Barbara Garrick Movies

Following up his blockbuster action hit Mr. and Mrs. Smith, director Doug Liman turns to an entirely new genre -- sci-fi -- for this tale of an underground world of teleporters. Based on the novel by Steven Gould, Jumper concerns David (Hayden Christensen), a young man who quite literally wills himself away from his grim family life by teleporting to another place with the power of his mind. Years later, David is using his powers to raid bank vaults, seduce girls in London, lunch on the pyramids, and surf in Fiji. But he soon discovers that he is not the only one bestowed with this unique gift, and all is not well in the world of jumpers. There are people out there, such as Roland (Samuel L. Jackson), who view jumpers as a threat to all humankind, and have made it their mission in life to eliminate them. After jumping back to Michigan to get reacquainted with his long lost love, Millie (Rachel Bilson), David makes the acquaintance of experienced jumper Griffin (Jamie Bell). Informed by Griffin of a secret between jumpers and a shadowy group that seeks to destroy them, the pair soon finds themselves facing off against a legion of murderous opponents who won't stop fighting until every last jumper has been eliminated. ~ Michael Hastings, Rovi

Executive produced by Oprah Winfrey, the made-for-TV Oprah Winfrey Presents: Amy & Isabelle was based on the bestselling 1999 novel by Elizabeth Strout. The scene is the mining town of Shirley Falls, ME; the year is 1971. Seeking escape from the iron rule of her domineering, social-climbing single mother, Isabelle (Elisabeth Shue), shy teenager Amy (Hanna R. Hall) falls under the seductive spell of her new math teacher, Mr. Robertson (Martin Donovan). Meanwhile, Isabelle, who may not be as straight-laced as she appears, develops a yearning for her married boss, Avery Clark (James Rebhorn), who barely acknowledges the woman's existence. The tensions between Amy and Isabelle, already heightened by their separate romantic travails, is exacerbated when the two women find themselves working together in the same accounting office. While the rest of the town buzzes with vicious gossip concerning the two heroines, the story takes on a disturbing new tangent when the body of a young girl is found stuffed into the trunk of an abandoned car. Also known as Amy & Isabelle, this film was first aired by ABC on March 4, 2001. ~ Hal Erickson, Rovi

Artist Jackson Pollock revolutionized American painting in the 1940's with his exciting abstract canvases that used dripped and splattered paint in a manner at once excitingly physical and structurally intelligent. While Pollock became a heroic figure in the art world, his private life was nothing to envy, and this biography looks at both his professional triumphs and personal tragedies. In 1941, Pollock (Ed Harris) was a bitter and struggling painter when he met Lee Krasner (Marcia Gay Harden), a fellow artist with whom he was appearing in a joint gallery show. Krasner was intrigued by Pollock, and immediately sensed the importance of his work; they quickly became lovers, and as Krasner realized his superior talent, she began devoting herself to promoting Pollock's work. When Peggy Guggenheim (Amy Madigan) agreed to present a show of Pollock's paintings at her Art of This Century gallery, his name was made, and a profile in Life magazine solidified his reputation as one of the art world's most important figures. But success did not bring Pollock peace of mind; while he long had a taste for alcohol, his new fame sent his drinking out of control, and his infidelity with numerous women (including Guggenheim) eventually destroyed his relationship with Krasner. Pollock was the first feature directed by actor Ed Harris, who also plays the title role; the cast also includes Val Kilmer as artist Willem de Kooning and Jennifer Connelly as Ruth Kligman, one of Pollock's lovers. ~ Mark Deming, Rovi

Mary Richards (Mary Tyler Moore) and Rhoda Morgenstern (Valerie Harper) from The Mary Tyler Moore Show reunite in this made-for-TV movie. In this go around, both Mary and Rhoda find themselves alone after the death of Mary's husband and Rhoda's divorce. Both try to jumpstart their dormant careers and reconnect with their daughters. ~ Jonathan Crow, Rovi

Filmed in Vancouver, this Hallmark Hall of Fame takes place during the '70s in the U.S. After the death of her mother, Charlotte (Glynis O'Connor), 10-year-old Ellen Foster (Jena Malone, who narrates) suffers abuse from her alcoholic father (Ted Levine) and is ill-treated by her maternal aunts Nadine (Debra Monk) and Betsy (Barbara Garrick) and also by Nadine's mean daughter Dora (Kimberly Brown). Ellen is sent to live with her grief-stricken grandmother Leonora (Julie Harris), but her problems continue since the mean-spirited Leonora blames Ellen for Charlotte's death. Harry Nilsson's song, "Remember Christmas," is featured. This TV movie premiered December 14, 1997 on CBS. ~ Bhob Stewart, Rovi

The reinstatement of New York's death penalty is the catalyst for this emotion-charged episode. Executive Assistant D.A. McCoy (Sam Waterston) insists upon using capital punishment to deal with the murderer of an undercover cop. But McCoy's more moderate associate Kincaid (Jill Hennessy) disagrees, citing a powerful argument against execution presented by defense attorney Helen Brolin (Maria Tucci). ~ Hal Erickson, Rovi

Author Armistead Maupin's serialized tale of sexual infidelity and identity in 1970s San Francisco becomes a sprawling comic melodrama in this much-acclaimed miniseries. Produced by PBS and Britain's Channel 4, Tales of the City covers in its five hours the interlocking stories of more than a dozen main characters, many of whom reside at 28 Barbary Lane, a quaint multi-apartment house overseen by the open-minded but enigmatic Mrs. Madrigal (Olympia Dukakis). Among her stable of residents are the acerbic, unlucky-in-love Mona Ramsey (Chloe Webb) and her occasional roommate Michael Tolliver (Marcus D'Amico), who's her constant companion -- that is, when he's not shacked up with one of an endless series of short-term boyfriends. Mrs. Madrigal's newest charge is the apple-cheeked Mary Ann Singleton (Laura Linney), a naïve young woman from the Midwest who's come to San Francisco to visit her friend Connie (Parker Posey), but ends up staying, in search of both a career and a husband. It isn't long before she finds the former; unfortunately, along with it comes the unwanted advances of her boss Beauchamp Day (Thomas Gibson), a philandering executive unhappily married to his boss Edgar's daughter, DeDe (Barbara Garrick). Meanwhile, the regal Edgar (Donald Moffat) happens to be conducting an affair of his own with none other than Mrs. Madrigal. Also starring Bill Campbell and Paul Gross, Tales of the City was first aired on Channel 4 in the spring of 1993 and made its PBS premiere in the winter of 1994, when it garnered some of the network's highest ratings ever, amidst vocal protest of the show's risqué content. ~ Michael Hastings, Rovi

Sleepless in Seattle, the sophomore directorial effort from Nora Ephron, is a light romantic comedy inspired by the 1957 film An Affair to Remember. Tom Hanks stars as widower and single father Sam. When Sam's son, Jonah (Ross Malinger), calls into a talk radio program looking for a new mother, Sam ends up getting on the phone and laments about his lost love. Thousands of miles away, Annie (Meg Ryan) hears the program and immediately falls in love with Sam, despite the fact that she has never met him and that she is engaged to humdrum Walter (Bill Pullman). Believing they are meant to be together, Annie sets out for Seattle to meet Sam, who, meanwhile, contends with an onslaught of letters from available women equally touched by his phone call. Rosie O'Donnell, Rita Wilson, and Rob Reiner also star. ~ Matthew Tobey, Rovi

Assistant D.A. Crocker, Kojak's former partner, is certain that Kojak is the killer of a call girl. ~ Rovi

The Top Gun team of producers Don Simpson and Jerry Bruckheimer, director Tony Scott, and superstar Tom Cruise reunite for this excursion into stock-car racing that incorporates the vroom and rumble of deafening car engines with a rehash of the same elements that worked so effectively in Cruise's Top Gun, The Color of Money, and Cocktail. Cruise plays stock-car driver Cole Trickle, a young fireball on the Southern stock-car circuit who has loads of talent but no conception of how to channel that talent in to racing success. When Tim Daland (Randy Quaid) commissions veteran stock-car racer Harry Hogge (Robert Duvall) to built a car and hires Cole to drive it, Harry must instill in Cole his philosophy of winning and teach him how to channel his raw talent into success -- or, as Harry puts it, "controlling something that's out of control." Cole immediately comes into conflict with the circuit's star driver, Rowdy Burns (Michael Rooker), and their hijinks on the track causes them to smash up their cars and lands them both in the hospital. Because of his injuries, Rowdy is forced to withdraw from the circuit competition. With no rival to torment, Rowdy becomes Cole's supporter and friend, while Cole revs up his motors for Dr. Claire Lewicki (Nicole Kidman), the attractive brain specialist who supervises Cole's recovery from the crackup. Cole's health is restored, and he begins to race again, chastened and hanging onto Harry's every word. Cole appears to have centered himself for success, but in an orgasmic grand finale, Cole must compete against Russ Wheeler (Cary Elwes), a dastardly driver who not only wants to see Cole defeated but permanently disabled. ~ Paul Brenner, Rovi

Writer/director John Sayles' dramatization of the most infamous episode in professional sports -- the fix of the 1919 World Series -- is considered by many to be among his best films and arguably the best baseball movie ever made. This adaptation of Eliot Asinof's definitive study of the scandal shows how athletes of another era were a different breed from the well-paid stars of later years. The Chicago White Sox owner, Charlie Comiskey (Clifton James), is portrayed as a skinflint with little inclination to reward his team for their spectacular season. When a gambling syndicate led by Arnold Rothstein (Michael Lerner) gets wind of the players' discontent, it offers a select group of stars -- including pitcher Eddie Cicotte (Sayles regular David Strathairn), infielder Buck Weaver (John Cusack), and outfielder "Shoeless" Joe Jackson (D.B. Sweeney) -- more money to play badly than they would have earned to try to win the Series against the Cincinnati Reds. Sayles cast the story with actors who look and perform like real jocks, and added a colorful supporting cast that includes Studs Terkel as reporter Hugh Fullerton and Sayles himself as Ring Lardner. ~ Tom Wiener, Rovi