Gregory Gaye Movies

Wise Girl is a medium-level screwball comedy with faintly serious undertones. Miriam Hopkins plays an heiress whose millions can't help her gain custody of her two nieces from their stubborn widowed father (Ray Milland), an impoverished Greenwich Village artist. Hoping to win the widower over without revealing her identity, the heiress disguises herself as a penniless "Bohemian" and infiltrates the Village's artists' colony. When he finds out he's been duped, the man stubbornly insists upon remaining in jail rather than hand over custody of his daughters to the headstrong heiress (yes, that's perennial Laurel & Hardy foil James Finlayson as the friendly jailer). It all turns out for the best when hero and heroine realize they're in love with each other. ~ Hal Erickson, All Movie Guide

Set during World War I, Lancer Spy stars a young George Sanders as Michael Bruce, an officer in the British Navy who bears an uncanny resemblance to the recently-captured Baron Kurt von Rohbach (also Sanders). Rohbach is highly connected in the German aristocracy, and his capture has been kept quite secret. This allows Bruce to be drafted into service to impersonate the German officer, infiltrate the enemy at the top level, and send back information that can turn the tide in the war. Bruce does a remarkable job and fools just about everyone; only the head of the secret police Major Gruning (Peter Lorre) has his doubts, but he can hardly accuse someone of the Baron's standing on nothing more than suspicions. He therefore engages a comely nightclub singer Dolores Daria Sunnell (Dolores Del Rio) to seduce Bruce and find out if his suspicions are sound or baseless. Unfortunately for Gruning, the singer finds her heart genuinely stolen by the imposter. She discovers the truth, but refuses to out him. Meanwhile, Gruning has laid his hands on some evidence of his own, and he moves to capture Bruce. Having accomplished his mission, Bruce flees to Switzerland. Gruning captures Dolores instead and puts her to death for her betrayal. ~ Craig Butler, All Movie Guide

This light-hearted musical romance follows the exploits of Nikki Martin (Lily Pons), a beautiful French opera star who stows away on an ocean liner in hopes of escaping her jealous fiancee. Once aboard, she joins an American swing band and falls in love with its leader (Gene Raymond), who, after hearing her sing, eventually comes to reciprocate her feelings. That Girl From Paris received an Academy Award Nomination for Best Sound, and includes musical highlights such as, "Seal It With a Kiss," "The Blue Danube," "Una Voce Poco Fa," and "The Call to Arms." Directed by Leigh Jason, this movie also features actors Mischa Auer, Frank Jenks, Lucille Ball and Jack Oakie. ~ Tracie Cooper, All Movie Guide

Otto Preminger was able to make his directorial debut on Under Your Spell solely because Darryl Zanuck couldn't care less about the film's quality; it was a contractual obligation film for Lawrence Tibbett, who was proving a washout as a film star. In Spell, Tibbett plays Anthony Allen, a world famous singer who has grown tired of the trials that come with celebrity. Seeking to avoid the spotlight, ceaseless publicity and determined fans, Allen enlists the aid of his butler in secretly escaping to a ranch in Mexico. Allen's manager (Gregory Ratoff) is understandably upset with his client's behavior and so sets in motion a scheme of his own. He contacts celebrity-hunting heiress Cynthia Drexel (Wendy Barrie) and lets her know where to find the reluctant star. Drexel quickly hunts down her prey and sticks to him like glue. Although Allen initially is exasperated with her, he soon finds himself attracted to her. In addition to arias from The Marriage of Figaro and Faust, Tibbert performs Arthur Schwartz and Howard Dietz's "Amigo," "My Little Mule Wagon" and the title song. ~ Craig Butler, All Movie Guide

British Agent starred the Hungarian/British actor Leslie Howard in the title role, was directed by full-fledged Hungarian Michael Curtiz, and costarred American leading lady Kay Francis as a Russian spy. Based on the memoirs of R. H. Bruce Lockhart, who had been the unofficial British emissary to the Russian Revolutionary government in 1917, British Agent spends more time on its romantic subplot than in recreating the birth of Bolshevism. Leslie Howard's purpose in this film is to dissuade the Bolsheviks from signing a separate treaty with the World War I German regime. It is obvious to modern-day viewers that Howard is merely looking after Britain's interests and has no concern for the Russians; this was par for the course in a 1930s film, but does not play well with less jingoistic audiences of the 1990s. The most interesting aspect of British Agent is the performance of saturnine Irving Pichel as a young Josef Stalin. ~ Hal Erickson, All Movie Guide

In this domestic comedy, a small town druggist is married to a woman with social aspirations. To achieve her goal, she cons him into selling his store to a chain. She then puts on all sorts of phony airs and proceeds to make a pompous fool of herself. Meanwhile he amuses himself with hobbies. The two go on a New Orleans vacation. There a gigolo begins being overly attentive to his wife, who is still putting on the style. This makes her husband so jealous that he dons a Tarzan suit and winds up in jail. Later his wife settles down, he gets his store back, and harmony resumes. ~ Sandra Brennan, All Movie Guide

In this comedy, a successful owner of a meat-packing plant tries to pass on his obsession for punctuality and rules to his two sons. But both of them are spoiled playboys who care little for time. One loves cafe society and the many girls he meets there; the other has bohemian affectations and hangs out with the artists in Greenwich Village. One day, their rigid stodgy father meets a lively Irish lass who inspires him to break free from his voluntary enslavement. He begins dressing stylishly and hanging out at the race track. The sons see him squiring the girl about town and they are appalled. When the father learns that the girl is being blackmailed, he rushes to her aid. The sons are so upset that they become responsible and more like he once was. Fortunately, it all turns out for the best when they discover that their father and the married girl only had a platonic relationship. She ends up reconciling with her husband. ~ Sandra Brennan, All Movie Guide

The widow in question is wealthy Tamarind Brooks (Gloria Swanson), who flits from one man to another with the rapidity of a butterfly. Beginning in New York and ending in Paris, Tamarind collects men like some people collect stamps. Among her most ardent suitors are lawyer Gerry (Owen Moore), violin virtuoso Baslikoff (Gregory Gaye), opera baritone Alvarado (Herbert Braggiotti), and cabaret dancer Victor (Lew Cody). After playing the field with gay abandon, Tamarind finally returns to square one (in a manner of speaking) and marries Gerry. Gloria Swanson is given opportunity aplenty to display her splendid singing voice, and even gets to hark back to her Keystone Comedy days by indulging in some gratuitous slapstick. In a sense, What a Widow was filmic valentine to Swanson from her sponsor-lover, producer Joseph P. Kennedy (JFK's father). Audiences, however, were not quite as smitten as "Papa Joe," and the film was a box-office bust. ~ Hal Erickson, All Movie Guide

Will Rogers' first all-talking feature casts the beloved humorist as Pike Peters, owner of an auto repair shop in Claremore, OK (Rogers' real-life home town). Living in genteel but contented poverty, Pike and his family suddenly find themselves millionaires when an oil well in which he is part-owner comes in a gusher. Though Pike remains the same humble, down-to-earth fellow that he was before his good fortune, his social-climbing wife (Irene Rich) instantly begins taking on airs, insisting that the family spend a year in Paris. Reluctantly, Pike agrees, and before long he, his wife, his daughter, Opal (Marguerite Churchill), and son, Ross (Owen Davis Jr.) are seeing the sights in the City of Lights. Determined to crash Parisian high society and land a wealthy nobleman husband for daughter Opal, Mrs. Peters callously insists that her "embarrassing" husband keep his distance at all social gatherings. Not surprisingly, the Peters family unit begins to unravel, with Opal succumbing to the charms of silky gigolo Marquis de Brissac (Ivan Lebedeff), and Ross living a life of debauchery in the Latin Quarter with French floozy Fleury (Marcelle Corday). Though Pike manages to make a friend of exiled Russian grand duke Mikhail (Theodore Lodi), he simply cannot coordinate himself with his wife's incessant title-chasing, nor can he convince her that her new "friends" are only interested in her money. Cast out of the hotel suite he shares with his wife, the crestfallen Pike heads to a sidewalk café, where he renews his platonic friendship with vivacious cabaret entertainer Claudine (Fifi D'Orsay, whose saucy performance caused a bit of trouble with the local movie censors of the era). With her help, Pike cooks up a scheme to bring his family back together by pretending that he's "gone Parisian" and has taken Claudine as his mistress. Adapted from a 1926 novel by Homer Croy (and a subsequent stage version by May Savell Croy), They Had to See Paris remains one of Will Rogers' most entertaining talkies, with the star ad-libbing to his heart's content. ~ Hal Erickson, All Movie Guide