Lee Eun Movies

South Korean filmmaker Im Sang-su (A Good Lawyer's Wife) tackles the assassination of President Park Chun-hee (Song Jae-Ho) in his political satire The President's Last Bang. Im focuses on the internecine bickering and jockeying for position that took place among the dictator's closest advisors. Park was in the midst of a brutal crackdown on student protestors, angry workers, and others whom he saw as a threat to his regime. As the film opens, KCIA Chief Agent Ju (Han Suk-Gyu of Shiri) is getting rid of a hooker and her overzealous mother while President Park prepares for a banquet at his safe house with disgruntled KCIA Director Kim (Baek Yun-shik of Save the Green Planet!), Chief Secretary Yang (Gweon Byeong-Gil), and Chief Bodyguard Cha (Jeong Weon-Jung), who has already offended Ju and Kim with his malicious "office politics," and two charming young ladies, a well-known pop singer (Kim Yun-Ah) and a co-ed (Cho Eun-ji). Kim has just had an unhappy doctor's visit, and been told he's suffering from a bad liver and chronic fatigue. Apparently pushed to the breaking point, he enlists his underlings, Ju and Colonel Min (Kim Eung-soo) in a deadly plot. Im insists that while some of the dialogue was necessarily invented, his film tells the story of what actually happened on that historic night in 1979. Park's relatives, still politically active in the country's right wing, sued the filmmaker and successfully kept him from using archival footage of the president in the film's final cut. The President's Last Bang was selected by the Film Society of Lincoln Center for inclusion in the 2005 New York Film Festival. ~ Josh Ralske, Rovi

Riding the trend of Korean action blockbusters after the phenomenally popular Swiri, Park Chan Wook directs this murder mystery thriller about death on the DMZ. The film opens with a shooting along the heavy militarized border between North and South Korea, which leaves a North Korean soldier (Shin Ha- Kyun) dead and a South Korean soldier injured. Hoping to reduce the potentially explosive political fallout by solving the crime quickly, both countries agree to an investigator of Korean-Swiss descent named Sophie Jean (Lee Yeong-Ae). As she methodically sifts through the evidence, Sophie learns that the testimony of two other soldiers -- North Korean Oh Kyeong Pil (Song Kang-Ho) and South Korean Lee Soo Hyeok (Lee Byung-Hun) -- are completely contradictory. Another witness (Kim Tae-Woo) tries to commit suicide rather than divulge information. Sophie soon concludes that a group of guards from the North and South, after years of eyeing each other, started meeting in the North Korean guard house to chat, fawn over porn, and to play cards. Why this informal détente dissolved into bloodshed is a thornier question. ~ Jonathan Crow, Rovi

Recalling both the erotic tension and the surrealist imagery of Woman of the Dunes, Kim Ki-duk's film is set near a remote lake where men come far and wide to fish on anchored rafts. Running a little bait-and-tackle shop is the earthy -- almost feral -- young lass Hee-jin (Seoh Jung), who sometimes sells herself for a price to horny fishermen. On one raft is the morose youth Hyun-shik (Kim Yu-seok), who Hee-jin has quietly taken a shine to after saving him from a suicide attempt. His ham-fisted advances are rejected, but after a second try at suicide, in which he puts fishing hooks in his mouth, she nurses him back to health. Soon, a freakily-intense relationship builds between the two in which the jealous Hee-jin starts to brutally dispatch with any competition. This film was screened at the 2000 Cannes Film Festival. ~ Jonathan Crow, Rovi

Rejecting current trends in mainstream genres and the conventions of commercial cinema, Choyonnghan-Kajok, an experimental black comedy, follows an eccentric story line with some surprise attacks on the audience. Comedy and horror elements are used intermittently to create a thriller in a family setting. The events are seen through the eyes of seventeen-year-old Mi-na, daughter of the Kang family, who decide to run Mt. Lodge in the suburbs of Seoul after the father is dismissed from his company. Contrary to expectations, there are no guests lining up at the door, and the youngest daughter is upset by a strange noise she hears at night. After two weeks, the first guest appears, but he is found dead the next day. The family buries him in a hurry to avoid bad publicity. Then a couple arrives and commits double suicide and they have to bury them, too. By the time they get used to digging, it's announced a road construction will pass beside their property. The set of the film, Mt. Lodge, was created in real size by a set specialist and architect large enough for camera equipment to move around. Although the subtexts are not labored, the sanctity of family solidarity and the capacity for sudden violence in the very conservative Korean society are some of the themes the audience is left to reflect. Choyonnghan-Kajok was screened as part of the International Forum of Young Cinema at the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi