Jean-Yves Gautier Movies

Marcello Mastroianni plays several different roles in this off-beat, witty exploration of a man with multiple personalities from world-class filmmaker Raúl Ruiz. Mastroianni first appears as Parisian traveling salesman Mateo Strano who suddenly shows up at the home of Maria, the wife he abandoned twenty years before. She eventually remarried Andre. Mateo begins telling the skeptical Andre that he never really left Marie. Instead he was bewitched by fairies and has been living in the apartment across the street the entire time. He seems so serious, that he is able to lure Andre to the alleged apartment. There Mateo murders him with a hammer and then calmly returns to Maria who seems nonplused by the sudden turn. With pride she shows Mateo their adopted daughter. Mastroianni next appears as Sorbonne professor of negative anthropology Georges Vickers, a grown man who still lives with his cranky mother until he inexplicably leaves to become a vagrant. Living on the streets, he encounters Tania, a streetwalker with a passion for the philosophies of author Carlos Castaneda's Don Juan. The hooker and the tramp stay together until the day that Vickers returns and he leaves. It is soon afterward that he discovers that Tania is really the president of a major corporation. When he learns that she has been jailed for attempting to murder her creepy ex-husband, Vickers uses his clout to save her. The story then jumps to a newlywed couple happily struggling in a humble garret. Their lives change dramatically when a benefactor suddenly appears and provides them with a marvelous country house. They are also given a mute butler (Mastroianni) who answers their every beck and call. It doesn't take the couple long to figure out that the sinister valet (who actually owns the chateau) is quietly poisoning them. In terror they leave, but later he finds them and demands that they give him their baby daughter. He gives the child to Maria, Mateo's wife. Mastroianni's fourth persona, that of industrial magnate Luc Alamand then appears. He is in trouble when he learns that the wife, daughter, and sister he manufactured to impress potential clients are actually coming. The stress causes the sudden emergence of his other disparate personalities. Interestingly, though each live wildly different lives, they are clearly the same mild-mannered, self-effacing character. The comedy in the story works on wildly different levels with sight gags and puns running simultaneously with literary and cultural satire. Beneath it all runs a serious message about the destructiveness and confusion caused by trying to create a single European culture. ~ Sandra Brennan, All Movie Guide

The seemingly unrelated scenes in this 110 minute black and white cinematic collage reflect the highly personalized vision of filmmaker Raul Ruiz. ~ Sandra Brennan, All Movie Guide

This drama focuses upon the psychological adjustment problems of a young boy whose family moves him from Africa to Paris, France. Moctar, a boy whose first 11 years were spent in a small village in Mali, is having difficulty adjusting to his new life in Paris. After several years in Paris, Moctar suddenly sees a terrible hyena in the street. When Moctar tries to explain his vision, he becomes the laughingstock of his peers and a patient for the school psychologist. No one believes Moctar, not even his parents, until he is befriended by Paulo who helps Moctar understand. ~ Sandra Brennan, All Movie Guide

At the beginning of For Better and for Worse, the wedding plans for Robert (Patrick Dempsey) and Catherine (Kelly Lynch) are moving along smoothly. Alas, Robert has entrusted the responsibility of sending out invitations to his best friend, a notorious practical joker. Thus it is that an invitation is mailed to the Pope. Surprise of surprises, His Holiness accepts! Poor Catherine: she could handle a romantic rival, but how does one resign oneself to playing second fiddle to the Pope? Originally titled RSVP, this easy-to-take comedy is pretty mild stuff, even allowing for its PG-13 rating. ~ Hal Erickson, All Movie Guide

Based on a semi-autobiographical novel by Ania Francos, this tragi-comedy follows the diagnosis and internment of lawyer Lola Friedlander (Carole Laure) in the cancer ward of a large clinic. There Lola encounters Marie-Aude (Jeanne Moreau) and Cathy (Dominique Labourier), two very different patients from opposite walks of life who each contribute to Lola's adjustment. Given that the doctor at this clinic is a media-star, there is a certain aura of unreality to the story that also permeates some of the episodes involving subsidiary characters like Lola's boyfriend or her archetypal Jewish family. ~ Eleanor Mannikka, All Movie Guide

This glossy Alistair MacLean action programmer concerns the machinations involved in smuggling an Eastern European scientist out of France and into the United States while being pursued by gang of international pirates, who want the scientist for themselves so that they can grab the secrets that the scientist holds and sell them to the highest bidder. The film deals with Neil Bowman (David Birney), a carefree American who is hired by French land baron the Duc de Croyter (Michel Lonsdale) to make sure that the scientist finds his way safely aboard a jet bound for America. Lila (Charlotte Rampling), a svelte British photographer, happens upon the scene and snuggles up to Neil, right before barriers are throw in their way by the pirate-kidnappers. ~ Paul Brenner, All Movie Guide