Marjorie Gateson Movies

Somewhat similar to John Ford's Wagon Master (1950), Passage West deals with a band of religious pioneers, led by a peace-loving minister (Dennis O'Keefe), heading across the desert. Along the trail, the travellers are forced to accompany with six escaped convicts who join the wagon train. The criminals range from basically decent to homicidal, resulting in fluctuating tensions throughout the westward trek. John Payne, one of the more compassionate convicts, is further humanized by his affection for leading lady Arleen Whelan. Passage West was a B-plus production from Paramount's prolific Pine-Thomas unit. The screenplay was cowritten by Nedrick Young, just before his career was retarded by the Hollywood Blacklist. ~ Hal Erickson, All Movie Guide

The exciting world of the cosmetic industry provides the basis of this lively low-budget musical comedy that centers on the attempts of a young inventor to market a new kind of nonstaining lipstick at the American Beauty Association Show. When a make-up magnate learns of the revolutionary invention, he does all he can to keep the young man out of the show. Fortunately, for the young man, his lady friend wins a contest and is able to help him scare up the necessary funds so he can participate in the show. Songs include: "Wedding of the Samba and the Boogie", "Rosebud, I Love You" and "Do I Need You?" ~ Sandra Brennan, All Movie Guide

At least 30 percent of Universal's "vest-pocket" musicals of the 1940s included the word "Hi" in the title. Such was the case of 1944's Hi, Good-Lookin', an agreeable vehicle for songstress Harriet Hilliard and her bandleader husband Ozzie Nelson. The barely existant plot finds aspiring singer Kelly Clark (Hilliard) falling in love with incognito radio star King Castle (played by future Sky King star Kirby Grant). As a punch line, Castle, working under an assumed name, is hired as his own summer replacement, with Kelly in tow. Eddie Quillan provides chuckles as talent agent Dynamo Carson (who evidently doesn't lack for self confidence), while the Delta Rhythm Boys show up for a mellow rendition of "Paper Doll." ~ Hal Erickson, All Movie Guide

Mitchell Leisen utilizes his stylistic pizzazz to enliven this romantic comedy that proves the old adage "opposites attract" -- but only after three or four reels. Claudette Colbert is Katherine Grant, an upper-crust fashion photographer who has a gang of admirers snapping at her heels. When her vindictive editor tries to teach her a lesson for her snobbishness by giving her an assignment photographing lower-class workers digging a tunnel, she falls for Jim Ryan (Fred MacMurray). Ryan is also attracted to her, so when she leaves her camera tripod in the tunnel, Ryan obligingly returns it to her. When Ryan returns to the job site, he is ribbed by his co-workers. Ryan loses his head and gets into a fight and is subsequently suspended from his job. Katherine, feeling guilty about Ryan being suspended from his job (and also looking for an excuse to have him around), hires him as her assistant. But in his new job, Ryan starts to put the make on one of Katherine's flirtatious models, Darlene (June Havoc). Katherine must now find a way to overcome her superior attitude and make her true feelings known to Ryan. ~ Paul Brenner, All Movie Guide

In later years, director Vincente Minnelli would dismiss I Dood It as his worst picture, though a more deserving candidate for that "honor" would be Minnelli's valedictory film A Matter of Time. In this remake of Buster Keaton's Spite Marriage, Red Skelton plays pants-presser Joseph Rivington Reynolds, who develops a crush on glamorous stage star Constance Shaw (Eleanor Powell). "Borrowing" a tuxedo from one of his customers, Joe courts Constance backstage and at a fancy nightclub. Jilted by her fiance, the temperamental Constance marries Joe out of spite, leading to a series of silly situations. In the original Spite Marriage, Buster Keaton proved his worth to the heroine by rescuing her from bootleggers: in the remake, Joe saves Constance from a nest of Nazi spies. Some of the routines-notably a scene in which Joe makes a shambles of a Civil War play, and a lengthy bit in which he puts his drunken bride to bed-were lifted directly from Spite Marriage, no surprise considering that Buster Keaton was one of the I Dood It gag writers. Musical highlights are provided by Lena Horne, Hazel Scott and Jimmy Dorsey, while the film's finale is lifted bodily from the 1936 Eleanor Powell musical Born to Dance. ~ Hal Erickson, All Movie Guide

Another of Universal's "pocket" musicals, Rhythm of the Islands is set in the South Seas, presumably far away from the shooting war. The nonsensical plotline finds hero Tommy (Allan Jones) posing as a native chief. Joan Holton (Jane Frazee), daughter of a millionaire (Ernest Truex), falls in love with Tommy, unaware that he's a charlatan. Tommy and his beachcomber pal Eddie (Andy Devine) encouraged Joan's attentions in order to close a big-business deal with her father; eventually, however, Tommy falls in love with the girl for real, and confesses his sham. The producers managed to pack five songs into the 60-minute running time, not to mention a couple of specialty numbers performed by The Step Brothers and The Horton Dancers. ~ Hal Erickson, All Movie Guide

This lighthearted romantic comedy stars William Holden as working stiff Michael Stewart and Frances Dee as wealthy socialite Candace Goodwin. Falling in love with Michael, Candace agrees to marry him on his terms-namely, that they survive on his salary alone. Inevitably, Candace has trouble adjusting to her new lifestyle and yearns for the luxuries lavished upon her by her family. Meanwhile, Michael begins to suspect that Candace has been keeping company with men from her own social set. It takes the combined efforts of the Stewart and Goodwin families to reunite the quarrelsome couple in the final footage. There's nary an original moment in Meet the Stewarts, but the two leads are so darned atttractive that it doesn't matter at all. ~ Hal Erickson, All Movie Guide

Back in the 1940s, it was not uncommon for recording artists to cut records exclusively for the jukebox trade, and sometimes to perform musical numbers "live" to jukeboxes via telephone hookup. Perhaps it is necessary for one to know these things before viewing Jukebox Jenny, very much a product of its time. Vaudevillian Ken Murray stars as Malcolm Hammond, sales manager for the record-company owner by Roger Wadsworth (Don Douglas). Engaged to Genevieve Horton (Harriet Hilliard), daughter of his financial backer (Marjorie Gateson), Wadsworth is strong-armed into a marriage with brash Jinx Corey (Iris Adrian). Hammond tries to rescue Wadsworth from this contentious union, but in the process he falls in love with Genevieve himself, and endeavors to turn her into a top recording star, utilizing his know-how of the mechanics of the "juke" business. With eight musical numbers, it's a wonder that there's time in Jukebox Jenny for any plot at all! ~ Hal Erickson, All Movie Guide

The brazen audaciousness with which Bryan Foy's B-picture unit at Warner Bros. remade the studio's old properties was seldom more pronounced than in 1941's Here Comes Happiness, a thinly disguised reworking of 1934's Happiness Ahead! The original starred Dick Powell and Josephine Hutchinson; the remake casts Edward Norris as ambitious sandhog Chet Madden and Mildred Coles as poor little rich girl Jessica Vance. Tired of having her every move dictated by her wealthy mother (Marjorie Gateson), Jessica rebels altogether when mama personally selects the girl's future husband. Our heroine escapes to the tenements, assumes a phony name, and falls in love with Chet, who has grandiose plans about his own future. Secretly financing Chet's pet projects, Jessica loses him when he finds out her true identity and disdainfully gives back her money. It's up to Jessica's foxy papa (Russell Hicks), who admires Chet's inborn business acumen, to bring the lovers back together. ~ Hal Erickson, All Movie Guide

The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce. ~ Hal Erickson, All Movie Guide

Charles Boyer and Margaret Sullavan star in this adaptation of Fannie Hurst's tearjerking novel about a woman who chooses to stand beside a man who cannot marry her. Rae (Margaret Sullavan) is a woman from Ohio who meets a dashing gentleman from out of town, Walter (Charles Boyer). They soon fall for each other, but he's due to leave town shortly. As he's about to leave, he calls her from the ship with a question: there's a minister on board who can marry them. Will she join him? As she dashes to the docks, she meets an old flame, and the delay causes her to miss the boat. Five years later, Rae is in New York City and unexpectedly runs into Walter; assuming that she left him behind intentionally, he married another woman. When he realizes that she still loves him, they begin an affair. Rae is content to live her life as "the other woman" until Walter travels to Europe and neglects to call her when he returns; convinced that their romance is over, Rae goes back to Ohio and agrees to marry Curt (Richard Carlson), who loved her long ago. When Walter discovers that Rae has gone back home, he races to Ohio to reclaim her hand. This was the second film version of Back Street, following a 1932 adaptation starring Irene Dunne and John Boles and preceding a 1961 remake with Susan Hayward and John Gavin. ~ Mark Deming, All Movie Guide

In this comedy, a crime novelist spins a yarn to impress the apple of his eye. He tells her that he has been involved in a murder. ~ Sandra Brennan, All Movie Guide