Pablo Vega Movies

Helmer Santiago Tabernero's coming-of-ager Life in Color (AKA Vida y Color, 2005) paints an enduring, vivid portrait of life in a Spanish village in the late summer of 1975 - at a juncture when color televisions were on the verge of appearing in middle-class homes, and the lives of citizenry on the verge of dramatically improving thanks to the impending death of fascist Francisco Franco. Tabernero filters his tender, nostalgic story through the eyes of a thirteen-year-old boy, Fede (Junio Valverde), who lives in the hamlet of Las Islas with his sister Bego (Silvia Abascal), his mother Sole (Ana Wagener), his father Angel (Adolfo Fernandez) and his grandfather (portrayed by Joan Dalmau) - a man who saves a bottle of champagne to gear up for the ensuing celebration of Franco's death. The sweet-natured Fede must contend with almost constant bullying by the punk Benito, and spends the majority of his extracurricular time with two friends: the quiet, introverted Sara (Nadia de Santiago) and her Down's-afflicted sister, Ramona (Natalia Abascal) - both victims of a mentally unstable, issue-ridden father. Tabernero sets about interweaving several stories of life in the village - the most intense of which involves the mysterious disappearance of a young girl from Las Islas. As lensed by ace cinematographer Jose Luis Alcane, the picture expressionistically projects the aesthetic overtones (bright, intense colors) of Fede's imagination onto the film's settings. ~ Nathan Southern, Rovi

This Argentine dramatic anthology represents the second collaborative effort of Nicolas Saad, Mariano De Rosa, Salvador Roselli and Rodrigo Moreno, all graduates of Argentina's main film school, the Universidad del Cine (their first film together was the critically acclaimed Moebius). The four vignettes all take place in Buenos Aires during the state elections and offer unflinching and often unflattering looks at Argentine society as it prepares to enter the 21st century. The first episode "The Wish" centers on a poor country boy who finds success in the teeming city by participating in one of its many illegal operations. The second, "Life and Works," follows a band of Paraguayan construction workers as they try to reestablish a sense of cultural pride and community after meeting a woman whom one of them believes is the Virgin Mary. "Hard Times" follows a teenage outcast in his endeavors to romance an upper-class girl, and in "Comrades" the sound recordist of a campaigning politician finds himself unwittingly entangled in some shady business. Bad Times competed in the 1998 Turin Film Festival and was nominated for the Prize of the City of Torino. ~ Sandra Brennan, Rovi