Gene Garrick Movies

Follow the Sun is the filmed biography of golf champion Ben Hogan. Glenn Ford, no mean duffer himself, stars as Hogan, here depicted as a single-purposed individual to whom golf is everything. Anne Baxter co-stars as Hogan's supportive wife Valerie, who sticks with him through thick and thin. On the brink of his greatest success, Hogan is seriously injured in an auto accident. His recovery and return to the links provides the dramatic momentum of the film's final reels. Co-starring as themselves in Follow the Suns are such golfing legends as Sam Snead, Jimmy Demaret, and Dr. Cary Middlecoff. An uncredited Harold Blake appears as Ben Hogan at the age of 14. ~ Hal Erickson, All Movie Guide

Appointment with Murder is the second of three "Falcon" mysteries produced by bargain-basement Film Classics Productions in the late 1940s. Professional magician John Calvert assumes the leading role of private eye Michael Lanyard, aka The Falcon. Working for an insurance company, Lanyard travels from Hollywood to Italy in search of a pair of stolen paintings. This brings him in close contact with pretty art curator Lorraine (Catherine Craig), who may be involved in the thefts, and erudite international criminal Norton (Jack Reitzen). The only complaint one can level against Appointment with Murder is that it's a bit too ambitious for its tiny budget. ~ Hal Erickson, All Movie Guide

The Ghost Goes Wild is a low-cost but high-rolling farce starring James Ellison and Anne Gwynne. It starts off with Ellison, a young artist, being sued for an unauthorized caricature. To escape arrest, Ellison disguises himself as a mystic, only to conjure up a genuine ghost during a seance. Things come to a head during Ellison's trial, where the invisible ghost takes the witness stand on Our Hero's behalf. The Ghost Goes Wild is a rare venture into wacky comedy by western-oriented Republic Pictures. ~ Hal Erickson, All Movie Guide

Faced with the challenge of writing a screenplay based on the life of fabulously wealthy, fabulously successful composer Cole Porter, one Hollywood wag came up with a potential story angle: "How does the S.O.B. make his second million dollars?" By the time the Porter biopic Night and Day was released, the three-person scriptwriting team still hadn't come up with a compelling storyline, though the film had the decided advantages of star Cary Grant and all that great Porter music. Roughly covering the years 1912 to 1946, the story begins during Porter's undergraduate days at Yale University, where he participated in amateur theatricals under the tutelage of waspish professor Monty Woolley (who plays himself). Though Porter's inherited wealth could have kept him out of WWI, he insists upon signing up as an ambulance driver. While serving in France, he meets nurse Linda Lee (Alexis Smith), who will later become his wife. Focusing his attentions on Broadway and the London stage in the postwar years, Porter pens an unbroken string of hit songs, including "Just One of Those Things," "You're the Top," "I Get a Kick Out of You," "Begin the Beguine," and the title number. The composition of this last-named song is one of the film's giddy highlights, as Porter, inspired by the "drip drip drip" of an outsized rainstorm, runs to the piano and cries "I think I've got it!" The film's dramatic conflict arises when Porter is crippled for life in a polo accident. Refusing to have his legs amputated, he makes an inspiring comeback, even prompting a WWI amputee to remark upon his courage! Corny and unreliable as biography, Night and Day is redeemed by the guest appearances of musical luminaries Mary Martin (doing a spirited if disappointingly demure version of her striptease number "My Heart Belongs to Daddy") and Ginny Simms, the latter cast as an ersatz Ethel Merman named Carole Hill. Jane Wyman, seen as Porter's pre-nuptial sweetheart Gracie Harris, also gets to sing and dance, and quite well indeed. Beset with production problems, not least of which was the ongoing animosity between star Grant and director Michael Curtiz, Night and Day managed to finish filming on schedule, and proved to be an audience favorite -- except for those "in the know" Broadwayites who were bemused over the fact that Cole Porter's well-known homosexuality was necessarily weaned from the screenplay. ~ Hal Erickson, All Movie Guide

Rusty Curtis wants his beloved cavalry horse back, but unfortunately the former sergeant's steed has been sold to a society woman desiring to turn it into a steeplechaser. This drama chronicles Rusty's endeavors to get the horse back. He does so by having Sally Crandall, the woman, hire him as the horse's trainer. Later he stops the gamblers who have been trying to keep the horse out of the big race. In the end, Rusty ends up riding in place of the regularly scheduled jockey. He not only wins the race, he also wins the good lady's heart. ~ Sandra Brennan, All Movie Guide

Aircraft plant worker Robert Cummings is accused of sabotaging his factory and causing the death of a co-worker. Actually, Cummings is the fall guy for a clever ring of Nazi spies, headed by above-suspicion American philanthropist Otto Kruger. Our hero goes on a cross-country chase after genuine saboteur Norman Lloyd, all the while pursued himself by the police. Along the way, he acquires a reluctant "travelling companion" in the form of Priscilla Lane, who at first despises Cummings and intends to turn him over to the authorities at the first opportunity, but who gradually comes to realize that the boy is innocent. Alfred Hitchcock intended Saboteur to be the American equivalent to his British The 39 Steps, employing such details as the solid-citizen villain, the handcuffed hero, the unwilling blonde heroine, and any number of stopovers with a variety of offbeat characters (a travelling "freak" show, a compassionate blind man, a grizzled old prospector who turns out to be one of the spies, etc.) ~ Hal Erickson, All Movie Guide

Top Sergeant was the third of four inexpensive Universal action films top-billing Leo Carrillo, Andy Devine and Don Terry. Terry plays the title character, drill sergeant Dick Manson of the Engineer Corps. Carrillo and Devine are cast respectively as Corporals Frenchy Devereaux and Andy Jarrett, whose merry antics constantly land them in the stockade. All three protagonists are instrumental in capturing a gang of bank robbers, but one of the crooks (Don Porter) escapes after killing Manson's younger brother (Gene Garrick). The rest of the picture details Manson's herculean efforts to track down the murderer without going AWOL. ~ Hal Erickson, All Movie Guide

Angry natives or a beautiful widow -- which poses the greater threat? Keith Brandon (Douglas Fairbanks Jr.) is an archeologist leading a team of researchers -- Richardson (Vincent Price), Loren (Alan Hale), Forrester (George Sanders), and Scott (John Howard) -- who are exploring the jungles of South America in search of Inca artifacts. The scientists discover they are not welcome when Richardson is felled by a poisoned dart, and a difficult situation is made all the more complicated when Stephanie (Joan Bennett), Richardson's wife, appears unannounced to pay her husband a visit. Stephanie must join Brandon's party as they make their way through the wilderness, with angry and armed natives surrounding them on all sides, and in the midst of the tension and danger, both Brandon and Forrester discover they're attracted to to Stephanie, leading to a dangerous rivalry among the crew. Green Hell would turn out to be the last feature film completed by the noted and idiosyncratic horror director James Whale; while he was credited with another film, They Dare Not Love, Whale in fact backed out of the project before shooting was finished. ~ Mark Deming, All Movie Guide