Janet Gaynor Movies

Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, Rovi

A comparatively little-known entry in the "screwball comedy" genre, David O. Selznick's The Young in Heart goes for quiet chuckles rather than bellylaughs. Adapted by Paul Osborn and Charles Bennett from a short story by I. R. Wylie, the film concentrates on a family of confidence tricksters. Paterfamilias Roland Young poses as a veteran of the Bengal Lancers in order to insinuate himself into high society; his birdbrained wife Billie Burke willingly goes along with any scheme her husband cooks up; and their work-resistant offspring Douglas Fairbanks Jr. and Janet Gaynor scheme to marry into weatlth. Right now, Janet's target is Scottish millionaire Richard Carlson (making his screen debut) to fill the family's coffers. The whole family teams up to fleece a wealthy old lady called Miss Fortune,played with showstopping relish by Broadway veteran Minnie Dupree. Through Miss Fortune's sweet, unassuming example, everyone in the family begins to reform. Douglas Fairbanks Jr. makes the supreme sacrifice of taking a job-which has the salutary effect of winning him the affections of poor-but-honest Paulette Goddard. Young in Heart originally ended with Miss Fortune passing away while surrounded by the repentant family; preview audiences hated this denouement, obliging Selznick to film a new ending, with Minnie Dupree joyously tooling about on a motorcyle! Our favorite scene: Roland Young and Douglas Fairbanks Jr. at a construction site, comparing the workers to insects. ~ Hal Erickson, Rovi

Ladies in Love transplants 20th Century-Fox's favorite film plot--three girls on the prowl for rich husbands--into the Budapest of the mid-1930s. Janet Gaynor, Loretta Young and Constance Bennett combine their earnings to rent a luxurious apartment, in hopes of attracting wealthy potential husbands. Young falls for a nobleman (Tyrone Power), who is engaged to another woman. She contemplates taking poison, but the lethal dose is accidentally ingested by Gaynor, whose plight results in a house call from Dr. Don Ameche, whom Gaynor has worshipped from afar. It is Bennett who snags the wealthy husband, middle-aged businessman Wilfred Lawson. Though Tyrone Power's part was small, he clicked immediately with the audiences, prompting the studio to give Power the big buildup. Ladies in Love would be reworked several times in the future, most obviously as How to Marry a Millionaire. ~ Hal Erickson, Rovi

Henry Fonda made his screen debut in this filmization of his Broadway success The Farmer Takes a Wife. The story is set along the Erie Canal in the 1850s. Fonda plays a farmer who takes a river job to make ends meet. He falls in love with Janet Gaynor, daughter of a canal-boat cook, who thinks very little of farmers. Nonetheless, Fonda and Gaynor marry, much to the displeasure of canal skipper Charles Bickford, who'd assumed that Janet was his girl. When Fonda avoids a fight with Bickford, Janet believes that he's yellow, but he eventually proves otherwise. It is said that during his first day on the set, movie novice Henry Fonda, noting the camera direction "dolly with Dan and Molly" in the script, asked director Victor Fleming who Dolly was. Adapted from the play by Frank B. Elser and Marc Connelly, The Farmer Takes a Wife was remade with Betty Grable and Dale Robertson in 1955. ~ Hal Erickson, Rovi

Inasmuch as the film was based on a novel by Swedish author Sigrid Boo, Fox's Servant's Entrance is logically set in Sweden. Heiress Hedda Nillson (Janet Gaynor) certain that her family is about to lose all its money, takes a job as a maid. After the usual trials and tribulations, Hedda falls in love with humble chauffeur Eric Landstrom (Lew Ayres). When it turns out she's not going to go broke after all, Hedda despairs, believing that she will be forced to give Eric up -- but of course nothing like that ever happens. The highlight of Servant's Entrance is an animated nightmare sequence, courtesy of Walt Disney studios, wherein poor Hedda is "attacked" by a barrage of anthropomorphic pots and pans (Disney's previous contribution to Fox Studios was a futuristic television sequence in the 1933 Lilian Harvey vehicle My Lips Betray). ~ Hal Erickson, Rovi

Carolina, a melodrama directed by Henry King, follows a young woman's attempt to restore a southern plantation back to its pre-Civil War glory. Joanna Tate (Janet Gaynor), originally travels from her home in Pennsylvania to the plantation in order to collect her deceased father's belongings. Though he didn't own the plantation himself, he had worked there as a farmer for a number of years. Once she arrives, Joanna (Gaynor) finds that the actual plantation owner, Bob Connelly (Lionel Barrymore), is a Civil War veteran who, despite his dogged determination to return his farmland to what it was before the war, has fallen to alcoholism. Least expected, however, was the love that would develop between Joanna and the plantation's handsome young heir, Will Connelly (Robert Young). Joanna and Connelly (Young) eventually marry, and the farm is successfully restored through their dedication and hard work. ~ Tracie Cooper, Rovi

At age 26, Janet Gaynor was still playing "gamin" roles in such musical trifles as Paddy, the Next Best Thing. Gaynor stars as a spirited Irish lass whose older sister (Margaret Lindsay) is about to marry a wealthy gent (Warner Baxter). Fully aware that Sis doesn't love the man, Gaynor sacrifices herself by marrying him instead--hence the "next best thing" part of the title. It takes about seven reels for Gaynor and Baxter to succumb to the inevitable and declare their true love for each other. Paddy, the Next Best Thing was a little bit of Heaven to Janet Gaynor's fans, but mere Irish stew to everyone else. ~ Hal Erickson, Rovi

Grace Livingston (Janet Gaynor) is leading a happy life in her small town, with her mother (Maude Eburne) and father (Robert McWade), being courted by two men, the steady but predictable Tommy Tucker (Charles Farrell) and the more ambitious, flashy, and worldly Dick Loring (George Meeker), who seems closer to Grace in his desire for travel and adventure. It's Tommy whom she marries, however, while insisting that they live someplace other than the town where they grew up. So Tommy abandons his successful insurance business and the couple moves to Joplin, MO, where he takes over a real-estate business, and for 11 months the couple struggles quietly while Tommy goes about trying to establish himself, and Grace becomes increasingly bored and impatient, not liking Joplin or the tiny three-room apartment where they live. Tommy has been steadily working on a plan that will bring them all the money they need, acquiring land that he is certain that the railroad needs, but closing the deal with the purchasing agent (Henry Kolker) requires him to throw a small dinner party, on the very day that Tommy is down literally to his last ten dollars, and when Grace's patience is at an end and her kitchen help falls ill. With the maid's inexperienced daughter (Leila Bennett) doing her barely adequate best, they muddle through dinner to a successful conclusion to the deal; however, when the unexpected reappearance of Dick Loring throws a wrench in the works, not only of the deal but their marriage, his presence suddenly brings to a head all of Grace's frustrations. The couple splits up, Grace leaving Tommy to return to her parents' home, and even though each soon has some wonderful news to tell the other, it takes a lot of help -- and a knock-down, drag-out fight between two of the contending parties -- to help get them back to a place where each will give the other the hearing they should.

It sometimes seems as though, during the 1930s, the studios could mix comedy and drama more freely and easily without having to go into too many explanations for their audience -- whereas in the 21st century, audiences need a guide and a warning for pictures such as The First Year, which might be very funny in many spots (especially in the scenes with Grace's parents) and steeped in drama and serious moments elsewhere. Although not remotely as substantial as some of Charles Farrell and Janet Gaynor's other work together, The First Year is a good representation of the high level of quality of their work together when they weren't acting in masterpieces such as Street Angel or near-masterpieces like After Tomorrow. ~ Bruce Eder, Rovi

In this drama a pianist-composer falls in love with the charwoman who cleans his boardinghouse room. Eventually, she too, falls in love with him. Trouble comes when he finds that he can no longer pay his rent for although he is talented, he refuses to write popular songs and is therefore, always broke. Finally, his patience pays off and he is commissioned to write an opera. Meanwhile the maid inherits a vast fortune. Unfortunately, this frightens the prideful composer away for he does not want people believing that he only married her for her money. Although his opera is successful, the man is terribly unhappy. He then journey's to the cottage where he met his love. Surprisingly, she is there too. Happiness ensues. ~ Sandra Brennan, Rovi

Janet Gaynor plays a teenaged orphanage waif who protects the younger children from the harshness of the supervisors. One of the orphanage's trustees is millionaire Warner Baxter, who spots Gaynor while visiting the home, is impressed by her tenacity, and decides to secretly adopt the girl and pay for her education. Baxter is determined not to become emotionally involved with Gaynor, but the exigencies of the plot bring the two of them together. Now that she has grown into a lovely young woman, Gaynor is a more than eligible candidate for marriage. Hoping to wed Baxter, Gaynor must first go to her guardian for consent...and imagine her surprise when she finds out the true identity of her benefactor. Based on a popular novel by Jean Webster, Daddy Long Legs was remade in 1935 as the Shirley Temple vehicle Curly Top, then filmed again under its original title as a Fred Astaire/ Leslie Caron musical in 1955. ~ Hal Erickson, Rovi

This version of Shakespeare's most famous love story is set in Scarsdale, New York. This time, the heroine comes from an old monied aristocratic family. Trouble ensues when the hero's newly wealthy, and terribly unsophisticated family from Iowa moves in next door. The young woman becomes interested in the young man when she hears him playing the ukulele. She asks him to teach her to play, and romance ensues. Naturally her snooty parents disapprove of the young man and his family of rubes. They remind the girl that she is already betrothed to a French count. This does not deter the young lovers who elope the night before her marriage to the count. Eventually the family's reconcile their differences and prosperous harmony ensues. Songs include: "I'm In The Market For You," "Eleanor," "High Society Blues," "Just Like In A Story Book," "The Song I Sing In My Dreams," and "I Don't Know You Well Enough For That." ~ Sandra Brennan, Rovi

Filmed in "Fox Grandeur," an early widescreen process, Happy Days was the immediate follow-up to Fox Studios' Movietone Follies of 1929. Most of the film takes place on the showboat of Mississippi entrepreneur Colonel Billy Batcher (Charles E. Evans). When the Colonel faces foreclosure after several failing seasons, soubrette Margie (Marjorie White) stages a fund-raising revue on the boat, enlisting the aid of all the big stars who got their start with Batcher. By an amazing coincidence, virtually all of the showboat alumni are under contract to Fox Studios! Janet Gaynor and Charles Farrell perform "We'll Build a Little World of Our Own," Victor McLaglen and Edmund Lowe kid their roughneck screen images in the novelty number "Vic and Eddie," Sharon Lynn and Ann Pennington offer the "hot" dance routine "Snake Hips," and "Whispering" Jack Smith offers a rendition of the title tune. Also on hand are Will Rogers, El Brendel, Walter Catlett (who also staged the musical numbers), Lew Brice (Fanny's brother), Dixie Lee (Mrs. Bing Crosby) and Georgie Jessel -- not to mention an uncredited 14-year-old chorus girl named Betty Grable. ~ Hal Erickson, Rovi