Julianne Nicholson Movies

This made-for-TV movie is a remake of the theatrical feature Conrack, using the original title of the source novel by Pat Conroy. Set in 1969, The Water Is Wide stars Jeff Hephner as Conroy, an idealistic young teacher whose first assignment is at a run-down school located on Yamacraw Island in South Carolina. The state's imperious school superintendent Henry Piedmont (Frank Langella) has written off the unkempt, illiterate black children of Yamacraw as thoroughly unteachable, while the school's authoritarian black principal Mrs. Brown (Alfre Woodard), evidently unwilling to buck the Anglo-Saxon establishment, insists that Conroy doggedly adhere to an established curriculum that has never worked with the students. Instead, Conroy utilizes compassion and humor as teaching tools, reaching out to his students through a variety of humanistic methods, including adopting the kids' own archaic Gullah dialect in order to teach them proper English. Not surprisingly, Mr. Piedmont and Mrs. Brown are dead set against Conroy's "radical" approach to teaching -- even when it is obviously working -- but fortunately, our hero has a strong ally in the form of deputy superintendent Bennington (James Murtaugh). Echoing elements from another Pat Conroy novel, The Great Santini, the young protagonist is plagued throughout the film by memories of his uncompromising Marine-officer father, who has instilled in Conroy a hatred (and fear) of all authority figures. Produced as part of CBS's Hallmark Hall of Fame series, The Water Is Wide was first broadcast on January 29, 2006. ~ Hal Erickson, Rovi

Another Law & Order spin-off from producer Dick Wolf, NBC's weekly, hour-long Conviction starred Stephanie March, recreating her familiar Law & Order: SVU role as Assistant DA Alexandra Cabot. Formerly imbedded in the Federal Witness Protection Program, Alexandra was once more able to move about and practice her trade, this time as bureau chief for a group of young, ambitious ADAs. Her new colleagues included deputy DA and law-office manager Jim Steele (Anson Mount); born-into-privilege lawyer Nick Potter (Jordan Bridges), who idealistically left a lucrative private practice to work with Cabot for a paltry 51,000 dollars per year; arrogant grandstander Billy Desmond (J. August Richards), who went to great lengths to secure for himself only those cases that he was sure to win; Jessica Rossi (Milena Govich), Nick Potter's unofficial assistant and a woman with a murky, working-class past; Brian Peluso (Eric Balfour), whose legal brilliance was mitigated by his slovenliness and his messy private life; and Christina Finn (Julianne Nicholson), who'd been working in the office for two years before finally landing her first case and was understandably anxious to make up for lost time. Eschewing the "procedural" format of the other series in the Law & Order franchise, Conviction was built more along the lines of the medical drama Grey's Anatomy, focusing more on the various lawyers' personal problems and hang-ups than on their professional activities. Also breaking away from the Law & Order formula was the series' predilection for having the attorneys inaugurate legal investigations before it was entirely certain that a crime had actually been committed. Conviction first aired on March 3, 2006. ~ Hal Erickson, Rovi

A woman who loves opera finds herself playing a romantic version of musical chairs in this independent comedy from writer and director Maria Maggenti. Allegra (Elizabeth Reaser) is a writer who has been involved with Samantha (Julianne Nicholson) for some time, but Allegra just isn't willing to make a commitment. Eventually, Samantha decides she's had enough, and she not only leaves Allegra, she jumps to the other side of the gender divide and starts dating a man. While Allegra is none too pleased with Samantha's actions, she unwittingly finds herself following suit when she meets Philip (Justin Kirk), a college professor, at a party. After a few cocktails, Allegra and Philip end up in bed, and while Allegra is content to leave it as a one-night stand, Philip has different ideas, and goes so far as to dump his girlfriend to pursue a relationship with Allegra, even though she's made it clear to him she's not at all serious about him. At the same time, Allegra strikes up a new romance with Grace (Gretchen Mol), but she doesn't know all that much about Grace's previous lovers -- who happen to include Philip. Puccini for Beginners was screened in competition at the 2006 Sundance Film Festival. ~ Mark Deming, Rovi

A prep school student is murdered, apparently without motive. Further investigation reveals that the boy's wealthy father, Peter Wilder (Henry Woronicz), was being blackmailed over a sordid incident in his past. The key to solving this case is in the hands of a "mystery woman" -- if only the detectives and the D.A.'s office can find her. ~ Hal Erickson, Rovi

After having received mediocre ratings for some time, this was the last season of Ally McBeal. Featuring actor and singer Jon Bon Jovi as Victor, Ally's newest boyfriend, this season gave Ally something she had always longed for -- a family. When Maddie Harrington (Hayden Panettiere) came to Ally's doorstep and informed Ally that she was a mother, the famously neurotic lawyer finally found something to focus on besides her own life. Though Ally had never gotten over Larry (Robert Downey Jr.), she was able to find some semblance of emotional gratification with her daughter. In the end, Ally decided to move to New York for Maddie's sake and leave the past five years of her life in Boston. Though some of the shows staple characters departed -- Ling (Lucy Liu) and John (Peter MacNicol) were the only regular cast members for part of the season -- everyone grew and, in general, became more mature versions of their former selves. ~ Tracie Cooper, Rovi

Writer-director Esther Bell spins this semi-autobiographical drama about a young punk learning to come to terms with her gay father. Set in 1988, South Carolinian teen Teri (Nika Feldman) plans a road trip to the Big Apple to sell her zine "Skid Marks," bringing her skate punk boyfriend Kevin (Arik Roper) and his buddy Skank (Preston Miller) along for the ride. Once in the city, their car gets swiped, forcing them to track down Teri's biological father Henry (George Crowley) -- who is recovering from both a gay bashing incident and the separation from his longtime lover (Fred Schneider of B-52s fame) who dumped him because of his closeted ways. Believing that her father abandoned her long ago, Teri harbors much resentment toward her dad and is loath to look him up. As the film progresses, she learns that the truth is much more complex. This film was screened at the San Francisco Lesbian and Gay Film Festival. ~ Jonathan Crow, Rovi

The lives of a septic tank cleaner, an ambitious mob boss, and a deaf-mute deli worker converge in tragedy in this seriocomic crime drama from director/screenwriter James DeMonaco. Blue collar by birth, Sully Halverson (Ethan Hawke) has never amounted to much in life. When Sully finds out he's about to become a father, he schemes to rob Parmie Tarzo (Vincent D'Onifrio), a small-time kingpin who's looking for a way to leave his mark on the world. By saving Staten Island Forest, Parmie surmises, he can mold an upstanding public persona for himself while quietly eliminating the competition behind closed doors. That's where Jasper Sabiano (Seymour Cassel) comes in. Seymour may not be able to hear or speak, but he's a hard worker who knows where his bread is buttered. When he's not serving up bagels and coffee, Jasper is dispatching bodies for Tarzo -- frequently in Staten Island Forest. But lately Jasper has been growing tired of the game, and he's desperate to find a way out. When Sully sets his plan into motion, all three men find themselves thrust into a volatile situation that threatens to destroy their plans for the future as it quickly spirals out of control. ~ Jason Buchanan, Rovi

When a blind date arranged by mutual friends results in a whirlwind courtship for an enchanted young couple, the pair soon discover that fate may not ultimately be so kind in director Jeff Lipsky's affecting romance. As the rain poured down on the night that they first met, Stuart and Nicole sat mesmerized in a small diner, wondering if life could truly get any better than it was in those early, magical moments. In the coming weeks they found that indeed life could get better, but as the young couple embarks on a dizzying romance their initial enchantment soon gives way to a painful reversal of fortunes. With human flaws eclipsing the perceived initial perfection and the disparities of their backgrounds prying open an ever deepening chasm filled with selfishness and religious conflict, Stuart and Nicole soon find that the heartbreak of their failing romance is as emotionally devastating as their early moments together were intoxicating. ~ Jason Buchanan, Rovi