Gregory Gaye Movies

One of the most successful filmed biographies of the 1940s, A Song to Remember alleges to be the true story of Polish composer Frederick Chopin. Actually, it has about as much relation to truth as a Heckle and Jeckle cartoon, but with such gorgeous creatures as Cornel Wilde and Merle Oberon in the leads, who cared? Though Wilde, as Chopin, is the nominal lead, top billing goes to Paul Muni, hamming his way through the role of Chopin's mentor Professor Joseph Elsner. Reportedly, Muni developed his characterization long before shooting started, refusing to allow the performances of the other actors to alter his interpretation in the slightest. This may explain why Muni seems to be acting in a vacuum, frequently completely out of rhythm with the film and its characters. Otherwise, Cornel Wilde does a nice job as the tempestuous Chopin, whose patriotic fervency frequently takes priority over his music. Merle Oberon plays novelist George Sand, who despite her preference for male clothing proves to be "all woman" during her torrid, decade-long affair with Chopin. The film's money scene--the one that everyone talked about, keeping the picture "alive" long after its original release--occurs towards the end, when the tubercular Chopin begins hemorrhaging as he performs his Polonaise for the first time (Jose Iturbi is heard on the soundtrack, "doubling" for Wilde's ivory-tickling). Sumptuously photographed in Technicolor by Tony Gaudio and Allen M. Davey, A Song to Remember was the usually penurious Columbia Pictures' top production of 1945. Fifteen years later, the studio hoped to make lightning strike twice with its Franz Liszt biopic Song Without End, but the magic just wasn't there. ~ Hal Erickson, All Movie Guide

Auntie Mame began as a novel by Patrick Dennis (aka Ed Fitzgerald), then was adapted into a long-running Broadway play by Jerome Lawrence and Robert E. Lee. This 1958 film version permits Rosalind Russell to recreate her stage role as Mame Dennis, the flamboyant, devil-may-care aunt of young, impressionable Patrick Dennis. Left in Mame's care when his millionaire father drops dead, young Patrick (Jan Handzlik) is quickly indoctrinated into his aunt's philosophy that "Life is a banquet--and some poor suckers are starving to death." Social-climbing executor Dwight Babcock (Fred Clark) does his best to raise Patrick as a stuffy American aristocrat, but Mame battles Babcock to allow the boy to be as free-spirited as she is. In 1974, Auntie Mame was remade as the filmmusical Mame with Lucille Ball. ~ Hal Erickson, All Movie Guide

The famed Bal Tabarin cabaret in Paris is the gathering spot for this swiftly paced crime melodrama. It all begins when singer Judy Allen (Muriel Lawrence) scampers away to the City of Light to escape the clutches of the villains who murdered her boss. The bad guys not only want to silence Judy, but also want to retrieve the cache of jewels that she has hidden somewhere. She takes a singing job at the Bal Tabarin, where head crook Joe Goheen (Steve Brodie) inevitably comes calling one evening. Three new songs are performed in the course of events, as are several terpsichorean routines by the fetchingly underdressed "French Can Can Girls" (that's how they're billed). ~ Hal Erickson, All Movie Guide

The all-purpose title Blackmail was again revived for this breezy Republic comedy-mystery. William Marshall (not the African American star of Blacula) plays private eye Dan Turner, assigned to shield playboy Ziggy Cranston (Ricardo Cortez) from a pair of clever blackmailers (Adele Mara, Richard Fraser). As a result of Turner's interference, the extortionists up the ante from $50,000 to three times that amount. A few murders and plot twists later, Turner emerges triumphant; still, one wonders if Cranston wouldn't have been better off handling his persecutors by himself. Originally 67 minutes, Blackmail was trimmed to 54 minutes for its earliest TV showings. ~ Hal Erickson, All Movie Guide

One of Elvis Presley's most successful post-Army vehicles, Blue Hawaii casts Elvis as scion to a Hawaiian pineapple fortune. His snooty mother Angela Lansbury wants Presley to take over the management of the family business, but he'd rather make his own way in the world. He lands a job at a tourist agency, and incidentally finds time to dally with such lovelies as Joan Blackman and Nancy Walters. Steve Brodie, as ever, is on hand to inveigle Elvis into an outsized brawl. Among the songs featured in the film are the title number (originally written in 1937 for Bing Crosby) and "Can't Help Falling in Love." ~ Hal Erickson, All Movie Guide

Though John Barrymore is top-billed in Bulldog Drummond's Peril, the aging matinee idol is consigned to the supporting role of Inspector Nielsen. Drummond is portrayed by John Howard; once more, he is on the verge of marrying the ever-patient Phyllis Clavering (Louise Campbell). And yet again, the ceremony is interrupted by a late-breaking crime. The villains this time are trying to steal synthetic diamonds. Bulldog Drummond's Peril was the 5th in Paramount's B-picture "Drummond" series. ~ Hal Erickson, All Movie Guide

One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

"Warner Oland vs. Boris Karloff" read the billing on the opening credits of Charlie Chan at the Opera. Karloff plays a once-famous opera star who has long been confined to an insane asylum. He escapes, ostensibly to seek revenge on the diva wife (Nedda Harrigan) who'd betrayed him years earlier. Karloff shows up during the performance of a new opera, and within minutes the murders start. Detective William Demarest figures the case is open and shut, but oriental sleuth Charlie Chan (Oland) is not thoroughly convinced of Karloff's guilt--nor is he certain that Boris is genuinely insane. To give away the ending would be churlish, but we can note that Charlotte Henry plays Karloff's daughter, who has been raised to believe that her father was dead. Considered by some Charlie Chan fans to be the best of the Warner Oland efforts, Charlie Chan at the Opera is distinguished by excellent production values, and by an original opera composed by Oscar Levant--who allegedly agreed to this assignment provided he could include the word "Silencio!" in his lyrics. ~ Hal Erickson, All Movie Guide

Canadian WW II pilot Gerard (Dick Powell) intends to track down and kill collaborationist Marcel Jarne, the man responsible for the wartime death of Gerard's French wife. The trouble is, Jarne has never been effectively identified by the authorities -- and in fact could be just about anyone whom Gerard meets. Following the trail of evidence to Buenos Aires, Gerard's strongarm methods run afoul not only of the Argentine authorities, but also of a pro-French underground movement which also wants to bring the villain to justice. Weaselly Incza (Walter Slezak) plays all sides down the middle until he too is ruthlessly rubbed out by the bad guy. From start to finish, Cornered is a superb thriller, directed with graphic ingenuity and economy -- and with a dash of endearingly naïve left-leaning politicizing. (With Edward Dmytryk as director, how could it be otherwise?) Avoid at all costs the computer-colored version of this beautifully photographed black-and-white film. ~ Hal Erickson, All Movie Guide

A gangster is killed by a big man who pays no attention to bullets, and who leaves glowing fingerprints. Police scientist Chet Walker (Richard Denning) discovers that the fingerprints are radioactive -- as well as those of a dead man. We soon learn that this walking corpse was created by Dr. Wilhelm Steigg (Gregory Gaye); he's allowing secretly-returned deported gangster Buchanan (Michael Granger) to get revenge on those who were responsible for his conviction. Steigg removes part of the brains of recently-dead men, and replaces them with a device that allows them to control the body from a distance, like a robot; they can even see through the creature's eyes via television. Another atomic zombie kills the district attorney who convicted Buchanan, which leads Chet and his homicide detective friend Dave Harris (S. John Launer) to deduce that the killings are connected to the Buchanan case. Warnings are issued to other possible targets, but they're unable to prevent another death. The last two go into hiding. The movie concludes with a headline: "Creatures with the Atomic Brains Destroyed." This entertaining but cheesy little movie is completely unpretentious. Broad, surprisingly gruesome and well-paced, it's obviously aimed straight at the juvenile market -- and it hits it, too. A sterling artifact of its time: brisk, efficient and entertaining, even if it is awfully silly. ~ Bill Warren, All Movie Guide

In this highly acclaimed adaptation of Sinclair Lewis' novel, Walter Huston plays Sam Dodsworth, a good-hearted, middle-aged man who runs an auto manufacturing firm. His wife Fran (Ruth Chatterton) is obsessed with the notion that she's growing old, and she eventually persuades Sam to sell his interest in the company and take her to Europe. He agrees for the sake of their marriage, but before long Fran has begun to think of herself as a cosmopolitan sophisticate and thinks of Sam as dull and unadventurous. Craving excitement, Fran begins spending her time with other men and eventually informs Sam that she's leaving him for a minor member of royalty. While in Italy, Sam runs into Edith Cortright (Mary Astor), an attractive widow whom he first met while sailing to Europe. Edith seems to understand Sam in a way his wife does not, and they fall in love. However, Sam impulsively breaks off their relationship, only to discover in her absence just how deeply he cares for her. Dodsworth was nominated for seven Academy Awards, including Best Picture, Best Actor (Walter Huston), and Best Supporting Actress (Maria Ouspenskaya), though only art director Richard Day walked away with an Oscar. ~ Mark Deming, All Movie Guide

Fall In was the fourth of Hal Roach's 1940s comedies revolving around the misadventures of Doubleday, an army recruit blessed--or cursed--with a photographic memory. This time, Doubleday (William Tracy) and his pal Sgt. Ames (Joe Sawyer) crash a fancy fund-raising dinner. They redeem themselves by capturing a Nazi spy, who poses as a super-patriot named Arnold Benedict (!) A zany sequence at a gambling table and a wild climactic free-for-all highlight this above-average entry. A Hal Roach "Streamliner" designed for the lower half of double bills, Fall In clocked in at a swift 48 minutes. ~ Hal Erickson, All Movie Guide

Sexy Denise Darcel is the Flame of Calcutta in this Columbia programmer. Set in 18th-century India, the film stars Darcel as Suzanne Roget, daughter of a murdered French official. To avenge her father's murder and bring down a usurping Indian prince (George Keymas), Suzanne adopts the guise of a guerilla leader known only as "The Flame." She is aided and abetted by sympathetic British army officer Keith Lambert (Patric Knowles). As was customary in the films produced by quickie king Sam Katzman, a goodly portion of Flame of Calcutta consists of stock footage from earlier Technicolor swashbucklers. ~ Hal Erickson, All Movie Guide