatrical play in the US in 1956, and then only in a heavily bowdlerized addition. ~ Hal Erickson, All Movie Guide

La Minute de Verite (The Moment of Truth) stars Jean Gabin as happily married French physician Pierre. Upon treating a would-be suicide, Pierre finds out that his patient was once the lover of the doctor's wife Madeleine (Michele Morgan). Confronting his wife with this information, Pierre is compelled to trace back the history of his 10-year marriage to find out what went wrong. Director Jean Delannoy combines some very perceptive views of the human condition with moments of unexpected shock and sensationalism. Otherwise, La Minute de Verite is more straightforward and less laden with symbolism than earlier Delannoy works. ~ Hal Erickson, All Movie Guide

La Voca del Silenzio (Voice of Silence) was the only Italian production of fabled German director G. W. Pabst. Based on a concept by neorealism specialist Cesar Zavattini (fleshed out by a team of =12= prominent writers, including Pabst himself and Jean Cocteau), the film follows a small group of very troubled men during a three-day spiritual sojourn. One is a politician, laden with guilt over his comportment during WW II. The second is a war veteran whose wife has "grown away" from him. The third is a writer of detective novels whose works might have inspired a real-life killing. The fourth is a thief who has come to the spiritual retreat to avoid capture. And the fifth is a candle merchant whose livelihood is threatened by modern technology. One of the few concessions to popular taste is a striptease sequence involving Rosanna Podesta. In keeping with the film's title, few words are spoken in La Voca del Silenzio; in this respect, the film is an intriguing throwback to Pabst's classic silent films. ~ Hal Erickson, All Movie Guide