Vittorio Gassman Movies
One of the most popular and versatile stars in Italy for over 40 years, handsome, flamboyant Vittorio Gassman has found tremendous success on stage and screen as an actor. Internationally, Gassman is perhaps best known as the comic star of such films as I Soliti Ignoti (Big Deal on Madonna Street) (1956) and Lo Zio Indegno (The Sleazy Uncle) (1989). Before making his film debut in the 1946 Preludio d'Amore, Gassman had established himself as a major stage star, having appeared in some 40 productions; he specialized in classical plays.He was born in Genoa, the son of an Italian mother and an Austrian father, and before entering the National Academy of Dramatic Art in Rome, studied law. It was his mother who encouraged Gassman to become an actor. In film, he started out in dramatic or romantic roles, but did not become a star until his fourth film, Giuseppe De Santis' Riso Amaro (Bitter Rice) (1949), in which he played the fugitive lover of buxom peasant Silvana Mangano. The film was an international hit as was Gassman. He had further success playing the villainous Vittorio to Mangano's Anna in Anna (1951). In 1952, Gassman headed for Hollywood to call on Shelly Winters. The two married shortly thereafter and Gassman was contracted to MGM. Appearing in such average fare as Cry of the Hunted (1953), Mambo, and Rhapsody (1954) did little to popularize him in the U.S. Gassman eventually tired of trying to make it in the States and after divorcing Winters, returned to the Italian stage. In 1956, he played Anatole in King Vidor's War and Peace and reestablished himself as a star in the Rififi parody I Soliti Ignoti. That year, Gassman also established the Teatro Popolare Italiano, his own theater troupe. The actor cut his directorial teeth with filmmaker Francesco Rosi with a biography of a famous British actor for Kean (1957). The film was not a success but did serve to add fuel to Gassman's reputation for occasionally hamming up his roles. By the 1960s, the heretofore serious actor began focusing on comedic, often satirical films. His winning of the 1975 Cannes Film Festival Best Actor Award for his portrayal of a sightless captain in Porfumo di Donna was a highlight in Gassman's career (the film inspired an American version, The Scent of a Woman (1992) starring Al Pacino). Gassman's film career continued in high gear through the mid-'80s with notable films including C'Eravama Tanto Amati (Those Were the Years) (1975) and Caro Papa (Dear Father) (1979), some of which, like The Nude Bomb (1980), were made in Hollywood. After 1985, Gassman began appearing in fewer films, though he did have a memorable turn as a crime lord in the tense Hollywood drama Sleepers in 1996. ~ Sandra Brennan, All Movie Guide
The two wandering minstrels Pippo (Vittorio Gassman) and Peppe (Philippe Noiret) have long been favorites in their Roman neighborhood, each separately contributing a musical accompaniment to the lives of its inhabitants. During a critical time some months previously, they had both had relations with the same woman. Tragically, she has just died in childbirth. The resulting baby boy belongs to one of them, but no one can decide who. At first prepared to fight over the boy's paternity (simultaneously dividing the neighborhood into factions), they agree to raise the boy together and call him Piripicchio. Over the following years, they lovingly teach him everything they know. However, when he reaches adulthood, like many before him, he shuns their ways and their world. ~ Clarke Fountain, All Movie Guide
- Starring:
- Vittorio Gassman, Philippe Noiret, (more)
When the young would-be artist Tino arrives in Venice to live at the house of his uncle while he studies art, he soon discovers that his Austrian/Venetian uncle's house is packed with mystery -- there are abandoned rooms from which strange sounds emanate. Eventually, he is told that his uncle's insane brother is being kept in rooms on the top floor, and only Uncle Fabio (who is seldom home) is permitted to visit them. However, youth and curiosity impel him onward to even more discoveries. ~ Clarke Fountain, All Movie Guide
- Starring:
- Vittorio Gassman, Catherine Deneuve, (more)
In this episodic anthology, written and directed by assorted Italian filmmakers, the political and social aspects of Italian life are chronicled. In one satirical episode, The Bomb, a bogus bomb threat at a police headquarters gradually balloons into a real terrorist plot culminating with the bombing of the police commissioner. Other episodes satirize the CIA, Christmas in Naples and pompous public officials. ~ Sandra Brennan, All Movie Guide
With fear and trepidation, the military division encamped in a desert fort await the return of a Tartar army--which attacked the fort years ago. One young soldier (Jacques Perrin), however, can't wait for the boredom to end and the fighting to begin. Ennio Morricone provided the musical score. ~ John Bush, All Movie Guide
- Starring:
- Vittorio Gassman, Giuliano Gemma, (more)
This satirical comedy recounts a tale of love across class boundaries; the twist is that here a middle-class juror, Gabriella Sansoni (Claudia Cardinale), learns about love from the testimony of Tina Candela (Monica Vitti), a woman on trial for murder. It seems that Tina has found ecstasy in a masochistic fashion by being slapped around by her beloved husband Gino (Giancarlo Giannini). She is so persuasive in this regard that Gabriella lays out a plan to receive similar treatment from her man, Andrea (Vittorio Gassman). ~ Clarke Fountain, All Movie Guide
- Starring:
- Claudia Cardinale, Vittorio Gassman, (more)
Stefania Sandrelli, a bit player in Federico Fellini's La Dolce Vita, stars in the deliberately Felliniesque comedy We All Loved Each Other So Much. Sandrelli plays the longtime object of three friends' affections. The film traces the interrelationships of those friends-Vittorio Gassman, Nino Manfredi and Satta Flores-over a period of thirty years, beginning with their involvement in the wartime Resistance. In addition to freely quoting from La Dolce Vita, director Ettore Scola also calculatedly evokes memories of Fellini's I Vitteloni. As a bonus, the film offers affectionate homages to several other neorealist filmmakers, including Rossellini and de Sica. We All Loved Each Other So Much was originally released as C'erevamo tanto amati. ~ Hal Erickson, All Movie Guide
- Starring:
- Nino Manfredi, Vittorio Gassman, (more)
Before Al Pacino ever picked up a blind man's cane in the 1992 production of Scent of A Woman, Vittorio Gassman played a blind army captain in the 1974 Italian film Profumo di Donna, based on a novel by Giovanni Arpino. The earlier film unquestionably inspired the later one, though they differ significantly. The Captain, accompanied by Ciccio (Alessandro Momo), who has been assigned to him by the army, is on his way from Turin to Naples to meet with an army compatriot who was also disfigured in the same military incident. Unknown to his aide, the Captain means to fulfill a suicide pact there. While they journey, the captain asks Ciccio to help him spot beautiful women. Unsatisfied with the boy's descriptions, he uses his nose instead, claiming that he can smell a beautiful woman. The dashing blind military man enjoys considerable success with women. During their journey, he carries with him a picture of his beloved Sara (Agostina Belli), whom he could not bear to have see him disfigured and helpless. The suicide pact is eventually thwarted, Sara enters the picture, and the boy Ciccio does some much-needed growing up. ~ Clarke Fountain, All Movie Guide
- Starring:
- Vittorio Gassman, Alessandro Momo, (more)
This Italian social satire/farce is directed by Vittorio Gassman, who also co-stars in it. Country-boy Agostino (Paolo Villaggio), abandoned as an infant by his city-dweller parents, decides to travel to Rome to find his parents. He is aided in his quest by Armando (Vittorio Gassman), a folk-magician who uses sawdust in his act. Along the way, he discovers that city-folk aren't very nice, but he opts to stay in town anyway. Armando, having seen and judged the worth of city dwellers and city life, chooses to return to the countryside. ~ Clarke Fountain, All Movie Guide
This is an episodic Italian comedy, which follows the Quixotic adventures of the gentle and extremely naive character, Brancaleone (Vittorio Gassman). Set in the middle ages, we first see Brancaleone on a quest for the Holy Grail. As his adventures proceed, he picks up an entourage including a dwarf, an endangered witch, and a masochist who emits cries of delight when Brancaleone kicks him. The film pokes gentle fun at the Papacy, and the main portion of the story features the clueless knight's involvement in a conflict between rival Popes Clement and Gregory. ~ Clarke Fountain, All Movie Guide
This tiresome comedy features pop singer Enzo Jannacci as Amedeo, a country rube who comes to Vatican City seeking a personal audience with the Pope. Detailing Amedeo's battle with officious Vatican bureaucrats and bungling attempts to catch the Pope off-guard, the film rarely rises to the level of director Marco Ferreri's more subversive farces and resembles nothing more than a 1970s Neapolitan-style Pauly Shore vehicle. Italian film buffs will still appreciate the cast, which includes Ugo Tognazzi and Michel Piccoli of La Cage aux Folles as well as Claudia Cardinale, Vittorio Gassman, and Alain Cuny. ~ Robert Firsching, All Movie Guide
In Nome Del Popolo Italiano (In the Name of the Italian Pope) represents the darker edge of Italian filmmaker Dino Risi's satiric sensibilities. Ugo Tognazzi stars as the magistrate of a prosperous Italian community. Completely incorruptible, Tognazzi goes after a crooked industrialist, played by Vittorio Gassman. The film details Tognazzi's subtle descent into toadyism. Dino Risi had often utilized the services of Ugo Tognazzi and Vittorio Gassman in the past, but seldom with such cutting, vicious effectiveness as in In Nome del Popolo Italiano. ~ Hal Erickson, All Movie Guide
The tragic Sharon Tate plays a crucial role (her last-ever appearance before the cameras) in 12 Plus 1 (aka The Thirteen Chairs). If the plot sounds familiar, it is because it's based on a popular Russian novel, also filmed in 1945 as It's In the Bag and in 1971 as The Twelve Chairs. Vittorio Gassman inherits a fortune, only to find that the money is hidden in one of thirteen antique chairs. Trouble is, he's auctioned off the chairs to pay for his transportation costs to and from his late aunt's mansion. The bulk of the film concerns Gassman's fevered scrambled throughout Europe to track down the Twelve-Plus-One chairs. Orson Welles and Vittorio De Sica turn up in cameos. ~ Hal Erickson, All Movie Guide
- Starring:
- Vittorio Gassman, Sharon Tate, (more)
This three-part social satire lampoons the church, television, big business and universities plagued by campus unrest. Riccardo (Vittorio Gassman) is a rebel who causes confusion on campus and at a television station. Part two finds industrial magnate Cavazza (Michel Simon) hounding his subordinate Franco (Nino Manfredi) when the two travel to New York. Franco abandons his boss on Fifth Avenue, where he is arrested for using a phone booth as a toilet. Cavazza gets revenge when both are back in Italy. In part three, Don Giuseppe (Alberto Sordi) is a priest who defends himself against allegations of an illicit affair with a local cashier. After an audience with the bishop, the once-quiet priest demands a car, a wife, and another flock to lead. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vittorio Gassman, Nino Manfredi, (more)
This mild comedy finds two envoys from Hell sent to Earth to cause trouble. Relfagor (Vittorio Gassman) and his faithful sidekick Adramalek (Mickey Rooney) start out by disintegrating the peace soon to take place between Rome and Florence. While traveling, they manage to seduce the wife of an innkeeper, induce the wife of a nobleman to engage in adultery, and cause a wealthy count to lose all his money and die in disgrace at his own hands. When Relfagor falls for the lovely Magdalena (Claudine Auger), he loses his magic powers and becomes a mere mortal. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vittorio Gassman, Mickey Rooney, (more)
Vittorio Gassman stars in this uneven blend of sex and comedy where animals attempt to take over the world. Satirical jabs are taken at the advertising, politics and heroes. Gassman plays a model who makes his career by appearing on billboards and loses a battle of wits with a gorilla in a zoo. Our hero watches a striptease through a telescope in Rome. He also witnesses a giant moth devouring the bathing suits of bikini-clad beauties. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vittorio Gassman, Martha Hyer, (more)
This comedy concerns identical twin brothers who have a very different way of looking at life. Filippo makes a living selling nude photographs and engaging in forgery and petty crimes, much to the consternation of his brother Mario, an honest law man employed by the government. Mario is driven crazy by Filippo, who eventually sleeps with Mario's wife and becomes a respected member of Parliament. Filippo excels, in spite of his sordid background, while the virtuous Mario loses everything and is unrewarded for his strong convictions of morality and law and order in this offbeat comedy.Vittorio Gassman stars in the double role of the disparate identical twins. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vittorio Gassman, Lisa Gastoni, (more)
Vittorio De Sica directs the 1967 episodic sex comedy Sette Volte Donna (Woman Times Seven), consisting of seven short stories each starring Shirley MacLaine. In "Funeral Possession," she plays opposite Peter Sellers as a widow at her husband's funeral. In "Amateur Night," she's a wife who's driven to prostitiution to get revenge on her adulterous husband (Rossano Brazzi). In "Two Against One," she plays an interpreter who gets naked and reads T.S. Eliot to an Italian (Vittorio Gassman) and a Scot (Clinton Greyn). In "The Super Simone," she's a houswife who acts insane to get the attention of her author husband (Lex Barker). In "At the Opera," she's a rich woman determined to get a specific dress. In "The Suicides," she forges a suicide pact with lover Alan Arkin. In "Snow," Michael Caine is hired to spy on her. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Shirley MacLaine, Peter Sellers, (more)
Dino Risi directed this bittersweet comedy about a 45-year-old man, Francesco Vincenzini (Vittorio Gassman), who becomes a grandfather for the first time and begins to fret about old age. When his son is rejected by the flirtatious Carolina (Ann-Margaret) and tries to kill himself, Francesco pays Carolina a visit to lambaste her for her treatment of his son. Carolina responds to his tongue-lashing by seducing him. Feeling young again, he plunges whole hog into an affair with Carolina, rejecting his job and his family and devoting all his attention to her. Finally, Carolina demands that he abandon his family and take off to Paris with her. While on the train to meet Carolina, Francesco has to decide whether he is using his best judgment leaving his family for Carolina. ~ Paul Brenner, All Movie Guide
- Starring:
- Vittorio Gassman, Ann-Margret, (more)
In this Italian comedy set in the 16th-century, a prince and a princess marry. Trouble ensues when a rumor that they have not consummated their marriage is circulated. The prince's father is most concerned, as a virgin marriage means he will have no heirs. He insists that the marriage be annulled. He then requires his son to marry another, but his current wife's family will not agree to the annulment until the prince proves he is a capable lover. The prince refuses to cooperate until his father threatens to cut him off financially. The prince then is paired with a virgin, and eventually passes his test. ~ Sandra Brennan, All Movie Guide
A couple with marital problems hopes to find new spirit living in a haunted house in this arcical comedy. Pasquale (Vittorio Gassman) and Maria (Sophia Loren) are a couple who are married, but not at all happily; he's a chronically unemployed musician, she can't stand her husband, and they've both decided they'd be better off dead. However, when their suicide pact goes wrong and both are still alive, Maria decides to pay a visit to Alfredo (Mario Adorf), who ran the orphanage where she was raised. Alfredo has had a lustful eye on Maria ever since she was a teenager, and he sees the current turn of events as a perfect opportunity to break up her marriage. Alfredo offers to "help" the couple by having them housesit at an old mansion which is said to be haunted; unknown to them, Alfredo has secreted himself away in the house in order to drop clues that ghosts walk. Adding to the confusion, Pasquale decides to make some extra money by renting out one of the rooms to a streetwalker, Sayonara (Margaret Lee), which leads Maria to suspect that her husband is either the new lodger's customer or her pimp. Marcello Mastroianni also makes a cameo appearance. ~ Mark Deming, All Movie Guide
- Starring:
- Sophia Loren, Vittorio Gassman, (more)














