Hiam Abbass

Widow and empty-nester Salma Zidane lives on the Palestinian West Bank, in a little house flanked by lemon trees planted by her great grand parents. Unfortunately, when the Israeli minister of defense builds a house adjacent to her own, her lemon trees are deemed a security risk. Salma hires a lawyer to prevent the powerful man from having her ancestral trees removed, but the odds are stacked against her and to make matters worse, she begins to fall in love with her lawyer. Things look bleak, but it looks like hope could shine in from an unexpected source, when the minister's neglected wife develops sympathy for Salma's plight. ~ Cammila Albertson, All Movie Guide

A lonesome widower and college economics professor finds his mundane existence suddenly shaken up when he befriends a pair of illegal immigrants, one of whom has recently been threatened with deportation by U.S. immigration authorities, in the sophomore feature from The Station Agent director Tom McCarthy. Years after losing his wife, 62-year-old Walter Vale (Richard Jenkins) has also lost his passion for writing and teaching. In an effort to fill the empty void that his life has become, Walter makes a half-hearted attempt to learn to play classical piano. Later, when Walter's college sends him to a conference in Manhattan, he is surprised to discover that a young couple has moved into his seldom-used apartment in the city. Tarek (Haaz Sleiman) and his Senegalese girlfriend Zainab (Danai Gurira) have fallen victims to an elaborate real-estate scam, and as a result they no longer have a place to call home. When Walter reluctantly allows the couple to remain in his apartment, talented musician Tarek insists on repaying his host's kindness by teaching him to play the African drum. Over the course of Walter's lessons, the ageing academic finds his spirits revitalized while gaining a newfound appreciation for New York jazz clubs and Central Park drum circles. Later, Tarek is arrested in the subway and threatened with deportation after police learn that he is an undocumented citizen. Suddenly, in his attempt to help his new friend, Walter's passion for life is unexpectedly awakened. When Tarek's radiant mother Mouna (Hiam Abbass) arrives in the city in search of her son, that passion turns to romance -- something that Walter had previously thought he would never experience again. ~ Jason Buchanan, All Movie Guide

Two lifelong friends set off on a remarkable adventure in this animated feature. Azur (Rayan Mahjoub) is an orphaned boy living in 18th century France, where he's being raised by Jenane (Hiam Abbass), a nurse of Arab heritage who cares for the boy alongside her own son, Asmar (Abdelsselem Ben Amar). Jenane regales the boys with tales of the mysterious Fairy Djinn, a magical creature with great powers but equally great protectors at her disposal. Azur is sent away to school, but when he returns home as a grown man (now voiced by Cyril Mourali), he finds Jenane and Asmar have gone. Convinced the Fairy Djinn is responsible, Azur hops a ride aboard a sailing ship and sets out to find the Djinn as well as his friends. However, in time Azur meets up with Asmar (now voiced by Karim M'Ribah) only to discover he and his mother are also searching for the powerful Djinn for their own purposes. Now that his best friend has become a competitor in the race to find the Djinn, Azur recruits a team of helpers to aid him as he tries to beat Asmar in their game. Azur and Asmar received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Said (Kais Nashef) is a young Palestinian living in Nablus, and working as a mechanic. He gets his friend Khaled (Ali Suliman) a job, but the hot-tempered and impulsive Khaled quickly loses it. Suha (Lubna Azabal), a pretty, well-traveled young woman and the daughter of a well-known "martyr," brings her car in to be fixed, and flirts with Said. He's clearly interested in her, so much so that he continues to think of her when he's approached later that day by Jamal (Amer Hlehel), who tells him that he's been selected for an important mission, a suicide bombing in Tel Aviv, and that Khaled will be joining him, as they had requested. That night, Jamal stays with Said at his mother's (Hiam Abbass) house, while another man stays with Khaled. Said sneaks off during the night to bring Suha her car keys, and has a brief discussion with her about her father's death, and what options the Palestinians have in their dealings with Israel. Said doesn't tell her the real reason for his visit: he's saying goodbye. The next morning, as scheduled, Said and Khaled are given neat haircuts and suits. They each make a video explaining to their families why they've chosen this path. Explosives are strapped on, and they are warned that trying to remove the belts themselves will result in detonation. When they're brought to a hole in the fence surrounding Nablus, they are intercepted by Israeli troops. Khaled and Said flee, and get separated. Said is left on his own. Paradise Now was co-written and directed by Hany Abu-Assad (Rana's Wedding, Ford Transit). A hit on the festival circuit, it was selected for inclusion in the 2005 New York Film Festival by the Film Society of Lincoln Center. ~ Josh Ralske, All Movie Guide

A family deals with the typical anxieties of a wedding day while also confronting the political turmoil of the Middle East in this drama, a collaboration between Israeli and Palestinian filmmakers. Hammed (Makram J. Khoury) is a leading political figure in Majdal Shams, a Druze community that has been under Israeli occupation since the late '60s. Years ago, Hammed arranged for his daughter Mona (Clara Khoury) to marry Tallel (Derar Sliman), who has since become a successful actor in Syria. Hammed has gathered the family together to see Mona off, but the occasion is a bittersweet one -- given the combative relationship between Israel and Syria, once Mona crosses the border with her husband, it's unlikely she will ever be able to return. Hammed's oldest son, Hattem (Eyad Sheety), comes back from Russia, where he now lives with his wife, but his father still refuses to forgive him for leaving the land of his birth. Marwan (Ashraf Barhoum), a younger son, is a businessman living in Italy who uses his visit home as an opportunity to visit Jeanne (Julie-Anne Roth), an American United Nations representative he's been dating. And daughter Amal (Hiam Abbass) helps her sister Mona deal with the stress and details of her big day as she struggles to live as a modern woman while married to Amin (Adnan Tarabshi), who wants his spouse to follow a more traditional path. Makram J. Khoury was ideally cast as Hammed in at least one respect -- he's the real life father of Clara Khoury, who plays his screen daughter Mona. ~ Mark Deming, All Movie Guide

An attractive widow just edging into middle age begins to explore a new side of her personality once she's on her own in this drama from Tunisia. After the death of her husband, Lilia (Hiam Abbass) finds herself at a loss for what to do with her life. Her teenage daughter, Salma (Hend El Fahem), is just old enough to be developing a life of her own, and is too busy with school and her friends to spend much time with her mother. Lilia fills the days by watching television and obsessively cleaning her home, but she feels lonely and out of sorts. Lilia begins to suspect that Salma is dating an older man, and one evening, after Salma's dancing class, she spies her leaving with a musician named Chokri (Maher Kamoun). Lilia discovers that Chokri performs at a nightclub featuring a troupe of belly dancers, and she goes to the club one night to confront him. Lilia is initially embarrassed by the boisterous atmosphere of the cabaret and the scanty dress of the dancers, but she soon finds herself drawn into the devil-may-care attitude of the patrons and performers. Lilia also finds herself becoming fascinated with belly dancing, and begins learning how to perform the sensuous dances herself; in time, she becomes a performer at the club and finds herself drawn into a relationship with Chokri. Satin Rouge was the first feature from writer and director Raja Amari. ~ Mark Deming, All Movie Guide

Following up on his directorial debut Clandestins -- about desperate refugees stowing away on a ship -- Denis Chouinard created this taut thriller about immigrants after they have arrived on Canada's shores. Ahmed Kasmi and his family fled Algeria and he is now only a week away from getting his Canadian citizenship. Ahmed's teenaged son Hafid, secretly a part of a group of militants, breaks into the immigration office and deletes databanks worth of information. Captured by security cameras, the act is broadcast throughout the country on the nightly news, just as Ahmed is practicing "O Canada" in his living room. Crushed by the stupid actions of his wayward son, he heads into the streets of Montreal in search of Hafid, where he discovers an entire underworld of radical activism and militancy that he never knew existed. He eventually hooks up with Huguette -- Hafid's girlfriend -- and the two search for him together. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Set in Palestine just before the signing of the peace accord between PLO leader Arafat and Israel's prime minister Rabin, this drama chronicles the ways in which the formal agreement affects the lives of Palestinians living in a tiny, unnamed village on the Gaza Strip. Main characters include the always upbeat former policeman Abu Said, currently a cotton candy vendor and his two cynical sons Siad, who had just been arrested by Israelis for no real reason, and the unemployed Said. Oum Said is the mother and she wants her boys to live peacefully and begin raising families and stop this nonsense about politics. Meanwhile beautiful young woman Sabah dreams of her future. Finally there is the town eccentric, Haifa who wanders about. ~ Sandra Brennan, All Movie Guide