Peggy Ann Garner Movies
The daughter of an ambitious "stage mother," Peggy Ann Garner worked as a model and in summer stock before her sixth birthday. At seven she arrived in Hollywood, appearing briefly in several films; by the early '40s she showed a strong acting talent in larger roles. For her work at age 13 in A Tree Grows in Brooklyn she won a special Oscar as the "Outstanding Child Performer of 1945." Most of her later roles, however, were unrewarding, and her film career all but ended in the early '50s. In 1950 she debuted on Broadway, appearing in many plays in New York and on tour; she also eventually did much work on TV, appearing in TV dramas and series episodes and enjoying a very brief run in a Saturday-afternoon sitcom on ABC called Two Girls Named Smith (1951). By the late '60s she had given up her acting career, though she went on to appear prominently in Robert Altman's film A Wedding (1978). She married and divorced actors Richard Hayes and Albert Salmi, and died of pancreatic cancer at age 52. ~ All Movie Guide
One-time movie song-and-dance man James Dunn won an Academy Award for his "comeback" performance in A Tree Grows in Brooklyn. Based on the best-selling novel by Betty Smith, the film relates the trials and tribulations of a turn-of-the-century Brooklyn tenement family. The father, Dunn, is a likable but irresponsible alcoholic whose dreams of improving his family's lot are invariably doomed to disappointment. The mother, Dorothy McGuire, is the true head of the household, steadfastly holding the family together no matter what crisis arises. The story is told from the point of view of daughter Peggy Ann Garner, a clear-eyed realist who nonetheless would like to believe in her pie-in-the-sky father, whom she dearly loves. Joan Blondell co-stars as the family's brash, freewheeling aunt, whose means of financial support is a never-ending source of neighborhood gossip. This first film directorial effort of Elia Kazan earned a special Oscar for "Most Promising Juvenile Performer" Peggy Ann Garner. A Tree Grows From Brooklyn was remade for TV in 1974, and also served as the basis of a Broadway musical. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy McGuire, Joan Blondell, (more)
Robert Altman's over-frenetic satire on American marriage rituals and hypocrisy concerns the upper-crust marriage between Dino Corelli (Desi Arnaz Jr.) and Muffin Brenner (Amy Stryker). As the film begins, a senile bishop forgets the lines to the wedding ceremony and Nettie Sloan (the groom's grandmother) drops dead in an upstairs bedroom. Nettie's death is not disclosed to the two families who converge at the wedding reception. As the two sets of in-laws slam into each other, the bride and groom disappear in the ensuing whirlwind of chaos as both extended families vie for sexual favors and try to keep hidden never-discussed family secrets. Regina Corelli (Nina Van Pallandt) is revealed to be a drug addict, while Luigi, is endeavoring unsuccessfully to keep his Mafia connections under wraps. Meanwhile, the bride's family, although more down to earth, are revealed to be no better. Tulip Brenner (Carol Burnett) begins to flirt with one of the wedding guests, Mackenzie Goddard (Pat McCormick), while Snooks Brenner (Paul Dooley) acts like a lout and drinks heavily. And flying around the edges of the action like Tinkerbell is Buffy Brenner, the Brenners' youngest daughter, who is pregnant by the groom. As other characters bang into each other -- sexual degenerates, hard-nosed radicals, raw-boned emotional wrecks -- the wedding reception heads for its inevitable nuclear explosion. ~ Paul Brenner, All Movie Guide
- Starring:
- Carol Burnett, Paul Dooley, (more)
- 1940
Raymond Massey plays Abe Lincoln in this moving adaptation of Robert Sherwood's Pulitzer Prize-winning play. Expanded a bit for cinematic purposes, the film traces Lincoln's progress from his days of scrambling for a living as a woodsman, to his courtship of the tragic Ann Rutledge (Mary Howard) and then the mercurial Mary Todd (Ruth Gordon), to the formative years of his law practice, to his debates with Stephen Douglas (Gene Lockhart), and finally to his election as President of the soon-to-be-divided United States in 1860. Latter-day critics have complained about Massey's stolidity in his signature role, but even the most stone-hearted viewer will be moved by such scenes as Lincoln riding through the ruins of what once was the village of Salem; Abe's heated election-eve quarrel with his spiteful wife Mary; and his climactic speech from the observation car of the train that will carry him to Washington...and immortality. Abe Lincoln at Illinois turned out to be a succes d'estime for its producer Max Gordon and its studio (RKO), taking a bath to the tune of $750,000. Its failure moved one Hollywood wise-guy to collar Gordon at a party and say, "I can't understand it, Max. Lincoln was so kind to everybody but you." ~ Hal Erickson, All Movie Guide
- Starring:
- Raymond Massey, Ruth Gordon, (more)
- 1962
Having suffering a crippling injury while on his honeymoon, Joe Drake (Paul Comi) is none too pleased when he is visited by Ralph Morrow (John Lupton), former boyfriend of Joe's wife, Madeline (Peggy Ann Garner). Convinced that Ralph has set his sights for Madeline again, Joe gets carried away by his paranoia and concludes that Ralph is also responsible for three recent murders in his neighborhood, in which all the victims were young women. Ultimately, however, both Joe and Ralph launch desperate searches for Madeline when she fails to come home on time -- and it is at this point that the murderer's true identity is revealed. ~ Hal Erickson, All Movie Guide
- 1978
The second TV-movie to bear the title Betrayal stars Lesley Ann Warren and Rip Torn. Warren plays Julie Roy, a sensitive young woman seeking solace through therapy. Torn co-stars as Julie's psychiatrist Dr. Hartogs. It turns out that the far-from-ethical Hartogs has a hidden agenda: while pretending to minister to Julie's needs, he inveigles her into a sexual relationship. First telecast November 13, 1978, Betrayal was based on an actual case and adapted from a book co-written by the real-life Julie Roy. ~ Hal Erickson, All Movie Guide
- 1954
Broadway producer Peter Denver (Van Heflin) takes in young actress Nanny Ordway (Peggy Ann Garner) while his wife (Gene Tierney) is out of town. When Nancy is found murdered in his penthouse apartment, the two prime suspects are Peter and the neglected husband (Reginald Gardiner) of temperamental Broadway star Ginger Rogers, who had also been dallying with the dead girl. Detective Bruce (George Raft) figures out the true identity of the killer, but the audience may be well ahead of him. Despite its resplendant color photography, Black Widow is a "film noir" at heart. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Van Heflin, (more)
- 1939
Columbia's new "Blondie" series continued its winning streak with its fourth entry, Blondie Brings Up Baby. So much happens within the film's 67 minutes that it's best to boil things down to the central storyline. Baby Dumpling (Larry Simms), the six-year-old son of Blondie and Dagwood Bumstead (Penny Singleton and Arthur Lake) disappears from sight during his first day at school. While Dagwood frantically combs the city in search of the boy, Baby Dumpling spents a nice, safe afternoon with poor little rich girl Melinda Mason (Peggy Ann Garner), who with her new playmate's help arises from her sickbed to walk across the room for the first time in months. Other plot threads include Dagwood's disastrous confrontation with an important business client (Robert Middlemass), and Daisy the Dog's ongoing battle of wits with the local dog-catcher. Like many of the "Blondie" films, Blondie Brings Up Baby serves as a showcase for young talent on the way up: Robert Sterling is seen as one of Dagwood's office buddies, while Bruce Bennett plays a uniformed chauffeur. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1947
Often mistakenly identified as a sequel to My Friend Flicka, Thunder in the Valley actually has more in common with the Lassie saga. Lon McAllister plays the son of truculent Scottish sheepherder Edmund Gwenn. Though he has no time for people, Gwenn is quite fond of his collie dog. Partly as a means of defying his intractible father, McAllister raises his own dog and beats Gwenn at an annual contest. Father and son are brought closer together when Gwenn is forced to do away with his collie, who has gone mad. Breathtakingly photographed in Technicolor (those nocturnal Highlands scenes are terrific!), Thunder in the Valley is based on the popular Alfred Ollivant novel Bob, Son of Battle. Lending excellent support to stars Gwenn and McAllister are Peggy Ann Garner and Reginald Owen; reportedly, perennial Laurel and Hardy foil James Finlayson also appears in the role of a judge. ~ Hal Erickson, All Movie Guide
- Starring:
- Harry Allen, James Finlayson, (more)
Inspired by the adventure-book series by Roy Rockwood, Monogram's Bomba the Jungle Boy was the first of a series of twelve "Bomba" pictures. Johnny Sheffield, formerly "Boy" in the Tarzan pictures, stars as Bomba. Another former child performer, Peggy Ann Garner, co-stars as Pat Harland, who with her father George (Onslow Stevens) has arrived in Africa on a photographic expedition. Bomba ends up rescuing Pat from a wide variety of jungle villains. Much of the film is built around stock footage from a 1930 documentary, Africa Speaks. Economically produced, Bomba the Jungle Boy proved a profitable beginning for one of Monogram's most successful series. ~ Hal Erickson, All Movie Guide
- Starring:
- Johnny Sheffield, Peggy Ann Garner, (more)
- 1961
Despite irrefutable evidence which places Jim Applegate (Charles Aidman) at the scene of a lynching, Hoss Cartwright doesn't reveal this information to Sheriff Coffee. It is not friendship or loyalty which motivates Hoss' silence: Both he and Jim are in love with Cameo Johnson (Peggy Ann Garner), and Hoss does not want to be accused of falsely besmirching his romantic rival. Featured in the cast are Robert McQueeney as Gideon and Joe De Santis as Morehouse. Written by Anthony Lawrence and first telecast on April 15, 1961, "The Rival" was one of several Bonanza episodes directed by Robert Altman. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Pernell Roberts, (more)
- 1963
When he is unexpectedly reunited with his wife Amelia (Peggy Ann Garner), an Army nurse, Cpl. Andy March (Jeremy Slate) begs Saunders (Vic Morrow) to give him a 48-hour pass. Unfortunately, military bureaucracy prohibits Andy from his long-awaited conjugal visit. But that isn't the worst of it: Amelia is secretly carrying on a torrid affair with Army doctor Lew Anders (William Windom). The drama intensifies when, while replacing the temporarily incapacitated Pvt. Kirby (Jack Hogan), March is seriously wounded--and Dr. Anders must perform an emergency operation. ~ Hal Erickson, All Movie Guide
Daisy Kenyon stars Joan Crawford as the eponymous heroine, a Manhattan commercial artist. Daisy is torn between two men: a handsome, married attorney (Dana Andrews) and an unmarried Henry Fonda. Deciding to do the "right thing", Daisy marries Fonda, but carries a torch for the dashing Andrews. When the lawyer divorces his wife, he calls upon Daisy and tries to win her back. She is very nearly won over, but her husband isn't about to give up so easily. Both men argue over Daisy, who is so distraught by the experience that she nearly has a fatal automobile accident. In the end, Daisy realizes that she truly loves Fonda, and gives Andrews his walking papers. Daisy Kenyon is given a contemporary slant with a subplot about child abuse (in a Joan Crawford film!); and, in one scene set at New York's Stork Club, several celebrities (Walter Winchell, Leonard Lyons, John Garfield) make unbilled cameo appearances. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Art Baker, (more)
- 1957
This presentation of The DuPont Show of the Month represented the first time that a novel by A.J. Cronin had been adapted for American television. In the early part of the 20th century, Canadian youth Paul Burgess (Farley Granger) discovers that his father, long believed dead, is languishing in a British prison, serving a life sentence for murder. Heading to England to get the full story, Paul is disheartened when everybody whom he meets assures him that his father was convicted fairly and squarely. On the verge of returning home, Paul comes into possession of an unexpected piece of evidence, sending him off to a new direction, with the hopeful end result of clearing his dad's name--much to the dismay of the other people involved in the case. "Beyond This Place" was originally telecast live. ~ Hal Erickson, All Movie Guide
- Starring:
- Farley Granger, Shelley Winters, (more)
- 1942
With America's Air Force not completely mobilized in mid-1942, Universal paid tribute to those foresighted Yankee flyboys who joined England's Royal Air Force before America's entry into WW2 in Eagle Squadron. Robert Stack stars as Chuck Brewer, one of several US flyers participating in RAF bombing raids of Germany. The film stresses the importance of hands-across-the-sea teamwork in this massive undertaking, concluding with Brewer leading his British compatriots on a Commando raid behind enemy lines, the better to capture a revolutionary new Nazi war plane. Every so often, the story slows to a walk as Brewer romances British lass Anne Partridge, played by the unfortunate Diana Barrymore in her last truly important screen role. Producer Walter Wanger made special arrangements with the British government to incorporate several exciting shots of authentic air battles in the film's 108 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Stack, Diana Barrymore, (more)
The eight witnesses of a murder of a scientist can only help so much as they are all blind. ~ All Movie Guide
- 1962
Stuntman and future film director Hal Needham plays a sizeable role in this episode as Buddy Webster, a tough but incredibly naïve gold miner. Now that he has struck it rich, Buddy wants to fulfill a lifelong dream: to marry a beautiful saloon girl named Ginger (Peggy Ann Garner), whom he met casually years earlier. Paladin (Richard Boone) must open Buddy's eyes to the cruel fact that Ginger is far from the sweet, virginal damsel that she is imagined to be. Featured in the cast are two longtime members of the Have Gun, Will Travel production staff, wardrobe supervisor Joseph Dimmit and stunt coordinator Fred Hakim. ~ Hal Erickson, All Movie Guide
- 1946
Based on a novel by Craig Rice, Home Sweet Homicide is a delightful blend of domestic comedy and murder mystery. Peggy Ann Garner, Dean Stockwell and Connie Marshall play Dinah, Archie and April Carstairs, the precocious offspring of widowed mystery writer Marian Carstairs (Lynn Bari). When a real-life murder occurs, the kids join forces to solve the crime over their mother's objections. It isn't that Dinah, Archie and April are all that interested in serving the cause of justice: it's simply that they want to play matchmaker for Marian and handsome homicide lieutenant Bill Smith (Randolph Scott). The revelation of the killer will come as no surprise to dyed-in-the-wool mystery movie fans, but this shouldn't spoil the fun. Incidentally, the actor billed as "John Shepard" is actually Shepperd Strudwick. ~ Hal Erickson, All Movie Guide
- Starring:
- Peggy Ann Garner, Randolph Scott, (more)
- 1939
- NR
Based on Memory of Love, a novel by Bessie Breuer, In Name Only is soap opera par excellence, blessed with a peerless cast. Carole Lombard plays widow Julie Eden, who meets and falls in love with unhappily married Alec Walker (Cary Grant). Having married Alec solely for his wealth and family prestige, his manipulative wife, Maida (Kay Francis), has managed to convince everyone -- even Alec's parents -- that she is the victimized one and that Alec is an irresponsible philanderer. Making matters worse, Maida refuses to give Alec a divorce so that he can find happiness in the arms of the sweet, unassuming Julie. Almost miraculously, Maida agrees to let Alec go, only to capriciously renege at the last minute and sue Julie for alienation of affections. Disconsolately, Alec goes on a bender, falling asleep in front of an open window and contracting pneumonia. As Alec lays seriously ill in a hospital bed, Julie tearfully agrees to give him up if only Maida will try to make him happy. But Maida isn't about to give up this moment of triumph, cheerfully bragging about her underhanded methods and her intention to take Alec for every penny that he has. Without giving away the outcome, it can be noted that, figuratively speaking, loose lips sink ships. Though In Name Only could have been a wallow in bathos, the performances by the stars -- and the knowing direction of John Cromwell -- elevate the production to the level of "romance classic." ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Cary Grant, (more)
- 1968
Ironside (Raymond Burr) heads to San Francisco's Skid Row to solve the murder of a street person. In the course of events, the Chief tries to rehabilitate Rafe (Ralph Meeker), a fiercely proud ex-cop who has become a shabby derelict. Meanwhile, another down-and-outer named Jack (Clu Gulager) confounds the authorities with a trail of forged checks. It soom becomes clear to Ironside that either Rafe or Jack is the murderer...and is more than willing to murder again. ~ Hal Erickson, All Movie Guide
Director Robert Stevenson collaborated with novelist Aldous Huxley and theatrical-producer John Houseman on the screenplay for this 1944 adaptation of Charlotte Bronte's gothic romance Jane Eyre. After several harrowing years in an orphanage, where she was placed by a supercilious relative for exhibiting the forbidden trait of "willfulness," Jane Eyre (Joan Fontaine) secures work as a governess. Her little charge, French-accented Adele (Margaret O'Brien), is pleasant enough. But Jane's employer, the brooding, tormented Edward Rochester (Orson Welles), terrifies the prim young governess. Under Jane's gentle influence, Rochester drops his forbidding veneer, going so far as to propose marriage to Jane. But they are forbidden connubial happiness when it is revealed that Rochester is still married to a gibbering lunatic whom he is forced to keep locked in his attic. Rochester reluctantly sends Jane away, but she returns, only to find that the insane wife has burned down the mansion and rendered Rochester sightless. In the tradition of Victorian romances, this purges Rochester of any previous sins, making him a worthy mate for the loving Jane. The presence of Orson Welles in the cast (he receives top billing), coupled with the dark, Germanic style of the direction and photography, has led some impressionable cineasts to conclude that Welles, and not Stevenson, was the director. To be sure, Welles contributed ideas throughout the filming; also, the script was heavily influenced by the Mercury Theater on the Air radio version of Jane Eyre, on which Welles, John Houseman and musical director Bernard Herrmann all collaborated. But Jane Eyre was made at 20th Century-Fox, a studio disinclined to promote the auteur theory; like most Fox productions, this is a work by committee rather than the product of one man. This in no way detracts from the overall excellence of the film; of all adaptations of Jane Eyre (it had previously been filmed in 1913, 1915 and 1921, and has been remade several times since), this 1943 version is one of the best. Keep an eye out for an uncredited Elizabeth Taylor as the consumptive orphanage friend of young Jane Eyre (played as child by Peggy Ann Gardner). ~ Hal Erickson, All Movie Guide
- Starring:
- Orson Welles, Joan Fontaine, (more)
- 1945
Adapted from the high school drama-class perennial by Jerome Chodhorov and Joseph Fields, Junior Miss stars Peggy Ann Garner as a troublesome teenager. Garner means well, but can't help meddling in the affairs of her father (Allyn Joslyn) and other unsuspecting grownups. Most of the story revolves around Peggy's matchmaking habits: she pairs up her uncle (Milo O'Shea) with the daughter of her father's employer, which nearly loses dad his job. The mess sorts itself out before the third-act curtain, with Garner promising to mind her own business...until next time. Keep an eye out for a brief appearance by a young Mel Torme. ~ Hal Erickson, All Movie Guide
- Starring:
- Peggy Ann Garner, Allyn Joslyn, (more)
- 1938
In this heartwarming tearjerker, an adorable orphan becomes determined to find her father, whom she is convinced is still alive. She then leaves the nuns who have been her guardians and sets out on her quest. She never finds her real father, but she does manage to find a soft-hearted gambler who takes her under his wing and acts as her father. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Litel, Ann Sheridan, (more)
- 1945
The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Joan Bennett, (more)
- 1960
Every night, at precisely the same hour, pregnant housewife Laura Perkins (Peggy Ann Garner) insists that she hears the sound of an airplane buzzing over her house. Laura's husband John (John Lassell) hears nothing, and dismisses his wife's fears as a delusion arising from her delicate condition. Even so, Laura is obsessed with the belief that a plane will crash directly into her bedroom at 12:17 AM--but as it turns out, her future may hold something even more devastating. ~ Hal Erickson, All Movie Guide
- 1963
This is the first of four consecutive episodes in which Perry Mason appears only briefly, while a "guest" lawyer handles the case at hand (Raymond Burr was at the time recovering from minor surgery). No less than Bette Davis is cast as female attorney Constant Doyle, the widow of famed defense attorney Joe Doyle. Taking her late husband's place, Constant agrees to defend young Cal Leonard, who is accused of burglarizing the offices of Otis Industries and beating up a night watchman. Actually, Constant doesn't like Cal very much and was thinking of dropping the case until her curiosity was aroused by the fact that Lawrence Otis was all too willing to drop the charges against the boy. As it turns out, Cal is lucky to have Constant on his side when he charged with the murder of his cousin Steven (Jerry Oddo). Removed from the original Perry Mason syndicated rerun package in 1966, this episode remained unseen until it was telecast on cable TV in the mid-1990s. ~ Hal Erickson, All Movie Guide
