Michael Vincente Gazzo Movies

A Hatful of Rain, based on the stage play by Michael V. Gazzo, is the story of a drug addict's debilitating effect on his family. Don Murray has managed to keep his addiction secret from his pregnant wife Eva Marie Saint and his boorish father Lloyd Nolan, but Murray's brother Anthony Franciosa knows the truth. Murray hits up Franciosa for money to support his habit, but even this is not enough as the addiction deepens and Murray finds himself beholden to a vicious pusher (Henry Silva). Murray is unable to cope with his private hell until he confesses to his wife and father that he's a junkie and needs help. Considered the last word in realism in 1957, A Hatful of Rain seems slightly antiquated in the light of the drug-abuse excesses of the 1990s. ~ Hal Erickson, All Movie Guide

Alice sees an episode of 60 Minutes about a famous mobster who dropped out of sight three decades ago. Shortly thereafter, an oldster named Gino (Michael V. Gazzo) makes another of his regular drop-ins at the diner. Taking a closer look at the elderly Gino than she ever has before, Alice is convinced that the old man and the missing mobster are one and the same. This episode was originally slated to air on October 30, 1977. ~ Hal Erickson, All Movie Guide

For his follow-up to 1979's Academy Award-winning Norma Rae, director Martin Ritt re-teams with that film's star, Sally Field, for this gritty romantic road comedy. Reportedly Ritt's homage to Frank Capra's films of the 1930s, Back Roads stars Field as Amy Post, a no-nonsense prostitute in the deep South struggling with the fact that she gave up her only child for adoption. When Amy first encounters the recently unemployed Elmore Pratt (Tommy Lee Jones), she is anything but fond of the drifter. But after taking to the road together with dreams of California, the two societal misfits find themselves falling for each other. Ritt and Field would team together once again four years later in another romantic comedy set in the South, Murphy's Romance. ~ Matthew Tobey, All Movie Guide

Robin Strand stars as a female narcotics cop transferred to an all-male police squad assigned to patrol the California beaches. Strand's assignment ends almost before it begins when she is targeted for assassination by the Mob. First telecast April 30, 1979, Beach Patrol was supposed to have been the first episode of a weekly series. It wasn't. ~ Hal Erickson, All Movie Guide

Bruce Dern is ideally cast as Lander, a crazed Vietnam veteran, in Black Sunday. Lander joins terrorists Dahlia (Marthe Keller) and Fasil (Bekim Fehmu) in a plot to create a bloodbath at the annual Super Bowl. Piloting the ubiquitous Goodyear blimp, Lander is to ram the aircraft into the capacity Orange Bowl crowd, then fire thousands of poisoned darts into the fleeing spectators. Israeli military officer Kabakov (Robert Shaw) struggles to thwart Lander's plan before it comes to fruition. ~ Hal Erickson, All Movie Guide

A medical student decides to enter the world of boxing and dives into a life of superficial values and corruption in this remake of the 1947 classic. ~ Kristie Hassen, All Movie Guide

In this crime drama, two dogged FBI agents are on the case to investigate one of the U.S.'s most infamous bank robberies. ~ Sandra Brennan, All Movie Guide

Directed by Susan Seidelman and written by Alice Arlen and Nora Ephron, Cookie comes across as an inconsequential piece of fluff, bolstered by a quirky performance by Emily Lloyd. Lloyd is Cookie Capisco, the daughter of mobster Dino Capisco (Peter Falk), who has just finished thirteen years in prison. Dino wants to get out of jail, settle some old scores, and make up for lost time with his daughter. His illegitimate daughter, that is -- since Cookie's mother, Lenore (Dianne Wiest), has been Dino's longtime mistress. Dino's actual wife Bunny (Brenda Vaccaro) has, he thinks, been kept in the dark about Dino's mistress and his daughter. Dino decides that the best way to get to know Cookie is to hire her as his chauffeur. With her ears attuned to the conspiracies floating around Dino, she quickly discovers that her father's old crony, Carmine (Michael V. Gazzo), has been swindling him and that Dino's life is in jeopardy. ~ Paul Brenner, All Movie Guide

To paraphrase 1930s wit Wilson Mizner, Fear City is like a trip through a sewer in a glass-bottom boat. In exploitation-flick fashion, the film exposes the seedy "nether world" of contemporary Manhattan. Unsavory Matt (Tom Berenger) and Nick (Jack Scalia) run a topless bar/booking agency, in direct competition with equally scuzzy Goldstein (Jan Murray). It's hard to imagine anyone lower than these low-lives until we're apprised of a serial killer who dutifully keeps a record of his murders in a diary. The killer's victims are all exotic dancers and hookers, prompting Matt to suspect that Goldstein is behind the crimes, and vice versa. Once they've decided that it's better to unite against a common enemy than to throw volleys at each other, Matt and Goldstein arrange between themselves to insure the safety of the women in their employ. Meanwhile, Matt's ex-girlfriend Loretta (Melanie Griffith), saddened by the murder of her lesbian lover Leila (Rae Dawn Chong), resumes her drug habit, while a dispirited Matt begins harking back to his own sordid past. The one redeeming aspect of Fear City is the ultimate triumph over the odds by Loretta, who by process of elimination emerges as the most likeable character in the bunch. For a film of this nature, Fear City boasts an unexpectedly strong cast, including the aforementioned actors and Billy Dee Williams, Rosanno Brazzi, Joe Santos and Michael V. Gazzo. ~ Hal Erickson, All Movie Guide

With that title, the content of Gangsters should be no surprise. A major metropolitan city is in the clutches of a powerful mob. Officials are bribed, police bought off, witnesses sent to the bottom of the river. Can nothing stop this scourge? Yes: the dreaded "Special Squad", a team of well-armed, highly-trained vigilantes. Crime flick veterans Michael Gazzo and Nai Bonet are joined by some new faces in this gore parade. ~ Hal Erickson, All Movie Guide

Elvis Presley delivers one of his finest early performances in King Creole. Elvis plays a teenager named Danny Fisher, who is forced to drop out of school to help support his ineffective father (Dean Jagger). Drawn to trouble like a magnet, Danny is saved from a jail term by New Orleans salloonkeeper Charlie Le Grand (Paul Stewart), who gives the boy a job as a singer. It isn't long, however, before local gang boss Maxie Fields (Walter Matthau), a shadowy figure from Danny's criminal past, puts the muscle on the boy, insisting that Danny sing at his establishment. To lure Danny to his side of the fence, Maxie relies upon the seductive charms of his gun moll Ronnie (Carolyn Jones), while Danny's true love Nellie (Dolores Hart) suffers on the sidelines. In addition to the expected musical numbers (which are cleverly integrated into the storyline), the film's highlight is a brief exchange of fisticuffs between Elvis and Walter Matthau. Together with Jailhouse Rock, King Creole is one of the best filmed examples of the untamed, pre-army Elvis Presley. The picture was adapted from Harold Robbins' novel A Stone for Danny Fisher. ~ Hal Erickson, All Movie Guide

Season Three of Kojak begins with the first episode of a two-part story (originally seen as a single two-hour offering), in which NYPD lieutenant Theo Kojak (Telly Savalas) is out to get the goods on a mob-controlled loan racket. The hoods specialize in killing those who can't pay up, meaning that the witness list is sparse indeed. Kojak's one hope in busting the racket lies with an imprisoned fence, who just may be angry enough to turn on the loan shark who framed him. By contemporary standards, this episode boasts an all-star guest cast: Eli Wallach, Jerry Orbach, F. Murray Abraham and Charles Kimbrough are among the New York-based actors appearing in key supporting roles. ~ Hal Erickson, All Movie Guide

Arnold Schwarzenegger appears as a pumped-up Shakespearian hero while an announcer bellows, "Something is rotten in Denmark -- and Hamlet is taking out the trash!" This gag sets the stage for the post-modernist action epic The Last Action Hero. The film concerns Danny Madigan (Austin O'Brien), a lonely eleven-year-old boy who escapes from his bleak New York City reality by glorying in the action adventure movies of his favorite film character, Jack Slater (Arnold Schwarzenegger). Danny's friend is an elderly movie projectionist, Nick (Robert Prosky), who lets Danny into the shabby Times Square movie theater where he works so Danny can see Slater's new movie. He hands Danny a magic ticket given to him years ago by Houdini, and when Nick rips the ticket and gives Danny the stub, Danny finds himself catapulted from the theater into the back seat of Slater's speeding sports car in "Jack Slater IV." Danny becomes Slater's helper as Jack battles a trio of nefarious bad guys --Benedict (Charles Dance), Vivaldi (Anthony Quinn) and The Ripper (Tom Noonan). But things get out of hand when Benedict steals Danny's magic ticket stub and transports himself into Danny's reality. Benedict and The Ripper proceed to wreak havoc along Broadway, forcing Slater to cross into reality to get the villains and, in the process, learn about blood and pain. ~ Paul Brenner, All Movie Guide