Ellen Geer Movies

Timothy Bottoms stars as the real-life John Baker in the made-for-TV A Shining Season. A champion University of New Mexico track athlete, the 25-year-old Baker is only momentarily halted when he is diagnosed with terminal cancer. His efforts to coach a losing girls' track team in his last months proves an inspiration for the sports world in general, and for a similarly doomed child in particular. Adapted by William Harrison from the book by William Buchanan, this film was first telecast the day after Christmas, 1979. ~ Hal Erickson, Rovi

Consumed by grief when his father is felled by a heart attack, 11-year-old Obie (Ricky Busker) runs away from his white, upper-class surroundings. He ends up in a particularly dismal Chicago ghetto neighborhood where, after enduring a beating administered by gang members, he is befriended by streetwise black youth Jeremy "Scam" Henderson (Darius McCrary). The two become partners in crime, leading to a deadly situation involving a pair of professional hit men. Just when it seems things can't get any worse, they do. Robert Prosky co-stars as a slimy pawnbroker. ~ Hal Erickson, Rovi

An octogenarian woman, living in squalor surrounded by cats, is found stabbed to death in her decaying house. Grissom (Gil Gerard) and Catherine (Marg Helgenberger) have quite an aromatic time investigating this particular homicide. Meanwhile, two other CSI members, Nick (George Eads) and Sara (Jorja Fox), examine the evidence in a car bombing that may have been pulled off to cover up an earlier killing. ~ Hal Erickson, Rovi

This romantic, melancholy twist on the Frankenstein formula stars Peter O'Toole as Professor Harry Wolper, a lonely eccentric who has dedicated decades of research to cloning his long-dead wife Lucy from a culture of living tissue. To this end, he enlists the services of likeable Graduate assistant Boris (Vincent Spano), who is initially baffled by the professor's endless rants about God, Science and "The Big Picture." After Wolper posts bills seeking a human egg donor, his wish is granted by the vivacious young Meli (Mariel Hemingway), in whom the professor soon discovers a more willing convert to his grand design... and perhaps a love more immediate and real than the one he lost. Boris eventually manages to come around to "The Big Picture" himself when Wolper points him in the direction of another graduate, Barbara (Virginia Madsen). Despite opting for a platonic relationship to better determine if they are ideally matched, Boris and Barbara soon fall deeply in love, realizing that they are soul-mates as the professor had predicted. Tragedy strikes, however, when a brain hemorrhage renders Barbara comatose, and Wolper's nemesis Dr. Sid Kuhlenbeck (David Ogden Stiers) persuades the university to shut down Harry's private cloning laboratory. Meli forces Wolper to choose between her love and his misplaced longing for his dead wife... and his answer is suddenly made clear when he witnesses Boris's heartfelt determination to bring his own true love back to the land of the living. Written by Jeremy Leven (based on his own novel), this is a flawed but engaging comedy which proves that a well-written story can incorporate traditional science fiction elements as more than a mere plot device and actually enhance the humanity of the characters. ~ Cavett Binion, Rovi

Considering how seldom she appeared on TV in the 1980s, Donna Reed could have picked a better vehicle than Deadly Lessons. Ms. Reed is cast as the headmistress of an exclusive all-girl's prep school. Like the title suggests, the school is being terrorized by a mysterious murderer. Only by discerning the killer's modus operandi can the Good Guys (or Good Girls) unmask the miscreant. Halfway down the cast list is Nancy Cartwright, better known as the voice of Bart Simpson. Deadly Lessons premiered March 7, 1983. ~ Hal Erickson, Rovi

Based on a novel by Alvah Bessie, this accomplished film by his son Dan Bessie handles the love affair between a pilot's widow (Ellen Geer) and a maintenance man (J.E. Freeman) who at first seem mismatched. In the end, they share an affection that does not waiver in the face of tragedy. Although the names and events have been changed, the story is basically about the director's mother and his stepfather. In this fictional rendering of their love for each other, the two marry, but the husband is soon charged with murder and faces a heavy-handed court trial. Novelist Alvah Bessie was himself blacklisted during the McCarthy era. ~ Eleanor Mannikka, Rovi

Heart Like a Wheel stars Bonnie Bedelia as real-life racing champion Shirley "Cha Cha" Muldowney. Overcoming sexist hurdles, Shirley works hard to qualify for the major auto race competitions of America. Firmly in her cheering section is her dad (Hoyt Axton), and--at least at first--her husband, mechanic Jack Muldowney (Leo Rossi). When Jack, jealous of Shirley's success, leaves her, she casts her lot with troublesome banned racer Connie Kalita (Beau Bridges). The film comes to a head at the 1966 National Hot Rod Association World Championship, which Shirley eventually wins three times. ~ Hal Erickson, Rovi

A lonely young coffee shop barista and aspiring musician meets the man of her dreams, only to discover that he's engaged to the woman of her nightmares in director Chris Hutson's quirky romantic comedy. June is a violinist whose long hours spent practicing belies a deep-rooted desire to find the perfect mate. When June discovers that just such a man exists, and in her very same apartment building, no less, the prospect of discovering true love on her doorstep just seems too good to be true. Unfortunately for June it is too good to be true, and after falling for a man who seems determined to marry the wrong girl, June determines not to let love get the best of her. ~ Jason Buchanan, Rovi

This 2-hour revival of the old David Carradine TV series was originally titled simply Kung Fu. Set in the west of the late 19th century, the film stars Carradine as Caine, the mystical Chinese-American priest who wanders the countryside seeking spiritual fulfillment-and occasionally busting a few bad-guy heads. Stopping over in a small town, Caine learns that an opium ring holds the townsfolk in thrall. Before the sun sets, Caine is engaged in a fierce martial-arts duel with a mysterious young man (played by Brandon Lee, son of Bruce). It comes as quite a jolt to Caine when he learns that his opponent is his own flesh and blood. Though Kung Fu: The Movie, originally telecast February 1, 1986, did not immediately result in a series, David Carradine would star in an updated version of the property, Kung Fu: The Legend Continues, in 1992. ~ Hal Erickson, Rovi

A young man learns something about making his fantasies into reality from an older man who has already been there in this coming-of-age drama. Cameron (Michael Angarano) is a teenage film buff living in Los Angeles who dreams of making movies himself someday, an ambition that doesn't impress his parents very much. Cameron doesn't have many friends beyond fellow outcast Murphy (Joshua Boyd), and wealthy and popular classmate Brett (Taber Schroeder) takes great pleasure in making Cameron's life miserable. A major film school in L.A. has announced a competition for young filmmakers, but while Cameron has talent and ideas, Brett has the money to buy film stock and rent equipment, and Cameron wonders if he stands any chance at all. One evening, while attending a screening of Orson Welles' Touch of Evil at a revival theater, Cameron sees an elderly man who shouts at the screen about his old pal Orson. Cameron is thus introduced to Flash Madden (Christopher Plummer), who worked as a lighting man during the Golden Age of Hollywood and really did work with some of the most respected names in the business, including Welles. While cranky Flash doesn't much care for Cameron at first, in time he sees a kindred spirit in the movie-mad teenager, and offers his technical know-how and sources of equipment to the would-be director. Flash also introduces Cameron to Mickey Hopkins (M. Emmet Walsh), a former screenwriter who helped script a number of silver-screen classics but is now living in a shabby old folks' home, and in Hopkins, Cameron finds the inspiration for just the sort of movie he wants to make. ~ Mark Deming, Rovi

A middle-aged housewife, bored and frustrated with her life, endeavors to find herself and renew her happiness in this drama. To relieve the ennui, she has tried several techniques, including mate swapping, but nothing works. She then takes to making daily visits to a hotel room where she finds peace, and also hopes to make her husband jealous. ~ Sandra Brennan, Rovi

Another "based on an actual event!" TV movie, Murder Between Friends is set in 1980s New Orleans. Two friends become involved in murder when the wife of one of them begins cheating on her spouse. Constructed along the lines of "Rashomon", the script offers two entirely different accounts of the homicide and the events leading up to it. Timothy Busfield heads the cast as the hardworking prosecutor who wants to cut through the bull. When first telecast on January 10, 1994, Murder Between Friends was accompanied by a "viewer discretion" disclaimer; smart move. ~ Hal Erickson, Rovi

The Skid Row derelicts that occupy most of the screen time in this uneven drama about the effects of alcohol addiction do nothing to gain an audience's sympathy. Sam (Donald Moffat) has kicked his habit and picked himself up out of the gutter only to find that no avenues are open to take him away from the gutter. Then he learns that his friend C.G. (Ralph Waite, also the director) is in trouble. As one sequence of aimless, drunken behavior follows another and the audience is regaled by C.G.'s commentaries delivered in an alcoholic stupor, it is hard to understand why Sam is teetering on the brink of sloshing around in this world again. ~ Eleanor Mannikka, Rovi