Janet Gaynor Movies

This part-talkie (17 minutes of dialogue in its 83-minute running time) stars Janet Gaynor as Christina, the daughter of Dutch toymaker Niklaas (Rudolph Schildkraut). Much to her dad's dismay, Christina falls in love with sideshow huckster Jan (Charles Morton). Likewise disapproving of the romance is Jan's jealous employer Mme. Bosman (Lucy Dorraine), who frames the young man on an embezzlement charge. Escaping conviction, Jan rushes back to Christina's village to rescue her from an arranged marriage. It says here that Christina was based on a story by Tristan Tupper, but it sure sounds a lot like Ferenc Molnar's Liliom. ~ Hal Erickson, All Movie Guide

Fox's follow-up to Seventh Heaven, The Street Angel reunited stars Charles Farrell and Janet Gaynor with director Frank Borzage. The action begins in Naples, as poverty-stricken Maria (Gaynor) steals medicine for her ailing mother. Now a fugitive from justice, Maria escapes by joining a travelling carnival, where she meets and falls in love with portrait painter Angelo (Charles Farrell). Impressed by her ethereal beauty, Angelo asks the girl to pose for his portrait of the Madonna. But when she's suddenly arrested, the disillusioned Angelo sinks into depravation. Released from prison, Maria sees her portrait in a church and is inspired to seek out Angelo. Explaining the circumstances of her arrest, Maria saves Angelo from his sordid surroundings, inspiring him to return to painting -- and, not surprisingly, to propose marriage. Heavily influenced by the "Germanic" style then in vogue, Street Angel lacked the simplicity and sincerity of Sunrise but managed to post a profit all the same. ~ Hal Erickson, All Movie Guide

Considered by many to be the finest silent film ever made by a Hollywood studio, F.W. Murnau's Sunrise represents the art of the wordless cinema at its zenith. Based on the Hermann Sudermann novel A Trip to Tilsit, this "Song of Two Humans" takes place in a colorful farming community, where people from the city regularly take their weekend holidays. Local farmer George O'Brien, happily married to Janet Gaynor, falls under the seductive spell of Margaret Livingston, a temptress from The City. He callously ignores his wife and child and strips his farm of its wealth on behalf of Livingston, but even this fails to satisfy her. One foggy evening, O'Brien meets Livingston at their usual swampland trysting place. She bewitches him with stories about the city -- its jazz, its bright lights, its erotic excitement. Thrilled at the prospect of running off with Livingston, O'Brien stops short: "What about my wife?" Drawing ever closer to her victim, Livingston murmurs "Couldn't she just...drown?" (the subtitle bearing these words then "melts" into nothingness). In his delirium, the husband agrees. The plan is to row Gaynor to the middle of the lake, then capsize the boat. Gaynor will drown, while O'Brien will save himself with some bulrushes that he'd previously hidden in the boat; thus, the murder will look like an accident. The next day, the brooding O'Brien begins slowly rowing his unsuspecting wife across the lake. Halfway to shore, he makes his intentions clear, but is unable to go through with it. As his wife cringes in terror, O'Brien rows to the other side of lake. Once ashore, she runs away from him in terror, as he stumbles after her, trying to apologize.

Gaynor boards a streetcar bound for the city, with O'Brien climbing aboard a few seconds afterward. Upon reaching the city (a renowned set design), O'Brien continues trying to make amends to his wife. They sit disconsolately at a table in a restaurant, unable to eat the plate of cake that is set before them. Slowly, Gaynor begins overcoming her fear. The couple wander into a church, where a wedding is taking place. Breaking down in sobs, O'Brien begins repeating the wedding vows, thereby convincing Gaynor that she has nothing to fear. Together again, the couple embraces in the middle of a busy street, oblivious to the honking horns and irate motorists. Anxious to prove to each other that all is well, the husband and wife spend a delightful afternoon having their pictures taken and "dolling up" in a posh barber shop. They cap their unofficial second honeymoon at a joyous festival in an outsized amusement park. More in love with each other than ever before, O'Brien and Gaynor head back across the lake in the dark of night. Suddenly, a storm arises. Pulling out the bulrushes with which he'd planned to save himself, O'Brien straps them onto Janet, telling her to swim to shore. The storm passes. Washing up on shore, the unconscious O'Brien is brought home. But Gaynor is nowhere to be found, and it is assumed that she has died in the storm. Half-insane, O'Brien strikes out at Livingston, the instigator of the murder plan. Just as he is about to throttle the treacherous temptress, he is summoned home; his wife is alive! As Livingston stumbles out of the village, O'Brien and Gaynor cling tightly to one another, watching the sun rise above their now-happy home. Together with Seventh Heaven, Sunrise earned Janet Gaynor the first-ever Best Actress Academy Award, while Charles Rosher and Karl Struss walked home with the industry's first Best Photography Oscar. The film itself was also in the Oscar race, but lost out to the more financially successful Wings. ~ Hal Erickson, All Movie Guide

The venerable David Belasco stage piece The Return of Peter Grimm was first brought to the screen in 1926, with Alec B. Francis in the title role. In life a selfish, mean-spirited old man, Peter Grimm returns from the grave to right the wrongs he committed while on Earth. The spectral Grimm pays a visit to his nasty nephew Frederick (John Roche), the husband of Grimm's ward Catherine (Janet Gaynor), who had been forced into the marriage. Literally entering Frederick's conscience, Grimm transforms his covetous, philandering nephew into a "good guy." After several similar episodes, both comic and dramatic, Return of Peter Grimm comes to a tear-stained finale as the tubercular young William (Mickey McBan) joins his grandfather Grimm in the hereafter. The double-exposure work was faultless, with Alec B. Francis seeming to glow and radiate as he ministers to the living. Return of Peter Grimm was ploddingly remade in 1935 with Lionel Barrymore as star. ~ Hal Erickson, All Movie Guide

Based on a story by Peter B. Kyne, the long-lost John Ford silent Shamrock Handicap begins in Ireland. Because he refuses to collect rent payments from his impoverished tenants, kindly Irish nobleman Sir Miles Gaffney is in danger of losing his estate. He is forced to sell off part of his racing stable to a wealthy American, who takes along Gaffney's jockey Neil Ross (Leslie Fenton) as part of the bargain. When Neil is crippled in a racing accident, Sir Miles and his daughter Sheila (Janet Gaynor) sail to America with their prize horse "Dark Rosaleen" in tow. The Gaffneys hope to win the $125,000 Shamrock Handicap, thereby earning enough money to square their own debts and to take care of the incapacitated Neil. For all of its Irish blarney, the biggest laughs in Shamrock Handicap were sparked by the Yiddish humor of supporting player Georgie Harris. ~ Hal Erickson, All Movie Guide